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Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: February 24 2026 8:05 PM Title: PART 40

Time to leave the messy apartment of Victoria to visit a new place, another estate: the one of Marion. And I’m saying it right now lol, the work on the descriptions again is stunning.

First, I want to say how much I enjoy the whole vibe around the sisterhood: that old European feel with their estates and all the secrets hidden inside those old mansions. And all the mystery around it is really interesting. Every time we think we understand something, something else comes along and changes everything we believed about the secret behind this name “the sisterhood”.

I also really love the difference between Amber and Donnica. One is just amazed by this place, while the other is in a secret fight to understand this organization and find her place inside it. And I have to say, this moment is lovely it’s enjoyable to see Donnica struggle a bit and not always win.

Now it’s time for the owner of this place to appear: Goddess Marion. And I have to say, you killed it with her introduction. It’s truly the description of the descent of a goddess on earth. Something I also find funny is the opposition with Victoria regarding their beauty. Victoria used to hide everything with makeup and other stuff, while Marion embraces her beauty. I feel like that’s the main difference between weak women like Victoria, who can only pretend to be powerful through money and artifices, and true goddesses like Marion who don’t need any of that they’re naturally perfect, a piece of art traveling through the world. I don’t know if you did it on purpose, but I really loved that parallel during the description of Marion.

Another moment I loved is when Marion saw Amber. I really enjoyed it I feel like for once Amber is seen as a person and not just as the daughter of the incredibly perfect Donnica. It’s a good contrast with the first visit, which was a failure. It’s interesting to see the slow introduction of Amber into this world of domination her mother’s world and also the one of other powerful women like Marion.

After that, we continue the visit with Marion’s dressing room, and I loved that moment. The fact that the actions are seen through Donnica’s eyes is great. I loved how she sees everything like a battle while Marion is just guiding them. And I loved how important Amber is in this segment almost like she’s more important than Donnica in some way. It’s almost as if Marion is more interested in Amber than in Donnica. Maybe that’s the case maybe she wants to train her, like Lorelei and Penelope at Helena’s estate, to create a strong woman ready to rule the world after her training. So many possibilities.

After that, it’s time to end the visit with the Living Wing. A part of the estate built for tiny people, thousands of them. And I have to say, it surprised me. I expected only Helena’s estate to have a tiny city with the incredible kingdom, but no Marion has tiny people cohabiting with giantesses. Now it also explains why they want to find a way to understand the kingdom and create replicas of it, so all the most powerful women of the sisterhood can have their own version.

Another time I really enjoyed Donnica: when she saw that, she was scared it would be like the first dinner she had with Marion, with tiny people as food. It’s lovely to see her want to protect Amber and have some boundaries. Little one of course after all, not so long ago she forced a mother and her daughter to spend hours worshipping their disgusting feet and ended up farting on them.

Thankfully, Marion calmed Donnica down and told her it’s not what she thinks. After that, we go back to Amber, and I have to say I loved that moment. I like her mixed feelings towards it and the fact she first asks if this is legal she doesn’t fully understand how this world works yet.

I really enjoyed that moment through Amber’s eyes it’s lovely. The mix of feelings is funny: it’s a mix of Donnica’s power and Rebecca’s kindness. She doesn’t really know how to act, but for those tinies there is no such dilemma she is a goddess, and slowly Amber also understand it.

After that, they see a little family and the man looks like one of Amber’s professors, it’s funny. Lucky for him, Amber has no bad intentions, because the last time we saw a tiny who looked like someone a giantess knew, it was Naomi when she destroyed the tiny government facility and saw a tiny woman who looked like Victoria and took all the pleasure in the world crushing her.

I really enjoyed this moment: the confrontation between Amber and a totally new world. I hope in the future she’ll be able to see the kingdom. If she find Marion’s version incredible, when she discovers the kingdom, she’ll lose it. And I would love to have Trevor giving her a little tour of it, it could be so lovely, almost like a father-daughter moment that Amber sadly never really had. And she could  make the tinies enjoy the delicious fragrance of her teenage feet after a long day.

After that comes my favorite part of this segment: the tiny soccer field for tiny people. As a huge soccer fan, I fell in love with that. I believe I asked this question before, if tiny people also do sports, and now I have my answer.

The talk between the tiny soccer players and Amber is so funny, and Amber’s fantasies… damn, it’s hot lol. I can imagine the scene. But if the other team also had a giantess like Victoria and her slipper, Amber’s team would lose maybe. It should happen : two giantesses with tiny people, and the team that faints from the smell first loses the game.

After that, she gets closer to one of the tiny soccer players, one who looks like Rebecca, and Marion asks her to take him and look at him. When Amber hesitates, Marion becomes a bit more authoritarian. It’s interesting and could confirm my theory that she may want her as an apprentice. Also, the moment between the tiny and Anber  is great. I loved Amber being a bit cocky while she’s not even that good at soccer, and her excitement while holding that tiny girl who look like Rebecca. I can’t wait to see both of them together again.

After that, Amber is asked to go to a hot spring bath so Marion and Donnica can talk in private.

Now we’re only left with our two powerful women, and I enjoy the change. Now that Amber is not around, it shows Marion has plans for our lovely Amber. I just hope it won’t mean more suffering for Rebecca, she has been through so much.

After a bit of walking, it’s time for the meeting between the two goddesses, and I have to say I loved it. It’s funny to see Donnica a bit pissed and not in control of the entire situation. Also, Marion is a fantastic character. I really like her natural side: she knows who she is and lets things happen. She understands her own power and uses it properly, not like Helena who sometimes feels overwhelmed by all of this, or Donnica who can at times be dominated by her emotions. Marion is different. Also, the little foot rub by one of her girls is enjoyable, even if it’s not as hot as if a tiny had done it.

And then the conversation starts between the two goddesses. Another time I loved how Marion deals with it. Donnica was closed to all that fantasy after being ignored for weeks, she felt disrespected and didn’t want it. Even when Marion offers her some fantasy meal: the Concorde Vert consisting of a tiny in the middle of a grape; I loved that touch. I’m not the biggest vore fan but I like the fact that tinies are used as appetizers during the conversations of goddesses.  Donnica at first  wasn’t in the mood to eat that kind of food, she was pissed. But Marion knows how to deal with her: without even raising her voice, she makes Donnica understand she needs to listen, relax, get her feet massaged by one of her girls, and enjoy the appetizer in front of her.

And that moment is fantastic: the little glimpse into the past of the tiny who is about to be eaten by Donnica, the description of the last moments, and the little pleasure Donnica feels for just a few seconds, a life lost to please a giantess for a few seconds just because he wasn’t lucky enough to be immune. It’s even more powerful since not so long ago we saw happy tinies living in a community in harmony with giantesses, and in the same segment we see tinies used as nothing but food.

And then Marion tells her the truth: Donnica needs to rule, to own her domain, to have her subjects and rule over them. And I have to say that moment opens so many doors for the story, it’s incredible. I can’t wait to know what you’re going to do with that. The kingdom of Donnica so much potential. This moment hyped me so fucking much.

Also, another detail I enjoyed is the provenance of the tinies who composed the Concorde Vert: pro-tiny people. And I really loved that because it’s the perfect view of a dictatorship the ones who submit can live, the others are eliminated (in a more sexy way of course but still eliminated). I really loved all the layers we can read into this segment, and this ending adds so much more to it.

To conclude this review, I want to say how much I loved this segment: the work on the different characters, the future possibilities for Donnica and Amber that open so many ways for the story to evolve. The work on descriptions perfect as always, from the mansion to the tiny people to the Concorde Vert and the cruelty behind it. Now it’s time to leave this incredible place to spend some more time in Victoria’s messy and stinky world.



Author's Response:

"First, I want to say how much I enjoy the whole vibe around the sisterhood: that old European feel with their estates and all the secrets hidden inside those old mansions. And all the mystery around it is really interesting. Every time we think we understand something, something else comes along and changes everything we believed about the secret behind this name “the sisterhood”."

I’m really glad the mystery around the Sisterhood is still palpable. I want it to feel ancient and otherworldly, but without drifting too far into pure fantasy. It’s a delicate balance, so hearing that the intrigue still feels layered and unpredictable means a lot.

 

"Now it’s time for the owner of this place to appear: Goddess Marion. And I have to say, you killed it with her introduction. It’s truly the description of the descent of a goddess on earth. Something I also find funny is the opposition with Victoria regarding their beauty. Victoria used to hide everything with makeup and other stuff, while Marion embraces her beauty. I feel like that’s the main difference between weak women like Victoria, who can only pretend to be powerful through money and artifices, and true goddesses like Marion who don’t need any of that they’re naturally perfect, a piece of art traveling through the world. I don’t know if you did it on purpose, but I really loved that parallel during the description of Marion."

These are fantastic observations. I absolutely wanted a sharp contrast between the kind of “goddess” Victoria represents and the true giantesses in this world, and you articulated that divide perfectly. Women like Marion don’t need to perform divinity or prop it up with wealth or theatrics. They simply exist in it. Victoria, on the other hand, leans on status and size just to feel a fraction of that presence. I love that you caught that parallel.

 

"After that, we continue the visit with Marion’s dressing room, and I loved that moment. The fact that the actions are seen through Donnica’s eyes is great. I loved how she sees everything like a battle while Marion is just guiding them. And I loved how important Amber is in this segment almost like she’s more important than Donnica in some way. It’s almost as if Marion is more interested in Amber than in Donnica. Maybe that’s the case maybe she wants to train her, like Lorelei and Penelope at Helena’s estate, to create a strong woman ready to rule the world after her training. So many possibilities."

I’m really happy Donnica’s POV worked for you there. She’s cautious and strategic, always scanning for threats, but at the same time she’s a fiercely proud mother. That tension between suspicion and pride was exactly what I hoped would carry the early part of the segment.

 

"Another time I really enjoyed Donnica: when she saw that, she was scared it would be like the first dinner she had with Marion, with tiny people as food. It’s lovely to see her want to protect Amber and have some boundaries. Little one of course after all, not so long ago she forced a mother and her daughter to spend hours worshipping their disgusting feet and ended up farting on them."

Haha, fair point about Donnica’s hypocrisy. But I think what truly unsettled her there wasn’t humiliating the tinies on the table… it was the idea of exposing Amber to outright killing them. She has her own limits, even if they’re twisted ones. Watching her operate as a mother, with those limits in mind, was a fun dynamic to explore.

 

"I really enjoyed that moment through Amber’s eyes it’s lovely. The mix of feelings is funny: it’s a mix of Donnica’s power and Rebecca’s kindness. She doesn’t really know how to act, but for those tinies there is no such dilemma she is a goddess, and slowly Amber also understand it."

I definitely wanted that “two worlds colliding” feeling. Amber senses the power inside her (it’s almost humming) but she doesn’t fully know how to wield it yet. That internal uncertainty drives the tension in the scene. And as you noticed… she starts leaning into it more and more as it unfolds.

 

"After that comes my favorite part of this segment: the tiny soccer field for tiny people. As a huge soccer fan, I fell in love with that. I believe I asked this question before, if tiny people also do sports, and now I have my answer."

I knew that part would be a favorite of yours! It was incredibly fun to write. There’s something intense about a towering athlete with giant feet, looming over a miniature version of the sport she dominates. I leaned into that contrast hard, so I’m glad it resonated.

 

"After that, she gets closer to one of the tiny soccer players, one who looks like Rebecca, and Marion asks her to take him and look at him. When Amber hesitates, Marion becomes a bit more authoritarian. It’s interesting and could confirm my theory that she may want her as an apprentice. Also, the moment between the tiny and Anber is great. I loved Amber being a bit cocky while she’s not even that good at soccer, and her excitement while holding that tiny girl who look like Rebecca. I can’t wait to see both of them together again."

I love that you caught the irony there… Amber isn’t actually that great at soccer, but her size alone makes her feel superior. That inflated confidence mixed with genuine excitement was exactly the energy I wanted. And yes… we absolutely revisit that Rebecca look-alike later in the chapter ;)

 

"Now we’re only left with our two powerful women, and I enjoy the change. Now that Amber is not around, it shows Marion has plans for our lovely Amber. I just hope it won’t mean more suffering for Rebecca, she has been through so much."

Amber is definitely not the same girl going back to Rebecca. But Rebecca isn’t the same either. Their reunion is going to carry all of that change with it, and the shift between them will be very interesting to explore.

 

"After a bit of walking, it’s time for the meeting between the two goddesses, and I have to say I loved it. It’s funny to see Donnica a bit pissed and not in control of the entire situation. Also, Marion is a fantastic character. I really like her natural side: she knows who she is and lets things happen. She understands her own power and uses it properly, not like Helena who sometimes feels overwhelmed by all of this, or Donnica who can at times be dominated by her emotions. Marion is different. Also, the little foot rub by one of her girls is enjoyable, even if it’s not as hot as if a tiny had done it."

