"At first Becca wanted to make the sensible call of going back to the hive of the Queen Bee's to avoid what surely would've been world war 3 from occurring and was rebuffed by Anna who did have her heart in the right place looking out for Naomi. But now we've got Naomi doing the seemingly -right- thing by having her return to Amber but now with possibly irreconcilable attachment to both her and Anna which could eventually do damage to her relationship with Amber should her true emotions shine through and here we thought her teetering on the edge with Scarlett was dangerous."

Yeah, things are definitely getting a little messy for Rebecca right now. Like you mentioned, Naomi’s feelings for her are already complicated enough, but then there’s Scarlett as well, along with Amber waiting for her return. Rebecca has suddenly found herself as the object of three different giant teenagers’ affection, love, and possession, and I’m really excited to see how all those feelings collide once they’re finally forced into the same space.

"We've seemingly opened up a whole new chapter on Naomi given her choices and the night of passion they shared between the three of them. The gloves seemingly have come off and what has risen from the ashes might be one of the most dangerous phoenix we've seen yet in this tale, she's taken more abuse than most and came out the other side stronger for it which is something a lot of the Sisterhood and big bads we've had here can say."

I love this take on Naomi. We’ve watched her suffer and survive at the hands of her mother, but she didn’t come out the other side broken in the way people might have expected. She came out stronger, and now that strength is being shaped even more by her sexual awakening with Rebecca. There’s something really exciting to me about Naomi reaching this new stage of herself, because she’s still wounded, still vulnerable, but also becoming someone with real power and dangerous desires of her own. I’m very excited to show what comes next for her.

"Trevor really covered Helena's ass there by not telling them about the NUMEROUS unlawful activities and human rights offenses that regularly occur there, it seems that even as inept as they are the HRSA or whatever it is as it's slipped my mind would still be a thorn in the paw of the Sisterhood as having the government poking around your super secret murder/power cult can't be for them no matter how much power they wield."

I don’t think Trevor was ever in much danger of exposing Helena in that moment. He knew that question was coming, and he had prepared himself for it. He’s fully aware that what’s happening in the Kingdom isn’t exactly legal, but he’s also accepted the world he’s living in and the people who rule over it. Trevor has always had that allure toward the darker side of the giant women in his life, and in a lot of ways, that’s what has propelled the story forward from the beginning.

Honestly, a saner person probably would have distanced themselves from this whole group of giantesses a long time ago, haha.

"But it does seem that more and more the human side of her breaking through the pristine and proper facade, like we're getting a glimpse of the woman behind the monster no matter how much she tries to keep it under wraps. There's no guarantee we will ever truly see the human side of one history's greatest monsters(in this universe at least) but it does seem to be pointing towards the chance of everything crumbling around her, possibly even to the point where Domica herself could swoop in and curry favor with The Sisterhood over her and usurp the Kingdom on top of it."

Oh yeah, Celine definitely triggers a much more fragile part of Helena, even if Helena herself would probably hate to admit it. I really like that the little cracks are starting to show with her. She’s still this terrifying, towering figure in the story, but the deeper we go with her, the more we see what’s underneath all that power and control. I’ve really enjoyed exploring what makes her tick, and I think she’s grown into a much more layered character than she seemed when she was first introduced.

"First off I'm in love with Kim!

Holy shit the power and poise she exuded as a basic suburban SOCCER MOM compared to the countless number of poised, primped, full of themselves women we've been presented thus far that a woman who hours ago was wrangling brats and riding in the carpool lane is the one they call when shit needs to get sorted is just incredible."

Haha, thank you! Kim has turned out to be a huge fan favorite so far, and I’ve gotten a lot of great feedback on her. I love how ordinary she feels on the surface. There’s something extra fun about the fact that, on top of being a Breaker, she’s also just this suburban house mom. That contrast makes her really enjoyable to write, and I think it gives her a different kind of power compared to the other giantesses in the story.

"Just knowing how Becca was a younger woman and what women like Kim thought of her and the pride she had just to watch dissolve as she lovingly tended to the reeking feet of those very same types of women was just chefs kiss. Kim feels like maybe the best character you've given us in a way in all due respect given just how -real- she is in a world full of Kardashians and Dark Shadowy World Shaping cults here comes a simple Soccer Mom to set things straight."

Yeah, I love writing that part of it. Rebecca always saw herself as the opposite of someone like Kim. Kim is this normal soccer mom, while Rebecca always thought of herself as more of a rebel, someone rougher around the edges and removed from that kind of life. That friction between who they are makes the size difference even more exciting to explore, especially when Rebecca is bowing, serving, and worshipping at Kim’s feet.

That’s one of the things I love about writing scenes like this compared to something more visual like pictures or videos. With words you can really get into their heads and feel Rebecca lowering herself before someone she might have once dismissed or judged. Watching that pride dissolve in such a specific, personal way was such a rush to write.

"It does seem wrong but after their visit to the Sisterhoods various compounds and I know it sounds blasphemous that Amber would actually -consider- selling Becca if the price was right. I know it is an insane take to have but the women she is now seemingly is -vastly- different from when she left and while she loves Becca her newfound Goddesshood ego feels like it could cloud her judgement in the future sacrificing Becca for status or simply growing bored of her after the tinies she encountered at the retreat...basically she could lose herself to the glitz and glamour of the life her and Domica were opened up to by The Sisterhood...not saying she will but merely that it oddly wouldn't shock me if she decided to."

Interesting take! The idea that Amber might even consider selling Rebecca says a lot about how different she feels after the trip, though I’m not sure I’d go that far just yet. I guess we’ll have to see. What I can say for sure is that Amber is definitely a changed person now after everything she experienced with her mother while they were away. It’s going to be really fun to see how that new version of Amber interacts with her tiny girlfriend when she gets back next chapter.

"It also seems like you've pulled Naomi right back in after her common sense, adult choice at the end of the last scene. While Becca seems happier with her and they very much feel like a lovely fit, Naomi is playing with fire in the form of a blonde soccer playing baddie who doesn't take kindly to people touching -her- Becca even accidentally let alone shoving her places that aren't her own."

I’m not sure Naomi is right back where she was before, because I do think she still wants what’s best for Rebecca. The problem is that she also has real feelings for Rebecca, and that complicates everything. Learning that Rebecca is a Natural Slave, and that she can bond so easily, definitely excites Naomi in a way she probably wasn’t prepared for.

