Date: November 16 2025 9:49 PM Title: PART 36
Well that was an exceptionally hot, interesting and informative chapter. We delved deeper into just what imprinting is, and just like what Rebecca Surmised, Trevor is indeed imprinted. Now the question is, do all tinies imprint in one form or another. Cause if they do, than can I just say killing them for your pleasure or indifference or throwing them out like trash (By the way, that scene was hot, and yet I felt for both girls, kind hope some one, maybe a janitor would find poor Sasha while emptying the trash and then take her and keep her and love her.) is just a waste. I love dominating tiny's, and I know its a staple of the genre, but damn, have a heart lady.
Though is it just me, but man wild shrinkies (heh) are not very up on keeping themselves safe. If I was that small, and I was very dependent on the laws keeping me safe, you dam right I am keeping up on what law applies to what area. Like damn, it would be like walking right into a lions den and thinking it was a zoo.
So, Annebella if you try to drive a wedge between Amber and Rebecca, I will find a way to reach through the 4th wall and end you. Man Anebella is bright enough to see the train wreck coming if anyting were to happen to Rebecca and Donnica was involved even just peripherally. But she can't help herself she has to meddle. I really hope she crashes and burns on this along side Naomi. Sorry I just cant stand Naomi. Great charracter terrible person.
So now trevor and a return of cecil and an exploration of just what the kingdom is. If I was understanding all the poetry talk correctly, (by the way I loved the way you described things) the kingdom was supposed to be a refuge for tinies all around the world, But something happened and instead of being owned and ran by tinies, the evil women illuminate got ahold of it. I love the description of the computer program that is the heart of this place. Even by Cecil, its treated as if holy. Undefiled by the cruel evil giants. The one thing she has left of her Mother. Also I am wondering is Helen her sister. That would be diabolical if that was the case. So much worse than a cell indeed.
By the way the punishment seen was hot. And don't think I didn't catch that tease with water sports. You have now teased us twice on that front and you had better deliver. (I kid, write what you are comfortable with.)
I feel for Rikki and Vikki. I really do, they are just so ( I want to say innocent, but that isn't the right word for they are far from innocent.)
Also Trevor has a heart of gold man, but I still dont think he has fully realized what the world is changing into. And honestly I at this point I don't see how can make a positive impact big enough to really matter. Also I am not a big fan of spanking so that was in my mind to far and yet just perfect for self called gods to act.
Honestly would it be to much to ask for Amber and Scarlett to be the only women to not shrink and they end up being the true gods of the world.
Author's Response:
That tossing-in-the-trash part was hot, wasn’t it! Years ago
I was talking with a girlfriend who was into giantess stuff, and she was
complaining about someone at work. I asked if she’d step on her and she just
went, “No, I’d toss her in the trash because that’s what she is,” and
holy shit I found that soooooo hot. It stuck with me forever. Some lines just
hit you in the right feral part of your brain. I was so happy to actualize it
in the story!
" Though is it just me, but man wild
shrinkies (heh) are not very up on keeping themselves safe. If I was that
small, and I was very dependent on the laws keeping me safe, you dam right I am
keeping up on what law applies to what area. Like damn, it would be like
walking right into a lions den and thinking it was a zoo.”
I think most tinies would be careful… these two were
just unbelievably dense. Like, impressively dense. And Annabel made sure they
understood that, loud and clear. Their little mistake cost them in the most
brutal way possible.
"So, Annebella if you try to drive a wedge between
Amber and Rebecca, I will find a way to reach through the 4th wall and end
you."
Readers are furious with Annabel right now, and
honestly, fair. Rebecca has been through enough. She deserves happiness.
…so hopefully nothing more bad will happen to her.
…hopefully.
"So now trevor and a return of cecil and an
exploration of just what the kingdom is. If I was understanding all the poetry
talk correctly, (by the way I loved the way you described things) the kingdom
was supposed to be a refuge for tinies all around the world, But something
happened and instead of being owned and ran by tinies, the evil women
illuminate got ahold of it. I love the description of the computer program that
is the heart of this place. Even by Cecil, its treated as if holy. Undefiled by
the cruel evil giants. The one thing she has left of her Mother. Also I am
wondering is Helen her sister. That would be diabolical if that was the case.
So much worse than a cell indeed."
Yep, That’s the way Celine explained it. The Kingdom was her
mother’s dream (built for tinies, meant to be the one place on Earth
where they were safe and sovereign) until Helena and the Sisterhood stole it
out from under her.
And bro, Helena secretly being her sister would be
diabolical in ways I don’t even want to imagine… especially considering the sex
scenes they’ve shared. YIKES is right.
"By the way the punishment seen was hot. And don't
think I didn't catch that tease with water sports..."
Keep reading ;)
"I feel for Rikki and Vikki. I really do, they are
just so ( I want to say innocent, but that isn't the right word for they are
far from innocent.)"
Ricci and Vikki are absolute angels and I will personally
defend their honor. (Okay, maybe “angels” with little horns. But still.)
"Also I am not a big fan of spanking so that was in
my mind to far and yet just perfect for self called gods to act."
Same… spanking isn’t a real life kink for me, but in size
erotica it becomes this perfect humiliation tool. The scale makes it hit
different, literally and figuratively. I’m really happy with how that whole
punishment sequence turned out, and Severina is definitely going to be
leaning into her strict-parent vibe as she rules the Kingdom.
"Honestly would it be to much to ask for Amber and
Scarlett to be the only women to not shrink and they end up being the true gods
of the world."
if only it could be so!




[Report This]Date: November 16 2025 8:25 PM Title: PART 36
THIS WAS AMAZING
the many reveals from this chapter was awesome the back and forth between ideals of tiny freedom or enslavement was very interesting
the Annabel and Amber conflict will be fun to see !
also yes fart scene you love to see it lol
the ending was great and the introduction to the new characters (goddesses) was great addition
overall great story and chapter
Author's Response:
Thanks, man!
I really enjoyed weaving in the philosophies about servitude
and how they connect to being tiny. Kassandra is such a fun character for
Trevor to bounce off of, and those scenes are always a blast to write.
And the fart scene… haha, I knew you’d appreciate that. You
definitely crossed my mind while I was putting it together ;)
Thanks as always for the support!
Date: November 16 2025 7:59 PM Title: PART 36
One more thing,
I think Annabel is tempting fate here. Her interfering with Rebecca could backfire on her. Like Amber said she is her daughter and Donnica will chose her first. I also like how Amber is disgusted by Annabel calling her sister.
Author's Response:
I agree… Annabel is definitely walking a fine line. But I
also think she genuinely believes she’s doing the right thing, which honestly
makes it a bit more dangerous. I’m curious how far she’ll take it.
Date: November 16 2025 7:51 PM Title: PART 36
Great chapter. I have a few things to say.
1. There maybe some future division in Donnica’s law firm and sisterhood. Juliette can’t stand Donnica and her group. Along with Avery.
2. Is Celine being serious when she says the citizens in Helena’s kingdom eat the crops that are fertilized by the goddesses crap? If so that’s gross and surprised no one is sick.
3. I find it interesting that Felicity and Severina can decide what to do with Celine despite Helena owning her.
4. Is Trevor really imprinted? If not it could be possible. Celine is a very strong woman and took months for her to be imprinted. Maybe if Trevor was in the same situation he can be imprinted.
5. It’s Pretty funny that Trevor got spanked.
Author's Response:
- Things are definitely heating up in the office! Can anyone bring a little peace, or at least some mediation…?
- Celine
doesn’t strike me as the lying type, so I think she’s being serious when
she says the goddesses’ waste fertilizes the Kingdom’s crops. And
honestly, the tiny people wouldn’t get sick from it! Using human waste as
fertilizer has real historical precedent… like in feudal Japan, where
limited grazing land meant fewer animals and “night soil” became a common
alternative. So it actually lines up!
- Good
catch! I wonder if something is going on there. Felicity and
Severine seem pretty high up in the Kingdom’s hierarchy, so maybe they
have special privileges. And the way they referred to Celine as the “Table
slave”… I wonder what that means???
- According
to Kassandra, he is, but nothing is confirmed yet. Imprinting seems to
have a wide range of intensities, and it can apparently be triggered by
all kinds of factors. Trevor doesn’t seem as outwardly suggestible as
Celine or the two Donnica imprinted on earlier, but Kassandra did mention
“direct and indirect” imprints… so who knows!
- Haha
yeah, that cracked me up! And unlike Annabel’s spankings, he definitely
didn’t enjoy that one.




[Report This]Date: November 16 2025 5:55 PM Title: PART 36
48k words? And the size of this second segment, oyu really don't make it easy for the review, but I can't wait to dive into it and review everything.
This year was also not the best on my side but meeting you was a big highlight. I spent so much good time speaking with you. You even make me discover Baseball and the Toronto Blue-Jays, even if it kind of fucks up my sleep schedule lol .
Thanks you bro for everything can't wait to follow the story for a long time and keep speaking with you. Loves ya bro; your an incredible writer and an even better person.
Author's Response:
Thanks, man! I really appreciate the kindness.
It’s been a rough year, and getting to know you has honestly
been a highlight… especially riding out all the highs and lows of the Blue Jays
season together haha.
And about the reviews: if I can write the segments, you can
definitely review them. So get at it :p
Much love, brother.




[Report This]Date: November 16 2025 9:25 AM Title: PART 35
After reading S4, I have a lot of thoughts (mostly revolving around Annabel herself), but I'll start by answering the question you left at the end of your end notes: Why did Annie put Rebecca back? And, just to be super annoying, I'm going to answer it with another questions!
Why wouldn't she?
Because, the way I see it, nothing good (from Annie's perspective) can come from her doing anything else. If Rebecca were to go missing and be killed, that's not going to help Amber get closer to Donnica. It would only serve as a "distraction" for the teenager: something to pull Amber's attention away from Donnica at best and cause the teen to be hostile toward her mother because of the stress at worst.
And exposing Rebecca to Donnica, especially right then and there at the dinner, would only make things worse between the mother and daughter as well. Donnica would likely be quite upset that Amber was keeping this from her, let alone that a little "creature" was living in her house, and that would no doubt start a massive fight! Not to mention that, with Scarlett there as a witness, anything they would have done to Rebecca would have been subject to the law (because I don't see Scarlett or Amber letting Rebecca out of their sight, and they would absolutely turn Annie and/or Donnica in if they hurt their precious little love interest).
There's no scenario where Rebecca not being exactly where Amber left her produces a positive result, and Annie is smart enough to know that.
So what will Annabel do with this new information?
That "for now" seems to indicate, to me at least, that Annie is going to use it to blackmail Amber into being a "better' daughter to Donnica. I'm not completely certain this is what she's going to do, but the way Annie left things seemed to imply a threat, and I think a control freak like Annabel would gladly use the threat of exposing Rebecca to Donnica to get Amber to make Donnica feel like a better mother (especially with the two of them about to go on that trip together).
Maybe Annie is thinking that keeping Amber's secret might bond them, which would present an opportunity to "properly educate" Amber about tinies. That Annie discovered this secret by invading Amber's privacy would seem to make that highly unlikely, but Annie is pretty unhinged (as Rebecca felt), and I could see this being a workable idea in her head. Perhaps even more scary, I could see Annie pushing so hard that she actually has some degree of success ... eventually, especially if Rebecca and Scarlett get a little too close.
Or perhaps Annie picked up on Scarlett caring deeply for the tiny in Amber's room and already believes that some infidelity might be in their future. This would be a bit of a reach, but between Scarlett constantly looking back to Amber's room and Annie noting how easy it was to read her, I could see it. And if the problem is about to take care of itself, why not just sit back and wait to pick up the pieces afterward. Maybe her plan is to have a heartbroken Amber hand Rebecca to her.
But it could be something else entirely. All I know is that by the time we see Annie again, she'll have a plan in her mind, if she didn't already at the end of this chapter.
Also, you mentioned how you tried to ratchet up the tension of Annie's investigation in this segment and wanted to know if that came through? Mission accomplished, man! I was feeling it from the those first moments with Annie on the elevator, going over her intentions in her head. It's kind of scary spending so much time in her pretty head ... but it's fun (and hot!), though!
I think the primary source of the tension was the fact that we knew Annie was off by a mile as to the issues between Donnica and Amber, so everything she was about to do, all of the peaceful, fun gentle stuff she was about to disrupt, was all going to be for nothing anyway. She was looking so intensely, pretty much ruining much of the dinner, yet we already knew that her search was never going to bare any real fruit. There's something about that eager pointlessness that I found unsettling, like knowing only bad things were about to happen with no possible silver lining visible over the horizon.
As for Annie herself, this segment left me with a lot of questions regarding her background. The way she expected Donnica's household to work implies that she had things kind of rough growing up. Nothing abusive, mind you, but not entirely unlike what Donnica herself went through.
For example, the fact that Annabel couldn't understand why Amber and Scarlett weren't in the kitchen to keep Donnica company as she cooked was kind of weird, right? Annie expected them to be there, though, and she seemed almost offended that they weren't. Now maybe some of that is her devotion talking, but, to me, it came off as much more than that. It seemed as though Annie had be raised to believe that this was "improper."
I also think the way she looked to Donnica to control the conversation at the dinner table at times backs this up as well. Hell, Annie seemed so dead set on "exposing" the girls' secret in front of Donnica at first, seemingly because she thought that Donnica would put an end to the problem (I.e. Scarlett) as soon as :"the truth" was spoken aloud. Annie even mentioned in the narrative that there were certain ideologies that Donnica "wouldn't allow" in her household, as though Donnica could simply control Amber's very thoughts. Even the way she asked to use the bathroom, extremely proper and with full manners, seems to imply that such things were drilled into her.
When you pair this with other things we know about her, such as her obsession with the meticulous and organized (remember how she flipped out seeing Naomi's backpack? She was offended, almost physically hurt, seeing the state that Naomi kept things) and her controlling, unhinged nature, I think there was something ... odd about the way her parents raised her. I'm not quite sure what it is (and I could easily be wrong), but I think there's something that runs deep inside Annabel, something that was put in her a long time ago, and it guides her every action even now.
And I think that's part of why she can't see that she's on the wrong track with Amber.
The way she thinks a proper daughter should behave is not only off, but it's not what Donnica wants for Amber at all! So Annie has severely misdiagnosed the problem here, and that means she has zero chance of finding the right solution.
Of course, Annie's devotion to Donnica and her closed-minded, ignorant views on tinies doesn't help, either.
As soon as Annabel found out that Scarlett was pro-tiny rights, everything else was viewed through that lens. Tinies became the focal point of her investigation, and, as we know, THAT'S NOT THE PROBLEM HERE! Granted, Rebecca has helped give Amber the courage and confidence to speak up to her mother when being pushed in a direction that she doesn't want to go in life, but the larger problem, that feeling in general, has always been there. Annie is too devoted to Donnica to even consider the possibility that her goddess-mother might be the cause of her own problem, something I think Annie would have considered if it had been anyone else she was trying to help.
Meanwhile, as Annie is making everyone uncomfortable by "probing" Scarlett's pro-tiny beliefs, she missed obvious clues that would have pointed her toward that real problem, such as the tense exchange between Donnica and Amber before Amber opened the door to "greet" her and, more glaring, Donnica asking about the road soccer match from the previous week because she heard that it was thrilling. Never once did Annie wonder why Donnica herself wasn't there to watch. Never once did Annie consider how disengaged Amber was from the whole evening, from barely paying attention to Annie as she buried herself in her phone after answering the door to only really speaking up at dinner to defend Scarlett. Hell, the fact that Amber didn't have a real social media presence probably should have been a clue that there's something deeper going on with her, something personal rather than political.
But Annie, normally razor sharp, missed all that because she was too focused on how Amber should act versus understanding why she might be acting the way she was, because she couldn't entertain the possibility that Donnica might be the one driving the wedge between them (without even knowing it), and because she's so focused on her anti-tiny beliefs that, as soon as something that contradicted them entered Amber's general orbit, that became the only thing she considered relevant to all of this.
It hurts seeing my brilliant Annie holding herself back so much!
Oh, and before I move on from Annabel, I noticed that she was described as tall here (and I think that's been mentioned about her before). I'm curious if you have a particular height in mind when you write her.
Also before I move on, I wanted to assure you that the tension in that scene in which Rebecca gets discovered was, well, tense! From those booming footsteps before she even entered the room to the "measured" way she made her way to the desk and started moving things around to pulling the book away and plucking her up to that massive voice almost being indiscernible in its deafening volume as it ran through Rebecca's body, every word of this was gripping! Every word Annabel spoke had me wondering what she was going to do next, and the unsettling way she just put Rebecca back (even if it made logical sense) was chilling in and of itself!
You absolutely nailed this scene!
Okay, moving on to Donnica, I loved her at the beginning of this segment! She was maybe the most of her "inner" self as we've seen her. She was happy, relaxed, and understanding. She wasn't worried about control or being a goddess; she was just trying to be a good mother. If she was like this more (like a lot more), she wouldn't have the problem she has with Amber. But man, she was so sweet as she moved about the kitchen, making sure everything was perfect! Also, don't think I missed you making sure her footsteps were still powerful, even without any tinies around to feel them!
Even at the dinner she was relaxed and trying, really trying, to engage with Amber and Scarlett. The only time she was commanding at all was when she reined in Annie a few a times. And maybe the way she described the GRSP case and gently compelled Scarlett to agree may have approached that, but she wasn't forceful at all in that moment. It was more her charm and the "airtight" way she laid things out, hiding her real intentions for undoing the GRSP.
But yeah, I always love to see this side of Donnica come out, so I was happy to see it here!
I'm really curious to see what role, if any, Trevor plays in this Annie/Rebecca/Amber/Scarlett web that you're weaving. Seeing him try to get Annie under control and cut her probe off at every turn was cool, especially when he had had enough and really put his foot down (although he was still gentle about it), so much so that Donnica even acknowledged it.
But man does he know Annie well! He knew she had a problem with Scarlett right away and didn't like it. He knew she was planning something the whole time (which Donnica never seemed to notice), and he knew Annie was up to no good when she "went to the bathroom." Trevor is so damn smart, but more than that, he really, truly cares about Annie, to the point that he's inside her head. While this was frustrating in the moment, watching Trevor know something bad was happening but being unable to stop it, it was also really sweet to me!
Seeing Scarlett try to balance being polite, dealing with the confusion that Donnica isn't the monster she thought she was (at least not all the time), and defending her beliefs was a lot of fun to watch. Like Trevor noted, Scarlett isn't a debate expert, but she held her own pretty well, I thought! It was also interesting hearing that her parents are professors at Brookhaven University (I'm legitimately curious if we'll see more of this place or if this was just name-dropped to give Scarlett's moms a "tangible" place to work) studying tiny and giant relationships. Seems fitting, given who their daughter is!
Also, I was intrigued with how much attention was paid in the narrative to Scarlett and Trevor really connecting. I'm not surprised that they did, necessarily, but I get the feeling that this connection might be relevant to later developments in the story, which really gets me wondering about just how these arcs might cross in the future.
But it was also sweet to hear about Amber, Scarlett, Rebecca, and Trevor all getting along! It seems like the bond between Amber and Trevor is still strong from the sound of it, and the fact that Trevor giving Rebecca a true sense of calm made Scarlett like him even more was so fucking adorable! Scarlett's got it bad! And as worried as I am about what will happen if/when Rebecca and her do something about that, I can't help but want to see it!
Oh, but back to Trevor and Scarlett, that Scarlett felt so comfortable around him in such a short amount of time was pretty awesome! She was even the one carrying him to dinner (until Annie stepped in!). I can't explain why, exactly, but I just really like that these two are getting along so well!
So yeah, I finally finished your longest chapter yet (until you drop the next one tomorrow/later today!). Despite the length, every word was really engaging, and, as usual, I feel like there was a lot of stuff hidden behind them. And after everything we saw here (especially that story-altering ending!), I'm really psyched for the anniversary chapter!
Author's Response:
"After reading S4, I have a lot of thoughts (mostly
revolving around Annabel herself), but I'll start by answering the question you
left at the end of your end notes: Why did Annie put Rebecca back? And, just to
be super annoying, I'm going to answer it with another questions!
Why wouldn't she?"
I’d say this (and everything you went on to explore
afterward about why she left her) is fairly near the mark. Nothing good could
have come from not putting her back. Annie is devoted, and she can absolutely
be ruthless… but beneath all that is a sharp, calculating intelligence and an
intuitive read on people. Except, of course, when her goddess-mother is
involved. Then all that clarity gets… foggy. (Something you point out really
well later in your review!)
"So what will Annabel do with this new
information?"
That’s the million-dollar question, isn’t it? And I don’t
think even Annabel herself knows how to answer it cleanly. The fallout from
this little episode is going to be messy… a handful of volatile personalities
suddenly thrown into conflict. Who knows how they’ll react?
Not me!
(okay, maybe I do, but you get the point.)
"Also, you mentioned how you tried to ratchet up the
tension of Annie's investigation in this segment and wanted to know if that
came through? Mission accomplished, man! I was feeling it from those first
moments with Annie on the elevator, going over her intentions in her head. It's
kind of scary spending so much time in her pretty head ... but it's fun (and
hot!), though!"
I was genuinely curious how readers would take this segment,
especially since the dinner had been teased for two chapters. I wondered if
people were expecting it to focus more on Donnica, Amber, and Trevor together…
when in reality it turned into an Annie chapter through and through. Less
“slice of life,” more taut wire being pulled tighter and tighter. Hearing the
tension landed for you is amazing to me, this segment got so many
rewrites to get the pacing right.
"I think the primary source of the tension was the
fact that we knew Annie was off by a mile as to the issues between Donnica and
Amber, so everything she was about to do, all of the peaceful, fun gentle stuff
she was about to disrupt, was all going to be for nothing anyway. She was
looking so intensely, pretty much ruining much of the dinner, yet we already
knew that her search was never going to bare any real fruit. There's something
about that eager pointlessness that I found unsettling, like knowing only bad
things were about to happen with no possible silver lining visible over the
horizon."
YES.
You have no idea how relieved I am you picked up on this
tension. I worried some readers might take the narrative misdirection at face
value, that because the story frames Scarlett as “the problem,” people might
assume she actually was. Because the story was telling them so. I
layered the scene specifically to create that sense of mounting futility you
describe, and seeing it be the first thing you mention made me grin so hard.
"As for Annie herself, this segment left me with a
lot of questions regarding her background. The way she expected Donnica's
household to work implies that she had things kind of rough growing up. Nothing
abusive, mind you, but not entirely unlike what Donnica herself went
through."
I loved reading this… and the whole train of thought that
followed. I always get such a kick out of readers trying to reverse-engineer a
character’s history based only on their behavior. You’re very perceptive here.
I won’t go too deep into the weeds yet, but your speculation was delicious to
read.
"As soon as Annabel found out that Scarlett was
pro-tiny rights, everything else was viewed through that lens. Tinies became
the focal point of her investigation, and, as we know, THAT'S NOT THE PROBLEM
HERE! Granted, Rebecca has helped give Amber the courage and confidence to
speak up to her mother when being pushed in a direction that she doesn't want
to go in life, but the larger problem, that feeling in general, has always been
there. Annie is too devoted to Donnica to even consider the possibility that
her goddess-mother might be the cause of her own problem, something I think
Annie would have considered if it had been anyone else she was trying to
help."
Very on the mark, haha.
And yes, that contradiction is exactly what makes Annabel
such a blast to write (and hopefully read!). She can deduce someone’s entire
life story from watching their elbows move at the dinner table… yet the moment
Donnica is involved, that brilliance gets completely scrambled. It’s her one
glaring blind spot, her own Achilles heel almost. And watching how all that
intelligence bends itself into knots around her devotion is one of my favorite
things.
I’m curious what lengths she’ll go to in her fanatical devotion…
"Meanwhile, as Annie is making everyone
uncomfortable by 'probing' Scarlett's pro-tiny beliefs, she missed obvious
clues that would have pointed her toward the real problem, such as the tense
exchange between Donnica and Amber before Amber opened the door to 'greet' her
and, more glaring, Donnica asking about the road soccer match from the previous
week because she heard that it was thrilling. Never once did Annie wonder why
Donnica herself wasn't there to watch. Never once did Annie consider how disengaged
Amber was from the whole evening, from barely paying attention to Annie as she
buried herself in her phone after answering the door to only really speaking up
at dinner to defend Scarlett. Hell, the fact that Amber didn't have a real
social media presence probably should have been a clue that there's something
deeper going on with her, something personal rather than political."
I love that you caught these little interactions. I always
try to seed moments of relationship subtext between characters even when
they’re not the main focus… especially Donnica and Amber. Things like Amber’s
reluctance to answer the door were intentionally placed as small tells, and
seeing you pull on every one of them is incredibly gratifying.
"Oh, and before I move on from Annabel, I noticed
that she was described as tall here (and I think that's been mentioned about
her before). I'm curious if you have a particular height in mind when you write
her."
That’s definitely an error. Annie’s always been medium
height in my head. If you have the passage handy, let me know where it popped
up so I can fix it!
"Also before I move on, I wanted to assure you that
the tension in that scene in which Rebecca gets discovered was, well, tense!
From those booming footsteps before she even entered the room to the 'measured'
way she made her way to the desk and started moving things around to pulling
the book away and plucking her up to that massive voice almost being
indiscernible in its deafening volume as it ran through Rebecca's body, every
word of this was gripping! Every word Annabel spoke had me wondering what she was
going to do next, and the unsettling way she just put Rebecca back (even if it
made logical sense) was chilling in and of itself!"
This was the climax of the entire segment… the moment all
that slow-building pressure finally snapped. I’m so glad it hit for you. And
yes, we’ve talked before about how giant, booming, almost unintelligible voices
are chef’s kiss, so seeing you call that out made me smile.
"Okay, moving on to Donnica, I loved her at the
beginning of this segment! She was maybe the most of her 'inner' self as we've
seen her. She was happy, relaxed, and understanding. She wasn't worried about
control or being a goddess; she was just trying to be a good mother. If she was
like this more (like a lot more), she wouldn't have the problem she has with
Amber. But man, she was so sweet as she moved about the kitchen, making sure
everything was perfect! Also, don't think I missed you making sure her footsteps
were still powerful, even without any tinies around to feel them!"
It’s always a treat to let that softer, more domestic side
of Donnica peek through. There’s something oddly hot about that maternal
version of her; all that dominance channeled into care and oversight instead of
command. But yeah… I had to toss in a few thunderous footsteps even without
tinies present. Still have to remind everyone who she is ;)
"Even at the dinner she was relaxed and trying,
really trying, to engage with Amber and Scarlett. The only time she was
commanding at all was when she reined in Annie a few a times. And maybe the way
she described the GRSP case and gently compelled Scarlett to agree may have
approached that, but she wasn't forceful at all in that moment. It was more her
charm and the 'airtight' way she laid things out, hiding her real intentions
for undoing the GRSP."
You caught one of my favorite moments… that GRSP speech
where her maternal warmth, her lawyer brain, and her goddess-presence braided
together into something calm, persuasive, and quietly powerful. She wasn’t
commanding… she was leading. And she’s dangerously good at that.
"But man does he know Annie well! He knew she had a
problem with Scarlett right away and didn't like it. He knew she was planning
something the whole time (which Donnica never seemed to notice), and he knew
Annie was up to no good when she 'went to the bathroom.' Trevor is so damn
smart, but more than that, he really, truly cares about Annie, to the point
that he's inside her head. While this was frustrating in the moment, watching
Trevor know something bad was happening but being unable to stop it, it was also
really sweet to me!"
Trevor knows Annie better than anyone, which is especially
funny considering how she views tinies. Writing him trying to reel her in
throughout the evening was a highlight for me. And yeah, his insight into her
comes entirely from love.
I’m very curious how he’ll react when he finds out what
happened to Rebecca…
"Seeing Scarlett try to balance being polite,
dealing with the confusion that Donnica isn't the monster she thought she was
(at least not all the time), and defending her beliefs was a lot of fun to
watch. Like Trevor noted, Scarlett isn't a debate expert, but she held her own
pretty well, I thought! It was also interesting hearing that her parents are
professors at Brookhaven University (I'm legitimately curious if we'll see more
of this place or if this was just name-dropped to give Scarlett's moms a 'tangible'
place to work) studying tiny and giant relationships. Seems fitting, given who
their daughter is!"
Oh, we just might be going to Brookhaven when it’s time to
meet Scalett’s moms. And if we do it could be very… interesting.
"But it was also sweet to hear about Amber,
Scarlett, Rebecca, and Trevor all getting along! It seems like the bond between
Amber and Trevor is still strong from the sound of it, and the fact that Trevor
giving Rebecca a true sense of calm made Scarlett like him even more was so
fucking adorable! Scarlett's got it bad! And as worried as I am about what will
happen if/when Rebecca and her do something about that, I can't help but want
to see it!"
There’s a writing rule that says: if you want readers to
love a character, show them being loved through someone else’s eyes. Scarlett
lighting up at how calm and safe Rebecca felt around Trevor was exactly that.
And yes… Scarlett and Trevor clicked instantly.
Will anything come of it? Hmmm.
"So yeah, I finally finished your longest chapter
yet (until you drop the next one tomorrow/later today!). Despite the length,
every word was really engaging, and, as usual, I feel like there was a lot of
stuff hidden behind them. And after everything we saw here (especially that
story-altering ending!), I'm really psyched for the anniversary chapter!"
Thank you so much for this segment review (and all the
others). These chapters are beasts to write and edit, but I work hard to
keep filler nonexistent so the length still feels worthwhile… I hope! Neurotic
writer brain always worries, of course, so your kind of thoughtful engagement
is a massive relief.
And honestly, the way you “get” Annie made my day. She needs
someone in her corner now that she’s set her eyes on Rebecca. (Some other readers
are not happy with her!)
Can’t wait to hear your thoughts on the anniversary chapter