I really appreciate how you broke down their differences. Helena can feel burdened by the weight of her world, and Donnica absolutely lets instinct steer her at times. Marion, though, feels settled in herself. She doesn’t need to assert dominance loudly, it’s just there. And hey, even though tinies didn’t rub their feet, Marion did say they’d have some brought in later to lick them! So that’s pretty hot…

 

"And that moment is fantastic: the little glimpse into the past of the tiny who is about to be eaten by Donnica, the description of the last moments, and the little pleasure Donnica feels for just a few seconds, a life lost to please a giantess for a few seconds just because he wasn’t lucky enough to be immune. It’s even more powerful since not so long ago we saw happy tinies living in a community in harmony with giantesses, and in the same segment we see tinies used as nothing but food."

Yes, that contrast was very intentional. I love placing tenderness and coexistence right beside raw dominance and disposability. The clash between those realities sharpens both sides. A tiny life reduced to a fleeting moment of pleasure hits harder when we’ve also seen them thriving elsewhere. That tension is something I try to push throughout the story.

 

"And then Marion tells her the truth: Donnica needs to rule, to own her domain, to have her subjects and rule over them. And I have to say that moment opens so many doors for the story, it’s incredible. I can’t wait to know what you’re going to do with that. The kingdom of Donnica so much potential. This moment hyped me so fucking much."

I’m thrilled it got you that hyped, because I’m just as excited to write it. This is a massive turning point for Donnica. The idea of her not just dominating individuals, but shaping an entire domain around her, opens huge possibilities. Whether she succeeds or struggles trying… that’s where things get really interesting!

 

"To conclude this review, I want to say how much I loved this segment: the work on the different characters, the future possibilities for Donnica and Amber that open so many ways for the story to evolve. The work on descriptions perfect as always, from the mansion to the tiny people to the Concorde Vert and the cruelty behind it. Now it’s time to leave this incredible place to spend some more time in Victoria’s messy and stinky world."

This was honestly one of my favorite reviews from you. You dug into the character work, the thematic contrasts, and the future arcs in a way that tells me the segment really landed. Rebecca has dominated the spotlight in recent chapters, but Amber and Donnica are both undergoing major shifts that will ripple through everything that follows.

 

Thank you, as always. I’m looking forward to your next one already.

Reviewer: AdamX Signed starstarstarstarstar [Report This]
Date: February 24 2026 2:27 AM Title: PART 40

You truly have a way with crafting foot torture as you've shown us here, if she weren't so utterly utterly horrible I might have even for a second or two wanted to switch places with Becca. I'm not sure if this will swear her off feet for good but if/when she gets back to Amber she might need some time to steady herself before tackling those massive teenage dogs again...or ever again.

I do wonder now how many times she subjected Naomi to her feet fresh from those slippers..we haven't heard anything about it at present time but given her famously shitty nature I could see her at least forcing a few foot rubs out of the poor girl. Though knowing what we do about her that seems like the least horrible thing Naomi could be subjected to inside that nightmarish household.

Milton really...really owes Becca a lot if he makes it out of this alive. I know its not his fault and he was just in the wrong place, wrong time but I can't see Amber or Naomi or Anna keeping him around long especially in their blind rage of wanting to kick Victoria's ass for all she's put Becca through. Really feels like his best hope would be Scarlett taking care of him that is if they even have time to save him when they come for Becca...he could get left behind in more ways than one.

You also did a good job explaining how if she applied herself Victoria could find herself quite the dish, the state of unkemptness really seems her own doing and letting the world beat her down instead of using her rage and vigor to fight back against and prove it wrong. She'll learn nothing from this whenever the other shoe drops but she seems too far gone for anyone to help even if she actually wanted it.

All those poor metrosexual soy boys catching strays even, though it does seem shrinking would ruin the poor girls of Onlyfans/Findoms since they'd be too small/broke to hemorrhage money from thus likely useless. Though I assume people like Anna would make a killing breaking in the new crop of wimps for her clientele. 

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Quite a lot to unpack here...

It definitely seems like if they can't get Domica fully onboard that they will do their best to persuade Amber to come around to their way of thinking. Which given her reaction did not seem like that hard a sell, I do wonder if she would be so gung ho on it if she knew what Becca has been going through since the trip began.

Don't get me wrong I could totally see Amber in the Sisterhood just by how she acted both with her capture of Becca AND in random places like the Smoothie shop where she wanted to subject the tinies to her smelly feet before she was stopped. It did seem like she was slowly coming around to Scarlett's way of thinking beforehand though but this ego trip might have swayed her back across the tiny abuse fence.

I do however wonder if the Sisterhood did a bit of snooping beforehand as the fact that they had a tiny whom looked just like a teacher she hated ready to go, a soccer pitch AND a girl who looked just like Becca ready to flatter and kiss her ass all set up perfectly before her arrival. Knowledge of Becca would've likely been the hardest to figure out but there is the odd chance of somebody having either seen her taking her and the means she used to get things done about Becca's things etc or the big deep dive of Anna lowkey in secret being a Sisterhood trainee sent to monitor/spy on them, given her blind devotion to Domica it wouldn't be hard to see her falling under the spell of somebody like Marion.

I do admit Amber's soccer fantasy was rather hot as well.

...

Holy shit with the grapes and the reveal of WHO was inside of them, a double whammy of cruelty and really driving home how far the Sisterhood is willing to go to protect their way of life, liberty and brutal cannibalism. Which also gives me pause on if they know Amber is currently good friends WITH a tiny rights activist and they've gotten pretty close...surely they would not take kindly to Scarlett's beliefs if they already know and/or find out about them as she'd surely be a pretty big kink in their cog.

I'm not sure how Domica will react to all this as she has already shown to be quite brutal and degrading on her own but The Sisterhood putting her on the backfoot to be MORE so just to be accepted by a shadow cartel might be a little disrespectful to her once she mulls it over. Domica may not have a Kingdom like Helena or whatever Marion calls hers but she has built a tremendous empire on her without one iota of help from said Sisterhood, even full size normal people fear her and she's not even calling them Goddess/Maidens in waiting or what have you...she just rules with pure power and aura.

Plus there is still Trevor whom might like the current Kingdom he finds himself in but he's also seen the ugly side of it with the slave cages, I can't imagine no matter how enamoured with it he is that he'd want his big sweetheart to spend her days actively hunting down people marked for death just because they disagree with her stance on snuffing out their kind. He does tend to think with his penis around her as does Becca around Amber with her woman parts but there is no way deep down no matter how much good the Kingdom style does for those lucky enough to be in it does for the subjects sign off on the mindless hunting, herding and slaughter of innocent people just to find some stuck up bitches egos/lust for power and what they view as the -right- order of things.

Plus by their insane logic a woman like Victoria in all her horror and vindictiveness would be the kind of woman they'd covet if she was in anyway presentable to them beyond being a total wreck. Her views on tinies, inherent cruelty to anyone and everyone even her own daughter, willingness and creativity to manipulate to get her absolute way among other -qualities- all seem like attributes the Sisterhood would be gaga over inducting into their ranks.

Actually now that I think about it I wonder if any of the kidnapped activist were related to Scarlett's family in anyway or at least friends, something that might pop up later but a minuscule chance granted unless Domica ever spills the tea on what occured in that room.

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Becca's ability to break down even the scariest of giants should be commended no matter how her next bit of story ends, she stuck to her guns to help countless people who have totally done some right questionable things to her and stood up to some truly delusionally power hungry woman despite being the size of a flea.

Victoria's rage also cost her fifteen thousand dollars and the only thing that kept Becca tethered to showing any form of subservience to her, granted Becca is in quite the pickle now but whatever power rush Victoria held over her is gone now. She might break her physically but the mental dominance and revelation she seems to so desperately crave is gone now and only the stern defiance remains.

I fully expected either Naomi/Anna to rescue them while she was out buying more booze or for her to get arrested for her reckless driving buying some time at least for them to make a rescue attempt once it was found out she was incarcerated. Which to be perfectly honest she doesn't seem as rich/powerful as Domica or Helena or the rest of her group AND there HAS to be signs of her treatment of Naomi thus it boggles the mind how nobody has called the authorities on her even if she is somewhat rich the public menace/beating of her daughter would've surely gotten somebody to step up.

While you seemed to have -solved- the Milton problem should rescue come I wonder what possibly made Naomi enter her home -alone- without any form of help from Anna? I know it would be risky to bring somebody else around not knowing where she had Becca or what was hanging over her head but I imagine Anna wouldn't have held back beating her ass to give up any info or buy Naomi some time to search and rescue poor little Becca.

Another wrinkle I kind of see now is Becca's ties to Naomi vs Amber, while Amber loves her to death and we seen a little of her friendship with Scarlett rubbing off on her with her slight questioning of how her mother treated tinies recently. BUT given her excitement over the blind, unwavering worship that Marion's tinies had shown her it gives pause that maybe she is slowly swinging back towards the other side of the fence inching her way towards becoming another Helena in the sense of letting the adoration of people blindly and devotedly fawning over her go to her creating something that even Becca might not recognise when/if she escapes hells gates.

Naomi truly feels maybe more than anyone that she needs Becca's encouragement and guidance like never before, she's lost everything except her and Anna and has suffered more than anyone not smushed into paste during the tale. Maybe not as lovers like she is with Amber and possibly Scarlett down the road but as true friend/uplifting force in Naomi's life to help her repair it and find her way in the cruel hellscape she's been thrust into.

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The parallels between the Sisterhood and things like the Illuminati are spot on, except her the prizes on the line are living things that can fit in your pocket versus things like wealth and nepotism and so forth. It truly seems like Amber and Domica have fully switched towards Helena's way of thinking and maybe even a little past it as Domica's idea of the Kingdom feels way less kind to its citizens than the others we have seen as it would seem Domica wants all the divine perks with none to little of the wholesomeness that allows people like Kass, Mara and even Darla to thrive and contribute in their tiny lives.

I am glad to see even if the tinies went against the word about not taking them into the heated rooms after what we saw with Helena not so subtly subjecting Kass to the extreme heat a few chapters ago. I'd like to think Amber would've decided against which she did but given her slight attitude shift this chapter I wouldn't have been surprised if she had taken them in just for rush of dominance over them.

It does kind of feel in a roundabout way the big bad of the story has switched a bit from Helena to Domica if I am reading her ideas for her own Kingdom correctly, Helena only became a supreme bitch due to Celine growing bitter and distant during her mother's passing where Domica seems to fully believe and embrace her own hype and ideals without any prodding or emotional trauma...like Helena but with the gloves off or shoes in this case.

The Sisterhood praying on Amber seemed smart on their part as well given that if Domica wouldn't have played ball they would still have somebody in her direct bloodline in their good graces. Who knows if Amber will end up more powerful than her mother or the other Sisterhood members but it seems like after this experience she is on the path to becoming maybe the Greatest Goddess of all time if this segment was any indication.

It does give you pause for Trevor and Becca once they are reunited with their chosen rulers, Becca is currently suffering through hell at the hands and other parts of a tyrant with unchecked morals and now her girlfriend has seemingly embraced becoming a more prim and polished version of that very same ideal. Trevor fights for tiny rights and maybe taken by The Kingdom and a few of its citizens but will he blindly sit back and let Domica create her own version without the protections and whimsy of what Celine and her family or even Marion have built for their chosen tiny denizens.

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I had the odd inkling it -might- happen but I also thought Anna would've found a way to have her -removed- without it tying back to her or the firm in anyway, still I guess this is a karmic domino falling in that Final Wave the Sisterhood keeps hinting at which tells us if Victoria could fall could anyone...Helena has always seemed to me like somebody who might end up in the Final Wave if there is more to hit.

Which brings us to Naomi, what happens with her now as if Victoria shrank could she have the gene within herself to one day meet the same fate? Granted she'd have Anna to look after her but once Amber finds out about all this...well if she ever does it would certainly not bode well for a tiny Naomi especially given Amber's new found shall we say outlook on life thanks to Marion's helping hand.

Naomi's cold forwardness to finding out her Mother shrunk makes perfect sense as while I expected a long silieque about all the pain and suffering she'd put her through but distancing herself from any shred of emotion and power Victoria held over her seems like the most prudent move in healing her wounds.

Becca's calming powers did not seem to work for Victoria which makes me think she was too far gone to really benefit from them, the world had taken its toll and she had no more peace or love to give it. Though I now wonder if Becca can pull Amber back from the Goddesshood kick the Sisterhood sent her on, she's young still so impulse is to be expected but her buying into the beliefs of people like Helena and Marion can't be good for people like Becca or even Scarlett if push comes to shove.

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1. Again I fully expected Anna to find someway to take her off the board if she had to, be it using Domica's reach or even Helena's to make her disappear. I had an inkling some major players might shrink including Victoria so it was always in the back of my head but it did land perfectly given how shitty a person was to Naomi and now she gets to make it up to in a twisted morality sense with likely her blood and tears both of which she took from her daughter over the years.