So while Naomi may genuinely want Rebecca to go back to Amber, she also doesn’t want Rebecca to return without being attached to her in some way. That’s the messy part. Naomi can do the right thing and still want something deeply selfish at the same time… and then act on those feelings as well.

"Here he thought he was gonna come to Celine and sweep away all her pain and misery with a few simple words about her and Helena's past and now he's got the weight of the FUCKING WORLD squarely upon his shoulders which likely is the size of Helena's foot if this goes wrong for him should he choose to do it. This is the biggest choice he's likely ever had in his recent life, no platitudes from Domica in the office and busy work given to him by the big folks...now he's got the chance to either keep a brutal regime in power over an ideally peaceful world where a scant few tinies can know true peace and safety or attempt to take down said brutal regime to aid a scorned woman who seemingly has been wronged and tortured by a vindictive woman whom has let her power go to head...and if it goes wrong for them both then the stakes might be the sharpest they've ever been for all involved below the ankle line."

Haha, yes, I loved the way this scene progressed. Trevor came to Celine thinking he had something meaningful to offer her, something that might soften her pain or give her some kind of answer about Helena, and then Celine completely flipped it around on him. Suddenly, as you said, the weight of the world is squarely on his shoulders.

I’m really glad the magnitude of that moment came through. I was wondering if the implications of what Celine was asking of him would fully land, and it sounds like they did. This is probably one of the biggest choices Trevor has faced thus far in the story, because it’s not just about surviving the giant women around him anymore. Now he has to decide what kind of world he’s willing to protect, what kind of ‘rulers’ he’s willing to tolerate, and whether helping Celine might unleash something else entirely.

"On a lighter note, I hope that little shit got her some ice cream even if she wasn't allowed to. With the weight of everything going on in this segment that managed to stand out beautifully to add some levity to what is essentially Armageddon knocking on Trevor's door if he decides to help and maybe still even if he doesn't."

Thanks for saying so! I had a lot of fun putting that little moment in there. I do try to balance the story out and let it breathe with small bits of humor and levity when I can, especially when the heavier plot elements start piling up. Too much plot without those little moments can make a story feel like it’s just racing toward the finish line.

As for whether she got the ice cream or not, I guess we’ll never know ;)

"I almost thought you wouldn't do it even if I sensed something terrible happening with each and every step forward into the serene countryside and the impending celebration."

You know, funnily enough, even I couldn’t quite believe it was happening as I wrote it, haha. Donnica really came down hard there!

…down hard with her magnificent giant size 10 feet!

"God the way Susan ended and to a lesser extent Margot was truly incredible to witness, Susan's demise might be one of the best not only here but in the entirety of the site itself given the flashback you provided prior to her squashing."

Thank you for saying so. That was actually a secondary addition to the scene during my first round of edits. I felt there wasn’t enough tiny people POV in that section, and I really wanted to capture the moment from beneath Donnica’s foot. I was really happy with how it came out, so to hear you praise it as one of the best on the site is very much appreciated!

"Her, Anna, Naomi all seem to have some redeeming quality tethering them to redeemable shockingly but Domica just seems like her end game is subrogation of every living being unfortunate enough to cross her path beneath her, not just the playful yet still dark blowing off steam/breaking the -rules- escapades of her cohorts but it genuinely seems that she wants nothing more but to BE the one being of the world, the driving force behind everything that occurs, her and Amber seemingly recreating their own Mount Olympus with them as the only two Gods among billions of various sized mortals."

Yeah, Donnica definitely seems to be more in the school of thought that “size is might” than most of the other giantesses. A lot of them may think similar things, but they usually have more nuanced views on size, ownership, and power. Donnica, on the other hand, is far more raw and unapologetic about what she wants.

That absolutely makes her one of the most dangerous women in the story, I think. It also makes her incredibly hot, lol.

"She willingly condemned an innocent girl like Claire to a fate worse than death...at least until her eventual death being boiled alive just because her father dared stand up her and try to hold her daughter accountable for her actions. As far gone as Trevor is for her even he if he ever found out what he even a small part in would have to horrify him to his core even if his boner still raged on for his giant mountain of destruction."

Yeah, as accepting as Trevor is of Donnica, I think she’ll probably leave the details of this particular part of her trip out when she’s talking to him lol

"While the fetishy half of me loves the story to bits, the common sense bigger head on my shoulders tells me Trevor should do all he can to stop The Sisterhood before he's got the blood of a genocided, long extinct species on his hands and more likely the feet of his beloved and her offspring."

Ah yes, the never-ending battle of these stories: fetishy desire versus actual morality, haha.

We all know who we secretly want to win ;)

"Kass is rightfully worried about Celine blowing up the Kingdom but what happens if Helena somehow falls out of favor for Domica? After what we just witnessed in the last section that is not a woman whom would care for the poor downtrodden likes of Mara or the Sparkle Twins seeing them as more items to be toyed with or worst yet used and discarded for her pleasure...not to mention if Amber or her happily employed professional breaker get wind of the treasure trove of assets held within the Kingdom."

That’s definitely an interesting question. Is there immediate danger of Donnica taking the Kingdom? For all her power, ambition, and desire, she still needed the Sisterhood’s help to get her revenge on Kevin. So could she really just waltz into the Kingdom and put her foot down on it?

Maybe. Maybe not.

"I side with Celine more than ever in getting The Sisterhood shut down if possible especially seeing what Domica did to that settlement earlier BUT under no circumstances would I ever want them falling into hands of people like Trevor's posse or whatever terrifying non-Kim people Anna knows. I know they have their moments of brevity but these are not woman to be trifled with or left in charge of the humble citizens of the Kingdom. I love their antics from a fetish standpoint but from a humanity standpoint it would not end well for the tinies involved...likely even Kass as while she humors him Domica before and especially now would never humor showing her any kind of respect or dignity more so if she knew just -how- close they were getting."

Some of the other readers I’ve spoken with have the exact opposite opinion on this, which is honestly amazing because I was really hoping to create that kind of division. Some side much more with Kassandra and believe things are far more complicated than Celine lets on, while others are firmly in the camp that the Sisterhood needs to be taken down no matter what.