[Report This]Date: November 15 2025 2:01 AM Title: PART 35
Last segment of this incredible chapter – this time both our trios from the first and second segments finally meet each other.
But before all of that, the main guest has to join the party in the person of Annabel.
And I love all the preparation for this dinner for Annie. Even though it’s just a simple dinner, the fact that everything becomes so important to her when Donnica is involved is incredible.
Also, the fact she gives herself the mission to find out what’s wrong with Amber is really funny, she is truly devoted to Donnica. I was joking about a cult in segment three, but Annie could genuinely create an entire cult for Donnica.
Her search to find what’s wrong with Amber is pure Annie-style: she gives her absolute best, scrolling through every post on Amber’s social media, checking who she’s with, especially during her travels for soccer matches… and she finds someone.
The cutest of them all: Scarlett. And what she discovers is interesting to say the least, and could explain the distance between Amber and Donnica. Because Scarlett and her family are pro-tiny and fight against everything Donnica, and Annie even more, believe in.
I find it fascinating to see how deep it goes for Scarlett. We already knew she was pro-tiny, but with this part we realize how central it is for her and her two moms; it’s literally all they believe in. It’s also great to see a different view of the world, and not just the cruel one we’re used to seeing with Donnica, Annie, Helena, and everyone around them.
I also loved how Annie gets absolutely pissed after seeing all of that, it’s so funny watching her go all in like that. But even with all the evidence, she still can’t be sure whether Scarlett is really the one “corrupting” Amber’s mind. After all, Amber is as discreet as possible, even on social media. So the only way for Annie to get to the bottom of it is to see both Amber and Scarlett in person… and the dinner at Donnica’s condo is the perfect opportunity.
And it’s time for Annie to enter. She’s welcomed by none other than Amber herself, and I have to say I really like this moment. First, the contrast between the two girls: Annie acting like it’s the most important dinner of her life, while Amber is just being a regular teenager in her comfy clothes. I also loved the moment when Amber doesn’t understand why Annie is so over-the-top happy to see her – it’s such a sweet little beat.
Something I loved a lot is Donnica. It’s amazing to see her as a normal woman cooking for her loved ones. I loved how natural she is, so different from the larger-than-life image we get through Annie’s descriptions. The fact she’s barefoot is a nice touch too (especially for a foot lover like me).
The way she acts like a real mom is also great: letting the girls have fun with Trevor instead of forcing them to help, which is exactly the opposite of what Annie expected. I hope she stays like this more often. I would love to see a good relationship develop between Donnica, Amber, and who knows, maybe even Rebecca in the future.
After some work talk between Donnica and Annie, it’s finally time for dinner… and it’s going to be something.
Annie doesn’t waste a second to make her presence known. The moment she sees Trevor being carried by the cute Scarlett, she loses it and asks to take him. Trevor’s reaction is perfect too he can already senses something’s wrong with Annie, and his usual humor is perfect.
The fact that Annie believes she’s on a sacred mission to protect Donnica and her family from Scarlett is just perfect. I love how messed-up she is all the time.
Something great as well is the parallel with Scarlett, who is just enjoying the moment and not thinking about any of this (even though Annie will soon put her through an interrogation). I really like the contrast between Scarlett and Annie – it’s so well done. We can see all the differences between these two characters even before they speak to each other.
The moment Scarlett remembers her afternoon with Trevor, Amber, and Rebecca is wholesome. I hope we see more of this group later in the story.
Her personal question about Donnica is also great; it’s interesting to see her working through the ideas she have about Donnica and what she stand for. And still be friend with her daughter without trying to change her is great. Even if a certain secretary believes the opposite. And realizing Donnica isn’t quite the monster she expected is great too.
I really enjoy the different reaction of all the protagonist, Donnica acting like the perfect housewife, Trevor’s reactions are fantastic as well – it’s so good to see all the characters behaving so differently. It’s funny that he can tell something’s wrong with Annie just by looking at her; it shows how well he understands her… and that she’s up to no good.
Finally, Annie can’t hold it in anymore and goes after poor Scarlett. She bombards her with questions designed to trap her and force her to reveal her convictions about tinies. Even when Trevor tries to save the day, Annie is smarter than that ,she knows exactly which buttons to push to make someone react.
And it works. Scarlett mentions what her moms do for a living, and Amber’s reaction is priceless – it completely shatters Annie’s theory. She realizes Scarlett isn’t the one influencing Amber… but that doesn’t stop her from continuing to go after Scarlett anyway. I also loved when Scarlett stands up for her convictions, even against Donnica, saying tinies are creatures instead of people. It reminds me of the first time Rebecca met Donnica at the ball, though the power dynamic is a little different this time.
Donnica is amazing in this segment too. We see how smart she is – she knows exactly how to talk to Scarlett without hurting her feelings. It’s an interesting dynamic. Trevor trying to stop the whole thing and give Scarlett some breathing room is fantastic; you can already feel he likes her, and the fact he’s impressed by her is great. It’s almost like a father stepping in for his daughter and realizing she doesn’t really need him and watching her proudly.
Sadly for them, Annie is not the kind of person who gives up easily. After a while, she figures everything out: Scarlett isn’t the one with the secret, it’s Amber, she owns a tiny, and Donnica doesn’t know it.
I have to say, the way you built all of this is perfect: the provocations toward Scarlett, the slow realization of the truth… absolutely flawless. We can really feel Annie as a predator who never lets go until she’s caught her prey.
Then comes the best part of the segment: the confrontation between Rebecca and Annie. Everything is perfect – from Rebecca’s perspective, who had enjoyed the day and even wait Amber’s return with a surprise she cleans her shoes, to the slow realization that something bad is coming her way.
The pressure keeps building the whole time; the rhythm is perfect; we feel the tension rising along with Rebecca. I also loved the little detail of describing each character’s different way of walking small touch, but perfect.
And here comes the predator stalking her prey: slow, steady, relentless. Describing everything through Rebecca’s eyes is masterful, as is comparing Annie to all the giantesses Rebecca has crossed paths within the story. All that tension, like a cat playing with a mouse… it’s mind-blowing.
Reading that moment, I genuinely felt helpless, begging for Annie to leave Rebecca alone. And she does… but only after threatening her. Leaving Rebecca alone in the dark with nothing but fear.
In conclusion: a perfect end to an incredible chapter. This one is flawless, the character work, the emotions, the tension throughout the dinner and beyond, and that final hunt where Annie tracks down Rebecca… among the best writing I’ve ever seen. The rhythm, the tension in that last scene – we’re as helpless as Rebecca, fear being the only emotion left. Also, even though I like Annie, she really pissed me off in this segment going after two of my absolute favorite characters. Even if she isn’t the center of this segment, I really love Donnica here. With just small moments we see her switching between her masks so naturally: the kind mother, the politician who knows exactly how to wield words, and the more dominant side we’ve known since the beginning. Now I just have to wait (impatiently) for the next chapter!
Author's Response:
"Also, the fact she gives herself the mission to
find out what’s wrong with Amber is really funny, she is truly devoted to
Donnica. I was joking about a cult in segment three, but Annie could genuinely
create an entire cult for Donnica."
Yes, Annabel takes her servitude to Donnica VERY seriously
haha… sometimes a little too seriously…
"Her search to find what’s wrong with Amber is pure
Annie-style: she gives her absolute best, scrolling through every post on
Amber’s social media, checking who she’s with, especially during her travels
for soccer matches… and she finds someone."
Totally agreed! Annabel is very thorough when she
commits to something. She doesn’t half-ass anything… even when she’s not
exactly suited for the job haha.
"I find it fascinating to see how deep it goes for
Scarlett. We already knew she was pro-tiny, but with this part we realize how
central it is for her and her two moms; it’s literally all they believe in.
It’s also great to see a different view of the world, and not just the cruel
one we’re used to seeing with Donnica, Annie, Helena, and everyone around
them."
Yeah, I love writing Scarlett and letting her worldview seep
into the story. And honestly, we’ve only skimmed the surface with her.
There’s so much more of her and her life coming.
"And it’s time for Annie to enter. She’s welcomed by
none other than Amber herself, and I have to say I really like this moment.
First, the contrast between the two girls: Annie acting like it’s the most
important dinner of her life, while Amber is just being a regular teenager in
her comfy clothes. I also loved the moment when Amber doesn’t understand why
Annie is so over-the-top happy to see her – it’s such a sweet little
beat."
This scene was so fun to write! Amber has no idea
what’s about to hit her at dinner… meanwhile Annie’s been preparing for this
like it’s a holy pilgrimage haha.
"Something I loved a lot is Donnica. It’s amazing to
see her as a normal woman cooking for her loved ones. I loved how natural she
is, so different from the larger-than-life image we get through Annie’s
descriptions. The fact she’s barefoot is a nice touch too (especially for a
foot lover like me)."
I loved writing her like this too! Seeing her maternal side
is such a breath of fresh air… and yes, her walking around barefoot is always a
bonus ;)
"Annie doesn’t waste a second to make her presence
known. The moment she sees Trevor being carried by the cute Scarlett, she loses
it and asks to take him. Trevor’s reaction is perfect too he can already senses
something’s wrong with Annie, and his usual humor is perfect."
Yeah, Trevor adores his Annie, but he also has an internal
“Annie craziness meter,” and it absolutely maxes out the second he sees her
here. I love that he instantly stands his ground with her.
"The fact that Annie believes she’s on a sacred
mission to protect Donnica and her family from Scarlett is just perfect. I love
how messed-up she is all the time."
Same! Her being so wonderfully, consistently messed-up is
one of the most fun things about writing her. I’m so happy that’s something you
love about her too! :D
"Her personal question about Donnica is also great;
it’s interesting to see her working through the ideas she have about Donnica
and what she stand for. And still be friend with her daughter without trying to
change her is great. Even if a certain secretary believes the opposite. And
realizing Donnica isn’t quite the monster she expected is great too."
Yeah, this was an important segment for Scarlett. Like we’ve
seen, she’s pro-tiny rights, so it’s natural to wonder how she could be close
to Donnica’s daughter. I really enjoyed stepping into her perspective and
getting all that out on the page. She’s such a wonderful character to write!
"I really enjoy the different reaction of all the
protagonist, Donnica acting like the perfect housewife, Trevor’s reactions are
fantastic as well – it’s so good to see all the characters behaving so
differently. It’s funny that he can tell something’s wrong with Annie just by
looking at her; it shows how well he understands her… and that she’s up to no
good."
As a writer, this kind of comment means so much. I put a ton
of work into making sure every character has their own distinct voice and
“internal rhythm,” so seeing that come across clearly is incredibly rewarding.
"And it works. Scarlett mentions what her moms do
for a living, and Amber’s reaction is priceless – it completely shatters
Annie’s theory. She realizes Scarlett isn’t the one influencing Amber… but that
doesn’t stop her from continuing to go after Scarlett anyway. I also loved when
Scarlett stands up for her convictions, even against Donnica, saying tinies are
creatures instead of people. It reminds me of the first time Rebecca met
Donnica at the ball, though the power dynamic is a little different this time."
Yeah, Scarlett’s always been shown as sweet, so giving her
this burst of conviction (her steel, her protective streak) was really
satisfying. There’s a quiet, almost maternal force in her, not unlike Rebecca,
and it was finally time to show that.
"I have to say, the way you built all of this is
perfect: the provocations toward Scarlett, the slow realization of the truth…
absolutely flawless. We can really feel Annie as a predator who never lets go
until she’s caught her prey."
Hearing this genuinely makes me so happy… I worked over that
dinner scene a lot to get the tension right. Annie needed to feel
relentless, and I’m thrilled that came through.
"And here comes the predator stalking her prey:
slow, steady, relentless. Describing everything through Rebecca’s eyes is
masterful, as is comparing Annie to all the giantesses Rebecca has crossed
paths within the story. All that tension, like a cat playing with a mouse… it’s
mind-blowing."
This is such high praise! That final sequence took a ton of
fine-tuning to get the sensory pacing right, so seeing it land like this is
incredibly validating.
"In conclusion: a perfect end to an incredible
chapter. This one is flawless, the character work, the emotions, the tension
throughout the dinner and beyond, and that final hunt where Annie tracks down
Rebecca… among the best writing I’ve ever seen. The rhythm, the tension in that
last scene – we’re as helpless as Rebecca, fear being the only emotion left.
Also, even though I like Annie, she really pissed me off in this segment going
after two of my absolute favorite characters. Even if she isn’t the center of
this segment, I really love Donnica here. With just small moments we see her
switching between her masks so naturally: the kind mother, the politician who
knows exactly how to wield words, and the more dominant side we’ve known since
the beginning. Now I just have to wait (impatiently) for the next
chapter!"
You know, I usually prefer ending on softer or emotional
beats, not cliffhangers… but this one definitely had cliffhanger energy. I’m so
glad it worked for you! And I love that you singled out Donnica as well, she
had some great little moments in this dinner even though she wasn’t center
stage.
Thank you so much for this incredible review! I love these
deep dives into the segments, and luckily you didn’t have to wait long for the
next chapter haha ;)
Thanks as always, man!