2. I figured Milton would eventually die somehow either being forgotten with Victoria when rescue came or mindlessly crushed by said rescue before Becca could explain to them who he was and why he mattered. It made sense for the story you were telling in Becca's inner strength to stand up to insurmountable odds no matter the pain and danger she found herself in.

3A. Anna being a Deathstalker makes perfect sense giving her job as a breaker and her level of insanity at times, you could totally tell she's possibly and likely done things like this before to get tinies but also some bigger folks out of the way for clients or her own betterment.

3B. Becca's rescue was perfect, while I didn't expect Victoria to have shrunk I expected the rescue all the same. After all the shit she's been through since Amber left and honestly before even she deserved a nice moment to be appreciated and protected by the world that's taken so much from her.

4. I LOVED the slippers! I know Victoria was evil but the glee and joy she gathered from subjecting another human to her old ratty slippers and the hell they unleashed was truly wonderful for this old footfan.

5. It seemed right after all she had put Naomi though that she ended up under her thumb so to speak. The universe seems to suck a fat one regularly but in this one instance it seems to have smiled upon Naomi in a unique and for her wonderful way.

6. I have a feeling Becca might be screwed even if she doesn't realize it. Becca's new outlook screams not boding while for not only her autonomy as a tiny person but her status as a trusted, free thinking/feeling person at all. We've seen what happens when Amber got into her moods and took over Becca's entire being but she was always able to be tethered back into sanity and calm by said tiny and Scarlett. Now with this new outlook it feels like the tether is gone and Amber will rule with a smelly iron Teenage Foot from this point forward incompasing Becca and likely others like her in her own version of a Kingdom with one ruler for all with liberty for none.

7. Domica's shoes are off now and she's free to be herself more than likely ever before, this was the universe not only telling her her ways and views were right but AFFIRMING IT! She now has carte blanche to reign terror down upon the people below her with the assured reasoning of it being right as a woman of her stature, while I think Amber might be savable from her new outlook into a more softer/fairer Goddess in Domica's case it seems she is about to unleash an even MORE powerful self unto the world and there doesn't seem anyone poised to even attempt to stop her once she gets going.

8. The fact they we tiny rights activist hit harder than the initial vore given how hard and deep Marion went to track these people down and confine them to this grizzly fate. It makes you wonder with a woman like Domica's determination and will alongside the backing and reach of the Sisterhood it makes you wonder if hollowing grapes out to shove tinies into for shits and giggles will pale in comparison to what she'd have planned in her brilliant and vengeful mind.

9A. It was the natural course it seems, Domica is a woman built on power who pulled herself up through the ranks and doesn't take no for an answer thus of course she'd take Marion's words to heart and see herself as THE Guiding Force in it like the world was giving her Carte Blanche to be herself turned up to eleven. And as we know if Domica is hellbent on power and glory it would only make sense for her daughter to do the same eventually, I don't know if Amber will ever reach the heights of her mother's grandeur but the seeds are there for her not only to rule the tinies but maybe even THE Sisterhood one day given her youth and determination since the seeds have been planted and there would likely be no stopping her ascent through the ranks until she was Top Dog on the pecking order.

9B. I kind of answered this with the prior paragraph but I'd like say nowhere good for people like Becca and Trevor and possibly Scarlett givin her stance on tiny rights. It feels like in an odd sense this might be Domica/Amber's heel turn and shockingly enough people like Helena and Anna might end up being the ones who have to oppose them or talk them down from the ledge so to speak.




Author's Response:

"You truly have a way with crafting foot torture as you've shown us here, if she weren't so utterly utterly horrible I might have even for a second or two wanted to switch places with Becca. I'm not sure if this will swear her off feet for good but if/when she gets back to Amber she might need some time to steady herself before tackling those massive teenage dogs again...or ever again."

Haha, that really does seem to be the shared takeaway from the first segment: the smut landed, even if the circumstances were… uncomfortable. Still, if the foot action was strong enough that people could momentarily tolerate fantasizing about Victoria of all people, I’ll take that as a win. That’s probably the highest compliment this scene could get as a writer haha.

 

"You also did a good job explaining how if she applied herself Victoria could find herself quite the dish, the state of unkemptness really seems her own doing and letting the world beat her down instead of using her rage and vigor to fight back against and prove it wrong. She'll learn nothing from this whenever the other shoe drops but she seems too far gone for anyone to help even if she actually wanted it."

I think I read this less as “Victoria just needs to doll herself up” and more as a comment on how deeply self-sabotaging she is. She’s absolutely the kind of person who lets her bitterness rot her from the inside out. That said… I also agree that she’s probably impossible to live with on any level. Still, I won’t judge too harshly if this is secretly just you admitting you have a weakness for bitchy women ;)

 

"Don't get me wrong I could totally see Amber in the Sisterhood just by how she acted both with her capture of Becca AND in random places like the Smoothie shop where she wanted to subject the tinies to her smelly feet before she was stopped. It did seem like she was slowly coming around to Scarlett's way of thinking beforehand though but this ego trip might have swayed her back across the tiny abuse fence."

I think Amber’s relationship with Rebecca (and her friendship with Scarlett) have softened our view of her a bit. But if you go back to the early chapters, she was always capable of being extremely dominant. She’s grown, absolutely, but that edge is still core to who she is. That part of her never went away. It’s her mother in her, whether she wants to admit it or not.

 

"I do admit Amber's soccer fantasy was rather hot as well."

Nice. That was actually something I added during a rewrite because I felt the chapter needed one more spicy, indulgent foot-focused moment. Glad that instinct paid off  :D

 

"I'm not sure how Domica will react to all this as she has already shown to be quite brutal and degrading on her own but The Sisterhood putting her on the backfoot to be MORE so just to be accepted by a shadow cartel might be a little disrespectful to her once she mulls it over. Domica may not have a Kingdom like Helena or whatever Marion calls hers but she has built a tremendous empire on her without one iota of help from said Sisterhood, even full size normal people fear her and she's not even calling them Goddess/Maidens in waiting or what have you...she just rules with pure power and aura."

I think Donnica, for all her alpha energy, isn’t above recognizing truths that elevate her position. She despises being made to wait or being told what to do… but she’s also pragmatic. When the writing is on the wall (and it’s big enough!) she sees it. And what she’s seeing now is a world that’s increasingly ripe for giants like her to take far more openly. How she acts on that realization is where things are going to get interesting!

 

"Plus by their insane logic a woman like Victoria in all her horror and vindictiveness would be the kind of woman they'd covet if she was in anyway presentable to them beyond being a total wreck. Her views on tinies, inherent cruelty to anyone and everyone even her own daughter, willingness and creativity to manipulate to get her absolute way among other -qualities- all seem like attributes the Sisterhood would be gaga over inducting into their ranks."

I’m actually going to disagree with this. I don’t think Victoria would ever fit into the Sisterhood. She doesn’t rule, she lashes out… bullies. She would crush and mutilate the Kingdom if given power over it. The Sisterhood has shown genuine affection for their subjects, even as they’re ruthless toward outsiders. Victoria doesn’t differentiate. She just wants to torment tiny people, period. I think the Sisterhood would see her as crude, unstable, and beneath them.

 

"Becca's ability to break down even the scariest of giants should be commended no matter how her next bit of story ends, she stuck to her guns to help countless people who have totally done some right questionable things to her and stood up to some truly delusionally power hungry woman despite being the size of a flea."

Yeah, that really is her defining trait. Even going all the way back to the early days with Amber, Rebecca has never backed down. I think that’s why she resonates so strongly with readers. Not just because she stands up to giants, but because she does it with a moral compass that doesn’t bend just because the world is terrifying.

 

"Another wrinkle I kind of see now is Becca's ties to Naomi vs Amber, while Amber loves her to death and we seen a little of her friendship with Scarlett rubbing off on her with her slight questioning of how her mother treated tinies recently. BUT given her excitement over the blind, unwavering worship that Marion's tinies had shown her it gives pause that maybe she is slowly swinging back towards the other side of the fence inching her way towards becoming another Helena in the sense of letting the adoration of people blindly and devotedly fawning over her go to her creating something that even Becca might not recognise when/if she escapes hells gates."

That’s a really sharp observation… and yes, it’s something future chapters are going to wrestle with. Naomi’s feelings for Rebecca are real and grounded in need, not just domination. Amber’s return is going to put all of that into motion in ways that aren’t clean or comfortable. There’s a lot to watch for there, that’s for sure!

 

"It does kind of feel in a roundabout way the big bad of the story has switched a bit from Helena to Domica if I am reading her ideas for her own Kingdom correctly, Helena only became a supreme bitch due to Celine growing bitter and distant during her mother's passing where Domica seems to fully believe and embrace her own hype and ideals without any prodding or emotional trauma...like Helena but with the gloves off or shoes in this case."

Honestly, outside of truly corrosive figures like Victoria, I’m not sure there is a single “big bad” here. This story is increasingly about tiny people surviving under the shifting whims of giants… enduring whatever moods, ideologies, and hungers loom overhead. The giants’ morality exists far above the tinies, just like their bodies do. It’s less about defeating an enemy and more about surviving a natural disaster. Sometimes all a tiny can do is try not to be crushed beneath someone else’s feet.

 

"It does give you pause for Trevor and Becca once they are reunited with their chosen rulers, Becca is currently suffering through hell at the hands and other parts of a tyrant with unchecked morals and now her girlfriend has seemingly embraced becoming a more prim and polished version of that very same ideal. Trevor fights for tiny rights and maybe taken by The Kingdom and a few of its citizens but will he blindly sit back and let Domica create her own version without the protections and whimsy of what Celine and her family or even Marion have built for their chosen tiny denizens."

That tension is very much intentional. Everyone’s gone off on their own path, learned something unsettling, and come back changed. Now those paths are about to collide again. Trevor, Rebecca, Amber, Donnica… they’re all carrying new convictions, new blind spots. Watching those perspectives slam into one another is where the story really starts to spark!

 

"Which brings us to Naomi, what happens with her now as if Victoria shrank could she have the gene within herself to one day meet the same fate? Granted she'd have Anna to look after her but once Amber finds out about all this...well if she ever does it would certainly not bode well for a tiny Naomi especially given Amber's new found shall we say outlook on life thanks to Marion's helping hand."

This is a great question. We’ve learned that the virus often (but not always) runs in families, so Naomi is absolutely a question mark. We also learned through Victoria’s own inner dialogue that genetic testing exists and can estimate likelihood. Naomi, like her mother, is probably be considered low-probability… but as we’ve seen with her mother, that doesn’t make her immune!

 

"Becca's calming powers did not seem to work for Victoria which makes me think she was too far gone to really benefit from them, the world had taken its toll and she had no more peace or love to give it. Though I now wonder if Becca can pull Amber back from the Goddesshood kick the Sisterhood sent her on, she's young still so impulse is to be expected but her buying into the beliefs of people like Helena and Marion can't be good for people like Becca or even Scarlett if push comes to shove."

I really like this read. Rebecca couldn’t reach Victoria because there was nothing left to reach… no openness, no capacity for love. Whether she can reach Amber is a much messier question. Especially since Rebecca herself is, like we’ve seen in the past, clearly receptive to Amber’s dominance. That dynamic complicates everything. It’s not just about pulling Amber back; it’s about whether Rebecca even wants to.

 

"3B. Becca's rescue was perfect, while I didn't expect Victoria to have shrunk I expected the rescue all the same. After all the shit she's been through since Amber left and honestly before even she deserved a nice moment to be appreciated and protected by the world that's taken so much from her."

I’m really glad it landed that way. I worked hard to make her rescue feel earned after everything she endured. Seeing the giant world finally adore her felt like a release. Though… between Amber, Naomi, and Scarlett, she may be accumulating a little too much adoration now haha

 

"4. I LOVED the slippers! I know Victoria was evil but the glee and joy she gathered from subjecting another human to her old ratty slippers and the hell they unleashed was truly wonderful for this old footfan."

That makes me very happy to hear. It felt like one of the story’s peak foot moments, and the reaction to it has been incredibly fun to read!

 

"6. I have a feeling Becca might be screwed even if she doesn't realize it. Becca's new outlook screams not boding while for not only her autonomy as a tiny person but her status as a trusted, free thinking/feeling person at all. We've seen what happens when Amber got into her moods and took over Becca's entire being but she was always able to be tethered back into sanity and calm by said tiny and Scarlett. Now with this new outlook it feels like the tether is gone and Amber will rule with a smelly iron Teenage Foot from this point forward incompasing Becca and likely others like her in her own version of a Kingdom with one ruler for all with liberty for none."

This is where things get really complicated. We’ve already seen that Rebecca doesn’t just submit to Amber… she enjoys it, seeks it out. That makes this less about open rebellion and more about consent blurring into something deeper and more dangerous. Then there’s Annabel’s claim that Rebecca is a “natural slave.” Whether that’s ideology, manipulation, or truth is still very much in play, and it likely affects how Rebecca responds to every giant in her orbit.