Although I will ask this: I wonder how insulated the Sisterhood really is from the Kingdom. Would bringing the Kingdom down actually take the whole Sisterhood down with it? Are they really that exposed?

I wonder...

"One a lighter side there was something wholesome about seeing Kass put to work cleaning the shoes of Felicity, like a humble Girl Friday carrying the weight of her world upon her shoulders and countless lives in her hands but still a humble pawn in the grand schemes of them towering high above her."

Yes, I love showing the hierarchical structure a place like the Kingdom has created between giant and tiny. Someone as influential and prominent as Kassandra can still find herself cleaning the shoes and feet of her giant masters, because at the end of the day, the rules of that world are still built around size.

But I also wonder if Felicity, who saw Kassandra’s true feelings for Trevor in the last chapter, arranged all of this for some other reasons ;)

"There's something oddly hot about Becca's autonomy and hatred for girls like the office drones being washed away by her desire to serve and revere them, like the smart snarky girl with the scholarship toiling away blissfully at the feet of vapid homecoming queen/influencer with a smile on her face."

Yeah, we talked about this earlier with Kim, but there’s always something so hot about the power reversal that size play gives ideological and social rivals. Seeing Rebecca, counter-cultural rebel that she is, brought to her knees before these spoiled, stuck-up, pretty office giantesses and made to smell, kiss, and worship their feet is so hot in its own right.

I love writing that kind of dynamic, where the submission isn’t just physical, but also cuts right into how the character sees him or herself.

"Becca's acceptance as she so much considered herself a piece of -shit- at one point was also delightful in itself, all her fight and will power stripped away simply by another woman's meer words or scent. Completely helpless to disobey or fight back against people who actively wanted to potentially destroy her weeks ago for coming between Amber and Domica now had total power over her very being with reckless abandon."

I’m so happy to see you point out that line, the literal “piece of shit” moment, because I loved writing it, haha. It’s not even correct in the cleanest sense, since she’s not literally a piece of shit, but the way it reads and hits in the moment felt so good that I kept it exactly that way.

"The scary thing is the girl who almost crushed her at the resort is along with Scarlett the safest and luckiest hands Becca could end up in. Naomi and Scarlett in their own ways genuinely care for her as more than a trophy girlfriend or a Natural Slave to be broken and paraded around like a badge of honor. If Becca was to keep her will power and fight without shrinking deeper and deeper into her submissive trench those two seem the ones who could and moreso in Scarlett's case -would- make sure she remained tethered to her humanity for as long as she possibly could."

Yeah, I love that this is the takeaway here. The three young giantesses, Scarlett, Naomi, and Amber, are all circling Rebecca in different ways. They all want to own her, love her, protect her, and dominate her, but the way each of them expresses that is very different.

"The funniest part in all this is Amber and her massive ego had THIS underfoot for months beforehand and she had no idea what she had. I could only imagine how much her new Sisterhood infused view of the world would grow if she suddenly found out now...or worse for the world if her mother did."

It will definitely be interesting to see how Amber and Rebecca reunite in the next chapter, because they’ve both undergone such huge changes since they were last together.

Amber is returning with this new dominant view of the world, while Rebecca has discovered something massive about herself as well (quite literally… she’s a Natural Slave) Neither of them is the same person they were before, and that’s going to make their reunion a lot of fun to write.

"As for the length, I just tackled it one section a day for a week and here we are."

And I basically did the same with this review, haha. I delayed a bit in finishing this response, but like I mentioned in my after-notes, life has really gotten in the way lately. So I’ve been backed up with writing stuff.

Thank you again, though. I always appreciate reading and responding to your thoughts, and I’m glad to hear you’re still enjoying the story!

"Also Ravenscar is a pretty cool last name."

I think so too! It was one of those names where the instant I saw it on paper, I thought, “Yeah, that’s definitely Celine and Kassandra’s last name.”

Thanks again, man! See you next chapter!

1. Yeah, Rebecca is kind of the moral anchor of the story. It almost makes her feel like more of the main character at times over Trevor. What did you mean when you said you weren’t expecting the scene with Naomi, Annie, and Rebecca?

2. I’m glad the interview came through as tense, because that was definitely what I was aiming for :) And I’m also glad you liked the last names. I spent wayyyyyy too much time mulling those over haha

3. Would you like to see Kimberly again? ;)

4. Yes, the Sisterhood does seem to have quite a large influence... I wonder how deep it runs...

5. Kassandra definitely paints a complex picture of life under the dome. I’m glad that was the takeaway, because it’s really the root cause of the tension in Trevor’s arc this chapter.

6. The last we saw of John and his wife, they were NOT dead. Donnica had taken both of them and put them in her shoes in an attempt to imprint on them the same way she did with the two tinies back at the estate. Though we haven’t checked in on either of them for a while. But we just might be seeing them again soon...

Thanks as always for the review, man. I’m really glad to hear you’re still finding the story engaging enough to comment on it.

"First, I have to say the setup is absolutely brilliant. It’s an awesome mix between a ritual and a horror movie, with all the preparations involving Lorelei, the fact that Celine is trapped in her cage with no chance of escaping, the moment with the voice when she heard all of them, especially the one of Amélie, knowing she would soon be used for the pleasure of these French goddesses. The moment Amélie enters and turns on the light, disturbing Celine, is outstanding. It adds even more to the awkwardness of the situation. We can feel how little control Celine has over the entire situation, and it also shows once again how difficult everything is for the tinies. All the actions of the giantesses turn their little world into chaos, their voices, footsteps, even their light. It’s also great because it’s the perfect opposition with the kingdom. For example, the moment right after Lili leaves Trevor, he was lost in his mind and didn’t even realize two goddesses were coming for him. It shows how different both worlds are, even if they are in the same place: Helena’s estate."

Yeah, I absolutely love writing about the size imbalance between giant and tiny, about how even the smallest, most mundane actions from a giant can completely destabilize the world for someone living at a fraction of their scale. Honestly, I find that aspect weirdly erotic even when nothing sexual is happening. There’s just something fascinating to me about existing in a world where another person’s casual movements, voice, footsteps, or even the flick of a light switch can completely dominate your reality.