[Report This]Date: November 14 2025 10:33 PM Title: PART 35
Her breath could revive Kassandra. It could not banish her own demons.
This quote perfectly epitomized what I think is the theme of S3: false divinity.
Because yeah, Helena put Kassandra in a spot that endangered her life just to feel like the goddess she thinks she is, using her breath to save the tiny (which, admittedly, is incredibly hot gentle!). However, reality comes crashing down when it comes to her actual problems. This "goddess" stuff has gone to Helena's head to the point where she actually believes she's divine, and I think that only feeds into the moments where her mortal ass crashes out all the more!
As for the breath thing itself, that's like if I took a blind person and guided them to the middle of a crosswalk, let them stand there for a second, and then "saved" them seconds before the light turned! Exploiting someone's disability and then helping them deal with the situation you put them in anything but divine. It's kind of gross, from a strictly moral perspective (but, again, really, really hot from a fetish one in the case of the breath!). It's really pretty pathetic to have to put Kassandra in that kind of position just so that Helena can feel better about herself, isn't it?
And I'll touch on this more in a minute, but Charity deciding that a wedding should be annulled and that she should wed Rowan with Iris (because fuck poor Estelle!), all because of a God damned TV show she watched as a kid, fits this false divinity mold as well. The way the tinies mindlessly go along with these giant like mindless drones, only for the "goddesses" to mistake this for true worship and love really shows the critical flaw in the whole Sisterhood setup: They're all pursuing a love that isn't real rather than a relationship in which they can't assume total control. It leaves the whole concept of subjects and Kingdoms hollow in a way they just refuse to accept.
But back to Helena's false godhood, I found it beautifully ironic that Celine's words tore down Helena's divine façade, only for Kassandra to put the pieces of Helena back together in a way that suits the tiny little mastermind. You know, at first, when we all started talking about Kassandra manipulating Helena just to get more Trevor time, you would kept coming back with your usual "are you sure that's what's going on?" or "what do you think is really happening here, I dismissed it as more vague-an-ese on your part.
But now I see it. I think Kassandra was doing much more than finding a way to keep Trevor around longer as she played Helena's ego like a cliché fiddle. We found out that Kassandra seems to know quite a bit about how The Sisterhood operates, and, based on the way Helena tried (and failed) to scold her for inquiring about goddess things, it sure seems like she's not supposed to know any of that. And the fact that Helena said that Kassandra got away with it with that same calm confidence she always uses in those situations, it sounds like it's pretty routine of Kassandra to "innocent" her way into knowing these things.
And then there's the way she uses Helena's "divine" ego against her here. Kassandra led Helena to water and basically dunked her head under until she drank, and all in a way that was so indirect that Helena actually felt like prolonging the Status-C investigation was her idea when it clearly wasn't. Shit, Helena deemed Kassandra worthy only to know that "her goddess" had figured things out, condescendingly acting as though Kassandra's own idea was above her understanding! Yet Kassandra's response was equally as condescending: "I'm sure she did." I fucking love it!
But taking a step back and looking at this in the context of the larger story, I'm really starting to think that Kassandra might actually be the brains behind the operation here. I mean, after Helena had been talked up when we first met her, we came to find out that she was a constant failure in her family's eyes, never meeting their standard and having to lean on the shoulder of Celine, her supposed rival, in order to keep herself up against the pressure. Not only that, but Celine dismantled her so easily the last time we saw those two together, with Helena only "escaping" from the mental barrage because Celine, the tiny "slave" that Helena constantly tortures, felt sorry for her.
This is the one running The Kingdom? This is who is on the verge of joining the Inner Circle, which, as far as we know, is supposed to run the world after the "Final Wave"? This is the person going toe-to-toe with Donnica, finding a way to make the least bendable person in the world bend to her will?
Because suddenly I'm having a hard time seeing it.
I said back when we first saw Helena messing with Celine (nameless at the time), that she was pathetic. I feel that way moreso now, but instead of the laughable variety, I kind of just feel sorry for her. She wants a seat at the big table, and she's given up everything (read: Celine) to get it, but now she's cracking under the pressure of it all.
I just feel like the lack of patience and the way she's let the situation get to her, not to mention that she had to be spoon-fed the solution, aren't the traits I'd expect to see from someone who made it this far on her own (and it's not like this is the first time we've seen her cracking, either).
And then we saw Kassandra so masterfully manipulate Helena, not even showing a single sign that Helena putting her in that spot bothers her, letting her "weakness" put Helena at ease around her, make Helena feel superior when she's anything but that mentally when weighed against Kassandra. Fuck, I'm starting to wonder if Kassandra actually likes Trevor or is using him to some other end at this point. Maybe she thinks he can actually crack the SEED code? Or perhaps she sees Trevor as a way to manipulate Donnica, who is indisputably the real prize here as a Matriarch.
So yeah, that's my conspiracy theory for the day: Kassandra just might be the real one running everything through an ignorant, weaker-than-she-realizes Helena. I could be way off, but that's where I'm leaning at the moment.
Back to Charity and company, we got to see a little more of The Sisterhood's philosophy, and man is it ridiculously selfish! To tell goddesses-in-waiting that the simple act of wanting something makes it right is the equivalent of indulging children until they're spoiled rotten. This actually kind of explains Penelope a little bit (although admittedly her fellow goddesses-in-waiting appear to be more disciplined, at least on the surface). Governing on a whim is hot, sure, but it's massively impractical and shows how little the goddesses actually think of the subjects they claim to love.
And as I touched on above, it also feeds into their perverted beliefs about love itself. Charity was so busy being happy that she could give "Jasper" the happy ending that she wanted for him, that she gave no thought to what she was doing to Estelle, ripping her husband away from her for such a stupid reason. And Helena and Charity took the three subjects' blind obedience as love and gratitude, two things The Sisterhood doesn't seem to know a lot about. Helena needs that empty worship because she's using it to try to fill the void left in her because of The Sisterhood's own teachings (which likely led her to to turn on Celine).
Still, we saw a softer side of Helena, choosing to let Charity become a goddess of "love" instead of the hardass she was trained to be by Penelope's mother, who sounds like a really big fucking deal. The Matriarch of England. Well shit, it sounds like that's an even rarer thing than I thought, and I believed it to be pretty rare from the start. Am I reading that right? England only has one Matriarch? Seems like Donnica might have some real "negotiating power" once she figures this out!
Closing out the segment, we see Helena lament over Kassandra not having a man. The fact that Helena rejected so many suitors, all of them brought by goddesses who weren't part of The Kingdom, does say a lot about how much Kassandra has Helena wrapped arou ... er, how much Helena cares about Kassandra!
But I find it interesting that, in S2, we see Donnica and Annie talking about getting Trevor someone that's not quite a sex slave but will fuck him and be loyal to Donnica, and now we're seeing Helena desperate to find Kassandra a suitor she'll actually love (after seemingly exhausting conventional options). Kassandra and Trevor seem drawn to each other; Kassandra fits what Donnica and Annie want for Trevor to a tee (or at least appears that way); Annie seems destined to fail finding such a tiny woman through shady backchannels; and while both Donnica and Helena would hate those two getting together, but seem to need to get closer together for the time being for different reasons. Hmmm ... Nope! Nothing to see here!
Lastly, if I can backtrack to the very beginning of the segment, holy fuck did you paint a gorgeous picture of the sauna. I mean, you're descriptions in general are usually stellar, but every once in a while, one stands out above the rest. This is one of those times. Beautiful, scared, and divine all in one, you really made that room feel fit for a (fake) goddess!
Author's Response:
"Because yeah, Helena put Kassandra in a spot that
endangered her life just to feel like the goddess she thinks she is, using her
breath to save the tiny (which, admittedly, is incredibly hot gentle!).
However, reality comes crashing down when it comes to her actual problems. This
"goddess" stuff has gone to Helena's head to the point where she
actually believes she's divine, and I think that only feeds into the moments
where her mortal ass crashes out all the more!"
It was hot, wasn’t it!? And honestly, despite all
that goddess delusion ballooning Helena’s ego… if it’s hot, it gets a pass. At
least for us readers! Maybe not so much for the tinies who have to endure the sweltering
heat firsthand, but hey… fiction is generous.
"As for the breath thing itself, that's like if I
took a blind person and guided them to the middle of a crosswalk, let them
stand there for a second, and then 'saved' them seconds before the light
turned! Exploiting someone's disability and then helping them deal with the
situation you put them in anything but divine. It's kind of gross, from a
strictly moral perspective (but, again, really, really hot from a fetish one in
the case of the breath!). It's really pretty pathetic to have to put Kassandra
in that kind of position just so that Helena can feel better about herself,
isn't it?"
Dude I laughed so hard at this comparison the first time I
read it lol. Poor Helena, man… she cannot catch a break. All she wants is to
ascend and be a goddess, and she keeps tripping over her own ego!
But I had an absolute blast writing that scene. I wanted
something that was both erotically giantess-coded and showed just how
far Helena will go to maintain that self-mythology she clings to. I really hope
I was able to capture all that with this setup!
"But back to Helena's false godhood, I found it
beautifully ironic that Celine's words tore down Helena's divine façade, only
for Kassandra to put the pieces of Helena back together in a way that suits the
tiny little mastermind. You know, at first, when we all started talking about
Kassandra manipulating Helena just to get more Trevor time, you kept coming
back with your usual 'are you sure that's what's going on?' or 'what do you
think is really happening here', I dismissed it as more vague-an-ese on your
part."
‘vague-an-ese’ absolutely killed me. That really is my
second language. And hey… maybe Kassandra is just gently nudging her
goddess along. She’s still human. It’s possible to worship someone and still
falter. So let me ask you, what do you really think is—
…eh, never mind, who am I kidding. She showed her hand to
the readers already. We know what she’s up to!
"And then there's the way she uses Helena's 'divine'
ego against her here. Kassandra led Helena to water and basically dunked her
head under until she drank, and all in a way that was so indirect that Helena
actually felt like prolonging the Status-C investigation was her idea when it
clearly wasn't. Shit, Helena deemed Kassandra worthy only to know that 'her
goddess' had figured things out, condescendingly acting as though Kassandra's
own idea was above her understanding! Yet Kassandra's response was equally as
condescending: 'I'm sure she did.' I fucking love it!"
Yes dude, this was such a fun moment! I loved writing the
way Kassandra guided Helena: soft, patient, with that quiet pressure that never
announces itself. She just… rearranges the room until everyone believes they
walked into the right conclusion. She has this almost gentle, maternal kind of
dominance that isn’t loud but absolutely steamrolls anyone in its way. The “I’m
sure she did” line was pure bliss to type, so I’m thrilled you zeroed in on it.
"But taking a step back and looking at this in the
context of the larger story, I'm really starting to think that Kassandra might
actually be the brains behind the operation here. I mean, after Helena had been
talked up when we first met her, we came to find out that she was a constant
failure in her family's eyes, never meeting their standard and having to lean
on the shoulder of Celine, her supposed rival..."
Now that is an interesting theory. Kassandra secretly
running the whole show… it would fit her vibe. She’s publicly aligned with the
Sisterhood’s ideology (at least, the packaged outer version of it) but she’s
also proven herself to be a phenomenal leader. Giants love her, tinies love
her. She’s respected across every strata. If someone were pulling threads
behind the scenes, she fits that silhouette a little too well.
hmmmm… might be something there…
"And then we saw Kassandra so masterfully manipulate
Helena… Maybe she thinks he can actually crack the SEED code? Or perhaps she
sees Trevor as a way to manipulate Donnica, who is indisputably the real prize
here as a Matriarch."
Now you’ve got her sounding like a Bond villain. How
omniscient do you think this tiny girl is?! That would be cold if it
were true though, especially after how warm she’s been with Trevor, like
believing in him, encouraging him with Clara, all that softness. But she does
have some pretty intense beliefs about hierarchy… so who knows where the line
actually is for her.
"Back to Charity and company… It's massively
impractical and shows how little the goddesses actually think of the subjects
they claim to love."
Yeah, it totally looks super selfish on the outside, but on
the inside… yeah, still selfish… but it’s hot, so it gets a pass. And actually,
the more I think about it, it’s kinda hot on the outside too!
I loved digging into the mythic, whimsical roots of their
philosophy and showing how it can be interpreted in totally different ways
depending on the goddess. Penelope’s actually the perfect example of how this
doctrine can twist into something monstrous or disciplined depending on
the hands shaping it.
"And as I touched on above, it also feeds into their
perverted beliefs about love itself… Helena needs that empty worship because
she's using it to try to fill the void left in her because of The Sisterhood's
own teachings."
What did you think of the whole Charity audience? That scene
was such a blast to write… raw, selfish, fanatical, and a perfect little
diorama of how these women justify their “benevolence.” I really wanted one
scene that showcased the Sisterhood’s inner philosophy, their hierarchy, and
how it mirrors the Kingdom’s own structure. Even though S3 isn’t the heaviest
on plot, it might genuinely be my favourite segment for how everything snapped
into place thematically. I love the snapshot it took!
"Still, we saw a softer side of Helena, choosing to
let Charity become a goddess of 'love' instead of the hardass she was trained
to be by Penelope's mother…"
I love that you just immediately accepted she was Penelope’s
mom without even asking… correct, by the way! And yeah, Helena’s reaction the
first time Penelope showed up told you everything. Penelope is basically
protected by divine nepotism. Meeting her mother one day… well, that would be
something.
And hmmm… this “school of love” stuff… wonder what that’s all
about…
"Closing out the segment, we see Helena lament over
Kassandra not having a man…"
Can’t she just want love for her tiny precious?? Maxime made
a great observation in his S3 review about Helena projecting, and honestly I
like chewing on that. It’s almost frames Helena more sweetly… and it’s also
extremely telling.
"But I find it interesting that… Kassandra and
Trevor seem drawn to each other…"
I meant to respond to this theory in the last review but oh
my god, it would be hilarious if true. Donnica saw Trevor walk out of
that hut with Kassandra, which is what started all this, and if that girl ended
up being the one chosen to satisfy his “smaller needs”… talk about poetic
symmetry. The girl who unintentionally started everything turning out to be the
“right” fit? That’s the kind of circular irony I live for.
"Lastly… the sauna description… Beautiful, scared,
and divine all in one…"
Duuuude, that first part went through so many rewrites to
get the tone just right. The entire concept of the scene actually came to me
while listening to the “Love Scene” theme from El Cid. I adore writing
to those sweeping old film soundtracks, and that track has this decadent,
soaring buildup that practically handed me Helena’s line: “If anyone
deserves love… isn’t it Kassandra?” The scene practically wrote itself from
that musical crescendo.
Thanks so much for the review. I really do have a soft spot
for this segment and you nailed exactly what made it tick.




[Report This]Date: November 14 2025 3:11 AM Title: PART 35
S2 may well be the longest segment you've ever written, but the intensity and warmth spread throughout the scene kept me hooked the whole time!
Let's start with the massive revelation near the end of the segment: Donnica wants to get Trevor a little sex slave to meet his "smaller" needs. The irony that this came up in the same segment that we saw both Donnica and Annabelle completely overwhelm him (and the fact that he loved every second of it) isn't lost on me.
But it's things like this that make me love Donnica so much, no matter how dark she gets outside of her relationship with Trevor. This is clearly an idea that Donnica isn't fully comfortable with, as her softer demeanor and uncharacteristic lack of decisiveness when bringing it up demonstrated, but she's looking to make sure Trevor's needs are met, which is so sweet and considerate.
Now, I know some might call this selfish on her part, as she's motivated by making sure her relationship doesn't fail like those other mixed-sized relationships she researched, meaning she's "only" doing it to make sure Trevor doesn't leave. However, once he's transferred over to her from Helena (assuming that actually happens; I don't want to get too far ahead of myself!), Trevor will literally be her property. He won't be able to leave. Like legally. Once that happens, he's hers, whether he wants to be or not. So she doesn't need to cater to his needs at all. There's no need for her to see things from his perspective and anticipate any of his needs.
But she wants this for him because she wants to "own" him in a way she can't quantify, a way I don't think she herself fully understands. She'll soon literally own him and he's said that he's hers (as has Annie), putting himself through the rigorous legal process to make it so. But to truly "own" him, she wants him to put her at the center of his world, willingly. She wants his unending love and affection, not just his body or the legal authority do what she wants with it.
She wants him to be happy, truly happy, and she wants to be the reason for that happiness. She wants to make sure that she makes him feel the same way he makes her feel.
So yeah, it's incredibly caring and considerate for her to make this sacrifice, to be willing to share some small part of her man physically so that he can have everything he wants (even if might not actually want it, since, you know, she never bothered to broach the subject with him!).
However, as sweet as this idea is, it's also another example of Donnica inventing problems in their relationship. And like the other times she's done this, it's most likely going to blow up in her face, at least in the short term.
Annie's reaction to all this was pretty hilarious, too! Not only that, however, but it also showed a clear difference in belief between the two of them, who are usually in lockstep when it come to tinies. As much as Annie loves Trevor (and that unique brand of love was on full display throughout this segment), she can't even fathom that Trevor would want same-sized sex. On the surface, her disgust and dismissal at the notion initially would seem to be closed-minded and maybe even a tad bit inconsiderate, if looked at through the lens I presented above with Donnica.
Then again, maybe Annie just knows Trevor better than Donnica (or at least is more confident when it comes to him). The same split was present when Annie wanted to spank Trevor because she thought he had cheated on their goddess-mother: Donnica admitted that she thinks Annie is too physical with Trevor, yet Trevor always seems to be pushing for Annie to "punish" him. It really makes me wonder which of his two goddesses really knows him best. Or maybe Trevor simply needs both approaches in his life, hence the void he felt when Annabelle was "cast out."
Back to the spanking bit, I think it says a lot about how much Annie loves Trevor that her reaction to thinking he cheated on their goddess was to spank him, even if it was going to be hard enough to keep him standing for a month. Because, man, we've seen Annie kill tinies for significantly less, and those were in instances where Donnica hadn't been offended, which would normally bring a higher level of severity out of Annie. But with Trevor, she was outraged, yet the thought to truly destroy him never even came up. Given Annie's intense devotion to both Donnica and Trevor, I wonder what would happen if Donnica ever became upset enough to demand that Annie dispose of Trevor.
As for the sex slave/willing sex servant Donnica and Annie discussed, boy, it sure does seem like Kassandra would check a lot of those boxes, doesn't it? I'm not saying that's going to happen (at least not anytime soon), but it's almost uncanny how much of what Annie described fits Kassandra. And even Donnica's insistence that the tiny slave would have to obey her first and foremost, Kassandra's reverence for giants, feeling subservient in her grace for them protecting her, would seem to be a requirement she would meet.
Of course, there's more going on with her beneath the surface, and her feelings for Trevor are likely way more sincere than Donnica would be comfortable with (again, at least right now), so that would present an issue at some point most likely. Not to mention that Helena wouldn't just part with her favorite tiny like that.
So this could all be me just speculating over nothing, but I do think there's a potential scenario where this three-way relationship could become a four-way one. I'm not holding my breath on that, but I figured I'd float the possibility out there.
In any case, Annie is right that Trevor would never go for the sex slave thing, and having the slave hide her status runs the risk of Trevor feeling like he's cheating, which creates a whole new set of problems. And all of that is assuming they even find the right tiny for the job in the first place (potential new character?). Regardless of how far they get with this "plan," I see it going anything but smoothly!
Jumping to the beginning of the segment, I love how, among that sea of smut, you slipped in a little more about Donnica's evolution into who she is now. That small part about how her past boyfriends had left her unsatisfied, with her always giving and never receiving in the bedroom, not only makes Trevor look like a tiny little beast, but it also gives more insight into what she has become.
Donnica, it seems, spent decades being batted down by life, from her parents being cold and making decisions for her to her failed relationships with terrible men to being held back by her tiny partner at the firm. Then Trevor came into her life and showed her that things didn't have to be that way, that she deserved more. It just hit her in the way he revered her, worshiped her during that first sex scene between them. And from that moment on, she's been all about taking what she wants, what life owes her after holding her back for so long. It was a small couple lines, but that bit really resonated with me, and, for all the terrible things Donnica has done, her backstory, told in little pieces in the background without ever being the central focus, makes me continue to root for her.
And while we're taking a closer look at characters in the scene, we caught another glimpse into the darkness inside Trevor's heart, which we hadn't seen since his "breaking' at Annie's place. Trevor seems like such a good guy, and his strength and mental fortitude are undeniable, but his acknowledgment that Donnica should join The Sisterhood, that he had accepted all the things that she plans to do once tinies are "put in their proper place," proves Celine right; Trevor is selling tiny-kind up the river, which makes his desperation to save her specifically even more intriguing!
Now, this is clearly another one of those contradictions you love so much, as Trevor's willingness to accept Donnica's new world is based on equal parts love for her and hatred for what he has lost by shrinking, as well as his refusal to accept that loss. He looks down at other tinies in general because their existence is a reminder of what he's fighting against every day: his own weakness.
Yet every time we see Trevor meet a fellow tiny, actually get to know them, he views them differently. He cares about them. He shows the goodness in his heart. He wants what's best for them. Because it's easier to hate people and not care about their suffering when you don't actually know them. Not everyone has the level of empathy required to do that.
So at some point, those two sides of Trevor's heart are going to clash, and I honestly have no idea which side is going to win.
And, of course, I have to talk about my sweet, sweet Annie! She has to be a hard character to write. In a story filled with contradiction, she is more clashing parts than pretty much everyone else combined. But you continued to navigate through that contradiction flawlessly in this segment.
The way she ordered Trevor around, part breaker, part lover, was so well executed. Her words and actions during that first smut scene could easily have been written off as arrogant mocking and meanness, but beneath that layer of cruelty was the care and love she holds for Trevor, visible in the smallest of gestures and expressions. And Trevor taking note of that helped drive this home perfectly!
Then there's the back and forth between Trevor and Annie. Again, Annabelle sounds so cruel and heartless when her words are taken without the proper context, calling him slave and threatening to punish him for his insolence. But a closer look shows that this is just a game between them, something understood without words, something that even Donnica doesn't seem to fully understand. It's such fun banter, and Trevor egging Annie on, wanting his punishment for "offending" Annie, is fucking adorable, as is Annie's own excitement at that game!
I really love seeing these two together!
I was also so happy to see Donnica clue Annie and Trevor in on what she had learned about The Sisterhood. Donnica calls them worshipers, but she sees them as so much more than that. The goddess bit is a facade, even if she doesn't realize it, and she needs people like Annabelle and Trevor in her life, people she can trust and let her guard down around. Shit, that might be the only thing keeping her sane at this point!
I also knew Annie would hate The Kingdom, and now I feel validated. It also makes sense that she would appreciate the grander vision of The Sisterhood, although, again, I think the details of what they want wouldn't align with dreams either. I think Donnica and Annie generally agree with The Sisterhood, wanting goddesses to rule the tiny world beneath them, but as for all the rituals and rules the organization has in place, let alone their views on tinies? Nah, they'd rather do their own thing. It'll be interesting see if Donnica ends up being tempted or swayed by the ways of The Sisterhood at some point, but clearly that day hasn't come yet.
Oh, and Trevor giving Donnica his blessing to join The Sisterhood seems like another decision that's likely to come back to bite him in the ass, just like the Status-C situation!
Finally, as for the smut itself, that opening to the segment was one of the hottest you've written yet! The idea of Donnica giving up control to Trevor and Annie shows how much she truly cares about them, but holy shit was watching her struggle to contain herself fucking enthralling. And Trevor being nervous in the moment, needing Annie's reassurance (through that smug veneer, of course!) was as adorable as it was sexy.
But the money shot here was when Donnica's pure lust literally overwhelmed him, her drooling pussy taking control of him without Donnica even fucking trying! FUCK! That's so fucking hot! Even when Donnica willingly gives Trevor control, her body alone, just doing its thing, is too much for him. I can't think of anything more divine than that!
And Annie coming in with her tongue? Holy fuck, man! That shit was mind-blowing! Not only did she driving Trevor inside Donnica with that tongue, but she navigated him around with such precision by the tip of it! Fuck!
Did I mention that this was hot?
And then Annie using a depleted Trevor to get herself off, and an exhausted Trevor loving every second of it, was incredible as well. the perfect end to that half-segment.
Oh, and Donnica using her ass to "cone of silence" Trevor on the regular is fucking hilarious! Sexy, too, but funny as fuck to me!
So yeah, obviously I was a fan of this segment! It was so great to see these three together again. It seems like Annie is slowly becoming the lynchpin connecting all of these arcs, doesn't it? We haven't seen her dip into the Amber/Rebecca/Scarlett one yet, but that's clearly coming. Before we know it, Annie will know as much as we do about what's going on!
Author's Response:
"But it's things like this that make me love Donnica so much, no matter how dark she gets outside of her relationship with Trevor. This is clearly an idea that Donnica isn't fully comfortable with, as her softer demeanor and uncharacteristic lack of decisiveness when bringing it up demonstrated, but she's looking to make sure Trevor's needs are met, which is so sweet and considerate."
I LOVE that this was your takeaway, both from that passage and the paragraphs following it. I honestly wasn’t sure if people would interpret it that way, because yeah, it is sweet in that very weird fetish-coded way. The fact that she genuinely wants Trevor’s tiny needs tended to… it warms something in her that doesn’t get warmed very often. Donnica definitely dips into morally questionable territory, but her love for Trevor pulls out these strange, redeemable flashes.
"However, as sweet as this idea is, it's also another example of Donnica inventing problems in their relationship. And like the other times she's done this, it's most likely going to blow up in her face, at least in the short term."
Haha dude, you’ve actually ranted before about how much of a disaster Donnica becomes whenever Trevor is involved, and while writing that moment I genuinely thought of you shaking your head like, “Here she goes again.” It’s such a Donnica moment. She’s among the most confident, decisive women in the story… right up until Trevor is involved, and suddenly she’s a lovesick mess. Honestly? It’s kind of adorable.
"Back to the spanking bit, I think it says a lot about how much Annie loves Trevor that her reaction to thinking he cheated on their goddess was to spank him, even if it was going to be hard enough to keep him standing for a month. Because, man, we've seen Annie kill tinies for significantly less, and those were in instances where Donnica hadn't been offended, which would normally bring a higher level of severity out of Annie. But with Trevor, she was outraged, yet the thought to truly destroy him never even came up. Given Annie's intense devotion to both Donnica and Trevor, I wonder what would happen if Donnica ever became upset enough to demand that Annie dispose of Trevor."
Writing that scene made me realize this exact thing… that of course this would be her reaction. Annie really does love Trevor, and the strange little family-like relationship she’s found herself in with him and Donnica has anchored her in such a strange way. She’ll snap at him, she’ll punish him, she’ll get furious when he steps out of line, but she would never genuinely harm him. That moment was basically a freeze-frame of what their bond actually is.
"Jumping to the beginning of the segment, I love how, among that sea of smut, you slipped in a little more about Donnica's evolution into who she is now. That small part about how her past boyfriends had left her unsatisfied, with her always giving and never receiving in the bedroom, not only makes Trevor look like a tiny little beast, but it also gives more insight into what she has become."
Yes! I knew you’d latch onto that. You know how much I love layering character beats inside the smut, and this felt like the perfect place to let that detail about Donnica slide in. And honestly, it makes the scene hotter. Knowing her history of sexual frustration and then watching her completely lose herself because of this tiny man? That dynamic hits so hard for the fetish POV. It’s not directly smut, but it absolutely fuels it.
"And while we're taking a closer look at characters in the scene, we caught another glimpse into the darkness inside Trevor's heart, which we hadn't seen since his "breaking' at Annie's place. Trevor seems like such a good guy, and his strength and mental fortitude are undeniable, but his acknowledgment that Donnica should join The Sisterhood, that he had accepted all the things that she plans to do once tinies are "put in their proper place," proves Celine right; Trevor is selling tiny-kind up the river, which makes his desperation to save her specifically even more intriguing!"
Trevor is honestly such a fun character to write for this exact reason. He is the embodiment of the fetish in so many ways… the tug-of-war between doing good and being swallowed by the darker impulses of the giantesses he loves. I do worry sometimes about him feeling too two-sided, so I’m always careful to temper his extremes. But those contradictions are what make him compelling (I hope!) His dynamic with Celine is amazing to write, and Kassandra pulling him the opposite way gives him such a rich, messy internal landscape.
"So at some point, those two sides of Trevor's heart are going to clash, and I honestly have no idea which side is going to win."
That definitely feels like the setup for some kind of climactic turning point… or at least the fuel that will carry him deep into the endgame. All I’ll say is: his odyssey is just getting started, and he’s about to meet a lot more conflicting philosophies.
"The way she ordered Trevor around, part breaker, part lover, was so well executed. Her words and actions during that first smut scene could easily have been written off as arrogant mocking and meanness, but beneath that layer of cruelty was the care and love she holds for Trevor, visible in the smallest of gestures and expressions. And Trevor taking note of that helped drive this home perfectly!"
If anyone was going to appreciate Annie in the sack, it was going to be you. Writing her orchestrating that whole sequence with Donnica and Trevor was so much fun. And you’re right… the cruelty is the performance, but the affection is always there under it. Even at the end, she made sure Trevor got Donnica’s feet because she knows how happy that makes him.
"Then there's the back and forth between Trevor and Annie. Again, Annabelle sounds so cruel and heartless when her words are taken without the proper context, calling him slave and threatening to punish him for his insolence. But a closer look shows that this is just a game between them, something understood without words, something that even Donnica doesn't seem to fully understand. It's such fun banter, and Trevor egging Annie on, wanting his punishment for "offending" Annie, is fucking adorable, as is Annie's own excitement at that game!"
Yeah, I worry sometimes that people might misread their dynamic… but I refuse to put big flashing guardrails around it. I love letting them just bounce off each other naturally. They’re two of my absolute favorites to write together, and I’m so glad her “exile” arc is over so I can actually write about them being together again!
…hopefully nothing else bad happens, right?
"I was also so happy to see Donnica clue Annie and Trevor in on what she had learned about The Sisterhood. Donnica calls them worshipers, but she sees them as so much more than that. The goddess bit is a facade, even if she doesn't realize it, and she needs people like Annabelle and Trevor in her life, people she can trust and let her guard down around. Shit, that might be the only thing keeping her sane at this point!"
So true. And I think the reason Annie and Trevor land so well as her “crutches” is because Donnica’s own sense of invincibility paradoxically makes her so vulnerable when it slips. Watching her falter and seeing those two immediately steady her… it’s honestly really cute, even amidst everything they’ve all done. Their relationship is such a strange blend of power, devotion, and actual love. I’m so glad that shines through for you.
"I also knew Annie would hate The Kingdom, and now I feel validated. It also makes sense that she would appreciate the grander vision of The Sisterhood, although, again, I think the details of what they want wouldn't align with dreams either. I think Donnica and Annie generally agree with The Sisterhood, wanting goddesses to rule the tiny world beneath them, but as for all the rituals and rules the organization has in place, let alone their views on tinies? Nah, they'd rather do their own thing. It'll be interesting see if Donnica ends up being tempted or swayed by the ways of The Sisterhood at some point, but clearly that day hasn't come yet."
Haha I knew you’d latch onto Annie’s reaction! And yeah, your old comments were absolutely in my head while writing it. She was always going to recoil from The Kingdom’s vibe, but still get a little spark of excitement from the bigger-picture domination angle of the Sisterhood. That distinction feels so natural for her… she loves the idea of goddess-rule, but the details? That’s where she checks out. I’m really glad that came across clearly for you!
"Finally, as for the smut itself, that opening to the segment was one of the hottest you've written yet! The idea of Donnica giving up control to Trevor and Annie shows how much she truly cares about them, but holy shit was watching her struggle to contain herself fucking enthralling. And Trevor being nervous in the moment, needing Annie's reassurance (through that smug veneer, of course!) was as adorable as it was sexy."
Thank you! That scene took so much refining. It was basically the size of a full segment on its own, so I kept shaving and tuning and tightening it. I’ve been wanting to do a big insertion/pussy set piece for a while, and this felt like the moment to go all-in. I’m so happy it landed for you.
"But the money shot here was when Donnica's pure lust literally overwhelmed him, her drooling pussy taking control of him without Donnica even fucking trying! FUCK! That's so fucking hot! Even when Donnica willingly gives Trevor control, her body alone, just doing its thing, is too much for him. I can't think of anything more divine than that!"
YES!!! This was the moment I built the whole scene around. When I visualized it, I knew instantly it had to be the crescendo… the raw, involuntary, overpowering moment where her body just wins because it has no other choice. Seeing you single it out as the money shot is insanely gratifying because it was written to be as such!
"Did I mention that this was hot?"
Only once or twice ;)
"Oh, and Donnica using her ass to "cone of silence" Trevor on the regular is fucking hilarious! Sexy, too, but funny as fuck to me!"
A security measure both parties can agree on! :D
"So yeah, obviously I was a fan of this segment! It was so great to see these three together again. It seems like Annie is slowly becoming the lynchpin connecting all of these arcs, doesn't it? We haven't seen her dip into the Amber/Rebecca/Scarlett one yet, but that's clearly coming. Before we know it, Annie will know as much as we do about what's going on!"
She’s so ruthlessly observant she might know more than we do once she starts piecing things together ;)
Thank you again for the review, man… you were right, this was one of the longest segments I’ve ever written, and you absolutely nailed every layer of it. It was a blast reading through your thoughts. As always, I appreciate the hell out of you.