 

"7. Domica's shoes are off now and she's free to be herself more than likely ever before, this was the universe not only telling her her ways and views were right but AFFIRMING IT! She now has carte blanche to reign terror down upon the people below her with the assured reasoning of it being right as a woman of her stature, while I think Amber might be savable from her new outlook into a more softer/fairer Goddess in Domica's case it seems she is about to unleash an even MORE powerful self unto the world and there doesn't seem anyone poised to even attempt to stop her once she gets going."

I love this reaction. You’re absolutely right that something has shifted in Donnica, not her dominance, which was always there, but her certainty. She sees the path now. The question isn’t whether she’ll act on it, but how she’ll choose to feed that hunger.

 

"9B. I kind of answered this with the prior paragraph but I'd like say nowhere good for people like Becca and Trevor and possibly Scarlett givin her stance on tiny rights. It feels like in an odd sense this might be Domica/Amber's heel turn and shockingly enough people like Helena and Anna might end up being the ones who have to oppose them or talk them down from the ledge so to speak."

It definitely feels like Amber and Donnica are returning with a larger appetite. Though, as you know, this story has a habit of siding with the dominant forces… or at least making them very hard to resist  ;)

 

Thanks a ton for the review. These kinds of reads and reactions are always a blast to dig into!

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: February 17 2026 11:46 PM Title: PART 40

New chapter and all I can say is: fuck, this chapter is perfect. It has everything  incredible SMUT, especially with feet (by far one of my favorite), some slice-of-life moment, stuff that’s going to change the story a lot. I honestly can’t wait to dive deeper into this chapter, segment by segment. And if this one doesn’t move the story forward that much, it more than makes up for it with how fantastic the SMUT is. Probably one of the best  if not THE best  feet content so far.

This segment starts a few days after the end of chapter 39, with Rebecca still trapped with Victoria. But now she has a companion in misfortune: Milton, the tiny guy Victoria got after spending 15k$ on a tiny woman named Aurelia… and getting totally scammed. If Milton is pathetic, he still has some use  it lets Victoria control Rebecca, or at least her body. No matter how hard Victoria tried to break the lovely tiny woman’s mind, she couldn’t… but now she owns her body and she’s gonna enjoy every second of it.

After some bullshit with a fancy gym subscription, she goes through all her stuff to find a card so she can get her money back and cancel that stupid membership. While digging, she finds a weapon of mass stinkstruction: an old pair of slippers she’s worn for years. Those things have traveled with Victoria through all these years. I have to say, I really liked this little backstory  it was actually kinda wholesome to see a moment when Naomi was able to laugh with her mom.

Sadly for Rebecca and Milton, this discovery unleashes pure hell on both tinies. Those old slippers were stashed for a reason: their smell. It turns Victoria’s feet into a fucking monster of stench, and she’s gonna make sure her feet are as tasty and nasty as possible for the two tinies. Once she’s sure her feet are ready, she shows them to Rebecca and Milton… and damn, I gotta say it again: the descriptions are pristine. The stench on those feet, all the details about the power of that reek, the way you used Victoria’s feet to show her evolution through life  it’s incredible. And of course, all the SMUT action with them… Even if I despise Victoria and was so pissed at the torture she inflicts on sweaty Rebecca, that moment was fucking incredible.

I have to say it’s probably among my favorite giantess scenarios ever: a MILF bitch wearing old slippers just to reveal her neglected, stinky feet and force the tinies to clean them and eat the toejam. And damn, you delivered even more than I expected. The way she uses Milton is really hot too  that moment she shoves him deep in her ass? Mama, so damn hot. And of course I can’t forget to talk about sweet tiny Rebecca: she could’ve just ignored Milton, let him die to have an easier time, but no. She’s ready to sacrifice herself and do the most humiliating shit for the woman she probably hates the most in the world, just to protect a lost cause like Milton. Yet even after all that, she still has the strength to fight back. Such an incredible character.

To conclude: an absolutely killer opener for this long and intense chapter. First, I wanna thank you so much — I was a bit sad that 39 had zero feet action, and damn, you made up for it big time with this segment. It has everything: stinky feet, toejam, slippers… I couldn’t thank you enough. You turned my dream scenario into reality.

Something else I love is when you use objects or body parts to describe characters, like Victoria with her slippers and feet. Next stop: Marion’s estate for a nice time with her, Donnica and Amber.



Author's Response:

“This segment starts a few days after the end of chapter 39, with Rebecca still trapped with Victoria. But now she has a companion in misfortune: Milton, the tiny guy Victoria got after spending 15k$ on a tiny woman named Aurelia… and getting totally scammed. If Milton is pathetic, he still has some use it lets Victoria control Rebecca, or at least her body. No matter how hard Victoria tried to break the lovely tiny woman’s mind, she couldn’t… but now she owns her body and she’s gonna enjoy every second of it.”

Yeah, this was exactly the problem I was trying to solve here. I needed a concrete, unavoidable reason for Rebecca to actually submit physically, to do things like lick Victoria’s feet, without breaking her character. Milton became that lever. He gives Victoria real, coercive control, not over Rebecca’s mind, but over her body and her choices. And even then, Rebecca never actually breaks. She obeys under duress, but she stays defiant where it matters, which was important for the story (and her character) I think.

 

“After some bullshit with a fancy gym subscription, she goes through all her stuff to find a card so she can get her money back and cancel that stupid membership. While digging, she finds a weapon of mass stinkstruction: an old pair of slippers she’s worn for years. Those things have traveled with Victoria through all these years. I have to say, I really liked this little backstory it was actually kinda wholesome to see a moment when Naomi was able to laugh with her mom.”

“Weapon of mass stinkstruction” absolutely killed me haha… perfect description. And yeah, those slippers are basically weaponized stinky feet at this point. I’ve wanted to work something like this into the story for a long time (stinky slippers on a middle aged giantess) so when I finally got the chance, I went all in on it. That’s why I gave it an entire segment of foot SMUT instead of just a quick beat.
And I’m really glad you caught that little Naomi/Victoria moment too. That brief, almost warm snapshot of their past was nice in a strange way… it hints at something real that once existed before everything curdled.

 

“I have to say it’s probably among my favorite giantess scenarios ever: a MILF bitch wearing old slippers just to reveal her neglected, stinky feet and force the tinies to clean them and eat the toejam. And damn, you delivered even more than I expected. The way she uses Milton is really hot too that moment she shoves him deep in her ass? Mama, so damn hot. And of course I can’t forget to talk about sweet tiny Rebecca: she could’ve just ignored Milton, let him die to have an easier time, but no. She’s ready to sacrifice herself and do the most humiliating shit for the woman she probably hates the most in the world, just to protect a lost cause like Milton. Yet even after all that, she still has the strength to fight back. Such an incredible character.”

You absolutely nailed what I was trying to do with Rebecca here. On the surface this segment is pure, unapologetic SMUT… but underneath it’s also about her will, her empathy, and the things she’s willing to do to protect others. She could have let Milton die and made things easier for herself, but that’s just not who she is. Even at her lowest, she chooses to protect someone else, even when it costs her a lot.
And that contrast (Rebecca’s dignity versus Victoria’s indulgence) was delicious to lean into. Especially knowing this was, in more ways than one, Victoria’s last moment to revel in it.

 

“To conclude: an absolutely killer opener for this long and intense chapter. First, I wanna thank you so much — I was a bit sad that 39 had zero feet action, and damn, you made up for it big time with this segment. It has everything: stinky feet, toejam, slippers… I couldn’t thank you enough. You turned my dream scenario into reality.”

I’m really glad it landed for you. I’ve been sitting on the idea of a middle aged, slipper wearing nightmare like this for a while, just waiting for the right moment to unleash it. Sounds like it was worth the wait.
Thanks a ton for the review, man… I always appreciate how thoughtfully you engage with both the SMUT and the character work  :)

 

Reviewer: Bulbi Signed [Report This]
Date: February 17 2026 2:44 AM Title: PART 40

Holy shit finally! Our dear Rebecca is saved and Victoria gets her just desserts! Let’s hope Amber never finds out! But goddamn this was a good chapter for the 40th! Poor Milton died but it was integral.The vore scene was great, stuffing tinies in grapes, what’s next, olives? And then Amber, a goddess in the making or is she already? Both her and her mother deserved to be worshiped and pampered but god do they so desperately need to be loved and worshiped by their little lovers that the so clearly miss. Can’t wait to see how this goes and how Donnica intends on making and ruling a Kingdom of her own.

Author's Response:

Yeah, poor Milton. Rebecca did everything she could to save him, but in the end Victoria’s bitterness won out. I was curious what you thought about the grape eating vore scene... it was something new I experimented with, and since I’m not naturally a vore guy, I’m really glad to hear you enjoyed it.

And yeah, Donnica and Amber have definitely changed a bit since they left. It’ll be interesting to see how they interact with their tiny lovers when they get back.

As for the kingdom (empire, really!) of Donnica... there are a lot of implications wrapped up in that ;)


Reviewer: PlanetMight88 Signed [Report This]
Date: February 17 2026 12:16 AM Title: PART 40

Rebecca is the best tiny in the story. Willing to defend another tiny from a giant.



Author's Response:

Yeah she really does have the moral compass of the story! Not hard to tell why she's such a fan favorite.

Reviewer: J - Vader Signed starstarstarstarstar [Report This]
Date: February 16 2026 11:54 PM Title: PART 40

Holy shit this was amazing dude absolutely loved every segment and how that ending felt so satisfying!! Absolutely perfect 



Author's Response:

Thanks, bro! There was a lot riding on this chapter... a major climax for one arc, and it also sets up some big things going forward. I’m really glad it landed for you :)

Reviewer: PlanetMight88 Signed [Report This]
Date: February 16 2026 11:14 PM Title: PART 40

 Great Chapter!

1. So, will any notice that Victoria disappeared? Probably not.

2. I hope Naomi doesn’t kill Victoria anytime soon.

3. I like that Donnica didn’t want to eat any tiny in front of Amber.

4. Personal theory. I don’t think the Sisterhood knows anything special about the virus.



Author's Response:

1. Probably not, lol. Her friends didn’t seem to like her much when she was around, so they likely won’t be looking too hard for her now that she’s gone. Plus, Annabel covered her tracks a bit... throwing Victoria’s clothes back in her room so it didn’t look like she’d shrunk, and taking her phone too.

2. I’d imagine Naomi and Annabel have some plans lined up for Victoria!

3. Yeah, Donnica really does seem to be walking that fine line between goddess and mother.

4. That’s a totally reasonable take... that the sisterhood is really just a group of women who just think they’re goddesses. Using the virus as a means to push their agenda!

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: February 16 2026 10:13 PM Title: PART 40

Finally, I waited for this chapter so much 

Author's Response:

Haha, it’s been a pretty tense six weeks leading up to it, hasn’t it? ;)

Reviewer: Overgulp Signed [Report This]
Date: February 13 2026 11:51 PM Title: PART 20

Just read the chapter where I met Annabel again and omg she is delightfully cruel. Didn’t expect to like her this much but here we are lol really looking foward to seeing more of her and her “business” 

also kinda wondering when we’re gonna see the next vore scene tho?? ^_^ 




Author's Response:

haha yeah Annabel becomes quite the divisive character in the story! You'll learn a lot more about her moving forward ;)

As for vore scenes I believe there is one coming up for you... and it involves Annabel!  

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: February 05 2026 5:22 PM Title: PART 39

Last segment of this chapter time goes back to Trevor, who continues his exploration of the kingdom in the company of Mara.

And I have to say, I loved this one so much. As always, the descriptions are incredible; the kingdom becomes more and more interesting as we slowly discover all its wonders through Trevor’s eyes. The fact that it’s such an opposition to everything we’ve seen in the story before gives it even more intensity. It’s like a place like that shouldn’t even exist in the dark and twisted world of DAW, but here it is : the perfect world for tiny people, the perfect place for giantesses and tinies to coexist.

We even learn more about the complexity of this place ; the parallel with the Svalbard Global Seed Vault is fantastic too  I don’t know if it was intentional, but I loved it.

Then we discover even more about how pollination works, thanks to the trees rather than bees like in our world. Once again, the kingdom amazes us. This place is truly incredible ; it’s the perfect blend of science, nature, and even religion, in perfect balance, creating the closest thing possible to heaven.

Another detail I really enjoy is that technology is limited to the bare essentials. Trevor who  thinks the giantesses are constantly watched thanks to technology just to realize it’s not the case at all  is funny. I loved that Trevor didn’t trust it at first, but he starts to, just like us readers. At the beginning, I thought the kingdom was some kind of cult designed to feed the giantesses egos, but no : this place really is paradise. I hope we don’t end up discovering a darker, more twisted side to it.

But what I love most about the kingdom is that its people truly understand what life means. They’re a bunch of happy people who enjoy life as it’s offered to them, being natural, without being forced to wear a mask to fit into a messed-up society.