That was exactly the kind of tension I wanted in the buildup to this scene. Celine trapped in her cage while the giant world rumbles around her, hearing the voices getting closer, knowing what’s coming but having absolutely no control over any of it. I really wanted the estate itself to feel oppressive from the tiny perspective, almost like a living force pressing down on her, so I’m really happy that came through!

"After that it was time for Amélie to enjoy the rest of the night with Celine, and I have to say I adored every second of it. Amélie is so playful. The fact she is also one of the first who dominated Celine is a great addition, it gives even more cruelty to this entire meeting, making Celine remember everything again: her first humiliation and more. But before the fun really starts, Amélie sees something else: a chalice containing two tinies, a couple, two fat tinies. And the little story about them is a brilliant touch. Amélie saw them earlier, they were among the tinies who lived in some of the little worlds we saw in the third segment. Amélie was amazed by them because they were fat and she loved to eat fat American tinies. The most interesting stuff is the fact she doesn’t tell Helena, but she doesn’t need to because Helena saw and understood it. Which is funny because she catches that kind of detail but misses some, like Kassandra’s love for Trevor for example. The vore scene is brilliant. I love the idea of eating only one part of the couple, forcing one to watch the other being nothing but food while you survive, waiting to face the same fate. And to conclude with this vore part, the cynical side of it is perfect: they were brought to join the kingdom, live happily, and in the end they were used as test subjects to end up in the belly of a woman coming from the best country on earth, which is, for a great end, being protein for a beautiful French giantess."

I think Helena noticing Amélie’s fondness for the fat tinies while completely missing Kassandra’s feelings for Trevor is so on-brand for her. Helena is deeply attuned to the giant world, to power, dominance, divinity, hierarchy, and the psychology of the women around her. That’s the space she naturally exists in, so she notices incredibly subtle things there almost instinctively. It’s honestly that type of perception that led her to Donnica!

But that same obsession becomes a blind spot whenever it comes to the emotional lives of the tinies beneath her. On some level she genuinely believes their affairs are lesser, smaller, beneath her concern unless they directly intersect with her own interests. I love how that contradiction plays into her relationships because it makes her incredibly perceptive in some areas while being almost absurdly oblivious in others.

And thank you for the praise on the vore scene! :D

It’s honestly not something that comes naturally to me when I sit down to write, but I’m always looking for ways to incorporate it into the world in ways that feel interesting rather than just random shock content. I completely agree that the horror dynamic of Amélie eating one half of the couple while sparing the other for later made the scene much stronger. There’s something especially cruel about turning survival itself into part of the punishment. I was really happy with how that sequence came together on the page.

"I really adored that moment, it’s so powerful and so uncharacteristic of Celine. I just need to know if this is the truth or just something she said because of the situation Amélie put her in. Also damn, again the work on the descriptions is so flawless."

Ah yes... that’s the question, isn’t it?

Is that truly Celine speaking? Or is it the imprinted version of her?

(...or something far more complicated sitting somewhere between the two!)

And thank you so much for the kind words on the descriptions! Atmosphere and emotional texture are always things I put a huge amount of focus into while writing these scenes.

"But this entire moment makes me think, it’s probably just me going too far but I ask myself if Celine is like Rebecca or maybe the other way around since Celine is older, but it’s just details. Is Celine a natural-born slave? It would explain why she is unique, but it also makes me wonder if a natural-born slave can’t be imprinted by the woman she loves. It would mean Rebecca doesn’t love Amber. It could be interesting for her to find her real love if my theory is exact. Lots of interesting stuff coming. But we will know them later. For the rest of this segment we have Celine enjoying or not the powerful ass of our French goddess."

All very interesting points... and I’ll definitely say there are important differences between Celine and Rebecca.

And we just might be exploring some of those differences very soon in the coming chapters ;)

"What a segment and what a chapter. I really adored this one. The mix between kingdom and estate is perfect to show both worlds inside the estate. Also the work on the characters again is pristine. The little stories inside the kingdom with Clara, Lili, Kassandra, the goddesses, one of the best chapters of the story. Now we wait for 42. Hope it won’t be too long now, I need my dose. Don’t forget it’s not DNA, it’s DAW."

Thank you so much for all the praise on both the segment and the chapter :)

I really loved writing this one. It was much more slice-of-life and character-driven than some of the recent material, and honestly I think the story needed that after the sheer intensity and darkness of the Victoria storyline. The Kingdom is just such a fun setting to live in creatively because it allows for so many smaller interactions, side stories, and strange little glimpses into everyday life inside this completely warped society.

And hahaha yes, don’t worry, chapter 42 won’t be too far away now.

See you soooooooooooon!

"Another incredible segment. This one starts a bit after the end of the second one, where Trevor, after being left alone thanks to little Clara’s bad temper, at first was really pissed about that. Soon he realized she may have done him a service. Thanks to that, he ends up at the ocean, a place he had been dying to visit since the first time he saw the wonders of the kingdom. Sadly, he never had the time, but destiny made it happen today."

Haha yeah, it’s funny how all of that worked out. Trevor was so irritated about being abandoned by Juliette, only for it to accidentally open another door for him entirely. I love when stories can feel like that, where frustrating moments end up guiding characters somewhere meaningful without them realizing it at first. Maybe there is a life lesson in there somewhere…

"I have to say the first part of the segment is brilliant. We can really feel how the virus affects Trevor. Most of the time he makes things go his way, but the virus robs him of the chance to spend time in the place he feels the best: the ocean. I really adored that moment when the place he loved so much becomes too dangerous for him, forcing him to give up on a huge part of who he is. But thanks to the kingdom he can experience all of that again, the joy of the ocean, its wonders, and he can also reconnect with his grandfather who taught him everything about the ocean."

I’m really happy this part stuck with you because I loved writing Trevor’s backstory here and giving a little more dimension to what he lost when the virus changed his life. The ocean is such a huge part of who he is emotionally, so being cut off from it was always meant to feel like losing a piece of himself. That’s why the Kingdom giving him access to it again feels almost healing in a strange way. And honestly, reconnecting him with the memory of his grandfather through that experience made the entire sequence hit much harder emotionally for me while writing it, especially because those experiences came back around later in the chapter during his interactions with Lily.