[Report This]Date: November 13 2025 2:02 AM Title: PART 35
Third segment of this amazing chapter, and this time we’re not with a trio but with simply a duo: Helena and her favorite tiny girl, Kassandra, in the sauna.
Another time, I loved all the divinity around Helena and her estate, because it’s not just a sauna, it’s a piece of heaven brought to earth for Helena. Everything in the description feels divine. Even Kassandra: the simple heat of the sauna is overwhelming for her, almost like being in the presence of the Goddess Helena inside a place built for the pleasure of her goddess is too dangerous for her.
Her only way to survive is for Helena to blow her divine breath on Kassandra, it’s amazing, like a piece of mythology. I also loved this moment because it reminds me of my favorite video game of all time, God of War 2 (the 2007 one on PS2), when Kratos has to avoid the breath of Typhon. Even if for Kassandra it’s a blessing more than a danger like it was for Kratos, I just hope she won’t do the same as Kratos, or Helena would end up a one-eyed goddess.
I loved that moment; it’s fantastic to see such a little action from Helena completely change the world of Kassandra. Even the description makes it feel like the most precious gift, almost like the gift of fire by Prometheus. Another time, I hope Helena will not end like him.
This short moment of pleasure for both doesn’t last long; Helena has something else on her mind: another goddess, Donnica. Her plan toward the true goddess of this world.
We also learn that she has had plans for her since the day she met her. If she was certain of her plan to reach the higher level thanks to Donnica, everything changed after the dinner with Celine. The doubt started to grow in Helena, the fear, the one that never escapes her: the fear of failure.
I really liked that, because Helena always acts like a goddess, the one above all, but at the end of the day, Celine, as small as she is, is always beating her. She enters her mind to never leave. She may be taller than a building compared to her, but her will compared to Celine’s is the opposite, she is the tiny one in a game she can’t win.
Even the higher circle doesn’t call her back, no news, nothing. She even discovers Donnica is looking into everything on her and the sisterhood, showing she doesn’t trust her, and another time the words of Celine come to beat her.
This crack in her armor of the Goddess has been seen by Kassandra. I loved the fact that Kassandra is going to manipulate her.
I have to say she is more dangerous than I thought maybe even more than Helena herself.
The most interesting thing is to see how she does it; it’s different from Celine but just as effective. If Celine always tries to piss off Helena and beat her in a duel of wills, Kassandra does the opposite: she says exactly what Helena wants to hear, even if that means reducing herself to a helpless tiny to make her way into Helena’s mind.
It’s funny for me to see Helena, who always acts as a powerful goddess, being so easily manipulated by the tiny she cares about. Maybe it’s because she doesn’t know how to react when she opens her heart to others, so she just leaves huge breaches to exploit.
So Kassandra introduces, with subtlety, her idea into Helena’s mind: if she needs time to work with Donnica, she has to use Trevor and make sure the transfer takes as long as possible, even if that means using every means necessary. But for her, it’s not that difficult, even if it could backfire badly if Donnica learned about it.
No one can touch her Trevor, so let’s hope for her that Donnica never finds out, or she could really end up like Prometheus, or even worse, because if someone can put her through hell, it’s definitely Donnica.
It’s going to be interesting to know more about that. But the winner of all this situation is Kassandra, who only wants one thing, and it’s not for Helena’s plan to succeed, she wants to keep Trevor close to her, because Vikki and Ricci were right: Trevor is the perfect man for Kassandra.
This talk ends when a new goddess enters the sauna: Charity, a young goddess-in-waiting, who wanted a meeting with Helena to discuss some affairs. This part is interesting. First, for the hierarchy aspect it’s interesting to know more about that.
But if she wants a meeting with Helena, it’s for a strange reason: she wants to rearrange a wedding. She wants a little tiny she really loves to marry a man because that makes her remember a TV show she loved as a child. I really loved it because it really increases the image of the kingdom being a cult, after all, it’s something that always happens in cults: the guru chooses the couple. And it’s exactly like that. She is ready to break a couple without even asking their position on that, for a TV show she liked as a kid.
It’s so messed up but also fantastic. And all the ritual part with Helena is incredible, acting like it’s so important, it really makes me think about the moments in movies when the king has to listen to the issues of the people. It’s the same, and it ends up perfectly at the end when they have to kiss the toes of Helena to seal the deal. It’s perfect; we can really feel all the codes of the cult and the monarchy merged together .
Finally, Charity is happy and can leave the sauna, and Helena is happy to to see such a cute scene.
the little moment when she remembers her own training in England is perfect it’s nice to have some glimpses of Helena’s past.
And comes the last part of the segment, when Helena realizes Kassandra is single, with no one to really love her except her goddess.
It’s funny because Kassandra has already found someone, someone Helena knows; she even brought him to Kassandra: Trevor.
It’s also funny because she was manipulated by Kassandra to allow both to be together.
Also, as a more personal thought, I really feel like Helena also projects herself in Kassandra, and she is the one who needs to be loved and to find someone who would care about her. Let’s just hope it’s not Trevor, because the poor guy would end up with all the messed-up women in America.
In conclusion, an amazing segment with lots of insight about the kingdom and the future of the story. I really like Kassandra in this segment; she is really interesting and smart. Can’t wait to know more about her. Also, I still enjoy so much all the references to the gods toward Helena and her estate.
Author's Response:
"Another time, I loved all the divinity around
Helena and her estate, because it’s not just a sauna, it’s a piece of heaven
brought to earth for Helena. Everything in the description feels divine. Even
Kassandra: the simple heat of the sauna is overwhelming for her, almost like
being in the presence of the Goddess Helena inside a place built for the
pleasure of her goddess is too dangerous for her."
yeah, so when I sat down to write this I took a lot of time
to get this opening exactly where I wanted it… that imagery of a tall, naked,
impossibly powerful woman framed by this rich, white, almost holy sauna. I
really wanted the divinity to seep into every corner of the description, to
make the whole place feel like it existed for Helena alone. I’m thrilled it
landed that way :)
"Her only way to survive is for Helena to blow her
divine breath on Kassandra, it’s amazing, like a piece of mythology. I also
loved this moment because it reminds me of my favorite video game of all time,
God of War 2 (the 2007 one on PS2), when Kratos has to avoid the breath of
Typhon. Even if for Kassandra it’s a blessing more than a danger like it was
for Kratos, I just hope she won’t do the same as Kratos, or Helena would end up
a one-eyed goddess."
haha I absolutely love that the scene called back a video
game for you! And you’re right… “divine breath” has that total Greek-myth
energy. It’s such a fun comparison and it made me grin ;)
"We also learn that she has had plans for her since
the day she met her. If she was certain of her plan to reach the higher level
thanks to Donnica, everything changed after the dinner with Celine. The doubt
started to grow in Helena, the fear, the one that never escapes her: the fear
of failure."
yeah, for all Helena’s posturing and goddess-sized ego, that
fear of failure is always lurking under her skin, eating away at her carefully
curated sense of perfection. It’s one of my favorite parts of writing her…
watching those very human cracks bleed through her divine self-image.
"I really liked that, because Helena always acts
like a goddess, the one above all, but at the end of the day, Celine, as small
as she is, is always beating her. She enters her mind to never leave. She may
be taller than a building compared to her, but her will compared to Celine’s is
the opposite, she is the tiny one in a game she can’t win."
I adore this comparison, that when it comes to willpower,
Celine is the giant and Helena is the tiny. Too bad it doesn’t help Celine’s physical
situation, haha. Words might be a hard counter to Helena’s divine giantess
foot… but you’re right: somehow that tiny woman still manages to get under
Helena’s skin more than anyone else. Makes you wonder if there’s something
deeper there…
"The most interesting thing is to see how she does
it; it’s different from Celine but just as effective. If Celine always tries to
piss off Helena and beat her in a duel of wills, Kassandra does the opposite:
she says exactly what Helena wants to hear, even if that means reducing herself
to a helpless tiny to make her way into Helena’s mind."
I’m so happy this stood out! I could’ve spelled it out
directly in the narrative, but I really prefer letting these dynamics unfold
naturally so readers can pick up on them themselves. But yeah… you absolutely
caught it. Kassandra’s “soft power” is so fun to explore. She’s graceful,
strategic, a bit more perceptive than she lets on… and she knows exactly how to
weaponize being small.
"It’s funny for me to see Helena, who always acts as
a powerful goddess, being so easily manipulated by the tiny she cares about.
Maybe it’s because she doesn’t know how to react when she opens her heart to
others, so she just leaves huge breaches to exploit."
I love this take… that Helena’s heart is what weakens her,
not her pride. It paints her almost as a victim of her own vulnerability. And
honestly… you might be onto something with that.
"But if she wants a meeting with Helena, it’s for a
strange reason: she wants to rearrange a wedding. She wants a little tiny she
really loves to marry a man because that makes her remember a TV show she loved
as a child. I really loved it because it really increases the image of the
kingdom being a cult, after all, it’s something that always happens in cults:
the guru chooses the couple. And it’s exactly like that. She is ready to break
a couple without even asking their position on that, for a TV show she liked as
a kid."
The idea of absolute dominion over “lesser” beings is
something I have way too much fun exploring in this fetish. Having the
goddesses casually preside over their subjects’ personal lives (including
marriages) is exactly the kind of twisted, ceremonial power I want the Kingdom
to drip with. And we haven’t even scratched the surface of how far their
influence reaches. This scene was just a tiny taste.
"It’s so messed up but also fantastic. And all the
ritual part with Helena is incredible, acting like it’s so important, it really
makes me think about the moments in movies when the king has to listen to the
issues of the people. It’s the same, and it ends up perfectly at the end when
they have to kiss the toes of Helena to seal the deal. It’s perfect; we can
really feel all the codes of the cult and the monarchy merged together."
I’m thrilled this landed! There’s a ton of big plot stuff
happening elsewhere in the chapter, but this part of S3 (the dominion over the
tiny subjects) really pulled me in too. It let me explore the fetish in a new
way while also hinting at a return to the Kingdom proper.
And yes… that return is coming very soon ;)
"Also, as a more personal thought, I really feel
like Helena also projects herself in Kassandra, and she is the one who needs to
be loved and to find someone who would care about her. Let’s just hope it’s not
Trevor, because the poor guy would end up with all the messed-up women in
America."
Amazing insight here… and honestly, probably right on the
money. I’m really glad Helena’s own longing, that little crack in her divine
armor, comes through in this segment. There’s so much happening underneath her
control-obsessed exterior.
"In conclusion, an amazing segment with lots of
insight about the kingdom and the future of the story. I really like Kassandra
in this segment; she is really interesting and smart. Can’t wait to know more
about her. Also, I still enjoy so much all the references to the gods toward
Helena and her estate."
Hearing that you want to know more about Kassandra makes me so happy, she’s an absolute blast to write, and she’s going to play a big role moving forward. This whole review was incredible, man. You nailed so much of what I was going for. Thanks as always, brother!