Mara’s character is great too ; I love that she’s almost the complete opposite of Trevor. And of course, the whole pollination process is fantastic we can really feel the effort you put into building this segment, and it shows while reading. I just wish I could be there with Trevor and Mara watching it, but it’s only the beginning of the beauty this segment has to offer.

The Pocahontas (the Disney version, not the real story) and Avatar vibes are lovely. Pragmatic Trevor is fun too : he wants to understand everything, find answers ; he can’t just let himself go and enjoy the moment. But you can feel the kingdom and its wonders slowly changing him  he starts to relax and lower his guard, which I absolutely loved in these two segments with him.

Mara is great ; I really enjoy her story, which is once again the opposite of Trevor’s. I loved the way she sees things, and also her take on how shrinking changes humans  like her husband who tried to kill her. She tells Trevor that shrinking changes them because they lose contact with the earth. It’s interesting, even though I’m more on Trevor’s side : for me, it’s more about losing everything that defines who we are, losing that feeling of strength and security that comes with our size. But Trevor doesn’t challenge her  another great evolution. Not long ago, I’m sure he would have argued with her. He doesn’t even want to ; quite the opposite. His first reflex was to confront her, then he realizes that the real magic of the kingdom isn’t its beauty  it’s the bonds it creates between people, no matter who you are, where you come from, or even your size. Everyone can love and help each other without being judged.

Finally, Mara gets to see what she’s been waiting for so long : an eruption. And even though I already said it at the start of the review, I have to say it again : the descriptive work is fantastic.

After that, it’s time to work and document everything. Once they’re done, Mara tells Trevor the truth : the kingdom has accepted him, even chosen him, and he can no longer leave.

To conclude an incredible segment. I want to praise the descriptive work again and again everything is so perfect that we can visualize every scene, yet you still leave just enough room for our imagination to fill in the gaps. Mara’s character is fantastic and really fun to follow, Trevor’s evolution is great too. But the most intriguing part is the ending : how will he react when he has to leave this paradise to go back to Donnica ? Will he be able to abandon this place full of wonderful people where he finally feels safe ? It’s going to be very interesting to see how it all unfolds, but now we have to wait a few more days for chapter 40… damn, I’m so hyped !




Author's Response:

“And I have to say, I loved this one so much. As always, the descriptions are incredible; the kingdom becomes more and more interesting as we slowly discover all its wonders through Trevor’s eyes. The fact that it’s such an opposition to everything we’ve seen in the story before gives it even more intensity. It’s like a place like that shouldn’t even exist in the dark and twisted world of DAW, but here it is : the perfect world for tiny people, the perfect place for giantesses and tinies to coexist.”

I really loved slowly uncovering what the Kingdom actually is to the people who live there. That almost authoritarian, near-religious structure imposed by the giantesses, contrasted against how genuinely fulfilling and peaceful life feels for its inhabitants, is exactly the tension I enjoy writing. There’s danger in it, and raw ownership, but there’s also this intoxicating sense of paradise layered on top. That collision of fear, safety, awe, and desire is the emotional space I love playing in, so I’m thrilled it came through for you.

 

“We even learn more about the complexity of this place ; the parallel with the Svalbard Global Seed Vault is fantastic too I don’t know if it was intentional, but I loved it.”

That actually wasn’t intentional haha, but now that you’ve pointed it out… yeah, the Hinterlands absolutely carries that seed vault energy. A quiet, protected archive of something precious and fragile. Really sharp catch!

 

“Another detail I really enjoy is that technology is limited to the bare essentials. Trevor who thinks the giantesses are constantly watched thanks to technology just to realize it’s not the case at all is funny. I loved that Trevor didn’t trust it at first, but he starts to, just like us readers. At the beginning, I thought the kingdom was some kind of cult designed to feed the giantesses egos, but no : this place really is paradise. I hope we don’t end up discovering a darker, more twisted side to it.”

This is exactly what I was aiming for. I wanted the Kingdom to feel lived in, not like a diorama that exists only because giantesses allow it to. Stripping back the tech and removing constant surveillance gives it that almost mythic quality. It’s one thing to be enclosed by giants; it’s another to exist in a place where people have agency, where they can wander, disappear, and stumble into something wondrous or fantastical. That sense of freedom is what makes the Kingdom breathe.

 

“The Pocahontas (the Disney version, not the real story) and Avatar vibes are lovely. Pragmatic Trevor is fun too : he wants to understand everything, find answers ; he can’t just let himself go and enjoy the moment. But you can feel the kingdom and its wonders slowly changing him he starts to relax and lower his guard, which I absolutely loved in these two segments with him.”

You’re not wrong, I was absolutely leaning into those earthly vibes, so I’m glad they registered. Trevor being both the discoverer and the skeptic felt important here. I didn’t want readers to be told to lower their guard; I wanted them to feel it happening alongside him. This was a very different kind of scene for me, much quieter and less tied to the more overtly smut-heavy beats of the story, so I’m really happy it landed the way I hoped.

 

“Mara is great ; I really enjoy her story, which is once again the opposite of Trevor’s. I loved the way she sees things, and also her take on how shrinking changes humans like her husband who tried to kill her. She tells Trevor that shrinking changes them because they lose contact with the earth. It’s interesting, even though I’m more on Trevor’s side : for me, it’s more about losing everything that defines who we are, losing that feeling of strength and security that comes with our size. But Trevor doesn’t challenge her another great evolution. Not long ago, I’m sure he would have argued with her. He doesn’t even want to ; quite the opposite. His first reflex was to confront her, then he realizes that the real magic of the kingdom isn’t its beauty it’s the bonds it creates between people, no matter who you are, where you come from, or even your size. Everyone can love and help each other without being judged.”

This is a really perceptive read. Trevor does grow a lot here, but it happens quietly, without confrontation or a dramatic turning point. It’s less about having his worldview shattered and more about sitting with beauty long enough that it reshapes him. Wonder does the work here. It’s subtle, contemplative growth, and very different from how change usually happens elsewhere in the story.

 

“To conclude an incredible segment. I want to praise the descriptive work again and again everything is so perfect that we can visualize every scene, yet you still leave just enough room for our imagination to fill in the gaps. Mara’s character is fantastic and really fun to follow, Trevor’s evolution is great too. But the most intriguing part is the ending : how will he react when he has to leave this paradise to go back to Donnica ? Will he be able to abandon this place full of wonderful people where he finally feels safe ? It’s going to be very interesting to see how it all unfolds, but now we have to wait a few more days for chapter 40… damn, I’m so hyped !”

Those last lines definitely leave some weight hanging in the air, don’t they? What Mara meant, how much of it was truth versus something more… deliberate. Trevor doesn’t feel like someone who can simply stay in the Kingdom forever, but the words spoken carry a real gravity all the same.

Or maybe I’m just being a little mischievous there with some misdirection  ;)

Thank you so much for the review, seriously. And I’ll never get tired of seeing my descriptive work praised…. I spend an absurd amount of time writing and rewriting those passages, so it means a lot to see that effort noticed.

Not too much longer until chapter 40 now!

Reviewer: Overgulp Signed [Report This]
Date: February 04 2026 9:00 PM Title: PART 17

Just finished chapter 17 and damn I gotta say, that was one of the best things I’ve read involving giantess. The way you finally laid out what went down between Rebecca and Amber was crazy. Like, wow. That reveal hit hard. Your writing is seriously on another level and I don’t even know what to say besides that

I’ll be real at first I was wondering how a story this long was gonna stay interesting, but now I’m fully invested. Every chapter just keeps getting better and now I’m actually hyped to keep reading.

Appreciate all the time and work you’re putting into this, it really shows.



Author's Response:

Hey, yeah, Chapter 17 is a favorite for a lot of readers because of that scene. I still get comments about it! Definitely one of the story’s high-water marks :)

I’m really glad to hear you’re still finding the story engaging. It’s actually about to open up quite a bit for you... previous side characters (like Annabel, Donnica’s assistant) start getting much larger roles, and there are even some new faces coming in.

I’m glad you’re enjoying it, and please keep letting me know if the story continues to hold your interest!

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: February 03 2026 11:59 PM Title: PART 39

Time to go back to Rebecca and Victoria, exactly where we left them, right after Victoria received her mysterious package. After a little while, we discover what’s inside the box: a tiny. It had always been Victoria’s dream to own one just for herself, but for a long time it felt impossible. She had considered kidnapping one and enslaving him, but she was too scared of getting caught and sent to jail.

I love these little details it’s a great parallel with Donnica, Helena, Annie, and even her own daughter Naomi. They all have access to tinies, but not Victoria. She’s a coward who can only act strong around the weak. So instead, she searched online, and after a lot of digging she finally found exactly what she wanted. This whole passage is fantastic; it really feels like the descent of an addict drugs, gambling, whatever where the little fantasy starts to ruin your life, takes your money, and devours your soul. That’s exactly what happened to Victoria: in just a few weeks she spent more than $15,000 to get the “perfect” tiny woman, Aurélia.

Sadly, when she opened the box, there was no Aurélia. In fact, there wasn’t a tiny woman at all there was a tiny man named Milton. And if Aurélia was supposed to be perfect, the same definitely cannot be said of Milton: he’s skinny, depressed, and terrified.

Slowly, Victoria realizes the truth: she got scammed. When she tries to contact the guy who sold her “Aurélia,” he’s gone no trace of him anywhere. Even the emergency number is disconnected. There’s no other explanation: she’s been scammed. She spent $15,000 on the perfect tiny girl and all she got was a broken tiny man.

This sends Victoria into an uncontrollable rage. She wants to destroy everything and damn, (I feel like I say this every segment) the description of Victoria’s rage and Milton’s reaction is fantastic. You can really feel Milton’s fear rightly, so he has been kidnapped for month just to end up in Victoria place I feet so bad for him.

Another detail I loved is the little backstory about Milton’s kidnapping: he was just enjoying life, playing video games, when he randomly got snatched while going to get a drink. It’s a great way to show how tiny Americans like Lucia end up on Azurea Island.

Finally, Victoria decides she’s going to crush this pathetic excuse of a man she got instead of her perfect Aurélia. But Rebecca steps in to protect him, and Victoria realizes she can use Milton as leverage to make Rebecca obey just like she already does with Naomi. Thanks to Milton, Victoria might finally have full control over the last two women left in her pathetic life.

To conclude, this segment is really interesting. As always, I love the work on the descriptions. And I’m not going to lie seeing Victoria get scammed is deeply satisfying. Anything that makes this pathetic woman miserable is perfect. I also continue to love Rebecca even after everything she’s been through, she still risks it all to protect Milton. She could have abandoned him to save herself, but no. And that probably means Victoria will now blackmail her to keep Milton alive. And the backstory about the kidnaping of Milton is also fascinating.

Now it’s time to leave sweaty little Rebecca, tiny Milton, and pathetic Victoria behind and go back to paradise with Trevor and Mara.




Author's Response:

"I love these little details it’s a great parallel with Donnica, Helena, Annie, and even her own daughter Naomi. They all have access to tinies, but not Victoria. She’s a coward who can only act strong around the weak. So instead, she searched online, and after a lot of digging she finally found exactly what she wanted. This whole passage is fantastic; it really feels like the descent of an addict drugs, gambling, whatever where the little fantasy starts to ruin your life, takes your money, and devours your soul. That’s exactly what happened to Victoria: in just a few weeks she spent more than $15,000 to get the “perfect” tiny woman, Aurélia."

That’s exactly what I was aiming for. I wanted Victoria’s pursuit of a tiny slave to read like a true addiction, not just compulsive but intoxicating, something forbidden enough that you can feel it pooling in her stomach and overriding her judgment. Desire was a huge part of it, not just power, but that corrosive need that convinces her this one purchase will finally satisfy her.

And I really love you pointing out the cowardice angle. She doesn’t have the spine to access tinies the way most dominant giants in the story do, even Naomi, so she has to sneak, hide, and outsource her cruelty. That contrast felt important to who Victoria is at her core.

 

"This sends Victoria into an uncontrollable rage. She wants to destroy everything and damn, (I feel like I say this every segment) the description of Victoria’s rage and Milton’s reaction is fantastic. You can really feel Milton’s fear rightly, so he has been kidnapped for month just to end up in Victoria place I feet so bad for him."

I’m really glad that came through. I wanted Milton’s fear to leak off the page and into the reader, especially in those moments where her rage physically moves through the space. The idea was that when she thunders past, you almost flinch with him.

And yeah… poor Milton. He really did draw the absolute worst possible outcome after months of captivity: Victoria’s slave!

 

"Another detail I loved is the little backstory about Milton’s kidnapping: he was just enjoying life, playing video games, when he randomly got snatched while going to get a drink. It’s a great way to show how tiny Americans like Lucia end up on Azurea Island."

That honestly wasn’t something I fully clocked until you pointed it out, but you’re right. I’m really happy it helped contextualize how other tinies vanish so suddenly and end up in captivity. Sometimes those small, mundane details do more worldbuilding work than the big explanations.