"After a little while Trevor spotted a little girl alone, digging a hole. Curious, he went to check on her to make sure she was okay, and learned her name was Lili. He started chatting with her, especially about the ocean and its wonders. One thing in particular made her react: the ocean remembers everyone, and if you get close enough you can hear the voice of the loved ones you lost. Thanks to that, Lili started to open up to Trevor, enjoying his company and the stories his grandfather used to tell him. This moment is wonderful. In the beginning of the segment he remembered what his grandpa used to say to him, and now he can share it with Lili. We can feel how meaningful this is for Trevor. After some more time with Lili he saw a woman who was waiting for the girl."

Yeah, this whole section honestly felt almost mythic to me while writing it. Trevor wandering alone along the shore and stumbling across this strange little girl who seems completely unbothered about being by herself gave the whole sequence this dreamlike quality that I really loved. And then once we slowly learn more about Lily and what happened to her family, all these much darker emotional undercurrents start surfacing beneath the calmness of the scene.

"This moment is really funny. Poor Trevor, he was just enjoying the moment, thinking about how lovely his day had been, before being grabbed by a woman the size of a tower who didn’t look happy at all. After a little while and thanks to Felicity, Severina calmed down enough to ask about Lili and what he had done to her. Lucky for him, Felicity is way better at handling that kind of situation, so after she asked Severina to hand him over, he could explain himself. He told them he had just talked to her about the ocean. At the same time Felicity shared her story: her parents and she were slaves in Asia. Felicity and Severina discovered them and really liked them, so they tried to bring them to America, but sadly during the transportation the situation became dire and only Lili survived, thanks to the sacrifice of her parents. Even if she survived, a big part of the girl died that day. It’s also the moment Trevor realized why she reacted like that when he told her about the possibility of hearing the people you loved in the ocean."

I’m glad the suddenness of this moment came through because I really wanted Trevor’s little beach odyssey to lull both him and the readers into feeling safe before the giantesses abruptly crash into the scene haha. It had to feel jarring when Severina suddenly scoops him up after he’d spent the last moments lost in thought.

And yeah, once Felicity explains Lily’s past, the entire earlier conversation changes meaning retroactively. Trevor unknowingly touched this incredibly painful emotional wound in her just by sharing something comforting from his own childhood. I really loved how quietly tragic that realization became.

"After that moment Felicity started a little chat with Trevor about his life in the kingdom, and also told him how many people liked him. She even mentioned Connor, who was about to do his thesis defense, and asked if he wanted to see it. Obviously Trevor said yes. For the second time that day he got a goddess express ride, even if this time the pilot was Felicity and not Juliette. Let’s hope she won’t leave him in the middle of nowhere like Juliette did. A little detail I really liked is the way the goddesses carry the tinies. It’s really interesting, they all have their own style, which reveals a lot about their personality."

I’m really happy you pointed out the different “feels” of being carried by different giantesses because I actually went back and reworked parts of both Juliette and Felicity’s scenes specifically to make sure they felt distinct from one another. I was worried at one point that they might blur together too much, so I tried hard to make each giantess’ way of handling tinies reflect her personality and emotional state. So it was really satisfying seeing you notice that detail directly.

"After a good time in the palm of Felicity, it’s now time to watch Connor’s thesis defense. And I have to say once again you nailed it. The little moment with Trevor, the questions, the enjoyment of the people around, the power of the Goddess who watched it all. The meal afterward was flawless. And to make things even better, Trevor saw someone we all adore: the beautiful Kassandra. And if Trevor was a bit stressed to bother her and also a little scared after not talking to her for a few days, it was the complete opposite for Kassandra, she was overjoyed to see him. Someone who noticed that was Felicity. She realized something almost everyone else had missed: Kassandra was in love with Trevor. And that couldn’t make Felicity happier. Not only her, everyone felt sad for Kassandra, who was surrounded by so much sadness. Felicity also understood why Kassandra had defended Trevor even after the Celine incident. Felicity was thrilled because for now Trevor belongs to them. Helena has his status C, so if they want, he can stay with Kassandra. Even if her plans look perfect in theory, there is a huge problem: she probably didn’t consider the big D, Donnica. There is no chance in hell Donnica will let her Trevor stay in the kingdom to be with Kassandra. She would rather burn the whole place down than let that happen."

Haha yeah… Big D miiiiiight be a slight complication there ;)

But honestly, I absolutely adored writing this entire section. Not just bringing Connor back, but showing the Kingdom as a real lived-in society where people celebrate ideas, scholarship, and each other. I wanted the whole sequence to feel warm and alive in a way we hadn’t fully seen before.

And I also felt this was finally the perfect moment for someone inside the narrative to fully recognize what’s happening with Kassandra and her feelings for Trevor. There may not have been huge explosions or dramatic confrontations in this section, but emotionally I felt like there was so much happening beneath the surface. It honestly felt like the perfect stopping point for Trevor’s side of the story for now.

But yeah… circling back to Donnica… things may become slightly complicated if certain people start getting ideas haha.

"What an incredible segment from start to finish. Everything is spot-on, the details, Trevor’s memories, the stories of Lili, Felicity, Kassandra and Connor. For real, this segment was so heartwarming. Felicity is such a fascinating character. I hope we will have more time with her and Severina. Now it’s time to see Kassandra’s sister Celine, who will have a long night with Amélie, the goddess who directly comes from the best country in the world by faaaarrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr."

Thank you so much for saying so :) Like I mentioned above, this was one of those segments I completely fell in love with while writing it, so seeing it resonate emotionally the same way with you really means a lot.

And yes… now we head back toward Celine and a certain goddess from a very passionate country haha.

Thanks again for the review!

"After spending some lovely time with the awesome French women, it’s time to visit the most wholesome place of the estate: the kingdom, where we spend some time with Trevor, who has a new purpose in the kingdom, telling stories about the eruptions. And I have to say this moment is fantastic. I enjoy Trevor a lot when he tells the story, thinking about how to make it better, changing some details like Mara’s implication. It’s also interesting to see his place in the kingdom compared to the outside. Outside he needs to be exceptional to exist in this giantess world. In the kingdom he can just tell his story and be seen as someone special. Also in the kingdom he is not in the shadow of Donnica, he is Trevor, the outsider of the kingdom, not the tiny boyfriend of the powerful and beautiful Donnica Cernovich."