[Report This]Date: November 12 2025 9:21 PM Title: PART 35
It's official: I can see the future!
I do believe I said in a prior review that there would come a time when Rebecca loved the smell of Scarlett's feet. And after reading S1, one thing is perfectly clear to me: I'm in you head!
But this drastic case of imprinting leads to some very interesting possibilities. And I can already hear you typing the question, "Ah, but are you sure it was imprinting that made Rebecca do what she did?" So let me save you the trouble. Yes, yes I am completely, entirely, and utterly sure that Rebecca violated Scarlett's feet because Scarlett has unwittingly imprinted her. There's no doubt about this. Don't even try your vague-jitsu on me!
Because Rebecca was thinking about Scarlett's scent before she actually smelled it. And when the other shoe dropped (hey, check it out; I did a thing!), Rebecca compared the yearning she felt in that moment with Amber's scent, both in general and then in those most intense moments when Amber couldn't even seem to control herself. Scarlett's scent carried that same intensity, and even though the story hasn't acknowledged this yet (because these characters don't know about imprinting yet), this is definitely imprinting at work. In both cases.
But unlike with Amber, where we know Rebecca was forced to spend a ton of time around the giant blonde's feet before they admitted their feelings for each other, Rebecca only had one such moment of intensity with Scarlett (or Scarlett's clothes, rather). Yeah, it was noted that Rebecca had noticed a change in Scarlett's scent, had started to yearn for it, even before that, but, on the other side of the story, we have The Sisterhood freaking out because Donnica can imprint tinies with only a week spent trapped in her shoes. So Scarlett imprinting Rebecca so easily seems to indicate one of three things to me (okay, so, knowing you, there's probably some truth to all of these, but I'm going to pretend you had to make a choice here!):
First, that Vivara wasn't kidding around when she mentioned that emotions can impact the imprinting process. Maybe Rebecca's true feelings for Scarlett (or even Amber, as I don't think Amber put her through the same level intensity that Donnica did those two random tinies in her shoes) made it so that she adapted to her smell much faster than she normally would have. My only issue with this possibility is that Trevor and Donnica have intense feelings for each other as well, and Trevor is way more resistant to the orders of giants (even Donnica) than Rebecca would ever dream of being to her two masters. Now, maybe Trevor is the one tiny to rule them all or has some special resistance, but Rebecca was pretty strong-willed once too. So I'm still uncertain about this possibility.
Second, I recall it being hinted at in that imprinting conversation between Donnica, Vivara, and Helena, that an imprinted tiny might be easier to imprint upon a second time. This would explain why The Sisterhood is so excited about Donnica, as she could create a legion of obedient tinies for them as well rather than only for herself. This would also make it make sense that the tinies in The Kingdom revere all the giants they come across, instead of each one having a single giant they choose to worship. So, if this is true, it would make sense that it would only take limited exposure to Scarlett's smell to begin the imprinting process, with the "prank" having only sped things up. But again, I think about Trevor.
Trevor has yielded to zero giants throughout the story. However, there was that scene in the previous arc when Trevor faced Helena one-on-one in her office. If I remember right, there was "something ancient" (which now seems to be code for imprinting, at least in my estimation) that made Trevor want to bow to Helena in her palm. Yet he thought of Annabelle and resisted, defying Helena in a way she didn't seem to know how to handle (maybe she expected the imprinting to do its thing and make her Trevor problem go away?). So there might be something to that, and Trevor might really be the exception to the rule for some yet-to-be-disclosed reason.
Lastly, maybe Scarlett is just extremely potent as an imprinter. It could be that her smell just has this effect on tinies in general. I mean, the narrative did go out of its way to say that tinies have avoided her feet all this time, which could be a pre-emptive explanation for why Scarlett hasn't seen this before. And man, would it be fun to see The Sisterhood, an organization hell-bent on subjugating tinies, try desperately to appeal to the ultimate defender of tiny rights herself! That's such a fun avenue to travel down, that I wonder if you could resist it or be forced to jump on it like it was Scarlett's other sock!
Right now, I'd say I'm leaning a little more two the second possibility, but the third could have some merit as well (we'd need a larger sample size to know for sure, which I don't think we're going to get, at least not right away). Like I said, the emotional factor could play a significant role as well, but you'd really think Trevor would behave in a vastly different manner if this were the case, at least at first glance (maybe he's allowed to stay the way he is because, deep down, despite what she says, Donnica wants him that way? Just a thought).
But speaking of emotions, I thought the effect Rebecca seemed to have on Scarlett was even more intriguing than the other way around. When she was scolding Rebecca, Scarlett seemed a bit more aggressive than we've seen her be with Rebecca before, not to mention demeaning her a bit with that "bad little girl" talk and saying that Rebecca needed to behave herself. Part of this might have been Scarlett's concern that this was going to blow her chance to rekindle her friendship with Rebecca, but I don't think someone like Scarlett, who champions tiny rights, would talk down to any tiny, let alone one she respects as much as Rebecca, if left purely to her own devices.
Then there was the way Scarlett played up her size once she realized her mistake and thought she had frightened Rebecca. That line "I'm so big and you're so little" (peak gentle hotness, by the way!) seemed harmless enough at first, but given that Scarlett is a micro-sexual, it seemed to me that this had a flirty, maybe even yearning quality to it that I don't think Scarlett would normally let out on her own.
So I'm starting to think that the imprinting process makes giants more vulnerable to what they're feeling in a given moment. this would also explain why Amber's volatility is cranked up to 11 whenever she feels like she's losing a grip on Rebecca, which we saw plenty of in this chapter (and throughout the whole story, really) as well. It'd be a cool concept if it's true: The more control a giant has over a tiny, the less control they have over themselves. Or at least that might be true of those who can imprint (it's been implied that there are those who can't).
But jumping back to the beginning of the segment, I can't say enough about how much I love you circling back to the rejection therapy thing with Scarlett. It was the strength that Rebecca helped her find that led Scarlett to eventually getting her friend back. And to have that come up as she was talking with the very friends that technique had won her in the first place? That execution is straight-up artistic!
And sticking with Scarlett for another minute, aside from all the imprinting stuff, I can't get over how cute she is with Rebecca! These two just jump off the page whenever they're together, and seeing her apologetic for losing her cool, excited at being complimented by Rebecca, and feeling vulnerable at the thought of Rebecca maybe actually liking the smell of her feet, something we've known is a sore spot with her since she was first introduced, was all so heart-melting and fun! I know the hard times are nowhere near over for these two, but man I'm hoping things work out in a way that lets Scarlett continue to be a part of Rebecca's life (hopefully the smutty part!).
But as much as I loved Rebecca here, I felt so bad for Amber throughout the segment. Her insecurity and spite ate her up for days, and it's really not her fault. Now, to make a distinction, she did behave borderline abusively toward Rebecca during that time from the sound of it, and that absolutely is her fault, even if it is a complicated thing. But the feelings driving her to do these things and to push away her best friend even when she knows Scarlett didn't actually do anything, that's something deeper, something that was forced upon her, and it hurts to see it turn Amber into her own worst enemy.
Still, even in her cold, angry state, we saw her take measures to make Rebecca comfortable (when she wasn't stuffed down Amber's panties, not all of which Rebecca hated, to be fair). That mini-pillow and making a private space for Rebecca in her duffle bag was a really sweet thing for Amber to do. And we did see Amber, even in her stubbornness almost crack at seeing Rebecca so sad before putting her in the duffle.
Amber really is a good kid trying to overcome a massive weight that no one can really take on alone. Seeing her kind of admit that to Scarlett made me hopeful. Now Amber has two people who can try to help her through this, assuming Scarlett and Rebecca can keep their hands off each other long enough to do that.
Because we did see Scarlett all but admit to Rebecca that she had feelings for the "poor little thing." That "you know how I feel about you" seems like a pretty clear indication. As does Rebecca saying "you're perfect" at a moment when she really didn't need to. Yet, at the same time, it's obvious that they both deeply care for Amber, which makes things interesting.
Because I share Rebecca's dream of her being passed back and forth between the two giants like she's a possession (although neither of them really view her as such, I don't care how much Amber says that Rebecca is "hers"). That little scene in her head was incredibly hot! And shit, with the fact that Amber and Scarlett are close enough to talk about personal, sexual things so deeply, maybe there's something more between them than either one is ready to admit. I still have plenty of hope that this love triangle just might be equilateral.
But, even if that may come to pass eventually, we're nowhere close to it yet. Amber made that pretty clear at the end of the segment. It was so rewarding to Amber's walls come down and explain her trust issues to Scarlett, but keeping that possessive nature regarding Rebecca intact was sad to see. Not just because I want the three-way relationship, but because, like I said above, I do think Amber sees Rebecca as a person rather than a possession, but she's not secure enough to admit it to herself. After all, if Rebecca is "hers" then Amber can control her and keep her from ever leaving. That's the easy way for her, but I'm hoping that, as her character grows, she gains enough faith in herself and in Rebecca to no longer need that crutch.
But man, when Amber said that she knew Scarlett and Rebecca didn't love each other, I felt so bad for her. And the thing is, I think even Amber knows she's wrong on this (otherwise I don't think she would have been nearly as volatile to either of them after the prank incident), but Amber needs to tell herself that because she doesn't want to lose either one. She's lying to herself here. But I do think she truly believes neither of them want to hurt her, which is absolutely true.
If only Amber could take a page out of her mother's playbook, jus this once!
But yeah, fantastic emotional segment to start this chapter! I loved every second of it, and I'm only left more deeply intrigued as to where, exactly you're going to take these two.
Author's Response:
"I do believe I said in a prior review that there
would come a time when Rebecca loved the smell of Scarlett's feet. And after
reading S1, one thing is perfectly clear to me: I'm in you head!"
haha man when you first predicted that way back in your
chapter 28 review I couldn’t help but smile, knowing exactly what was coming. I
guess the setup must’ve been pretty clear even then :D
"But this drastic case of imprinting leads to some
very interesting possibilities. And I can already hear you typing the question,
“Ah, but are you sure it was imprinting that made Rebecca do what she did?” So
let me save you the trouble. Yes, yes I am completely, entirely, and utterly
sure that Rebecca violated Scarlett's feet because Scarlett has unwittingly
imprinted her. There's no doubt about this. Don't even try your vague-jitsu on
me!"
Ah yes but are you sure Reb—ah, never mind!
"Because Rebecca was thinking about Scarlett's scent
before she actually smelled it. And when the other shoe dropped (hey, check it
out; I did a thing!), Rebecca compared the yearning she felt in that moment
with Amber's scent, both in general and then in those most intense moments when
Amber couldn't even seem to control herself. Scarlett's scent carried that same
intensity, and even though the story hasn't acknowledged this yet (because
these characters don't know about imprinting yet), this is definitely
imprinting at work. In both cases."
All good catches! Whatever is happening inside these giant
teens is clearly what’s making Rebecca tick. And I do wonder if any of the
girls will ever realize what imprinting actually is…
Even in some half-formed way…
"But unlike with Amber, where we know Rebecca was
forced to spend a ton of time around the giant blonde's feet before they
admitted their feelings for each other, Rebecca only had one such moment of
intensity with Scarlett (or Scarlett's clothes, rather). Yeah, it was noted
that Rebecca had noticed a change in Scarlett's scent, had started to yearn for
it, even before that, but, on the other side of the story, we have The
Sisterhood freaking out because Donnica can imprint tinies with only a week spent
trapped in her shoes. So Scarlett imprinting Rebecca so easily seems to
indicate one of three things to me (okay, so, knowing you, there's probably
some truth to all of these, but I'm going to pretend you had to make a choice
here!):"
ooooooookkkkkkkk, so here and in the next few paragraphs you
dive into these theories, and I’ll say this: there’s a lick of truth in
everything you mentioned. BUT, I’m going to break my rule and give you something
of a spoiler: what’s happening with Rebecca is actually something you
didn’t list.
I wonder what it could be…
"But speaking of emotions, I thought the effect
Rebecca seemed to have on Scarlett was even more intriguing than the other way
around. When she was scolding Rebecca, Scarlett seemed a bit more aggressive
than we've seen her be with Rebecca before, not to mention demeaning her a bit
with that “bad little girl” talk and saying that Rebecca needed to behave
herself. Part of this might have been Scarlett's concern that this was going to
blow her chance to rekindle her friendship with Rebecca, but I don't think someone
like Scarlett, who champions tiny rights, would talk down to any tiny, let
alone one she respects as much as Rebecca, if left purely to her own
devices."
Yeah, Scarlett was definitely taken aback seeing Rebecca
going to town on her feet. But I also think part of it was exactly what you
mentioned… her fear that this would blow her chance with Amber. And I also
think Scarlett has a bit of a maternal streak in her. Remember back at the
store when Amber took her shoes off and Scarlett was not pleased? So
even though she’s a tiny-rights ally, she’s not above speaking up when she
thinks someone’s acting out of line.
Damn… that maternal streak might be kinda hot to explore…
"Then there was the way Scarlett played up her size
once she realized her mistake and thought she had frightened Rebecca. That line
“I'm so big and you're so little” (peak gentle hotness, by the way!) seemed
harmless enough at first, but given that Scarlett is a micro-sexual, it seemed
to me that this had a flirty, maybe even yearning quality to it that I don't
think Scarlett would normally let out on her own."
Man, one of my ex-girlfriends used to say that exact line to
me in bed for roleplay — “I’m so big and you’re so little” — and it drove me
wiiiiillld. I’ve actually slipped that line into a few spots in the story
already, but yeah, it just hit here. And I agree with you… there was
definitely some flirtation bubbling out. I honestly don’t think Scarlett can
hold Rebecca in her palm without feeling something. She’s just drawn to her.
"But jumping back to the beginning of the segment, I
can't say enough about how much I love you circling back to the rejection
therapy thing with Scarlett. It was the strength that Rebecca helped her find
that led Scarlett to eventually getting her friend back. And to have that come
up as she was talking with the very friends that technique had won her in the
first place? That execution is straight-up artistic!"
I love seeing you point this out! Showing character growth
evolve right on the page is something I love (or at least try to do!).
And yeah, Scarlett’s time with Rebecca doing rejection therapy felt like the
perfect spark to set this scene in motion. Without that push, none of this
happens. And the little full-circle moment of it happening with the same girls
she bonded with originally? I didn’t expect people to notice that… but of
course you did ;)
"And sticking with Scarlett for another minute,
aside from all the imprinting stuff, I can't get over how cute she is with
Rebecca! These two just jump off the page whenever they're together, and seeing
her apologetic for losing her cool, excited at being complimented by Rebecca,
and feeling vulnerable at the thought of Rebecca maybe actually liking the
smell of her feet, something we've known is a sore spot with her since she was
first introduced, was all so heart-melting and fun! I know the hard times are
nowhere near over for these two, but man I'm hoping things work out in a way
that lets Scarlett continue to be a part of Rebecca's life (hopefully the
smutty part!)."
I couldn’t agree more… those two are just so lovely
together. They connect so naturally, but they’re also not afraid to be
vulnerable with each other. They’ve got all the makings of a couple. The
question is… will that ever actually happen?
hmmmm…..
"But as much as I loved Rebecca here, I felt so bad
for Amber throughout the segment. Her insecurity and spite ate her up for days,
and it's really not her fault. Now, to make a distinction, she did behave
borderline abusively toward Rebecca during that time from the sound of it, and
that absolutely is her fault, even if it is a complicated thing. But the
feelings driving her to do these things and to push away her best friend even
when she knows Scarlett didn't actually do anything, that's something deeper,
something that was forced upon her, and it hurts to see it turn Amber into her
own worst enemy."
Oh I’d say there’s nothing borderline about it. Amber
dominates Rebecca a lot in the name of love… it just reads hot to us, so
it doesn’t quite come across like outright abuse. But yeah… Amber’s absolutely
a victim of her own circumstances. She can be mean, even when she knows
none of this is her friends’ fault. I wonder if she’ll ever come to realize the
same thing about herself, that she isn’t fully to blame for what’s been done to
her…
"Amber really is a good kid trying to overcome a
massive weight that no one can really take on alone. Seeing her kind of admit
that to Scarlett made me hopeful. Now Amber has two people who can try to help
her through this, assuming Scarlett and Rebecca can keep their hands off each
other long enough to do that."
Well said, and I agree completely! Honestly, I think she
might come out of this whole ordeal with a net positive: finally letting
herself be vulnerable with Scarlett. But yeah… that ticking time bomb between
Scarlett and Rebecca hangs over her (and over us).
"Because I share Rebecca's dream of her being passed
back and forth between the two giants like she's a possession (although neither
of them really view her as such, I don't care how much Amber says that Rebecca
is “hers”). That little scene in her head was incredibly hot! And shit, with
the fact that Amber and Scarlett are close enough to talk about personal,
sexual things so deeply, maybe there's something more between them than either
one is ready to admit. I still have plenty of hope that this love triangle just
might be equilateral."
I loveeeee that you highlighted the dream passage! Every
time I reread it while editing I was like, “damn, that turned out good” haha.
The image of her being passed back and forth… one girl of gold, the other fire.
I’m glad it landed for you ;)
And yeah, you are not the only one rooting for a
three-way. Though Amber made her stance pretty clear on that at the end of the
segment… at least for now!
"But man, when Amber said that she knew Scarlett and
Rebecca didn't love each other, I felt so bad for her. And the thing is, I
think even Amber knows she's wrong on this (otherwise I don't think she would
have been nearly as volatile to either of them after the prank incident), but
Amber needs to tell herself that because she doesn't want to lose either one.
She's lying to herself here. But I do think she truly believes neither of them
want to hurt her, which is absolutely true."
Great observation. I think there’s a part of Amber (even if
she doesn’t consciously admit it) that knows something is happening
between Scarlett and Rebecca. I mean… how could she not? And yeah, things are
teetering now. A lot could fall at once. It’ll be fun (and painful) to see how
these teenagers (and one tiny adult) navigate what’s coming.
"But yeah, fantastic emotional segment to start this
chapter! I loved every second of it, and I'm only left more deeply intrigued as
to where, exactly you're going to take these two."
Fantastic review as always! We had talked about Amber in our
DMs, so I was eager to see how you reacted to this opening segment.
…and we might be checking back in with the girls
again later in the chapter ;)




[Report This]Date: November 10 2025 12:03 AM Title: PART 35
New segment with another lovely trio: Annie, Donnica, and Trevor; and I have to say they don’t waste any time. This time Annie is in command of Donnica’s pleasure, using Trevor; he has to please Donnica while she is not allowed to please herself.
I have to say I loved this kind of denial stuff, like in chapter 18 with the nylon games, but this time Annie does everything in her power to make it way more special, and she succeeds quite well. I loved the way you described all the situations, like that’s the most sacred things on earth while it’s just sex.
I love the role of every character; it’s so well done. I love every moment of it, and Annie is absolutely perfect in this role. The description of Donnica’s body is pristine; there are a lot of moments where it doesn’t even feel like you’re describing a woman’s body but something way more divine, almost something that shouldn’t even be part of this world, something so sacred it should be inaccessible to the human realm.
Something great is also the little talk about Donnica’s sexual frustration before meeting Trevor. I also find that so funny: the only time in her life she have a man who is able to satisfy her is a tiny. Maybe size really doesn’t matter after all.
Something amazing is the fact that Donnica is not in control for once; it really creates a unique dynamic in this moment. Trevor’s struggles are also fantastic, it’s almost like he’s facing the biggest challenge of his life. I love that; it’s so different for every character, it’s so well done, it’s almost like we’re reading one of the Herculean labors, an impossible quest to please a goddess. But it’s far from over for Trevor. After being trapped in Donnica’s pussy, he is now taken by Annie’s mouth, turning him from a man into a tool to please two goddesses, especially the most powerful one. He is nothing more than a tool trapped between Annie’s tongue and Donnica’s pussy, and damn, that’s so hot. Finally, Annie lets Donnica explode, but the worshipping is far from over. Now it’s time to worship Donnica’s feet for a little while and damn that’s hot I’m really jealous of Trevor
But Trevor is not done after helping please Donnica now it’s time to catch up with Annie she also wants to have her fun with him, I really loved the fact Donnica watch that it’s almost like the goddess watching the mortals have some fun.
After a little rest for Trevor, it’s time for talking between the three of them, and I have to say I’m so happy to see the duo of Annie and Trevor again, it’s always interesting between those two, lots of fun. Donnica is also great; it’s an awesome dynamic between the three, with Annie and Trevor acting like children and Donnica as the cool mom but still strict when she needs to.
In this calm moment there is a lot to talk about, especially all the Helena stuff; the Kingdom is among one of them. It’s really interesting to see the different reactions toward the Kingdom: Trevor has mixed feelings, Donnica was fascinated by it, while Annie hates the idea, she even imagines how amazing it will feel to crush all the tinies inside.
Something I also enjoy is all the talk about the seed code and what Trevor can do in the Kingdom. I really loved the fact that Annie is so curious about all of that; I love that she cares so much about Trevor, she wants to know everything. I also enjoyed Trevor saying it may be too difficult for him, and Donnica and Annie becoming so pissed at him, it’s wholesome to see how much they trust him and his skills. It’s a really funny interaction: Trevor trying to explain how difficult it is, and the two giantesses telling him he can do it, also telling him he is way smarter than every other person. It’s fantastic to see how they trust Trevor.
I also loved all the talk about the Sisterhood; it’s really interesting to see the different views about it, especially when Trevor is joking about it, it’s really makes me laugh. Trevor is such a fun character.
I also enjoy Annie’s reaction; it’s nice to see her so fascinated by it.
But something I really enjoy, and it makes an echo with the world of Celine, is that Trevor is a hypocrite: he tries to save her and he also tries to help Rebecca, but he is okay with all the plans of Donnica, plans that could ruin the lives of millions or even more tiny just like him and them.
It’s interesting on a moral aspect because he cares about some tinies, but he is also ready to let countless others suffer and die. I really loved that aspect of your characters; they are human, they are not perfect (except for Scarlett of course and Jasmine), and to be fair they are far from it, but they have beliefs and they follow them.
I ask myself if one day it will come back to bite Trevor, because he plays a dangerous game.
To end this segment we have a private talk between Annie and Donnica, and to make sure Trevor doesn’t hear anything he is put in Donnica’s ass by Annie.
I have to say I loved this part so much, it’s like a kid sent to his bedroom when adults have to talk, but this time Trevor is not sent into a bedroom he is sent into the perfect ass of Donnica. And I have to say I loved the description of that so much; I really loved the fact it’s describe like a ceremonial thing while it’s just Annie putting Trevor in Donnica’s ass, but it’s described in a way that you could think it’s an important ritual to a goddess, a sacrifice to please the god.
After the ritual has been done, it’s time for the talk; it’s about Trevor and his potential sexual desire for tiny women. I really loved that part: I loved Annie’s anger and Donnica’s fear, it’s such a fun dynamic. I loved when Annie’s become really pissed and ready to punish Trevor and Donnica having to calm her telling her to put the ruler away; it’s so fun.
It’s also great because even if during the entire segment they are described like goddesses you can feel all the flaws and insecurities of both women, something also fun is the fact both women are really smart and professional but they don’t understand Trevor’s needs, he doesn’t look for sex, he is attracted by powerful women; their size is not an issue for him.
So when they decide to bring a slave for Trevor, completely devoted to Annie and Donnica, it will fail because it’s not what Trevor looks for, he loves women with strong will. So I’m curious to see how this will end up; I’m sure it’s going to be fun, even if I would like it to work, it could be so hot to see a little pervert woman worshipping the huge body and feet of Annie and Donnica.
It’s really fun to see how the giantesses in the story always end up with the most messed-up ideas possible. And this segment ends with Donnica taking Annie in her arms, and I have to say this ending is so wholesome; I loved it.
In conclusion, an amazing segment with a good balance of action and slice of life. First, I want to say how I loved this dynamic—the three characters complete each other so perfectly, it’s awesome to follow them.
For the action parts, as always, it’s perfect: from the idea of all the denial and the work on the description to make everything linked to Donnica’s body as a ritual to the gods, it’s perfect. And also, all the chat, I feel like even if it’s just some talk in a hotel room after they’ve had fun, it will be really interesting to see stuff develop, especially about the Sisterhood; I think it’s something that will change the story.
And also the quest for the tiny “girlfriend” of Trevor—I also feel like it’s going to be awesome to follow that.
Author's Response:
"I have to say I loved this kind of denial stuff,
like in chapter 18 with the nylon games, but this time Annie does everything in
her power to make it way more special, and she succeeds quite well. I loved the
way you described all the situations, like that’s the most sacred things on
earth while it’s just sex."
Yeah, the denial stuff is always fun… especially when it’s
the giantess being denied for once. I love exploring that reversal, getting
inside her head as the one who’s usually in control, forced to feel the
frustration her sub often does. It flips the power dynamic in such an
intriguing way. This was definitely a twist I enjoyed writing!
"Something great is also the little talk about
Donnica’s sexual frustration before meeting Trevor. I also find that so funny:
the only time in her life she have a man who is able to satisfy her is a tiny.
Maybe size really doesn’t matter after all."
I laughed so hard reading this! I guess size really doesn’t
matter, huh? I loved writing that revelation… this towering, powerful woman
discovering that only a tiny man can truly satisfy her. It was such a fun and
ironic moment to capture; that kind of reversal is what makes writing in this
fetish space so endlessly interesting.
"Something amazing is the fact that Donnica is not
in control for once; it really creates a unique dynamic in this moment.
Trevor’s struggles are also fantastic, it’s almost like he’s facing the biggest
challenge of his life. I love that; it’s so different for every character, it’s
so well done, it’s almost like we’re reading one of the Herculean labors, an
impossible quest to please a goddess. But it’s far from over for Trevor. After
being trapped in Donnica’s pussy, he is now taken by Annie’s mouth, turning him
from a man into a tool to please two goddesses, especially the most powerful
one. He is nothing more than a tool trapped between Annie’s tongue and
Donnica’s pussy, and damn, that’s so hot. Finally, Annie lets Donnica explode,
but the worshipping is far from over. Now it’s time to worship Donnica’s feet
for a little while and damn that’s hot I’m really jealous of Trevor"
I love that “Herculean labor” comparison… it’s exactly the
energy I wanted! I wanted this sexual experience to feel epic and mythic, like
something larger than life. I’m thrilled that came across. And I knew you’d
appreciate that little foot moment at the end! I think Annie did it
intentionally, almost like a gift for Trevor because she knows just how much he
loves Donnica’s feet.
"After a little rest for Trevor, it’s time for
talking between the three of them, and I have to say I’m so happy to see the
duo of Annie and Trevor again, it’s always interesting between those two, lots
of fun. Donnica is also great; it’s an awesome dynamic between the three, with
Annie and Trevor acting like children and Donnica as the cool mom but still
strict when she needs to."
Their dynamic is such a joy to write… you have Donnica as
the goddess, Annabel as her enforcer, and Trevor as the rebellious counterpart.
They clash, tease, and challenge one another constantly, yet it all feeds back
into that strange chemistry they share. And yes, goddess Donnica always gets
the final word… even if Trevor manages to steer the ship once in a while ;)
I’m really happy to have all three of them together again
too!
"Something I also enjoy is all the talk about the
seed code and what Trevor can do in the Kingdom. I really loved the fact that
Annie is so curious about all of that; I love that she cares so much about
Trevor, she wants to know everything. I also enjoyed Trevor saying it may be
too difficult for him, and Donnica and Annie becoming so pissed at him, it’s
wholesome to see how much they trust him and his skills. It’s a really funny
interaction: Trevor trying to explain how difficult it is, and the two giantesses
telling him he can do it, also telling him he is way smarter than every other
person. It’s fantastic to see how they trust Trevor."
That might actually be my favorite quiet moment between them
during this segment… the blind trust Donnica and Annabel have in Trevor is
really touching. Even with all their power, they still look at him as an equal,
maybe even more than that in some instances.
I’m really happy to see you point this out, because it’s
such a small moment but one of the sweetest in the whole chapter.
"But something I really enjoy, and it makes an echo
with the world of Celine, is that Trevor is a hypocrite: he tries to save her
and he also tries to help Rebecca, but he is okay with all the plans of
Donnica, plans that could ruin the lives of millions or even more tiny just
like him and them."
Trevor’s contradictions are one of the reasons I love
writing him. He’s protective and fiercely independent, but also completely
entangled in a world ruled by the same kind of power he claims to resist.
You’re right, he’s a hypocrite in the most human way. He could only exist as a
protagonist in a story like this, where those dark contradictions are allowed
to live and breathe. I think he embodies that dangerous allure of the fetish
itself… the tension between morality and desire.
And I’m so excited for you to see where his contradictions
takes him!
"I have to say I loved this part so much, it’s like
a kid sent to his bedroom when adults have to talk, but this time Trevor is not
sent into a bedroom he is sent into the perfect ass of Donnica. And I have to
say I loved the description of that so much; I really loved the fact it’s
describe like a ceremonial thing while it’s just Annie putting Trevor in
Donnica’s ass, but it’s described in a way that you could think it’s an
important ritual to a goddess, a sacrifice to please the god."
That’s exactly what I love about writing these moments... how
something that’s purely sexual to the giantesses feels like a holy act to the
tiny. I adore that duality. Turning something carnal into a sacred ritual
really elevates the fetishism into a kind of mythology. And the way you
described it (“a sacrifice to please the god”) is perfect. You have such a
great knack for identifying this stuff!
"It’s also great because even if during the entire
segment they are described like goddesses you can feel all the flaws and
insecurities of both women, something also fun is the fact both women are
really smart and professional but they don’t understand Trevor’s needs, he
doesn’t look for sex, he is attracted by powerful women; their size is not an
issue for him."
Yes, exactly! Donnica and Annabel are powerful beyond
measure, but their flaws and insecurities make them so compelling to write. And
you completely nailed Trevor… he’s not drawn to submission, but to power,
dominance, and confidence. Size is just an extension of that attraction. You’re
absolutely right, if size alone were what mattered, he’d have walked away long
ago.
"So when they decide to bring a slave for Trevor,
completely devoted to Annie and Donnica, it will fail because it’s not what
Trevor looks for, he loves women with strong will. So I’m curious to see how
this will end up; I’m sure it’s going to be fun, even if I would like it to
work, it could be so hot to see a little pervert woman worshipping the huge
body and feet of Annie and Donnica."
Haha, yeah, introducing another tiny into that mix would be
absolute chaos! I honestly can’t even predict how Trevor would react… or how
he’ll handle it once he finds out what Donnica and Annabel are planning. That’s
going to be one hell of a moment if/when it does occur!
"It’s really fun to see how the giantesses in the
story always end up with the most messed-up ideas possible. And this segment
ends with Donnica taking Annie in her arms, and I have to say this ending is so
wholesome; I loved it."
They really do come up with the craziest ideas, don’t they?
But that’s what makes them so entertaining… when the most powerful people in
the room are also the most unhinged. And yes, that final scene was such a sweet
one. Their affection feels almost disarming after everything that came before.
Their love is wild, messy, and sincere in its own strange way, and I love
living in that space with them.
"In conclusion, an amazing segment with a good
balance of action and slice of life. First, I want to say how I loved this
dynamic—the three characters complete each other so perfectly, it’s awesome to
follow them.
For the action parts, as always, it’s perfect: from the
idea of all the denial and the work on the description to make everything
linked to Donnica’s body as a ritual to the gods, it’s perfect. And also, all
the chat, I feel like even if it’s just some talk in a hotel room after they’ve
had fun, it will be really interesting to see stuff develop, especially about
the Sisterhood; I think it’s something that will change the story.
And also the quest for the tiny “girlfriend” of Trevor—I
also feel like it’s going to be awesome to follow that."
Thank you so much for this amazing review! You nailed so
many of the elements that made this segment special to me. I’m thrilled that
the new “girlfriend” subplot caught your attention…. it’s one of those threads
I was nervous to introduce, but seeing it resonate makes it all worthwhile.
I can’t wait to share what’s coming next with you :)