 

"To conclude, this segment is really interesting. As always, I love the work on the descriptions. And I’m not going to lie seeing Victoria get scammed is deeply satisfying. Anything that makes this pathetic woman miserable is perfect. I also continue to love Rebecca even after everything she’s been through, she still risks it all to protect Milton. She could have abandoned him to save herself, but no. And that probably means Victoria will now blackmail her to keep Milton alive. And the backstory about the kidnaping of Milton is also fascinating."

Watching Victoria get scammed was incredibly satisfying to write, so I’m glad it landed that way. It felt like exactly the kind of self-inflicted disaster someone like her would walk straight into, a character who constantly blames the world while making choices that guarantee she keeps getting burned. It’s very on brand for her!

And I completely agree about Rebecca. This was a really important moment for her, showing who she is at her core. I love showing character moments like that even if they aren’t tied to larger plot points.

I’m really glad you enjoyed the backstory and the broader worldbuilding here too. This chapter gave me a lot of room to flesh that side of things out, and it’s great to hear it resonated.

Thanks so much for the review, as always.

Reviewer: AdamX Signed starstarstarstarstar [Report This]
Date: January 31 2026 1:16 AM Title: PART 39

So we finally get to the root of Victoria's evil via Facebook...not the first time this sort of thing has happened. But it does drive home just why she is a horrible shrew to everyone around her even her own daughter, the festering hatred really hits home when you see just far she's letten it drag her down. This was the part where we were meant to feel bad for her but it does seem she let herself get dragged down by her husbands inadequacies and while alone raising Naomi she was still in Domica's inner circle thus had a clear chance to better her situation if she so chose.

I feel like the part of Lucia slipped my mind but that was some truly evil stuff there which really fit with Victoria's character. Offering "Thoughts and Prayers" to the parents is also a new level of cruelty not often seen in these parts, I also weirdly have a feeling we'll be seeing them again.

Poor Becca has been through more than anyone not named Celine or dead at this point, Trevor in the slave cage even had it easier than her past couple of days. I don't know what the future holds for her but I would imagine it involves Amber punching Victoria hard enough that she loses a few teeth while Becca watches from a safe spot.

As for the package Victoria pretty much spot on said what I was thinking it was but now I'm also thinking it might be somebody we've met before in Anna's breaking regime or even Helena's estate. Either way it seems to complicate things a little for Becca if she wishes to help this new tiny escape when the time comes for her rescue.

The Lucia segment also highlights Domica's stance on tinies and the world and Victoria's. They both see tinies as inferior but Domica just sees them as a means to confirm her lavish lifestyle and standing while Victoria seems them as a way to get back at the people and universe she feels has slighted her to the point she needs to even destroy her relationship with her own daughter via her rage.

I would also say it is said rage and disdain that is driving most of her friends away leading to the never ending spiral of misery she finds herself in. I'm sure Helena would even have a spot for her if she was willing to play ball with her and lighten up on her more bothersome habits.

----

Trevor really seems to be settling into the Kingdom or it seems to be settling into him like a welcome friend, he still loves Domica but being in a place like the Kingdom allows him to be something he hasn't been in years which is a person with actual autonomy and control. He has purpose once more without needing to plead with Domica or other giants to do something or contribute he just does it without worry of a titanic foot obliterating him or a heavy hand telling him no.

The restaurant section really shows the difference between what Trevor and Becca are currently experiencing, one is enjoying the time of his life among good food, fast becoming friends and a life tinies outside could only dare to dream of. Meanwhile Becca has been suffering the unfathomable hell of both Anna and Victoria with seemingly no end in sight with all her support lines cut off currently. You really feel the weight of what people like Scarlett are fighting for and against when you put the two side by side, Domica trying to dismantle the system seems to bode somewhat unwell for the The Kingdom should she get a hold of it...I'm shocked to say she seems like the greater of two evils between her and Helena in this small sliver of existence.

The music coming from the land doesn't surprise me one bit given how gifted Celine is with her coding and naturally her Mother and Kass. I fully expect more secrets hidden in the atmosphere waiting to be uncovered as Trevor and Mara go along their journey. The world is wide open to him for the first time in years and who knows what he'll find with a guide like her helping him every step of the way.

The wholesomeness of the blueberry scene really showcased just how much the Kingdom in the -right- hands is a place of wonderment and safety for everyone who lives there but in the -wrong- hands it could be shattered in an instant. Which gives me pause in hoping things work out and maybe Celine and Helena can one day come to an understanding to keep the place alive as equals even thought that might take moving a goddamn MOUNTAIN to achieve. 

Kass and Celine feel like the front runners for Trevor's eventual love interests should he or possibly Anna/Domica seek one or continue their idea to procure him one. But after only seeing Mara for a few moments and his reactions to her simply existing with nature and everything in it she might be a dark horse for me. Not saying she'd want to be tied down given her free spiritedness but definitely the beginnings of a spark there or at-least it seemed so to me.

A brief return to the blueberry picking but seeing tinies feeling safe enough to bring NEW LIFE into the world at somewhat decent clip really goes a long way to show why we need the Kingdom. You might have to humble yourself at the mighty foot of a madwoman like Helena but compared to what else is out there for the smaller folk that seems a small price to pay if you can gain admittance to a place like The Kingdom and guaranteed safety and kinship without fear which I imagine most tinies haven't lived without in years or even decades.

---

Color me absolutely SHOCKED Victoria got scammed online and not only that but by partaking in an unregulated black market where there are little guidelines or safety nets set in for people of her ilk getting what they wanted. Really if she'd be less of a bitch I'm Domica or Helena would've given her one via the slave cage or the formers ability to hijack the system and procure whatever or whomever she wanted with ease...hell she knows Anna or at least people who know her and while they might not know she's a breaker they still know her and a cursory mention of what Victoria was looking for would've easily been attainable through her possibly vastly cheaper too but again it all predicated on her not being such a See You Next Tuesday.

Milton better hope his luck doesn't run out faster than he hoped because once Naomi lets Anna know about Becca I would guess the wheels on Victoria's wagon are gonna fall off fairly quickly especially if Amber ever gets wind of any of this. That said moments like Becca standing up her fellow tinies or Trevor doing it for Celine remind you that behind the blind worship there is still the initial passion to save their fellow little person we saw early on in the story.

I'm not sure how much longer he will last but Victoria finally has a few things going her way which doesn't bode well for anyone but I can sense she'll do all she can to keep the cards in her favor until the bigger fish return to claim what's theirs. In a way and no disrespect to Milton and his stapler but I'm glad she didn't get Aurelia like she planned since maybe I'm a little biased to the tiny ladies but she seemed much too sweet and wholesome to end up as Victoria's well fucktoy so she dodged a bullet there at least.

---

It seems like Trevor has found his Manic Pixie Dream Girl.

I was not expecting her to be a murderer but the reasoning was fully understandable and heartbreaking to see a family ripped apart by something entirely out of their control. It's rare to see Helena as a good guy in this tale but this feels like one of the rare times she definitely was, I'd hate to think what would've happened if Domica or Victoria or even Helena on one of her hunts had found Mara first.

The beauty of the Kingdom is truly awe inspiring which goes to show how amazing Celine and her mother were at creating this place and just how insane it is that it is now ruled over by Helena of all people. I don't know what happens next but I do truly hope The Kingdom ends up in good hands like Scarlett's and her families or other capable caring giants.

I'm not sure if it is love or just strong friendship but Mara truly felt like Trevor's plus one in that segment, Domica is clearly his force of nature and others like Celine and Kass sprinkle themselves in but with Mara at that moment he seemed more free than he ever had been with anyone else we've seen him interact with since.

I would almost say I am rooting for Becca and Trevor etc to end up in the Kingdom under better leadership, I know he is a tech wizard and loves his gadgets but being tiny seems to have in this rare opportunity given him a higher purpose and a chance to not only escape his old life but the perils of the one thrust upon him via Domica and other giants whom have lorded over him for most of his recent life.

---

It was harrowing but knowing most likely Becca would get her revenge as long as she simply endured helps. Not sure about Milton making it out in one piece but I trust Anna, Naomi and/or Amber herself will be on hand at one point to save her from the mighty villainess.

It hit just fine and a little better even knowing poor Aurelia won't be subjected to the horribleness of Victoria, as for the set up it was perfect that she went through all that strife and peril just to end up with literally nothing outside of her bargaining chip over Becca which only happened by accident...I could only imagine what she'd have done to Naomi if Becca HADN'T already been there when she got the hammer dropped on her purchase.

Victoria crushing them both leaves her with nothing and worse off for her no leverage over Naomi and ever worse still Domica, Amber and Anna all hot on her trail for what she had done. As for her powerplay I expect her to get as much use out of it as she can, while she can before the heroes arrive to stop her fun.

Oh no we didn't get to fap for a few paragraphs, you monster how could you!

I thoroughly enjoyed that section as it gave use a chance to see tinies as people with feelings and urgency and not just plot points when Amber wants to jam somebody between her toes or Anna wants to showcase her breaker skills. It also let us see how wonderful The Kingdom is and how we need to keep it safe from people like Helena but more so I'm feeling like Domica and Anna.

The entire run through from the diner to the berry picking to the grass colony up to the Dispersal Event was lovely, again a nice slice of life break from what tinies have to go through daily or what life would be like if people like Helena and Domica were...well not themselves.

Mara was lovely but then again most Mara's are even if I've only ever met one but this one seems truly wonderful like she was meant to help Trevor realize who he was WITHOUT Domica for the first time since before he shrank most likely. I'm not shocked she had a son but moreson what she had to do to protect him as that hit way harder than him existing.

The Kingdom citizens have no use for things like cellphones and computers since who would they have to contact as most of them likely are people who didn't really have family/friends they'd want to keep in touch with post shrinking...maybe they did but knowing what we know about big people in this world I'm guessing their happier in the Kingdom than they would be outside of it.

Plus Helena likely wouldn't want what she's doing to other non-Kingdom members to get out into the world, especially since she doesn't have Domica skills for skirting the law and coming on fresh as a daisy on the other side...well maybe a little but still things getting out and sullying her name would surely be bad for her. I also fully understand the vetting process online since Helena no how much she wished she could -can't- be everywhere thus the tinies sometimes have to come to her.

The peaceful Yin to Becca's horrible Yang worked just fine, giving the reader a chance to recover from the latter with the former.

Mara even if she's only known him for a short period sees the good in him and he was her good luck charm in finding an event she has been chasing for years. I fully understand why she wants him to stay and oddly maybe he knows he belongs there too even with Domica waiting on the outside.

I very much enjoyed the description of the Hinterlands, you did a wonderful job describing that the Kingdom was so much more than just what the surface level had shown us.

===

Your dedication to the craft is appreciated.



Author's Response:

“So we finally get to the root of Victoria's evil via Facebook...not the first time this sort of thing has happened. But it does drive home just why she is a horrible shrew to everyone around her even her own daughter, the festering hatred really hits home when you see just far she's letten it drag her down. This was the part where we were meant to feel bad for her but it does seem she let herself get dragged down by her husbands inadequacies and while alone raising Naomi she was still in Domica's inner circle thus had a clear chance to better her situation if she so chose.”

I don’t think we were meant to feel bad for Victoria at all in that moment. She’s honestly just an all-around miserable person haha. But I love that you honed in on Facebook specifically… it felt very on-brand for her to just sit there doom-scrolling, stewing in resentment, and blaming the world for how unhappy she is instead of ever taking responsibility for her own choices.

 

“Poor Becca has been through more than anyone not named Celine or dead at this point, Trevor in the slave cage even had it easier than her past couple of days. I don't know what the future holds for her but I would imagine it involves Amber punching Victoria hard enough that she loses a few teeth while Becca watches from a safe spot.”

Yeah, Rebecca has really been through the wringer. Even if you go all the way back to the beginning, Trevor was mostly dealing with Donnica being difficult and overbearing, while Rebecca was outright enslaved by a giant teenager. Hopefully things ease up for her soon… though first she’ll have to escape Victoria’s clutches!

 

“Trevor really seems to be settling into the Kingdom or it seems to be settling into him like a welcome friend, he still loves Domica but being in a place like the Kingdom allows him to be something he hasn't been in years which is a person with actual autonomy and control. He has purpose once more without needing to plead with Domica or other giants to do something or contribute he just does it without worry of a titanic foot obliterating him or a heavy hand telling him no.”

This was really important to show. Up to this point, life for tinies in the story has been pretty bleak across the board, so I wanted to finally show what things look like at ground level in the Kingdom by contrast. To pull readers in a different direction for a bit and give the place an actual purpose… to show that a tiny life doesn’t have to be constant fear and misery, that happiness and agency are still possible. I think it really rounds out the story world.

 

“The music coming from the land doesn't surprise me one bit given how gifted Celine is with her coding and naturally her Mother and Kass. I fully expect more secrets hidden in the atmosphere waiting to be uncovered as Trevor and Mara go along their journey. The world is wide open to him for the first time in years and who knows what he'll find with a guide like her helping him every step of the way.”