Yeah I really loved being able to show Trevor slipping into life in the Kingdom. At this point he’s not even really moving through the place like a visitor anymore, but more like someone who genuinely lives there now. I especially love your observation about how he no longer needs to be exceptional all the time. Outside the Kingdom he practically has to be superhuman just to survive in a world built for giants, but here he can simply sit down, tell stories, make people laugh, and become important through who he is rather than what he can endure.

"After that she asks for every tiny to leave except for Trevor. After everyone was gone, something unexpected happened: Juliette lowered herself to be closer to Trevor. I enjoy the symbolism of this moment. I have to say I enjoy Juliette more and more. I was a bit scared she would just be a Helena girl without more background but no you have done an incredible job with her. I’m looking forward to seeing even more of her."

Agreed! It’s been really fun getting to know Juliette better as the story has gone on. Outside the Kingdom she has to maintain that colder, stricter aura, especially as such a high-ranking member of the Sisterhood and effectively Helena’s second-in-command, but the Kingdom has this strange way of softening even the giantesses living inside it. Here we get to see more of the real Juliette beneath all the formality, flaws and beauty included.

"Juliette’s reaction is also wholesome: her just sitting there worried. It’s really interesting, it’s so far from the first impression we have of her. Another time I see some similarities with Annie. It always makes me smile, they don’t like each other but they are almost the same. I ask myself if they would get along in the future. It could be hilarious both Juliette and Annie playing with Trevor making him go crazy."

Haha honestly, would that be a good thing for Trevor or double-trouble if Annie and Juliette ever stopped fighting and started conspiring together instead? That could become a handful very quickly for him lol. It’s definitely going to be interesting seeing what office life looks like once Trevor finally returns there. Now that he has a bigger relationship with the Estate goddesses.

And I love that you pointed out how worried Juliette is during this whole segment because it really is such a contrast to the woman we first met. For all her composure and authority, she completely falls apart when it comes to Clara.

"Obviously, it will not be that easy with Clara. She wants to speak with Trevor and for now Juliette’s feelings don’t matter that much. Also the little talk about Juliette being a goddess is funny, it’s almost like Clara don’t see her as the humans with feelings but at the ends of the day she is still a human with lot’s of weaknesses and Clara is her Achilles’ heel."

I love this observation so much. Clara really does view Juliette as something almost divine and untouchable, yet at the same time nothing makes Juliette feel more human than Clara does. She absolutely is Juliette’s Achilles’ heel haha. And it’s also funny seeing Trevor become genuinely protective of “goddess” Juliette himself. Somewhere along the way he developed his own level of care for her without even fully realizing it.

"At first, she asks Trevor to speak about the eruptions but really fast the conversation turns into more personal questions like if he had sex with Mara. After that she asks him if he thought she is pretty and Trevor’s answer doesn’t satisfy her, but she keeps going with her little act, asking him, since he loved Donnica’s feet, if he wants to try hers. She also told him about the time he had to eat Helena’s ass and if he wants to eat hers? The fact that Juliette told her everything about Trevor is interesting. Sadly for Clara, Trevor’s will is strong. He doesn’t enter into her little game. He just tells her to apologize to Juliette and let him leave. He wants to spend some time with his friends and eat some good food with them, maybe even play cards. Clara agrees and goes back to Juliette but she still makes things difficult for Trevor by asking Juliette to let him go back home alone. And Juliette has no other choice than to accept. The fact she looks a bit sorry really makes me laugh. And that’s how this segment ends with Trevor having to go back alone without Juliette’s help."

I’m really glad you picked up on that little detail about Juliette telling Clara so much. They may have a “goddess and worshipper” dynamic, but that doesn’t mean they aren’t deeply intimate with each other in their own way, constantly sharing things back and forth. I also love that you noticed the guilty little look Juliette gives Trevor at the end because I think she genuinely does feel bad for him there. But at the same time, she also knows exactly what happens if she openly pushes back against Clara, especially after the dreaded little foot stomp!

Not even a goddess can defy that, apparently.

"What an incredible segment. I laughed so much with Clara, she is fantastic, she just doesn’t care about anything. Also Juliette and Trevor’s relationship is great. I like to see the evolution of it. What you do with her character is great, and not even just her, all the table goddesses. Now it’s time to go back to the lovely French giantesses."

Thank you so much for saying that. Honestly, this may have ended up being my favorite segment in the chapter to write. It was such a fun little slice-of-life section while still letting me dig deeper into the characters and their relationships with each other.

And knowing Clara, I’m sure this is far from the last bit of chaos she’ll cause in the Kingdom :D

"What a fantastic start to this chapter. I loved the relationship between Helena and Vivara so much in this one. Both are so different, but both are so lovely in their own way. The ritual with Celine is also interesting. I enjoy the fact that both Helena and Celine hate it, but Vivara is so enthusiastic about that ritual they keep doing it regularly."

Yeah, one of my favorite things about Helena and Vivara is just how much they contrast each other. When I’m writing characters, I’m always trying to find personalities that naturally bounce off one another, and it didn’t take long for me to realize those two were perfect for that. Helena is this strict, high-and-mighty goddess who expects order and composure at all times... and then there’s Vivara, all warmth and energy and floating enthusiasm, almost the complete opposite of her in both appearance and personality.

We’re definitely going to be seeing a lot more of them together, and the clash between their different ways of living and thinking, as the story continues :)

"The moment in itself is amazing. I loved all the work on the description of that ritual, all the details to make Helena look like a goddess. But the moment I loved the most is when Celine called Vivara a moron and Helena had to force herself not to burst into laughter. It’s really funny. Also, I feel like at that moment she probably had the same thoughts about Vivara. They both know this ritual is useless and will not work, but Vivara keeps smiling and says it will work. Vivara is such a joyful character. I enjoy the contrast between her and Helena, who is really strict all the time."

Yes! That little moment was one of the first real glimpses of the relationship Helena and Celine might have shared in the past ;)

I really enjoyed writing Helena’s strict façade cracking there, even if only for a second. It was a tiny moment, but I think it humanized her a lot.

"If this situation is unpleasant for Celine, it’s quite the same for Helena. All that ritual has for goal to dominate Celine to add to her divinity, but it’s the opposite: it brings back the memory of her past when she was happy with Celine, when she was young and weak, not like now when she is a powerful goddess, ruler of this estate, owner of the kingdom. But even if she is more powerful now, is she more happy now than she was during her years with the lovely Celine?"