[Report This]Date: October 28 2025 5:22 AM Title: PART 35
After all the tenseness of the opening portion of this section I am so fucking glad for the most part everyone is back together...there's still whole Becca possibly having deeper feelings for Scarlett and vice versa but we can cross that bridge when we come to it.
The way Becca humbled herself for Scarlett's feet was both hot and heartwarming getting to see her appreciated for something she hid for so long from everyone she loved. It could lead to more issues with Amber down the road but I'd like to imagine it will lead to Becca being the happily owned foot girl of two loving ladies and Scarlett just a smidge being more open to subjecting random tinies to her foot funk ala Amber.
I admit Amber's childhood trauma had slipped my mind because Naomi/Anna's were so fresh in it but it was deep to see her lay herself bare for them both and to hopefully begin to grow into a better person for herself and them both.
I was actually shocked in this universe they actually HAD tiny dating courses that didn't end in violence or humiliation. It really makes me wish Scarlett/Becca happened before Amber could find her but I'd be happy with the Triangle or everyone coming into their feelings properly and happily.
Though I have to admit Amber letting Becca go to Scarlett and finding a true dyed in the wool sadist to subject to her whims would be lovely in itself. Becca is amazing for her but you do kind of feel bad when she is treated like a common tiny given how much she's done to help Becca become a better person and let go of so much pain and so forth.
If everything gets laid out in the open I could really see those three having a happy, poly relationship and being great leaning/sound boards for each other as they grow through college into the rest of their lives.
---
Seems like those three had a fun time in the old town tonight and Anna is officially -officially- back in the fold and seemingly weidling some power in the bedroom as was shown off tonight with her command of both Trevor and Domica.
If there is a next wave I could oddly see possibly Anna among it, happily settled at the same massive feet that Trevor lives for every day and night. Again just a thought when and -if- said wave ever hits.
I can not appreciate a good foot worship scene especially when it's one foot being adorned by not one but TWO people of various sizes. It is rare to see such a showing of devotion from the biggos in these stories.
---
God damn a lot to unpack here...
1. Trevor getting dunked on about his performance must have been pretty deflating for him, good thing he already suffers from shrinkage.
2. He bragged about other girls AND MOCKED WOMEN...two of which were the size of skyscrapers before him and did not die. He's living every tinies dream right now it seems.
3. He didn't give up Celine in the Seed Code discussion so I wonder if he is lowkey protecting her from Domica/Anna atm.
4. Anna's interest in the Kingdom is a little unnerving given how their society is structured, I mean it takes a lot to make Helena look like the safer option but here we are. Though I would be open to seeing her dealing with Juliette...a battle of dragons.
5. Domica opening up about the Sisterhood tells me she's not afraid of them as others might be. Her openness to discuss whatever she knows even if it's just her trusted loyalists tells me she may be intrigued but by no means controlled.
6. Call me crazy buuuuuuuut them discussing finding Trevor a tiny mate/slave really has me thinking now is the time they discover Becca and find her the ideal candidate. I could see them finding her about and possibly taking her to the workshop...and right into Naomi's hands without Amber or Scarlett knowing.
7. I would also not be surprised if they went the aforementioned Celine route with Helena's likely uneasy agreement but if there WAS one person he would fall for outright I think it'd be somebody who not only matches him in sass but outmatches him in his own field.
---
If anyone truly buys into this whole Goddess thing it would be Helena, I'm not sure how she would've gotten her fix if the shrinking pandemic never hit but it certainly played right into her Godhood fantasies.
I feel a little bad for Kass knowing she's suffering the unbearable heat and doing her best to both serve and help guide the Kingdom down the right path. And basically all for a woman whom whilst she loves them considers their kind lower than the gum she scrapes off her shoe.
And now she's going to mess with Domica getting Trevor back faster which is going to have astronomical reverb on her I would imagine. Especially if Domica finds out she's prolonging it just to get her to the Sisterhood.
Speaking of Trevor I have that sinking feeling HE'S the one Helena and/or Kass might settle on which would open a whole new can of worms. Domica would want a submissive bangmaid for her little guy but him and even Helena would know Kass deserved better plus the chance he -really- falls for her over the biggos and then there's gonna be a storm...
I was so ready for Helena to either kill all three of the tinies offered or at least Estelle once Charity had gotten the ok to end the marriage. I realized they were from The Kingdom via the foot worship ceremony and such but it being Helena and the cruelty shown so far in this tale gave me pause for the chances of Estelle's safety.
Always nice to see Celine still getting to Helena after all this time, which is oddly why I kind ship her and Trevor if things ever went sideways with the next wave like Domica/Helena/Anna etc all shrinking or what have it.
I have my money on at least ONE of the major big players going down in the next wave if it comes but the fact more could go isn't lost on me. Maybe everyone but Amber/Scarlett or even they themselves to live peacefully in the Kingdom with Becca free overburden from Domica and others.
---
Anna really grilled poor Scarlett on her family which gives me reason to believe she -might- end up switching to Helena's team at some point. Not out of malice towards Domica/Amber but some misguided attempt to save them from the ills of tiny love/rights.
For the most part Scarlett handled herself quite well in the Dragons Den especially with the Great Domica herself. I'm not a hundred percent sure how Domica truly felt about it but she hid it well for the sake of stability.
If only Scarlett knew both how shitty the GRSP was in effect AND what Domica/Anna and others like Helena would replace it with which is pretty much nothing. Not a fight she could win mind you buuuuut if her mothers were to find out or at worst be put in harm's way by Helena or even The Sisterhood...
I'm not really stunned she went after Becca, after all she was going to find out what effect Scarlett was having on Amber if it killed her. I fully expected her to actually -take- Becca but that might have lead her down a road she would never be allowed back from.
I still see her possibly sneaking Becca away to the Workshop if she got the need but it would mean crossing Domica of all people AND hurting her only daughter which I'm not sure even she is crazy enough to try.
As for the lighthearted stuff it was nice to see Trevor and Becca getting on again even she may never know about The Kingdom it feels like a place she'd enjoy being...until the whole blind devotion to monsters like Helena and Juliette was revealed.
I also have to say I envy that dinner as it sounds both delicious and awesome.
---
I could see Becca imprinting on Scarlett, they are both the same person in respects to how they view the world and people in it. Sure Becca loves Amber as she found her first and has guided her to become a better person but Scarlett legit WAS a kinder person to her kind without needing to be guided by Becca.
She genuinely cares for and respects tiny people and wants the best for them. Even with how deep Becca gets lost in her lust of Ambers sheer dominance I think some of that old fight is still in her wanting tinies to be more than pets or statistics.
I can get behind the occasional smutty segments, no harm nor foul. If things go the way I think they are then it might be the last Anna gets to enjoy such moments so it was nice to see her get a little happiness.
I am calling either Kassandra which would end up furthering their bound right under Helena's nose, Celine to -really- stick it to Helena but her prized pig being the one thing that aids her in getting Domica to her side...OR Anna somehow gets Becca away from Amber now that she knows her existence and offers her up.
There would be no way Trevor could refuse due to having to admit he knew Amber had her this long and if done right Domica would have no knowledge of who she was thus dismissing Amber's outrage at such a pairing. Plus it leaves Amber out in the cold unless she wanted to admit to her mother of all people what she was doing.
Again the marriage angle is something I'm shocked hasn't been tackled in stories before hand given how much the power dynamic is always touched upon. I'm just shocked once again that it didn't end with Helena squishing Estelle underfoot or at least Charity doing it.
Again I see it possibly leading to Trevor but there are options..
The Dinner scene was wonderful as it hit all the notes it needed to, Anna grilling the tiny rights activist while Trevor and oddly enough Domica played peacekeeper. Not sure how Domica would react if Anna BROUGHT Becca to her but that's a whole separate kettle of fish.
I could easily see the mothers running afoul of The Sisterhood or at-least Domica and Helena themselves. Will it lead to them mulched into toejam when the second wave comes? I can't say but I definitely see them as thorns in the side of the anti-tiny rights side for the foreseeable future.
The Anna -hunting- Becca scene was incredible.
You really felt the terror in Becca's mind/body as the predator came looking for her. I truly expected Anna to take her back to Workshop and feign ignorance at her disappearance but I think terrifying her worked well enough.
Though she could have also asked Naomi about it since she did almost kill her at the resort, but then again I don't know/remember if Anna had privy to the knowledge of that vacation.
Again what I think is Anna wants to make sure -all- tinies in Domica's world are broken in so to speak, she lets Trevor slide due to Domica but something tells me she'd ship him off to Naomi if she could get away with it.
As for what's next I either see her offering Becca up as Trevor's -slave- girl or doing something insane like either offering Becca too or leaving for The Kingdom herself. Helena would relish in having a bargaining chip like her only daughters lover underfoot so to speak in her quest to curry and seemingly corral Domica into her favor and The Sisterhood.
Author's Response:
"After all the tenseness of the opening portion of
this section I am so fucking glad for the most part everyone is back
together...there's still whole Becca possibly having deeper feelings for
Scarlett and vice versa but we can cross that bridge when we come to it."
Yeah, it was a pretty tense stretch, only for everyone to
finally fall back in line with one another. Still, a few truths definitely
surfaced that can’t be ignored, so it’ll be interesting to see how they move
forward from here!
"I admit Amber's childhood trauma had slipped my
mind because Naomi/Anna's were so fresh in it but it was deep to see her lay
herself bare for them both and to hopefully begin to grow into a better person
for herself and them both."
I think that’s a common reaction… Amber’s so dominant and
commanding that it’s easy to forget how damaged she is underneath. Her past
really shaped her volatility, and when that emotional armor slips, it adds a
raw edge to her character that makes her unpredictable. It’s fun to write and
super hot at times!
"If everything gets laid out in the open I could
really see those three having a happy, poly relationship and being great
leaning/sound boards for each other as they grow through college into the rest
of their lives."
Haha, that’s definitely a popular hope! And I agree… it would
be nice. But Amber made it clear by the end of this segment that she’s not open
to sharing. Still, it’ll be fascinating to see how they rebuild as friends now
that they’ve made it through their first real fracture.
"Seems like those three had a fun time in the old
town tonight and Anna is officially -officially- back in the fold and seemingly
weidling some power in the bedroom as was shown off tonight with her command of
both Trevor and Domica."
Fun times indeed! I really enjoyed writing that scene, it’s
always satisfying watching Annabel channel that mastery of giant/tiny pleasure
into her relationship with Trevor and Donnica. It’s been too long since we saw
the three of them together like that; it was definitely overdue.
"1. Trevor getting dunked on about his performance
must have been pretty deflating for him, good thing he already suffers from
shrinkage."
Haha, that’s just Annabel’s teasing! That’s the
push-and-pull they thrive on. And to be fair, Trevor can give as good as he
gets.
"2. He bragged about other girls AND MOCKED
WOMEN...two of which were the size of skyscrapers before him and did not die.
He's living every tinies dream right now it seems."
Yeah, that’s Trevor being Trevor… playful, cocky, testing
limits. It’s never really malicious, more him poking the bear because he likes
living on that razor’s edge. Brave or stupid, depending on who you ask!
"3. He didn't give up Celine in the Seed Code
discussion so I wonder if he is lowkey protecting her from Domica/Anna
atm."
Good catch! Could be he didn’t think it was relevant to tell
them about her… or maybe he knows his girls too well and figures they wouldn’t
react kindly to hearing about another woman who caught his attention. Probably
safer to keep that one under wraps ;)
"4. Anna's interest in the Kingdom is a little
unnerving given how their society is structured, I mean it takes a lot to make
Helena look like the safer option but here we are. Though I would be open to
seeing her dealing with Juliette...a battle of dragons."
Now that’s an idea I love: Annabel versus Juliette,
Donnica’s right hand against Helena’s. A battle of wills between two apex
predators. Who knows, maybe we’ll get to see that play out soon…
"6. Call me crazy buuuuuuuut them discussing finding
Trevor a tiny mate/slave really has me thinking now is the time they discover
Becca and find her the ideal candidate. I could see them finding her about and
possibly taking her to the workshop...and right into Naomi's hands without
Amber or Scarlett knowing.
7. I would also not be surprised if they went the aforementioned Celine route
with Helena's likely uneasy agreement but if there WAS one person he would fall
for outright I think it'd be somebody who not only matches him in sass but
outmatches him in his own field."
I see where you’re coming from with Rebecca or Celine, but I
don’t think Trevor would ever buy into that scenario… he’s too sharp. If either
of those girls suddenly appeared in Donnica and Annabel’s hands, acting cozy,
he’d smell manipulation instantly. He’d start asking questions fast, and they’d
have some explaining to do!
"If anyone truly buys into this whole Goddess thing
it would be Helena, I'm not sure how she would've gotten her fix if the
shrinking pandemic never hit but it certainly played right into her Godhood
fantasies."
Oh, absolutely. Helena lives for the pageantry of divinity.
Donnica’s confidence feels innate, but Helena performs her power… she
adores the ceremony, the worship, the entire theater of her role. That’s what
makes her so captivating to write.
"Speaking of Trevor I have that sinking feeling HE'S
the one Helena and/or Kass might settle on which would open a whole new can of
worms. Domica would want a submissive bangmaid for her little guy but him and
even Helena would know Kass deserved better plus the chance he -really- falls
for her over the biggos and then there's gonna be a storm..."
Trevor, huh? You’re right to sense something there… Kassandra’s
shown definite affection toward him. But Helena? She’s another story. I see her
as that fiercely protective mother figure who thinks no man is good enough for
her ‘daughter’. Especially not Trevor who she views as below contempt! That
clash of views could make for some serious fireworks.
"I was so ready for Helena to either kill all three
of the tinies offered or at least Estelle once Charity had gotten the ok to end
the marriage. I realized they were from The Kingdom via the foot worship
ceremony and such but it being Helena and the cruelty shown so far in this tale
gave me pause for the chances of Estelle's safety."
I don’t think Helena or Charity would ever crush Estelle.
The goddesses actually love their Kingdom subjects… it’s the outsiders
who reject submission that they despise. Within the Kingdom, devotion equals
belonging, and Helena treasures that loyalty. She’d never destroy one of her
worshippers without cause… at least I don’t think!
"For the most part Scarlett handled herself quite
well in the Dragons Den especially with the Great Domica herself. I'm not a
hundred percent sure how Domica truly felt about it but she hid it well for the
sake of stability."
Scarlett really did hold her ground, especially impressive
against forces like Donnica and Annabel. I think Donnica, in particular, was
focused on making the evening about Amber, which softened her harsher
instincts. Still, I’m curious what she really thought of Scarlett’s
moral backbone…
"I'm not really stunned she went after Becca, after
all she was going to find out what effect Scarlett was having on Amber if it
killed her. I fully expected her to actually -take- Becca but that might have
lead her down a road she would never be allowed back from."
That’s a great observation you close with… Annabel’s nothing
if not calculating. I think she wanted to take Rebecca but knew the
fallout would be catastrophic. She’s nothing else if VERY calculating, and she
knows when the risk outweighs the reward.
"I also have to say I envy that dinner as it sounds
both delicious and awesome."
Haha, right? I was starving writing it! Italian food just
has that vivid sensory punch that works so well on the page.
Maybe I should go make some spaghetti…
"I could see Becca imprinting on Scarlett, they are
both the same person in respects to how they view the world and people in it.
Sure Becca loves Amber as she found her first and has guided her to become a
better person but Scarlett legit WAS a kinder person to her kind without
needing to be guided by Becca."
Good point! The more Rebecca and Scarlett interact, the
clearer it becomes how much they share: compassion, empathy, and a devoted
sense of justice. There’s definitely a spark there, and I’m really curious how
they’ll navigate that growing attraction between them…
"Again the marriage angle is something I'm shocked
hasn't been tackled in stories before hand given how much the power dynamic is
always touched upon. I'm just shocked once again that it didn't end with Helena
squishing Estelle underfoot or at least Charity doing it."
Yeah, I’ve always loved the arranged-marriage concept in
this world… it amplifies the power imbalance perfectly. There’s something so
inherently charged about a giantess deciding the fate of a tiny couple, like a
goddess arranging her playthings. It really leans into that “girls playing with
dolls” energy that defines part of the fetish, and I can’t wait to explore that
deeper when we return to the Kingdom.
"The Dinner scene was wonderful as it hit all the
notes it needed to, Anna grilling the tiny rights activist while Trevor and
oddly enough Domica played peacekeeper. Not sure how Domica would react if Anna
BROUGHT Becca to her but that's a whole separate kettle of fish."
Thank you! I was nervous about that scene since there wasn’t
much direct size play early on, but I wanted the tension to carry through
dialogue and subtext instead. It was a great chance to reveal more of
Scarlett’s backstory and give Annabel a mini-investigation moment in the middle
of dinner. I’m so glad that landed!
"The Anna -hunting- Becca scene was incredible.
You really felt the terror in Becca's mind/body as the predator came looking
for her. I truly expected Anna to take her back to Workshop and feign ignorance
at her disappearance but I think terrifying her worked well enough."
Awesome to hear that! That passage went through a ton of
rewrites because I really wanted to capture that raw, animal fear from
Rebecca’s perspective. I’m thrilled it came across. And yeah, the poor girl was
petrified. The real question is… what happens next? She’s bound to tell Amber,
right?
"Though she could have also asked Naomi about it
since she did almost kill her at the resort, but then again I don't
know/remember if Anna had privy to the knowledge of that vacation."
It’s funny to think about that shared link between Naomi and
Rebecca… even if it started with a near-death stomp under Naomi’s pale sole. But
you’re right though, I wonder if she even DOES remember Rebecca.
"As for what's next I either see her offering Becca
up as Trevor's -slave- girl or doing something insane like either offering
Becca too or leaving for The Kingdom herself. Helena would relish in having a
bargaining chip like her only daughters lover underfoot so to speak in her
quest to curry and seemingly corral Domica into her favor and The
Sisterhood."
Ha, yeah that’d be a bold move! But honestly, I think Trevor
would see through that ploy immediately. He’s too sharp (and too familiar with
Rebecca) to buy her as some sudden “slave offering.” Even Donnica and Annabel
seem to realize they’ll have to tread carefully there, which is why they’re
vetting other candidates who can use intellect and charm to slip past his
skepticism. Even if she wanted to Rebecca’s far too distinct for that role… she’s
Rebecca, after all.
Still, I’m really looking forward to seeing how all that
tension unfolds. Donnica is such a glorious mess whenever Trevor’s involved and
watching her try to control that chaos is half the fun.
Thanks again for such a detailed review, man. They just keep
getting sharper and more layered every time… absolutely love reading them!
Much love!