I love that you tied the music back to the seed code, because yeah… that’s absolutely something Theodora would have built into the land itself. I really wanted to dip into the “magic” of the Kingdom here, just wet the reader’s feet before we go deeper, and I’m really glad that sense of hidden depth and wonder came through.

 

“Kass and Celine feel like the front runners for Trevor's eventual love interests should he or possibly Anna/Domica seek one or continue their idea to procure him one. But after only seeing Mara for a few moments and his reactions to her simply existing with nature and everything in it she might be a dark horse for me. Not saying she'd want to be tied down given her free spiritedness but definitely the beginnings of a spark there or at-least it seemed so to me.”

That’s an interesting take! Mara as a dark horse love interest definitely makes sense… they click quickly, and she has this instinctive way of seeing past people’s surfaces and into who they really are. It’ll be fun to explore how those two interact as the story continues, especially given how unique her worldview is.

 

“A brief return to the blueberry picking but seeing tinies feeling safe enough to bring NEW LIFE into the world at somewhat decent clip really goes a long way to show why we need the Kingdom. You might have to humble yourself at the mighty foot of a madwoman like Helena but compared to what else is out there for the smaller folk that seems a small price to pay if you can gain admittance to a place like The Kingdom and guaranteed safety and kinship without fear which I imagine most tinies haven't lived without in years or even decades.”

Yeah, I’m really glad that landed. I wanted it to feel unmistakable that these aren’t just individuals surviving here, they’re real communities, with families forming and futures being imagined. And sure, Helena is dominating, but she’s shown nothing to suggest she’d casually harm her people. Dare I say… she might actually love them? For all her severity, the Kingdom under her rule genuinely seems like a place where tinies can finally breathe.

 

“Color me absolutely SHOCKED Victoria got scammed online and not only that but by partaking in an unregulated black market where there are little guidelines or safety nets set in for people of her ilk getting what they wanted. Really if she'd be less of a bitch I'm Domica or Helena would've given her one via the slave cage or the formers ability to hijack the system and procure whatever or whomever she wanted with ease...hell she knows Anna or at least people who know her and while they might not know she's a breaker they still know her and a cursory mention of what Victoria was looking for would've easily been attainable through her possibly vastly cheaper too but again it all predicated on her not being such a See You Next Tuesday.”

Honestly, I don’t think either of them would have given Victoria a tiny. Helena wouldn’t even look at her; Helena can be cruel, but there’s a rhythm and ideology to it. Victoria is just mean for the sake of being mean. She could never rule the Kingdom because that requires loving tinies on some level, not just using them as emotional and physical outlets. And as for Donnica, I get the sense she barely tolerates Victoria anymore. We already saw that she hasn’t really been keeping in touch, and even Victoria’s other friends are clearly drifting away (not calling her back, canceling plans, etc.) At this point, it feels like no one actually likes her… and it’s very much her own doing.

 

“I'm not sure how much longer he will last but Victoria finally has a few things going her way which doesn't bode well for anyone but I can sense she'll do all she can to keep the cards in her favor until the bigger fish return to claim what's theirs. In a way and no disrespect to Milton and his stapler but I'm glad she didn't get Aurelia like she planned since maybe I'm a little biased to the tiny ladies but she seemed much too sweet and wholesome to end up as Victoria's well fucktoy so she dodged a bullet there at least.”

Honestly, I’m not even convinced Aurelia ever existed. I’m wondering if she was just a fake profile the scammers cooked up to bait eager giants into ponying up serious money. Then they ship out some poor, less-than-advertised tiny so the buyer can’t exactly go to the police afterward!

 

“The beauty of the Kingdom is truly awe inspiring which goes to show how amazing Celine and her mother were at creating this place and just how insane it is that it is now ruled over by Helena of all people. I don't know what happens next but I do truly hope The Kingdom ends up in good hands like Scarlett's and her families or other capable caring giants.”

If you trace the history back, the Kingdom is ruled by Helena because Celine and her family gave it to her. And all things considered… life there is pretty damn good. From everything we’ve seen so far, she’s actually doing a solid job of ruling it, however uncomfortable that truth might be.

 

“I'm not sure if it is love or just strong friendship but Mara truly felt like Trevor's plus one in that segment, Domica is clearly his force of nature and others like Celine and Kass sprinkle themselves in but with Mara at that moment he seemed more free than he ever had been with anyone else we've seen him interact with since.”

I’m absolutely loving the Mara love. And yeah, calling her a dark horse earlier really fits. I had a great time writing her; she feels like someone who understands the heart of the Kingdom, the rhythm of its nature in a way others don’t.

 

“Victoria crushing them both leaves her with nothing and worse off for her no leverage over Naomi and ever worse still Domica, Amber and Anna all hot on her trail for what she had done. As for her powerplay I expect her to get as much use out of it as she can, while she can before the heroes arrive to stop her fun.”

That’s a really sharp read. Victoria might relish dominating the tiny duo, but she has to know that crushing Rebecca destroys her leverage over Naomi entirely. That said… Victoria is not exactly known for being level-headed. Hopefully nothing really pushes her over the edge before the fallout comes crashing down.

Hopefully…

 

“Oh no we didn't get to fap for a few paragraphs, you monster how could you!”

LOL Honestly, thank you for that. I do worry sometimes about the balance of smut  (I mean, it is the main reason why we’re all here) but hearing that you’re this invested in the story itself means a lot. I put a ton of thought into it.

 

“The entire run through from the diner to the berry picking to the grass colony up to the Dispersal Event was lovely, again a nice slice of life break from what tinies have to go through daily or what life would be like if people like Helena and Domica were...well not themselves.”

I’m really glad that’s how it came across. It was a big tonal shift from the other storyline, but I wanted it to function as a breather while also giving the world more shape… letting it feel lived in instead of relentlessly brutal.

 

“Mara was lovely but then again most Mara's are even if I've only ever met one but this one seems truly wonderful like she was meant to help Trevor realize who he was WITHOUT Domica for the first time since before he shrank most likely. I'm not shocked she had a son but moreson what she had to do to protect him as that hit way harder than him existing.”

That reveal was very intentionally meant to hit hard. I wanted Mara to feel calming, almost whimsical at first, so that when her backstory surfaces it lands like a punch to the gut. That contrast (kindness paired with past violence) is something I think gives both her and the world real depth.

 

“Mara even if she's only known him for a short period sees the good in him and he was her good luck charm in finding an event she has been chasing for years. I fully understand why she wants him to stay and oddly maybe he knows he belongs there too even with Domica waiting on the outside.”

She really does have that almost supernatural perception, doesn’t she? The way she sees deeply into things. Which makes you wonder how true her words actually are: that the Kingdom has accepted Trevor and that he can never leave...

 

“I very much enjoyed the description of the Hinterlands, you did a wonderful job describing that the Kingdom was so much more than just what the surface level had shown us.”

Thank you, that was definitely me tipping my hand a bit on the worldbuilding front. I had a great time expanding the Kingdom’s depth and mysteries. And there may be a few more yet to uncover…

 

“Your dedication to the craft is appreciated.”

Thank you. That genuinely means a lot :)

See you next chapter!

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: January 31 2026 12:24 AM Title: PART 39

New segment, who makes us go from the hell of Victoria place to the paradise of the kingdom; we follow Trevor who now lives in the kingdom. Most of the day he just has to leave for his daily phone call with our beloved Donnica.

And I have to say I really enjoyed this calmer segment after the first one, the way you build this segment is perfect especially the influence of the kingdom on Trevor, it’s really interesting to see how things have evolved and how the tinies have been forced to build an armor around themselves to survive in this new world but in the kingdom everything is different even if the giantesses are still here it’s not like the outside. In the kingdom the tinies can be normal, enjoying the small things of life without the fear of being crushed or just suffering from their presence.

A detail I enjoy is Trevor finding excuses to not go to work when not so long ago he said to Kassandra he couldn’t live like that; he needed to be active. It’s a little evolution that makes me smile, it’s probably a part of the armor Trevor built to survive always work, be useful, to not think about what he has lost.

Another time I have to say it: the work on the descriptions is fantastic as always from the description of the kingdom, the architecture, the reactions of the people, everything is perfect.

Now it’s time for Trevor to eat and he ends up in a restaurant with other tinies he doesn’t even know but still enjoys their company while enjoying the best food he has had in ages, and I have to say I really loved this moment. It feels so natural, we can really feel that for once Trevor can be himself without wearing his cynical armor, he is just happy without any problems for a few hours and it’s relaxing to read, it’s almost like it’s a different story: no more cruelty, no more ego wars, no more broken characters, just a simple life with people being happy enjoying what life has to offer. After the first segment and the previous chapters it’s more than welcome.

Trevor was even relaxed enough to enjoy a nap; I hope one day Rebecca will also enjoy the stuff in life she deserves more than everyone else.

After that the day was done and even if he feels a bit guilty about not joining Vikki and Ricci to work with them, he promises himself to go the next day, but when he was on his way he meets a mother and her baby who asks him to push the stroller. Another time this moment is so wholesome, we can see how people trust each other in the kingdom, it’s so different from the rest of the story and we can even extend that to our own world: people don’t trust each other anymore. This kind of little moment adds so much to the paradise vibe of the kingdom. Lucky for Trevor and for us the kingdom has so much more to offer and Trevor will discover it the next days after he heard music, and he decides to follow it to know where it comes from, so that’s how his new journey in the kingdom starts.

First, he thought it comes from Kassandra’s place making him remember everything she told him and the pain she was hiding behind her own armor. But also the guilt of Trevor  toward her, he told her stuff he regrets. It’s really interesting, I like this little sour moment in such a joyful segment, also it could be a tease for his next big mission: fix everything between the powerful and beautiful Helena and the rebellious Celine, but he will have a lot of work to make that happen but if someone can do it it’s Trevor but before that he still have a few days to enjoy the wonders the kingdom has to offer.

After that little introspection he heard the music again and went on a mission to find the origin of it and this moment is fantastic, I really enjoyed the simplicity of that moment: just Trevor looked for the music. When we know what he has been through and not even that long ago it feels so good to have some calm moments like that, also all this moment is another time so relaxing: Trevor walking in the kingdom looking for answers. After a few moments he finds some group of people also listening to the music, a little detail I enjoy is the freedom in the kingdom: everyone can be who they want to be, not a copy of the goddesses who rule the place. After a little while Trevor is interrupted by a new amazing character: Mara. She explains to him the music is called “Whispering Grass”, and it’s another wonder of the kingdom. After that they talk a bit more, Trevor discovers she is a scientist specialized in pollination, a bit later we also learn she has a kid named Matthew and it’s something great in this segment: I love the fact we have some happy children after the revelations on Rebecca, Naomi and Amber’s past, seeing children with good parents is enjoyable.

After that it’s time for Trevor to follow Mara to discover even more of the wonders the kingdom has to offer and there will be plenty in the last segment.

To conclude i want to congratulate you for this segment: it’s so different from the rest of the story but it’s still fantastic, the lighter tone of this one is great even if we still have some darkness also with the moment Trevor thinks about Kassandra and the story she told him, also I really enjoyed Trevor in this segment: it’s really nice to see him just enjoy basic stuff life can offer without being scared to be crushed, eaten or any other things giantesses can do. The character of Mara is incredible, so different from the ones we used to see in DAW but refreshing, also it’s the first segment who doesn’t show giantess being active we heard about them but not see them at all. Now it’s time to leave paradise to go to hell again.




Author's Response:

"And I have to say I really enjoyed this calmer segment after the first one, the way you build this segment is perfect especially the influence of the kingdom on Trevor, it’s really interesting to see how things have evolved and how the tinies have been forced to build an armor around themselves to survive in this new world but in the kingdom everything is different even if the giantesses are still here it’s not like the outside. In the kingdom the tinies can be normal, enjoying the small things of life without the fear of being crushed or just suffering from their presence."

Yeah, this was one of the core things I wanted to get across with the Kingdom… that contrast with the outside world. I’ve spent so much of the story showing how grim and defensive life has become for tinies that it felt important to create a place that truly is different. But I didn’t want it to just be an idealized miniature ecosystem. I wanted it to feel socially different too. People here are living meaningful lives, raising children, letting long days pass without constant fear. Seeing that come through so clearly really means a lot to me.

 

"After that the day was done and even if he feels a bit guilty about not joining Vikki and Ricci to work with them, he promises himself to go the next day, but when he was on his way he meets a mother and her baby who asks him to push the stroller. Another time this moment is so wholesome, we can see how people trust each other in the kingdom, it’s so different from the rest of the story and we can even extend that to our own world: people don’t trust each other anymore. This kind of little moment adds so much to the paradise vibe of the kingdom. Lucky for Trevor and for us the kingdom has so much more to offer and Trevor will discover it the next days after he heard music, and he decides to follow it to know where it comes from, so that’s how his new journey in the kingdom starts."