...and here again we get an even deeper look into Helena and Celine’s past. Maybe too deep for comfort for either of them. I loved writing this part because it worked both as character insight and smut at the same time, which is always a really fun balance to play with.

"Something I really loved about that moment is the pleasure Helena feels with Celine deep inside her, but she also knows it’s a mistake—she can’t let her go like that. I enjoy the little insight into Helena’s mind. We can feel how hard it is for her, all the pressure of her current position. What you do with her character is so great. At first I believed she would just be an evil Donnica like she was introduced, but she is so much more than that. I hope we will have more of her and she will finally be able to be happy and free herself from her chains. Maybe the outsiders of the kingdom can help her—who knows?"

Thanks for saying that, especially about Helena becoming more than just an “evil Donnica,” because honestly... that is kind of how she started out, so it makes total sense you’d initially read her that way. But yeah, I’ve really enjoyed developing her over time and showing not just what she is, but why she became that way, along with the parts of her past that shaped her into who she is now.

Funnily enough, since around chapter 26 the story has really revolved around Helena’s arc in a lot of ways. What she represents (the case against the GRSP,) what she rules over (the Kingdom,) the people in her life both giant and tiny... it’s been really interesting getting to know her better as I write.

"It’s exactly how I feel about her. I believe I even told that in one of my reviews—she is so different from the other giantesses of the estate, but it feels like it wouldn’t be the same without her. She’s the color in this grey world of the estate. Her power is really different but you can still feel how powerful she is in her own way. I hope in the future we will have a Trevor-Vivara moment. I feel like it can be the most funny moment of the story, even if the next segment put the bar really high. But it’s not the time to talk about S2 rn."

Vivara was written for exactly that reason! I always feel like organizations and places like the Sisterhood or the estate become so much more believable when they have conflicting personalities and viewpoints inside them instead of everyone just sharing the exact same mindset. Vivara brings that contrast into the story in a really important way.

And yeah... we just might see Trevor and Vivara interact more as the story goes on ;)

"Amélie and Mireille, two French giantesses, and I have to say as a French guy it makes me so happy to see them. Also the backstory of Amélie is interesting. She is the first goddess-in-waiting of Helena, her first success, and what a success it was. Now Amélie is a true goddess who rules her own place."

Haha, I knew you’d enjoy that. And who knows, maybe you were a little bit of an inspiration behind adding some French giantesses to the story :D

"Even if the object of her visit is the second French giantess, her sister Mireille, she is here to ask Helena to take her daughter as goddess-in-waiting. I also hope we will see some of her training. I’m really curious about that kind of training—it looks difficult (sorry bro, I want so many things but I loved that story so fucking much and it’s your fault, you introduced French giantesses so you can only blame yourself lol)."

Yes. Yes. Yes. We are absolutely going to get into the inner workings of the Goddesses-in-Waiting and their training eventually. It’s all coming, I swear.

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"If for Mireille it was a glimpse of servitude, when Celine enters in contact with Amélie’s feet all the submission comes back. She doesn’t even fight it, she just surrenders and starts to worship Amélie’s stinky feet. And I really wanted to thank you for that—the amount of details of that moment. You really delivered with the foot actions this segment."

I always love getting praise for the feet smut, both here and in the earlier parts of your review lol. This was the big foot-focused segment of the chapter, so I really wanted to go all in with it.

One thing I especially enjoyed was contrasting the sisters through their feet. Mireille’s were newer, younger, softer, full of promise... the potential of a goddess. Meanwhile Amélie’s felt older and more imposing. Maybe not as soft, but far more potent. One pair was the princess, the other was the queen.

Also... I LOL’ed so hard at this line from your review:

“and I almost feel like their gaze told her ‘don’t worry, it’s just Vivara, she is special.’”

"What a segment bro. I really loved that one so much. Even if when there is heavy foot action I’m happy, also the French giantesses—it was time to introduce giantesses from the best country in the world (maybe I’m a bit biased for this statement). On a more serious note, I really like the fact you added more insight to Helena’s character and the fact she is a bit bored by Vivara is also funny. And obviously Vivara—what a funny character. I loved the fact she is so different from the other giantesses we have since the beginning of the story."

Yeah, I was really happy with how this opener turned out overall. It helped set the tone for the chapter, gave us some strong smut moments, and also let us dig deeper into Helena’s character, which is always something I enjoy writing.

And honestly, Helena being perpetually exhausted by Vivara’s energy is just really fun to write lol.

Thank you so much for the review, bro. I’ve been a little delayed getting back to them, but now that I’m writing again I’m really excited to dive back into the rest. I always love reading them :)

Thanks man! I really enjoyed writing this chapter. It’s a bit less intense than the Victoria storyline, which I think was needed haha.

Glad you’re still enjoying the story :)

"So, Helena still can’t imprint Celine after many sessions. I have a personal theory on why. It’s possible that they had deep emotional bond, since they were lovers according to Kassandra. And the imprinting can’t affect a tiny if they had a deep bond with the goddess before they shrunk."

I’d say that’s a pretty good guess  ;)

"It’s good to see that Juliette and Trevor have a good relationship. It’s interesting that Clara was really young before she went to the kingdom. So her view of the outside is limited"

Absolutely. I think that explains a lot about the way many of the Kingdom’s subjects behave. A lot of them have probably been there for a very long time, so their view of the outside world is either distant or barely remembered at all.

"I felt bad for Celine this chapter even though it was pretty hot that she was treated that way. It’s kinda hard to say if Celine was speaking the truth at the end. If I had to guess it’s more complicated. But I think she doesnt mean what she says. The goddesses have a big ego so they would assume that Celine likes them."

Haha, that’s always the balance when writing in this fetish space, the sexuality between the intensity of the domination and the actual well-being of the characters. And yeah, I agree that things are probably more complicated than they look on the surface when it comes to Celine and Helena. The goddesses definitely exist in their own headspace, and it’s very easy for them to assume devotion where there might only be history, habit, or something that used to be true a long time ago.

"This segment opens with none other than Annie herself, who finally made up her mind: tonight she will rescue Rebecca no matter what! She has been fighting her desire to do it for days to respect Naomi’s wish. She was scared her mother would crush Rebecca if Annie intervened, but today was too much for Annie. When she saw her precious Naomi ruined after Victoria cast her away earlier that day, her mind was clear: Victoria has gone too far and she will have to pay for it."