[Report This]Date: October 28 2025 1:11 AM Title: PART 35
New segment and I loved this one so much—he has everything I love: slice of life, some actions that involve stinky feet, some work on the characters.
This segment starts with Amber, and all we can say is she is far from being in a good mood, forced to wake up to attend a soccer game. She could punch everyone who tries to speak to her, even her little secret Rebecca—even if she knows Amber enough to not even try to speak with her. I enjoyed the fact you used her to describe the humor of Amber, and the little moment at the shower is fun, but sadly it’s just a little moment in this long morning that awaits Rebecca.
Also, she has something else on her mind: Scarlett. She missed her after the accident in the changing room; Amber still doesn’t speak to her, and for Rebecca it’s so hard because she likes Scarlett. But Scarlett wasn’t the only one punished, Rebecca was also forced to stay in the underwear of Amber all day, forced to worship her. It’s interesting because it really looks like Donnica, when she casts Annie away and keeps Trevor in her underwear when she is scared or pissed. It’s interesting to see Amber and Donnica acting the same but still they can’t communicate together.
Something also interesting is what Rebecca has in her mind: a bit of guilt, because instead of being disgusted and grossed out she enjoy being covered with the stinky cloth of Scarlett, she can’t get it out of her mind, and it’s like a betrayal toward Amber for her. These thoughts never leave Rebecca, she doesn’t have them all the time, of course, but they are always on one side of her mind.
So, she tries to speak to Amber about Scarlett and the fact she did nothing wrong, but she is too weak; Amber is the master, and she can act like she wants. And all this situation with Scarlett is only up to her, and to show it to Rebecca, she makes her smell her asshole.
I really enjoyed that part of the segment when we are inside the mind of Rebecca with all the thoughts she has; especially the moment when she remembers the time before she caught the virus, when she was the one who taught girls like Amber, it’s interesting, it shows how things have turned for her.
This segment continues with Scarlett, who feels so bad about this situation. She only wanted to be with her friend Amber but also Rebecca; she missed both of them so much. So with all her courage, she goes speak with Amber to apologize and explain that she doesn’t deserve this treatment because it was those stupid girls who start this not her; she only wanted this situation to end.
But she also has something else on her mind: she is attracted to Rebecca and she feels so guilty about it she is the love of her friend she can’t be with her and have this feeling toward her.
I loved this moment because it’s the same for both Rebecca and Scarlett, and in the middle of that there is Amber.
It’s interesting to see how all that will evolve. Sadly, the apologies are useless, Amber is still pissed and only wants to rest during the trip.
Scarlett can just sit alone and sad. And I have to say that it also makes me sad; I love Scarlett, she is slowly becoming my favorite character, your work on her is so perfect. And there is also Rebecca, who should be hanging with Scarlett while Amber rests, but because of all that situation she can just stay alone in the bag of Amber. Even if she tries to argue with Amber, it’s useless, her decision was taken, so Amber just puts her in the bag, removes her shoes, and goes to sleep.
And here comes my favorite moment of this segment: Rebecca struggling with all her thoughts of this whole situation. And I have to say I loved how you do it, it’s incredible; it’s really described like a forbidden love with all the little details that make Rebecca love being with Scarlett, also the futile resistance of Rebecca to try to stop thinking about Scarlett is useless.
The work on the differences between Amber and Scarlett is also flawless, it helps us understand why Rebecca is so attracted to Scarlett. The sexual thoughts of Rebecca are also amazing; it’s funny to see her like that since it’s most of the time Amber who is the one speaking or wanting sex.
A fantastic moment is when Rebecca understands she wants Scarlett’s smell and not Amber’s one, and when she realizes it she watches outside the bag she sees Scarlett’s feet, it’s amazing. I loved that moment so much.
The work on the description of Scarlett’s feet is another time perfect, you can feel how bad Rebecca wants to smell them, and I have to say so do I.
Rebecca remembers the first time she met and smelled Scarlett’s feet, it was so overwhelming for her, but the second time it changed, she start to enjoy this strong smell.
Something I also loved in that chapter is the description of Scarlett by Rebecca when she is sleeping, it’s so well done, it’s almost like you describe a piece of art, even if maybe Scarlett is one who knows.
And after, it becomes even more perfect: the struggle of Rebecca, her fight to resist her pulsion, it’s almost like a biblical moment when she must resist the forbidden tentation like Eve with the apple, even if this time it’s the stinky socks of a teenager. I loved all those godly references until the realization:
Rebecca’s whole body tilted toward them, not with lust, not even with guilt anymore, but with something deeper. Something darker. Something sacred. She didn’t just want to touch them. She didn’t just want to kiss them. She needed to. Because these weren’t just socks. These weren’t just feet.
They were Scarlett.
Goddess Scarlett.
And finally, even after all the struggle and fight to resist, a little movement of the bus sends the bag right under Scarlett’s socks, close enough for them to become the entire universe of Rebecca, and at this moment the fight was lost; she just gives up and surrenders to her pulsion.
And she did it, she surrendered, and just enjoyed the moment, and I have to say this moment is so hot I’m jealous of her lol.
Before she can let herself go completely, Scarlett sees her, and it was over. Scarlett took her and started to speak with her. And it’s perfect: Scarlett being so kind, so cute, and the dynamic between the two is incredible Rebecca, who despises her size most of the time, the one in control, being so weak, so vulnerable in Scarlett’s giantess palm; and Scarlett almost acting like a mother who argues with her child after she makes a mistake, it’s amazing, and Rebecca acting exactly like that is also perfect.
I also love the fact Rebecca refers to Scarlett as master, it’s interesting since unlike Amber, Scarlett never uses her size to dominate Rebecca; it’s just natural. And it really makes me think: is kindness also a way to “imprint” the tiny?
Their discussion is also interesting, I loved the fact they both apologize to each other; it’s really funny.
A part I loved is when Scarlett asks Rebecca if she loves her feet, it’s really powerful because we can feel it’s something that complexes her, but Rebecca loves that; she even compliments it.
Also I have to say it’s really funny: Rebecca, who was introduced as a character who hates feet, ends up loving the two stinkiest pairs in the entire story.
But before they can talk more about it, Amber wakes up, and everything freezes and becomes cold for the other two, and it reminds me of the moment during the bal when Donnica enters and both Amber and Rebecca see her.
It’s interesting, all the parallels between Amber and Donnica.
An amazing thing also is the realization of the situation by Amber, I loved the fact both Scarlett and Rebecca were so scared while Amber only watches them without saying anything; it’s perfect, we can really feel the tension increase slowly.
Finally, she speaks and says everything is good. The fact you put the emphasis on the fact her gaze said the opposite of her words, is great.
After a little while she opens herself to Scarlett, and to be honest I really didn’t expect that, but it was an incredible moment ; it really shows how she cares about Scarlett and that makes me happy. I really enjoy all the evolutions about Amber’s character, and her friendship with Scarlett. This moment is absolutely perfect, the first time Amber opened herself to Rebecca way earlier in the story was amazing, and this one is as good. I always love it when Amber opens herself; we can feel how difficult it is for her.
I really hope she will be better. Also I loved how possessive she is toward Rebecca, it’s so cute, but what I loved the most is the hidden tension of all this situation.
In conclusion, an incredible segment, everything is perfect from the reactions of the characters to all the descriptions; also the work on the emotions of each character is perfect as always. We can feel every emotion of the characters, from the sadness of Scarlett to the insecurity of Amber to the sexual appetite of Rebecca.
Something I really loved about this segment is all the situations about Rebecca trying to resist Scarlett and her feet, I love all the lexical field about how divine they are; it’s really interesting because for the description of Rebecca, those socked feet are the most precious thing on earth, while at the end of the day they’re just stinky old socks. I also enjoy a lot Scarlett in this chapter, she is such a gem, a light in the middle of all the cruel giantesses of the story. The fact Amber opens herself like that to Scarlett is incredible; I really loved it since during all this chapter Amber acts like her mom, but at this particular moment she does the opposite, she trusts others, she lets others enter her life. I loved all the tension between Rebecca and Scarlett. To be honest, when you introduced Scarlett in the story, I expected her and Amber to end up together, letting Rebecca in the middle, but it’s way better the way you’ve done it, it adds tension but also many questions. Overall, a fantastic chapter that really puts Scarlett at the top of my list of favorite characters. I also enjoy Amber in this chapter, the fact she was able to open herself and forgive Scarlett was perfect; Rebecca put herself into a really difficult situation with two master’s now. I don’t know how she is going to deal with it
Author's Response:
"Also, she has something else on her mind: Scarlett.
She missed her after the accident in the changing room; Amber still doesn’t
speak to her, and for Rebecca it’s so hard because she likes Scarlett. But
Scarlett wasn’t the only one punished, Rebecca was also forced to stay in the
underwear of Amber all day, forced to worship her. It’s interesting because it
really looks like Donnica, when she casts Annie away and keeps Trevor in her
underwear when she is scared or pissed. It’s interesting to see Amber and Donnica
acting the same but still they can’t communicate together."
Like mother like daughter! I love that you picked up on that
parallel. They really are temperamentally the same in so many ways, and yet,
those similarities can be more of a barrier than a bridge between them. Great
comparison, too; it’s fascinating how both women handle their lovers when
they’re upset in almost the exact same way. (And let’s be honest… it’s pretty
hot, too!)
"I really enjoyed that part of the segment when we
are inside the mind of Rebecca with all the thoughts she has; especially the
moment when she remembers the time before she caught the virus, when she was
the one who taught girls like Amber, it’s interesting, it shows how things have
turned for her."
That was one of my favorite parts to write earlier in the
segment… Rebecca’s sense of being doll-like, stripped of adulthood, completely
at the mercy of a giant teenager. It’s such a charged contrast. I think it’s so
hot to explore how shrinking turns ordinary dynamics completely upside down.
"I loved this moment because it’s the same for both
Rebecca and Scarlett, and in the middle of that there is Amber."
Exactly… that’s the core tension of the whole scene. Rebecca
and Scarlett clearly have feelings for each other, but Amber’s volatile,
possessive nature stands between them. That triangle is full of conflict and
electricity; I absolutely love writing that dynamic.
"Scarlett can just sit alone and sad. And I have to
say that it also makes me sad; I love Scarlett, she is slowly becoming my
favorite character, your work on her is so perfect. And there is also Rebecca,
who should be hanging with Scarlett while Amber rests, but because of all that
situation she can just stay alone in the bag of Amber. Even if she tries to
argue with Amber, it’s useless, her decision was taken, so Amber just puts her
in the bag, removes her shoes, and goes to sleep."
It is sad, isn’t it? All three of them isolated when
they should be together. I’m thrilled you’re loving Scarlett… she’s such a joy
to write, and I’ve got so much more in store for her.
"And here comes my favorite moment of this segment:
Rebecca struggling with all her thoughts of this whole situation. And I have to
say I loved how you do it, it’s incredible; it’s really described like a
forbidden love with all the little details that make Rebecca love being with
Scarlett, also the futile resistance of Rebecca to try to stop thinking about
Scarlett is useless."
YES! That was such an intense section to write. I love
diving into Rebecca’s inner monologue, especially when she’s so torn between
guilt and arousal. That tension, wanting what she thinks she shouldn’t, is
exactly what makes a scene like this work so well!
"The work on the differences between Amber and
Scarlett is also flawless, it helps us understand why Rebecca is so attracted
to Scarlett. The sexual thoughts of Rebecca are also amazing; it’s funny to see
her like that since it’s most of the time Amber who is the one speaking or
wanting sex."
Oh, Rebecca definitely has her horny side too ;)
"The work on the description of Scarlett’s feet is
another time perfect, you can feel how bad Rebecca wants to smell them, and I
have to say so do I."
Haha I knew that part would land with you! Remember I told
you there was a smelly foot scene in this chapter you’d love? Glad it hit the
mark!
"Something I also loved in that chapter is the
description of Scarlett by Rebecca when she is sleeping, it’s so well done,
it’s almost like you describe a piece of art, even if maybe Scarlett is one who
knows."
That was a highlight for me too… even though it’s just a
quiet image, that moment of her leaning against the glass, red hair spilling
forward, felt so tender and cinematic. I’m thrilled you caught that detail.
"And she did it, she surrendered, and just enjoyed
the moment, and I have to say this moment is so hot I’m jealous of her
lol."
I’m glad you’re jealous, that means I did my job right ;)
Honestly, I’m jealous too… Rebecca gets to worship some amazing
feet.
"Before she can let herself go completely, Scarlett
sees her, and it was over. Scarlett took her and started to speak with her. And
it’s perfect: Scarlett being so kind, so cute, and the dynamic between the two
is incredible Rebecca, who despises her size most of the time, the one in
control, being so weak, so vulnerable in Scarlett’s giantess palm; and Scarlett
almost acting like a mother who argues with her child after she makes a
mistake, it’s amazing, and Rebecca acting exactly like that is also perfect."
That was such a fascinating shift to write… seeing
Scarlett’s more assertive, even maternal side come out. I love how you
described it like a mother scolding a child; that’s exactly the tone I was
aiming for. It’s a reversal of their usual rhythm (Rebecca’s normally the
mature, direct one) but watching that flip was really satisfying. And who
knows… maybe it’ll happen again.
"I also love the fact Rebecca refers to Scarlett as
master, it’s interesting since unlike Amber, Scarlett never uses her size to
dominate Rebecca; it’s just natural. And it really makes me think: is kindness
also a way to “imprint” the tiny?"
That’s such an intriguing idea! Imprinting can absolutely
take many forms… and I think you’re right that kindness can be its own kind of
dominance sometimes, subtle but powerful.
"Also I have to say it’s really funny: Rebecca, who
was introduced as a character who hates feet, ends up loving the two stinkiest
pairs in the entire story."
Haha yes! It’s hilarious, and in a way, it’s like her weird
little character arc. A fetishy one, sure, but still symbolic of how far she’s
come.
And just wait… Rebecca’s story is far from over. So much
more development to come.
"But before they can talk more about it, Amber wakes
up, and everything freezes and becomes cold for the other two, and it reminds
me of the moment during the bal when Donnica enters and both Amber and Rebecca
see her."
You nailed that comparison… Amber really does carry that
same “Donnica entering the dance” energy here. But she also surprises us with
how she handles it.
"After a little while she opens herself to Scarlett,
and to be honest I really didn’t expect that, but it was an incredible moment;
it really shows how she cares about Scarlett and that makes me happy. I really
enjoy all the evolutions about Amber’s character, and her friendship with
Scarlett. This moment is absolutely perfect, the first time Amber opened
herself to Rebecca way earlier in the story was amazing, and this one was as
good. I always love it when Amber opens herself; we can feel how difficult it
is for her."
Amber’s such a rewarding character to write because she’s
been through so much darkness, but Scarlett and Rebecca are genuinely helping
her heal. That’s why the love triangle between them feels so charged… if she
loses one (or both!) will it shatter her progress? Or will it push her into
something entirely new?
"Something I really loved about this segment is all
the situations about Rebecca trying to resist Scarlett and her feet, I love all
the lexical field about how divine they are; it’s really interesting because
for the description of Rebecca, those socked feet are the most precious thing
on earth, while at the end of the day they’re just stinky old socks. I also
enjoy a lot Scarlett in this chapter, she is such a gem, a light in the middle
of all the cruel giantesses of the story. The fact Amber opens herself like
that to Scarlett is incredible; I really loved it since during all this chapter
Amber acts like her mom, but at this particular moment she does the opposite,
she trusts others, she lets others enter her life."
Exactly! That’s the thrill of it, something as mundane and
dirty as socks becoming divine in a tiny’s eyes. That’s what makes size play so
erotic for me… the power of perspective.
"I loved all the tension between Rebecca and
Scarlett. To be honest, when you introduced Scarlett in the story, I expected
her and Amber to end up together, letting Rebecca in the middle, but it’s way
better the way you’ve done it, it adds tension but also many questions.
Overall, a fantastic chapter that really puts Scarlett at the top of my list of
favorite characters. I also enjoy Amber in this chapter, the fact she was able
to open herself and forgive Scarlett was perfect; Rebecca put herself into a
really difficult situation with two master’s now. I don’t know how she is going
to deal with it."
I actually thought about going that route (Amber and
Scarlett ending up together) but in the end, I realized the most delicious
tension comes from keeping the focus on the tiny’s desire. It’s that primal
size-fetish thrill: being wanted, claimed, and dominated by something so much
larger. When the giant wants the tiny, that’s where the real magic happens. At
least for me :D
Thank you so much for the review brother! It’s amazing as always!
Date: October 27 2025 6:17 PM Title: PART 27
So first off I love the introduction of Scarlett. She seems driven and strong. A perfect counter to amber. I continue to love amber and Rebecca’s development. They are almost my ideal for tiny and giant relationship. The tiny gets some say and can even stand up to the boss. Yet the giant keeps control. That is a great dionamic in my opinion. I love that Rebecca is ambers jiminey cricket, her conscience.
I agree with amber that Naomi isn’t theirs to help. Not after what transpired at the resort and especially not after what she just said in ambers own room. That girl is in need of serious help. But still good on Rebecca for even giving that much help in the form of the link, and great for willing ly standing up to amber when it’s important.
now for the weirdest trio. Trevor Donnie’s and Annabelle are so weird. The fact that Trevor is ok with Annabelle threw me for a loop. Annebele remains cookier than a cook coo clock.
I am liking the relationship though, it is so delightfully unhinged. You got annebele who like I said previously is a tiny at heart and just wants all tiny’s to reliazed the truth that she has, she would love to be a true tiny I think, even if it killed her.
Trevor is a man in an insects body. He would be a king to donnicas evil queen. I haven’t decided yet weather he would be a good king or bad king. Trevor doesn’t seem to care about the fate of tinies in general, maybe only those that he knows. I am not sure how he would react if he found out that donnica was fine killing and eating tinies. Personally I think he is quite insane for willingly getting rid of his few lawful protections. As demonstrated with the next chapters screw up about what happens when revengeful third party coops and gets him.
Donnica is a true queen whom I eventually hope will fall of her horse and realize she is not a goddess. She is the antagonist along with Helen as far as I am concerned.
helen is so evil and cruel. I love it. So is everything donnica is turning into.
Your sex scenes remain top notch by the way
Author's Response:
You know, I remember when Amber and Rebecca first 'reconciled', you left a comment saying that while you were glad they'd moved past their rocky beginnings, you were a little dismayed that we wouldn’t get to see them in a more openly cruel dynamic, and honestly, I kind of felt the same way at the time. But I’m actually really happy with how their relationship has evolved. There’s still that underlying dominance, even moments of cruelty, but it’s wrapped in something more emotionally layered now. Especially with Scarlett added into the mix!
That’s not to say the story’s lacking in true cruel energy... far from it. In fact, I’ve got some really brutal slave/master material coming up with a few of the other characters that I cannot wait to write. So definitely keep an eye out for that.
Also, I love that line you used: Trevor as “a man in an insect’s body.” That’s perfect. And yeah, his worldview is definitely... complicated haha. Maybe even contradictory. He’s deeply independent and passionate about protecting what he believes in, but at the same time, he’s drawn to the very power structures he’s supposed to be resisting at times. There's something magnetic to him about that hierarchy between the rulers and the ruled. I love writing that kind of inner conflict.
Thank you, too, for the kind words on the sex scenes! I honestly put a ton of effort into them because, let’s be real, they’re a big part of why we’re all here ;)
And finally, I loved getting a review like this, from a reader who has already seen more of the story unfold. It’s so cool seeing those reflections come in with the benefit of hindsight. Can’t wait to hear your thoughts on the following chapters with the same hindsight.
Thanks again, man!
Date: October 21 2025 11:41 PM Title: PART 35
Great chapter
Author's Response:
Thank you for kind words!
I'm glad you enjoyed the chapter... even if it was a little on the long side ;)