The mother and the stroller was honestly one of my favorite moments in the entire chapter, so I love that you singled it out. You’re absolutely right… the real “paradise” of the Kingdom isn’t just the environment, it’s the people and the trust they have in one another. That idea is kind of the emotional spine of the chapter, and it’s something Trevor fully realizes by the end of the last segment.

 

"First, he thought it comes from Kassandra’s place making him remember everything she told him and the pain she was hiding behind her own armor. But also the guilt of Trevor toward her, he told her stuff he regrets. It’s really interesting, I like this little sour moment in such a joyful segment, also it could be a tease for his next big mission: fix everything between the powerful and beautiful Helena and the rebellious Celine, but he will have a lot of work to make that happen but if someone can do it it’s Trevor but before that he still have a few days to enjoy the wonders the kingdom has to offer."

I really loved you picking up on that. Trevor does carry guilt once he truly understands where Kassandra is coming from, and he does look back on the moments where he snapped at her with regret. I felt like that mattered. And yes, placing that little low note after so much lightness was very intentional, it helps with contrast and pacing, and reminds us that emotional weight doesn’t just disappear because things feel safe for a moment.

And you’re right… fixing Helena and Celine would be a massive undertaking. Whether Trevor is actually up to that is another question entirely!

 

"After that little introspection he heard the music again and went on a mission to find the origin of it and this moment is fantastic, I really enjoyed the simplicity of that moment: just Trevor looked for the music. When we know what he has been through and not even that long ago it feels so good to have some calm moments like that, also all this moment is another time so relaxing: Trevor walking in the kingdom looking for answers. After a few moments he finds some group of people also listening to the music, a little detail I enjoy is the freedom in the kingdom: everyone can be who they want to be, not a copy of the goddesses who rule the place. After a little while Trevor is interrupted by a new amazing character: Mara. She explains to him the music is called “Whispering Grass”, and it’s another wonder of the kingdom. After that they talk a bit more, Trevor discovers she is a scientist specialized in pollination, a bit later we also learn she has a kid named Matthew and it’s something great in this segment: I love the fact we have some happy children after the revelations on Rebecca, Naomi and Amber’s past, seeing children with good parents is enjoyable."

I really like that too… that we finally get to see some healthy, well-adjusted children in this story for once. It’s definitely a sharp contrast to Naomi’s childhood and what’s happening over in Rebecca’s arc (yikes!)

And I’m glad that sense of calm came through for Trevor. This little journey following the music was very deliberately written as a pause, his most recent entry into the Kingdom was so intense that he was overdue for a slower, more reflective stretch. Hearing that it actually felt that way is really reassuring.

 

"To conclude i want to congratulate you for this segment: it’s so different from the rest of the story but it’s still fantastic, the lighter tone of this one is great even if we still have some darkness also with the moment Trevor thinks about Kassandra and the story she told him, also I really enjoyed Trevor in this segment: it’s really nice to see him just enjoy basic stuff life can offer without being scared to be crushed, eaten or any other things giantesses can do. The character of Mara is incredible, so different from the ones we used to see in DAW but refreshing, also it’s the first segment who doesn’t show giantess being active we heard about them but not see them at all. Now it’s time to leave paradise to go to hell again."

I’m really glad you enjoyed the chapter, and Mara especially. She was such a joy to write. I kind of think of her as the heart of the Kingdom, someone deeply in tune with its nature and its rhythm. So it means a lot that she came across as both refreshing and distinct. Variety there was important to me.

The lighter tone was very much intentional, especially with how intense everything else is around it, so I’m happy it landed.

And yeah… now it’s back to hell.

(poor Rebecca!)

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: January 27 2026 11:05 PM Title: PART 39

New chapter this time, the chapter focuses on Rebecca and Trevor, who are in completely opposite situations: one trapped in hell, the other living in paradise. But before we dive into the heavenly situation Trevor is enjoying, let’s talk about the hell Rebecca is enduring.

Unfortunately for Rebecca, nothing has improved since the end of the last chapter. She’s still trapped with Victoria, forced to do whatever that disgusting woman demands.

The chapter opens with Victoria on the phone with Sandra, who once again comes up with an excuse to avoid her. This is clearly a recurring pattern, but for once it doesn’t anger Victoria, because she has something far better to brighten her day: her new tiny slave, Rebecca.

Next, we get a deeper look into what Victoria does to both Rebecca and Naomi. What I really love about this segment is the paradox: even though Victoria has complete control, we can still see just how pathetic she truly is a total loser whose only pleasure in her miserable life comes from other people’s suffering. She torments her own daughter, Rebecca, yet no matter what she does, it will never change the fact that she’s a complete failure whom nobody wants to be around. When Rebecca and Naomi are eventually saved (and they will be, because unlike Victoria, people actually care about them), she’ll end up utterly alone, exactly like the failure she is.

As always, I loved Rebecca in this part. She sees through everything, stays strong despite this hellish situation, and refuses to be broken by such a ridiculous woman. She even finds the strength to insult Victoria and even though it costs her, every insult is another slap in Victoria’s face. The fact that even a tiny woman doesn’t respect her is humiliating.

Unfortunately, Rebecca’s bravery earns her a trip into Victoria’s ass. I have to admit, as much as I hate Victoria, her little joke in that moment made me smirk.

The descriptions, as usual, are fantastic. The scene where Rebecca is forced into Victoria’s ass is incredibly vivid you can feel the full horror of it. The details of Victoria’s daily routine are perfect; they add to her pathetic aura even more. She sits alone in her old chair, eating cheap frozen lasagna, scrolling through Facebook, and getting angry at other people’s happiness. The way she always blames everyone else instead of herself is perfect, it’s such a classic loser trait. Then she stumbles across something that amuses her: the parents of Lucia, the tiny woman she ate back on Azurea Island, still desperately searching for their missing daughter. Of course, pathetic Victoria toys with them, savoring their pain, even fantasizing about shitting on their little house and imagining telling them their daughter is inside her (okay, that moment was good).

After that, she plays with Rebecca again. I especially loved the ending of the segment, when Victoria talks to Rebecca as if she has a successful, fulfilling life compared to her tiny captive. It’s hilarious, she’s the most pathetic character in the entire series and still has the nerve to say that. What a fucking clown.

Then she gets a notification about something she’s been waiting for, and it clearly excites her. We’ll have to wait to find out what it is.

In conclusion, this was an amazing segment that perfectly captures the central paradox. I love the way you portray Victoria, we see just how pathetic she is throughout the entire segment: a bitter woman who destroyed her own life, blames everyone else, and gets off on making others suffer. She’s the definition of a complete loser, and I can’t wait to see her downfall.



Author's Response:

“The chapter opens with Victoria on the phone with Sandra, who once again comes up with an excuse to avoid her. This is clearly a recurring pattern, but for once it doesn’t anger Victoria, because she has something far better to brighten her day: her new tiny slave, Rebecca.”

I’m really glad you caught this. I wanted to establish early just how small and desperate Victoria’s life actually is, to the point where she can’t even secure a dinner date with her own friends. It felt important groundwork for that “pathetic aura” you later call out so perfectly. And yes, unfortunately for Rebecca, all that empty time and social rejection leaves Victoria with nothing but her new tiny possession to fixate on.

 

“Next, we get a deeper look into what Victoria does to both Rebecca and Naomi. What I really love about this segment is the paradox: even though Victoria has complete control, we can still see just how pathetic she truly is a total loser whose only pleasure in her miserable life comes from other people’s suffering. She torments her own daughter, Rebecca, yet no matter what she does, it will never change the fact that she’s a complete failure whom nobody wants to be around. When Rebecca and Naomi are eventually saved (and they will be, because unlike Victoria, people actually care about them), she’ll end up utterly alone, exactly like the failure she is.”

Absolutely. Victoria is someone so terrified of her own irrelevance that she has to make herself physically and emotionally huge just to avoid feeling invisible. Everything she does is a reaction to that fear. She lashes out because the world has already passed her by, and no amount of cruelty or control will ever change her real status. She can dominate others, but she can’t stop her life from slipping through her fingers.

 

“The descriptions, as usual, are fantastic. The scene where Rebecca is forced into Victoria’s ass is incredibly vivid you can feel the full horror of it. The details of Victoria’s daily routine are perfect; they add to her pathetic aura even more. She sits alone in her old chair, eating cheap frozen lasagna, scrolling through Facebook, and getting angry at other people’s happiness. The way she always blames everyone else instead of herself is perfect, it’s such a classic loser trait. Then she stumbles across something that amuses her: the parents of Lucia, the tiny woman she ate back on Azurea Island, still desperately searching for their missing daughter. Of course, pathetic Victoria toys with them, savoring their pain, even fantasizing about shitting on their little house and imagining telling them their daughter is inside her (okay, that moment was good).”

Yeah, Victoria definitely gets a few nasty jabs in here. At the end of the day, these stories are being read with our horny brains as well as critical ones, and as a character she operates exactly in that space. But you really nailed what I was aiming for beneath the shock and filth. The chair, the frozen dinner, the hate-scrolling, the quiet resentment of other people’s happiness. She was meant to feel deeply repulsive on a human level, and I’m glad that came through so clearly.

 

“After that, she plays with Rebecca again. I especially loved the ending of the segment, when Victoria talks to Rebecca as if she has a successful, fulfilling life compared to her tiny captive. It’s hilarious, she’s the most pathetic character in the entire series and still has the nerve to say that. What a fucking clown.”

This genuinely made me laugh. I love how mercilessly you drag her, and honestly, if anyone in the story deserves to be dragged straight into the dirt, it’s Victoria.

 

“In conclusion, this was an amazing segment that perfectly captures the central paradox. I love the way you portray Victoria, we see just how pathetic she is throughout the entire segment: a bitter woman who destroyed her own life, blames everyone else, and gets off on making others suffer. She’s the definition of a complete loser, and I can’t wait to see her downfall.”

Once again, you absolutely nailed it. I really enjoyed this review, you can feel the genuine contempt bleeding through it, which is exactly the reaction I was hoping Victoria would provoke. Thanks so much, and I’m really looking forward to your thoughts on the rest of the chapter.

Reviewer: PlanetMight88 Signed [Report This]
Date: January 27 2026 12:38 AM Title: PART 39

Neat Chapter.



Author's Response:

Thank you! :)

Reviewer: J - Vader Signed starstarstarstarstar [Report This]
Date: January 26 2026 11:27 PM Title: PART 39

This was fantastic dude Rebecca and Victoria segment was amazing and the Trevor and the kingdom segment was great too 




Author's Response:

Thanks, man. The story has grown so much that there’s a ton to expand on now. I just hope it’s still entertaining!

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: January 26 2026 11:18 PM Title: PART 39

More Victoria i'm so happy (NO)

Author's Response:

Yeah, I thought you’d be ecstatic! Aren’t you the leader of the Victoria fan club? :o

Reviewer: Bulbi Signed [Report This]
Date: January 26 2026 11:05 PM Title: PART 39

Oh. My. God. 

That was PHENOMENAL!!!

Coming in HOT with the smut between Rebecca and Victoria. Holy it’s perfect. Poor little Rebecca getting absolutely ate up my Victoria’s asshole and pussy. And while there was no farts I do liked how you wrote the Lucia’s parents segment. Was great compensation! I am amused that we got a Milton character now, shitty for him yes but at least he’s making Victoria mad which is good for all of us readers to sympathize on. Fuck Victoria! 

And my brother, you could definitely write a god tier book that doesn’t even involve smut with you actual master class story and background descriptions. Felt like I was in some magical fantasy work with Trevor and Mara at the end there!

KEEP UP THE GOOD WORK!



Author's Response:

Thanks so much for the kind words, man!

Honestly, I was really curious how you guys would react to Victoria’s little fantasy about what she’d do to Lucia’s parents, so I’m glad you enjoyed it. And yeah... Milton ending up in Victoria’s clutches is *definitely* a rough fate.


"And my brother, you could definitely write a god tier book that doesn’t even involve smut with you actual master class story and background descriptions. Felt like I was in some magical fantasy work with Trevor and Mara at the end there!"

I really appreciate that. I put a lot of work into those sections... yeah, they’re not the most fetish-forward parts, but they do a ton of heavy lifting for the world and the characters.

Thanks as always!

Reviewer: Overgulp Signed [Report This]
Date: January 26 2026 3:09 AM Title: PART 15

that vore scene was so good omg. have you ever thought about doing a story thats more vore focused?? because i would 100% read that. the buildup you wrote just made it way better honestly. seriously amazing story man, can’t wait to read more!!



Author's Response:

Haha, I’m glad you enjoyed it! Funnily enough, the chapter I’m about to release actually references that vore moment you read.

As for vore-centric stories, I’m not sure I’ll be writing one anytime soon. I wouldn’t really consider vore one of my primary draws in the fetish, though I will say my interest has definitely grown since I started writing giantess erotica, haha. But no worries, there are a few more vore scenes coming up, and you won’t have to wait nearly as long for the next one ;)

Thanks for the kind remarks... they really mean a lot. Please feel free to comment more; it goes a long way in keeping me motivated!

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