Yeah, I really wanted to show the reader why Rebecca ended up trapped at Victoria’s place for those few days and why she wasn’t rescued sooner. It wasn’t that Annabel didn’t want to go in and get her, it was that she was holding back out of respect for Naomi’s wishes. But eventually it just became too much for her to bear, and once she saw what Victoria had done to Naomi, that was the moment she decided she couldn’t hold back anymore.

"So she took her clothes, especially her cloak and her gloves—tonight will be special. She needs her armor. After that she enters the car and asks the driver to bring her to Victoria’s house. I loved this moment, the way you describe it with Annie going for blood, with the dark tone of it. It makes me think about Sin City. The slow and calculated actions. The slow rhythm when she reaches the place, her inner comments about the place Victoria lives in—everything works perfectly."

Haha I love the Sin City comparison, that’s exactly the kind of vibe I was hoping it would give off. Funny enough, in the last few chapters I opened a couple of segments with someone sitting in the back of a car, so I was a little worried it might start to feel repetitive. But this moment felt too important for the tone of the scene to cut it, so I left it in, and I’m glad to hear it still landed the way I wanted it to.

"What I enjoyed the most is probably how Annie acts toward Victoria and Rebecca. With Victoria, she took her with her leather gloves, hurting Victoria, and put her in her pocket like a piece of garbage she intends to throw away. But with Rebecca, she took her slowly after she removed her gloves and kept her protected. This moment was so cute, especially after what happened the last few days. After that, it’s time to make sure no one can understand what happened to Victoria, so she gets rid of Victoria’s phone and puts Victoria’s clothes in her bedroom. The moment she enters Victoria’s bedroom is fantastic. I can only imagine the look of disgust on Annie’s face. Another intense moment, and the one that struck me the most is the sadness of Annie when she saw Naomi’s bedroom completely ruined. It’s a great way to show Annie’s evolution as a character. When she was first introduced, she didn’t care about anybody except herself and Donnica. She was ready to crush the world. Now she cares about Trevor, Rebecca, Naomi, and maybe even more people in the future—why not Amber, for example."

Love this insight, because that contrast was very intentional. I wanted the difference in how she handled Victoria versus Rebecca to say everything without needing to spell it out. Victoria gets tossed in the pocket like a loose coin, while Rebecca is handled carefully, gloves off, like something precious. It was also meant to show not just the situation, but how much Annabel’s feelings toward Rebecca have changed over time.

And I really like what you said at the end about her evolution. When she first appeared, she was Donnica’s cold and calculating assistant. Now she has people in her life she actually wants to protect.  It’s been really fun writing that slow shift in her character.

"If the first part of the segment was great, the second part may be even better. I loved the fact that the actions are through Victoria’s eyes. It adds a bit of insight about the virus, all the little details about the feelings, the fact you can’t control your body properly—this kind of insight is great. Also, something I loved the most, and you do it really well, is the little details you wouldn’t think about that are the most difficult to deal with, like for example the voice and the laugh of the giantesses. This kind of little details add so much more depth to the virus and how life is difficult for them. Obviously, what I enjoy the most is Victoria’s despair after all the cruelty she inflicted. Having her small and pathetic is the best feeling. I also enjoy her delusions a lot when she says to herself she is important while all she does is drink. She doesn’t even have the courage to clean her bedroom or take care of herself anymore. The only thing she has is money, money she probably doesn’t even earn, like Donnica for example."

Haha yeah, this half of the segment was really the payoff for the whole Victoria mini-arc, and I’m glad it worked for you. I wanted to make the reader feel what it’s like for someone who has just shrunk, not just physically, but mentally too. Characters like Trevor and Rebecca are used to living small by now, but for Victoria it’s all new, so every little detail hits harder.

And like you said, it wasn’t only about losing her size. It was about losing her identity. When she was big, all she really had was the illusion of power. Once that was gone, there was nothing left underneath it. I really wanted her whole world to collapse in this moment, and I think that came through.

"After that little game of teasing, the light is finally on and Victoria can see the two giantesses. And the first one she sees is a familiar one: the daughter she tortured for years. Sadly for her, the tables have turned—the powerful one is not Victoria anymore. The fact that Naomi wears her gothic clothes and makeup is perfect. Everything Victoria tried to destroy is back to beat her. If seeing her daughter brings some hope to Victoria, it doesn’t stay long when Naomi shows her mom that she is now nothing more than a slave for her and Annie. This segment and chapter end with the best line possible, which is almost the same as the one in chapter 38, but this time Rebecca is not the slave anymore—it’s Victoria. She is Naomi’s slave."

Oh yeah, this was the moment where everything finally came crashing down for her. I love the way you put it, “everything Victoria tried to destroy is back to beat her,” that’s exactly what I was going for. Naomi standing there as her true self, facing the person who broke her for years… that was always meant to be the turning point, and yeah, the fallout from this is definitely not going to be pretty.

And I’m really glad you caught the last line being a callback to chapter 38, that was completely intentional!

"Another incredible segment and also chapter. I have to say, seeing Victoria shrunken is so satisfying. I can’t wait to see what you’re going to do with her. I just hope it will involve lots and lots of stinky feet. But what I’m the most curious about is Rebecca’s reaction toward all that. Will she just ignore it and let Naomi and Annie have their fun, or is she going to want to have her revenge herself? After all, Victoria tortured her, Naomi, and even crushed Milton. So even if Rebecca is the best, maybe a line has been crossed. Or maybe she will forgive Victoria to show she is better than her, or the more probable: she will just try to make sure Naomi doesn’t go too far with Victoria to end this cycle of hate Victoria started so long ago. I’m also curious if Donnica learns about that and her reaction toward tiny Victoria. Many questions lol. Now it’s time to wait the last few days for 41."

Haha yeah, a lot of big questions coming out of this one, but those answers are going to have to wait for chapter 42 ;)

This whole mini-arc ended up being way more intense than I expected when I started writing it, but I’m really happy with where it landed, even if getting there was rough at times.

Thanks as always for the review!

Looking forward to hearing what you think about chapter 41 :)

Much love!