[Report This]Date: October 21 2025 7:37 AM Title: PART 34
Okay, first and foremost with S3, that vore scene? Holy fuck, man! You've been nailing those in this story, but this last one was so fucking good! Better than the one in the previous chapter, and that one was fantastic in its own right!
Once again, as you do with a lot of your fetish-y scenes, you wrapped a good bit of plot and worldbuilding around the dinner itself, which is both clever and really, really hot. The four of them having a conversation as they casually reach down and grab themselves one "bite" at a time adds another dimension to the eroticism of the vore. It also makes the narrative more interesting watching the four of them swallow down life after life while talking about how worthless tinies are in general. That's how you drive home a point!
I also appreciated how you emphasized the different approaches each giantess took to their meal, and I think that gave us some insight into who each one is.
Marion, for example, really seemed to savor the process of eating tinies more than the tinies themselves. She was selective with each bite, preferring women for how smoothly they go down and eyeing Kelly because of her curious actions in the bowl (which only she took the time to notice, it seems. Then there was the smelling, adding more senses to the eating process and really taking her time. The comparison to a sommelier really fit well here!
But then, once the tinies pass Marion's lips, they're practically forgotten, swallowed so easily, so automatically that it seems like she doesn't bother to enjoy the taste. It seems almost sacramental to me in that regard, like she's doing it more out of civility and and polite expectation than taste and indulgence. I think she likes the idea of consuming tinies more than the literal act itself, drawing out how she puts the tinies in their place and swiftly swallowing once they're in her mouth.
Then there's Yuriko, who was very ceremonial and violent with her meal. I don't think she swallowed a living tiny in the entire segment. Between the way she regarded them and how she quickly squashed that first one between her tongue and the roof of her mouth, letting the blood and flavor spread from what was left of him afterward, seemed very traditional, maybe even ritualistic. This is a woman who enjoys the act and the violence of eating tinies. I mean, it is a delicacy in her home country, after all.
Donnica was so casual after she got over the initial novelty of it. She was never offended or against eating tinies, but it took her a second to get over the shock of it not only being offered to her but that it was being done so (seemingly) blatantly despite clearly being illegal.
She enjoyed the flavor quite a bit, and the initial rush, too, but she soon settled in and the tinies in the bowl just became another meal for her. Yeah, she pretended that they were rivals shrunken down by the virus, but the way she ate them mostly pretty normal, sipping wine to swallow them down easier and gulping them down to make sure she could get properly answer the two powerful women's questions or hold firm on certain things.
All in all, eating tinies became pretty natural pretty quickly for Donnica.
Then there's Helena. I love that she was stress eating! The description of her being too worried to pay attention as she ate her first bit was perfect! That soft chewing and sipping the wine to send him down, all absent actions while the other three were enjoying their food in their own ways, was not only super hot to me, but it also reinforced a feeling I kind of got from her own vore segment in the previous chapter.
I don't think Helena particularly cares for chowing down on little people.
That feeling only deepened when Helena deflected Donnica's question about how she likes her tinies prepared. Unlike the other three, I think Helena eats tinies because it's necessary for her to either hold her position or advance within the Sisterhood (much like how eating that first tiny was a test for Donnica). In the previous chapter, it was noted that she was doing meal more out of ritual than desire, and she didn't seem to derive a lot of pleasure from eating them.
To be clear, I'm not saying that Helena has a problem with eating tinies. I just don't think she's into it. Or maybe she does and just buries it deep, right next to her feelings for Celine.
The Kelly angle in this segment was so much fun! Getting a ground-level perspective of those "descending fingers' was really ... fuck, man! That shit alone was prime "field testing" material! And that line about the gods absently choosing their meals? Fanfuckingtastic!
But Kelly's "journey" was great, too. The fact that she put so much faith in Donnica despite how unlikely it seemed like Donnica would help her. That helped sell her desperation; despite how little Donnica cared about her, tormented her in the nail salon even, Kelly still convinced herself that Donnica would save her. And the way she pushed that dude into Marion's elegant fingers was shitty of her, of course, but fuck was it sexy as hell thinking about Marion gently trying to shake him off her sticky fingers and "resigning" herself to eating him instead of the curiosity she'd been eyeing all meal.
And the way you described Donnica from Kelly's perspective when Donnica plucked her from the bowl was so mesmerizing! Everything about Donnica stood out there, and that casual lick of her lips felt as devastating as it felt hot (which was very, by the way!).
Then Donnica recognized her and ate her anyway! The perfect end to Kelly's journey! That "Oh, it's you" line cracked me up, because I knew exactly what was coming! Fuck that whole thing was good!
And while I'm still on the vore stuff, the Lover's Delight was a lovely way to end the meal. To back married couples into the dough like that and intentionally separate them before eating each one is a special kind of casual cruelty, so of course Yuriko is the one to show Donnica the proper way to do it! Yurilo talking over the screaming husband, paying him no attention as she excitedly talks about the desert with Donnica was amazing! Also, the fact that they would (allegedly) go out of their way to make sure these are actual couples they're serving is even more delightfully evil. The Sisterhood is really particular about the role each tiny plays in their system.
And I say the Sisterhood instead of just the restaurant because it's clear to me that either The Hollow is owned and operated by the Sisterhood or that the restaurant allowed them to bring their own food into the establishment (and I'm willing to bet it's the first one). I love how you telegraphed this with the waitress, who was clearly a goddess-in-waiting. She had all the same mannerisms and respect for both the goddesses themselves and the ritualistic nature of the meal that the girls back on Helena's estate had. The way Marion acknowledged the girl a couple times sealed it for me.
Jumping back to the beginning of the segment, I love Donnica's take on the restaurant. Despite her own wealth and influence, this was a step above what she was used to, which shows that there are even higher levels to which she could go. But, at the same time, she wasn't excited about eating there or jealous that her hosts were in a position to summon her there; no, she only acknowledged the status of the restaurant as recognition for how important the meal was, given the kind of discussion and deals that go down there.
This, to me, goes back to Donnica's roots as someone who pulled themselves out of obscurity and earned everything she has. To the true elite, the ones born into power, the status that comes to eating at a place like this (like Helena and maybe Marion and Yuriko, I suspect) is everything. For Donnica, she doesn't need it because she's taken so much for herself, and she's good with what she's earned on her own. If she ever becomes a regular there, it'll be because of the work she's put in, earning her spot there. That's the only way it would mean something to someone like her.
And this was really driven home when Donnica's main thought at seeing the elegant setup was about the dinner she had planned with Amber, Annabel, and Trevor, rather than power structures or ways to take her "rightful place' among these elites. I think that says more about Donnica than anything!
I also like how quickly she was clocking everything Marion and Yuriko were doing during the meal. She knew they were like her in a way, powerful women who demand rather than ask. She knew when she was being tested, and she knew when to speak up instead of becoming the butt of a joke. She also knew not to bombard them with questions but which one she could appropriately sneak in.
And confirmation that Helena's Kingdom is the only one in the Sisterhood was interesting, by the way. That seems to reinforce my theory that breaking into the Seed Code is about expanding the Kingdom to other Sisterhood communities rather than increasing the size of Helena's own Kingdom. Helena should really thank Celine for that gift!
But yeah, we didn't really get a lot of new lore introduced here, but we did get a lot of confirmation about stuff we (but not Donnica) already kind of knew, though. The Sisterhood believes a "final wave" of the virus is coming and that only people like those in the Sisterhood are going to be left by the time its done. We know they believe that there's a "proper" way to rule tinies, although I'm not completely sure that they understood Donnica's definition of "proper" in that context. This could be a point of contention between the two sides (because, let's face it, Donnica's always on her own side) down the road.
And we also know that the Sisterhood leadership isn't thrilled about her relationship with Trevor. The way they pushed that issue, with Yuriko poking Donnica with that line, "Trevor? Is that the slave's name?" was interesting. I wonder what they were intending to say to Donnica about it before Donnica shut that shit down! Or maybe that was the intent: to gauge Donnica's passion on the issue and maybe pressure her to properly subjugate Trevor if she came off at all passive on the issue.
Instead, Donnica laid down the law! And she did it in a way that they had to respect. She didn't give them the "he's special" line, trying to convince them that she's in the right. She isn't beholden to anyone, and she made that perfectly clear! There's no reason to justify herself to them. She's the ruler, and she decides who will rule with her. If other people find the fact that her partner is tiny to be contradictory or hypocritical, that's their problem, and she has no time for it! I fucking loved this moment!
But we also saw Donnica softening up to the Sisterhood a bit by the end of things. She's starting to think of Helena on slightly friendlier terms, and she seemed to really enjoy the comradery she was sharing with the other three women, equals in her mind. That's potentially a scary prospect, especially with Yuriko's comment about Donnica maybe "unlearning" some stuff, but I'm really not concerned. I do think you're going to make us sweat a bit at some point, but I have no doubt that Donnica will always choose Trevor in the end (even if loses herself for a minute and chooses something else in the short term). And I still say that the bond these women seem to share, as well as the bond the Sisterhood shares with their subjects, is empty (The Hollow was a great name for the restaurant in that regard). Helena and company think what they have is better only because they don't have what Donnica has with Trevor.
That's why they're going to lose in the end. Now what losing means and what winning looks like for Donnica is still pretty hard to predict at this point, but I think Donnica will ultimately be at odds with at least some of these women and come out on top at the end.
Oh, and it looks like my way-to-soon prediction that Marion is Penelope's mom was wrong, since she's from the U.S. But it seems like both Marion and Yuriko received their "training" in England just like Helena did, so I'm thinking that Penelope's mom was the one who trained them. That would make her pretty high up in the organization, I'd think, especially since Marion and Yuriko are pretty advanced within its ranks on their own.
This was a great way to cap off the chapter overall! The dinner conversation was tense at times, fun at others, and greatly enjoyable overall. And the vore, again, was awesome!
Author's Response:
"Okay, first and foremost with S3, that vore scene?
Holy fuck, man! You've been nailing those in this story, but this last one was
so fucking good! Better than the one in the previous chapter, and that one was
fantastic in its own right!"
Haha man, I was waiting for your reaction! I put a ton
of work into that one… honestly, it might’ve gone through more revisions than
any other SMUT scene I’ve written so far. I always want these scenes to land,
maybe even more than the stuff I’m naturally drawn to, because I love the
challenge of making them great!
So yeah, I’m thrilled it landed for you… and just for the
record, there’s definitely more vore on the horizon ;)
"I also appreciated how you emphasized the different
approaches each giantess took to their meal, and I think that gave us some
insight into who each one is."
YES! I’m so glad that came across. I really wanted to make
their eating styles extensions of their personalities… to show rather
than tell, as it were. Four powerful women, all equals, but each expressing
their dominance in her own distinct way. It took a lot of planning to make it
feel organic rather than gimmicky, so hearing you caught all that detail (especially
Helena’s stress eating) made my day.
Can’t wait to see what kind of fallout that meeting leaves
behind...
"To be clear, I'm not saying that Helena has a
problem with eating tinies. I just don't think she's into it. Or maybe she does
and just buries it deep, right next to her feelings for Celine."
Oh, for sure… Helena doesn’t have issues with it. She sees
it as part of the Sisterhood’s order, something ritualistic that she upholds
without hesitation. But that little jab about her repressed feelings? Perfect.
Absolutely perfect. I was grinning reading that line.
"The Kelly angle in this segment was so much fun!
Getting a ground-level perspective of those "descending fingers' was
really ... fuck, man! That shit alone was prime "field testing"
material! And that line about the gods absently choosing their meals?
Fanfuckingtastic!"
Yes, my dude! That’s the best compliment anyone can give a
SMUT writer… that the material was properly ‘field tested’ haha! Kelly’s POV
was essential for that scene. It made it way more complicated (and way longer)
to write, but it was the only way to capture the terror, awe, and twisted
intimacy of what was happening above her. Totally worth it.
"But Kelly's "journey" was great, too. The
fact that she put so much faith in Donnica despite how unlikely it seemed like
Donnica would help her. That helped sell her desperation; despite how little
Donnica cared about her, tormented her in the nail salon even, Kelly still
convinced herself that Donnica would save her. And the way she pushed that dude
into Marion's elegant fingers was shitty of her, of course, but fuck was it
sexy as hell thinking about Marion gently trying to shake him off her sticky
fingers and "resigning" herself to eating him instead of the
curiosity she'd been eyeing all meal."
I was really worried that Kelly’s belief in Donnica
would feel too far-fetched, so I’m glad it worked for you. I went back and
forth on that section countless times, trying to frame her hope as pure
desperation… because when you’re facing certain death, you’ll cling to any
illusion of rescue.
And yeah, that bit with the guy stuck to Marion’s fingers? I
almost cut it during revisions to save time, but I’m so glad I didn’t. It really
made the climax of Kelly’s journey all the sweeter.
"Then Donnica recognized her and ate her anyway! The
perfect end to Kelly's journey! That "Oh, it's you" line cracked me
up, because I knew exactly what was coming! Fuck that whole thing was
good!"
Haha, yeah… that “Oh, it’s you” moment was basically Kelly’s
whole arc boiled into one cold shrug. That split second where all her hope dies
before she does. It was simple, cruel, and exactly how I wanted to punctuate
the scene.
"And while I'm still on the vore stuff, the Lover's
Delight was a lovely way to end the meal. To back married couples into the
dough like that and intentionally separate them before eating each one is a
special kind of casual cruelty, so of course Yuriko is the one to show Donnica
the proper way to do it! Yurilo talking over the screaming husband, paying him
no attention as she excitedly talks about the desert with Donnica was amazing!
Also, the fact that they would (allegedly) go out of their way to make sure
these are actual couples they're serving is even more delightfully evil. The
Sisterhood is really particular about the role each tiny plays in their
system."
I've gotten so much great feedback on the Lovers’ Delight (through
reviews, messages, everything) that it’s honestly making me want to sit down
and dream up another specialty dish! My favorite bit of “casual cruelty” in
that whole sequence was definitely when Donnica teases Yuriko about indulging
in an “impure” dessert, and Yuriko just laughs it off with, “Even the Japanese
love dessert.” I don’t know why, but that exchange made me grin so much while
writing it.
"And this was really driven home when Donnica's main
thought at seeing the elegant setup was about the dinner she had planned with
Amber, Annabel, and Trevor, rather than power structures or ways to take her
"rightful place' among these elites. I think that says more about Donnica
than anything!"
Yeah, I’m always trying to find ways to draw that line
between Helena and Donnica, and I thought the contrast in how they each entered
and experienced the restaurant was the perfect opportunity to do it. I’m so
glad you noticed that (and even wrote three paragraphs on it!) it’s one of
those details I poured way too much time into and assumed would just quietly
pass under the radar, so seeing it picked up was FIRE!
"And confirmation that Helena's Kingdom is the only
one in the Sisterhood was interesting, by the way. That seems to reinforce my
theory that breaking into the Seed Code is about expanding the Kingdom to other
Sisterhood communities rather than increasing the size of Helena's own Kingdom.
Helena should really thank Celine for that gift!"
Ahhh yes… the Seed Code! What could that mystery be all
about?
We’ll be heading back to the Kingdom soon, and I’m honestly
so excited to revisit that part of the world. My writing pace is glacial
though… when I released that first Kingdom chapter a few months back, I thought
I’d be returning to it right away, but these other storylines just keep growing
on me. One day, I will finish this story… I swear!
And yes, Helena really should be grateful for Celine…
shouldn’t she?
"Instead, Donnica laid down the law! And she did it
in a way that they had to respect. She didn't give them the "he's
special" line, trying to convince them that she's in the right. She isn't
beholden to anyone, and she made that perfectly clear! There's no reason to
justify herself to them. She's the ruler, and she decides who will rule with
her. If other people find the fact that her partner is tiny to be contradictory
or hypocritical, that's their problem, and she has no time for it! I fucking
loved this moment!"
This was such a fun moment to write! I’d been waiting for a
chance to really test Donnica against equals, and this was it. She spent most
of the scene playing it cool, carefully navigating the table, but the second
Trevor came up, her restraint was gone. That’s her line in the sand.
At first, I wasn’t sure how I was going to resolve that
conflict, but it came together naturally: Donnica gets to have Trevor because she
decides it. No justification, no defense… just authority. And of course, that
made sense within the Sisterhood’s logic too. Power respects power, and Donnica
simply commanded it. It ended up clarifying a lot about how the
Sisterhood truly works.
"But we also saw Donnica softening up to the
Sisterhood a bit by the end of things. She's starting to think of Helena on
slightly friendlier terms, and she seemed to really enjoy the comradery she was
sharing with the other three women, equals in her mind. That's potentially a
scary prospect, especially with Yuriko's comment about Donnica maybe
"unlearning" some stuff, but I'm really not concerned. I do think
you're going to make us sweat a bit at some point, but I have no doubt that
Donnica will always choose Trevor in the end (even if loses herself for a
minute and chooses something else in the short term). And I still say that the
bond these women seem to share, as well as the bond the Sisterhood shares with
their subjects, is empty (The Hollow was a great name for the restaurant in
that regard). Helena and company think what they have is better only because
they don't have what Donnica has with Trevor."
Ah yes, Donnica did start to warm up a bit, didn’t
she? For all her suspicion and pride, the allure of that kind of power is hard
to resist. I’m really curious to see how the people closest to her react to
this new opportunity, maybe we’ll get some answers next chapter ;)
And I love how fiercely you champion her bond with Trevor.
That connection really is the heart of the story… it’s weathered everything so
far, but I wonder how much more it can take…
"Oh, and it looks like my way-to-soon prediction
that Marion is Penelope's mom was wrong, since she's from the U.S. But it seems
like both Marion and Yuriko received their "training" in England just
like Helena did, so I'm thinking that Penelope's mom was the one who trained
them. That would make her pretty high up in the organization, I'd think,
especially since Marion and Yuriko are pretty advanced within its ranks on
their own."
Yeah, one thing’s for sure… something big happened in
England. Between Helena’s mentions last chapter of the old castles that she did
her fellowship in and her shared “training” history with the other women in
this chapter, it’s clear there’s a deep connection there. And of course, we
know she’s still bound to Penelope’s mother in some way, who just so happens to
live there too.
Will DAW be going international soon? Maybe ;)
"This was a great way to cap off the chapter
overall! The dinner conversation was tense at times, fun at others, and greatly
enjoyable overall. And the vore, again, was awesome!"
You know me, man… I’m always pumped to hear your take on the
vore scenes! I’m so glad it landed the way it did. And yeah, I can’t resist
layering in a bit of lore and worldbuilding beneath the chaos (even if it’s
stuff that’s been implied for ages, it’s nice to finally confirm it outright).
Thanks as always for the review, brother… your breakdowns
are always a highlight to read!




[Report This]Date: October 21 2025 3:44 AM Title: PART 35
OMG THIS CHAPTER WAS FIRE !!!
that ending was heart stopping even when I knew it was gonna to happen
Trevor better talk to Annabel soon and I’m sure Amber will find out what happened to
Author's Response:
Thanks, man!
I worked hard on that ending, really trying to lock in the tension. It’s awesome to hear it came through for you :)
As for what happens next... let’s just say the fallout’s going to make things very interesting.




[Report This]Date: October 21 2025 12:20 AM Title: PART 35
Finish S1 what an incredible segment
Author's Response:
I LOVE that you enjoyed that segment so much you had to drop in and let me know ;)
There’s so much going on in that part... definitely the most layered, complex scene in the chapter!
...and of course it features everyone's favorite redhead: Scarlett!




[Report This]Date: October 19 2025 8:24 PM Title: PART 34
This is the last segment of the chapter, and this time we follow Donnica’s journey in a restaurant where she will meets Helena and two other women from her circle.
It’s intriguing because, for once, Donnica doesn’t seem in full control of the situation, a dynamic we’re not used to with her.
I enjoyed the reserved attitude Donnica has toward Helena, especially since she still owes Trevor Status-C. The subtle teasing about the dinner Donnica will organize before leaving with Amber is also a nice touch; I have a feeling it’s going to be significant in many ways.
But for now, we have this dinner to focus on.
I loved the introduction of Yuriko and Marion. You did an amazing job with the descriptions, as always, but the fact that Donnica sees them as equals adds even more depth, you can truly feel how powerful these women are. The way you constructed their conversation is brilliant; every word feels like a blade, a battle between Donnica and the other two women. The tension during this dinner is palpable, with every question and remark serving as a way to judge the others.
The main focus of this segment is the dinner itself, or rather, what the dinner consists of: tiny people destined to be eaten by these four powerful women. Even this is a test for Donnica, to see how she’ll react to this “food” and how she’ll behave. We can say she succeeds; she doesn’t hesitate to eat one. I have to say, I loved it, even though I’m not a huge fan of vore.
The detailed descriptions and reactions are incredible. The contrast between the giantesses and the tiny people is striking, and through this dinner, we discover an even darker side of the world of Daw the fact there is place like that when rich woman can eat tiny is so fucking messed up.
The differences in how the four giantesses eat the tiny people are perfectly portrayed, highlighting their distinct personalities through their actions.
But I think the best part of this segment is Kelly. She brings such a tragic depth to the story. Not long ago, she was an assistant working for Donnica, but after catching the virus, she was forced to work in a salon, tending to the feet of giantesses. Now, she’s in a bowl, ready to be eaten by some rich bitches.
The cruelty of how they describe eating the tiny people, treating them as nothing more than food, is chilling, even if, sadly, that’s what they are to them. The casual way they talk while consuming people who were like them not so long ago is so cruel, and I loved it, it’s exactly how vore should be.
I also found it amusing how Donnica gets irritated when Marion talks about Trevor, especially since she’s eating tiny people just like him, even if, for her, he’s special. I enjoy Donnica’s more aggressive side here; she was a bit too kind in this segment. She needs to remind the other three women that she’s a lioness, the one in charge.
I also appreciated how conflicted Donnica is. You can feel she’s not entirely comfortable with all of this, yet her curiosity drives her to go along with it. I have a feeling it won’t be that easy for Helena and the others to manipulate her.
When Kelly reaches Donnica is such a huge highlight, wow, I loved this part so much. Kelly’s desperate struggle to get to Donnica, clinging to hope, only to realize Donnica sees her as nothing more than food, is heartbreaking. Donnica’s cruelty is perfect, and her internal commentary is amazing, she views Kelly as mere sustenance, something to be flushed away the next morning.
The highlight of the vore, though, is the dessert: the Lovers’ Delight. It’s so cruel and yet so captivating, I loved it. I really enjoy couple dynamics in giantess stories; there’s something uniquely devastating about watching your loved one be eaten, crushed, or otherwise destroyed while you’re powerless, awaiting the same fate. It’s the apex of cruelty.
In conclusion, this is a fantastic segment packed with action. You absolutely killed it, making me appreciate vore despite not being a huge fan of it. You chose the perfect elements to make it work seamlessly. The verbal battles, where every word and gaze carries so much weight, are brilliantly done. This meeting feels like it will have significant repercussions in the future, but Donnica’s choices may come back to bite them, she’s not someone easily controlled. But I think what I loved the most in this segment is The Lovers’ Delight such a creative and gripping idea; I loved it and hope you’ll introduce more concepts like this in the future, maybe not with vore.
Author's Response:
"I enjoyed the reserved attitude Donnica has toward
Helena, especially since she still owes Trevor Status-C. The subtle teasing
about the dinner Donnica will organize before leaving with Amber is also a nice
touch; I have a feeling it’s going to be significant in many ways."
Oh yes... that dinner is going to be very significant
;)
(but you already know that!)
"I loved the introduction of Yuriko and Marion. You
did an amazing job with the descriptions, as always, but the fact that Donnica
sees them as equals adds even more depth, you can truly feel how powerful these
women are. The way you constructed their conversation is brilliant; every word
feels like a blade, a battle between Donnica and the other two women. The
tension during this dinner is palpable, with every question and remark serving
as a way to judge the others."
I love that’s how it came across! I worked really hard to
make sure every line felt deliberate… like every smile, every polite word was
another test or a hidden strike. It was so much fun to finally put Donnica
across from women who could meet her on equal footing, forcing her to navigate
a table where she wasn’t fully in control.
"The detailed descriptions and reactions are
incredible. The contrast between the giantesses and the tiny people is
striking, and through this dinner, we discover an even darker side of the world
of Daw the fact there is place like that when rich woman can eat tiny is so
fucking messed up."
Yuriko said it best: “We decide who eats and who is
eaten.” Taking these hyper-powerful women and placing them around a table
to discuss the future of the world is already charged and hot… but making that
table itself a feast of living people adds an entirely new, perverse layer of
dominance. It’s elegant, cruel, and intoxicating all at once.
"But I think the best part of this segment is Kelly.
She brings such a tragic depth to the story. Not long ago, she was an assistant
working for Donnica, but after catching the virus, she was forced to work in a
salon, tending to the feet of giantesses. Now, she’s in a bowl, ready to be
eaten by some rich bitches."
Yeah, Kelly really was the key to making that whole sequence
breathe. Seeing everything from her perspective on the table anchored
the scene… it let the reader feel the terror firsthand while still marveling at
the twisted beauty of it all. And for those who come to the story for the
erotic side… well, it offered plenty there too!
"I also found it amusing how Donnica gets irritated
when Marion talks about Trevor, especially since she’s eating tiny people just
like him, even if, for her, he’s special. I enjoy Donnica’s more aggressive
side here; she was a bit too kind in this segment. She needs to remind the
other three women that she’s a lioness, the one in charge."
Oh absolutely, what’s a Donnica scene without her eventually
laying down the law? She might have been curious and more restrained for most
of that dinner, but the moment Trevor was mentioned, every ounce of composure
cracked. No one touches what’s hers.
"When Kelly reaches Donnica is such a huge
highlight, wow, I loved this part so much. Kelly’s desperate struggle to get to
Donnica, clinging to hope, only to realize Donnica sees her as nothing more
than food, is heartbreaking. Donnica’s cruelty is perfect, and her internal
commentary is amazing, she views Kelly as mere sustenance, something to be
flushed away the next morning."
Yes! That was the emotional and erotic centerpiece of the
whole dinner. I must’ve rewritten that sequence half a dozen times trying to
strike the perfect tone of horror, awe, and inevitability. I wanted the moment
to feel both intimate and monstrous… deliciously cruel. Judging by your
reaction, it seems like it landed exactly how I hoped.
"The highlight of the vore, though, is the dessert:
the Lovers’ Delight. It’s so cruel and yet so captivating, I loved it. I really
enjoy couple dynamics in giantess stories; there’s something uniquely
devastating about watching your loved one be eaten, crushed, or otherwise
destroyed while you’re powerless, awaiting the same fate. It’s the apex of
cruelty."
I’ve gotten so much great feedback on the Lovers’ Delight,
and I’m thrilled it resonated! Honestly, it was something I added on a whim
while writing, but it quickly became one of my favorite little horrors. There’s
something uniquely devastating about that shared helplessness between lovers. I
might have to dream up a few more “specialty dishes” like that in future
chapters ;)
"In conclusion, this is a fantastic segment packed
with action. You absolutely killed it, making me appreciate vore despite not
being a huge fan of it. You chose the perfect elements to make it work
seamlessly. The verbal battles, where every word and gaze carries so much
weight, are brilliantly done. This meeting feels like it will have significant
repercussions in the future, but Donnica’s choices may come back to bite them,
she’s not someone easily controlled. But I think what I loved the most in this
segment is The Lovers’ Delight such a creative and gripping idea; I loved it
and hope you’ll introduce more concepts like this in the future, maybe not with
vore."
It’s funny, I’m not really a vore guy either, but writing
these scenes definitely gets me into the mindset. There’s something strangely
thrilling about the power of eating a tiny person, consuming who they are.
Thanks so much for the review and for your thoughts on the
vore elements throughout the dinner… I always love hearing your perspective on
how those darker touches land.
Much love!