"One thing I really enjoy is the parallel with S2: the most difficult part for Rebecca isn’t the prison itself or even the smell—it’s the fact that Annie completely ignores her, as if she’s not even human anymore. And that’s what pisses her off the most. Another interesting detail is how Rebecca actually feels more comfortable when Annie is in the office. She has a routine again and can estimate the time of day. That’s a fantastic touch because, in real-world prisons, completely disorienting someone by removing any sense of time is a recognized form of torture. It adds even more reality and cruelty to Rebecca’s situation."

YES!

This was absolutely one of Annabel’s deliberate methods. It wasn’t just about keeping Rebecca imprisoned, it was about stripping away her sense of self entirely… ignoring her, erasing her, reducing her to nothing more than lint between her toes.

…unfortunately for Annabel, it didn’t go exactly as planned.

"Something I also loved so much is the escape. You describe it in such an epic way, while in reality it’s just a tiny girl escaping from ripped nylons. The details about the TV are great too just the fact that Annie turns it on was so powerful for Rebecca. It’s the kind of little thing that adds so much. It helps us realize how the most basic things become overwhelming for the tiny, and how difficult it is not just because of the giantess’s pressure."

Haha yeah, that contrast is one of my absolute favorite things to write in this space. What’s epic, desperate, and life-or-death for a tiny can be completely mundane for a giant. I really tried to put that on full display here… Annabel lounging comfortably, feet propped up, while Rebecca is fighting for her life to pry herself free from those giant toes.

I’m genuinely thrilled you called this out, because that exact disconnect is what I was aiming for  ;)

"Something interesting in this segment is also that both characters are in their own prisons. For Rebecca it’s literal—she’s trapped inside Annie’s nylons and shoes. For Annie it’s more of a mental prison she created herself by taking on responsibilities she couldn’t manage. Thanks to that, the power dynamic shifts: Rebecca regains strength by witnessing Annie’s weakness, while Annie loses energy because the one thing she believed she could control breaking tiny Rebecca has been a failure. No matter how many tinies she has broken before, this one is different. While Rebecca keeps her head above water, Annie is completely drowned by all her responsibilities. It’s an interesting parallel between the two women: in theory, looking at the overall situation, Annie should be in complete control… but she’s not."

That’s a fantastic read, and very much intentional. I really wanted Rebecca’s physical struggle to mirror Annabel’s mental one. Despite Rebecca’s size and circumstances, she’s somehow managing to endure… while Annabel, with all her power and scale, is buckling under the weight of everything piling up around her.

And yeah, Annabel absolutely meets her match here. She’s off her game, stretched thin by the office, Naomi absences, and the clock ticking over her head. It does make you wonder how things might have gone if this were “prime” Annabel, with all the time and focus she usually has…

"On a funnier note, I really loved the little moments with Juliette deliberately making Annie’s time in charge even more difficult. The little war between those two is quite fun—they’re almost the same character and I hope to see more of them in the future."

Yessssss, I’m so happy you noticed this. That little rivalry was one of those background details I loved planting and wasn’t sure how much it would land.

Annabel and Juliette have been butting heads since day one at the firm, and watching them subtly needle each other is endlessly fun for me. Though… I do wonder how far that tension can escalate before something BIG finally breaks loose.

"After that, Annie continues by bringing Rebecca into the workshop to carry on her mission for Donnica and her family. At least that’s what she tells herself—while the truth is that she’s just trying to escape this terrible reality she’s facing right now. Everything is going wrong and she doesn’t know how to fix anything."

I worked really hard to show Annabel spiraling in this chapter, so I love seeing you articulate it so clearly. She starts the segment almost floating above it all, cold and distant, ignoring Rebecca… but as it goes on, it becomes painfully obvious how much is eating at her.

That descent was meant to drive the entire flow of the segment, so it’s incredibly satisfying to hear that it came through.

"Another things I really loved about this segment is all the work on the psychological aspects of the characters, especially Annie. As a breaker, she says the most important thing is control over emotions… but we see throughout the entire segment that she doesn’t control anything at all. And when she’s consumed by rage, the only winner is Rebecca. Even when Annie shows her precious ruler and uses it to scare her, it’s still useless the tiny woman stands strong, challenging the giantess with her gaze. This tiny woman will not surrender."

Exactly. Annabel completely loses it here. For someone who preaches emotional control and indifference, watching her unravel so thoroughly is almost ironic. And you’re right, the more she rages, the more Rebecca gains ground.

It definitely raises the question of whether there’s something more going on with Rebecca, something innate that disrupts control itself. There’s something about her that provokes desire, fixation… and a loss of composure.

I wonder what it is…

"The moment when she sees the dirty cage is a cruel reminder of Naomi’s absence, she’s the one in charge of cleaning them. Moments like that are fantastic: those little details that make you remember someone you miss."

Yeah, this was the moment where the real truth finally breaks through. Up until then, Annabel has been framing Naomi’s absence through work, duty, and loyalty to Donnica… but here it’s unmistakable. It’s worry. Fear. Love.

That single detail is what exposes what’s actually driving her descent this entire segment.

"Then comes my favorite part of the segment: Annie’s breakdown. It’s so well written I loved it. Her realizing that everything is about Naomi, that even with all her efforts to improve Naomi’s life, it’s useless because she can’t protect her from Victoria… it’s so powerful. We can feel all the love Annie has for Naomi. And even if we learn the full truth in segment 4, it’s a shared feeling with us readers. We would just love to take Naomi in our arms and tell her everything will be okay… but we’re as powerless as Annie."

Hearing this makes me ridiculously happy. That breakdown went through so many rewrites because it had to land perfectly… it’s the emotional core of the entire chapter. This is the moment where Annabel finally sees the truth for herself: it’s always been about Naomi.

Her love, her helplessness, the absolute heartbreak of knowing she can’t protect her… I’m thrilled that all of that came through as clearly as you describe.

"And the segment ends with the perfect sentence:"

Haha, you know how much I love my closing lines  :D

Those words were incredibly important to me as part of Annabel’s breakdown and realization, so seeing them singled out always feels great.

"In conclusion, an incredible segment. I really enjoyed the focus on the emotions of both characters, especially Annie—it’s so different from her usual self. The whole chapter revolving around Naomi’s absence is brilliant. Some details are amazing, like the TV one to show Rebecca’s reality, Juliette making things even harder for Annie… this kind of little stuff makes me enjoy the story even more. Also, the mentions of Rebecca’s past with her stepfather (which will come in handy in the next segment) are perfect foreshadowing. And of course, that perfect ending when you describe Annie’s feelings in such an accurate way, plus the opposition between the prisons both characters are in… just great. Now time to review probably the two hardest segments of the story so far."

This segment was very much meant to be an emotional (and almost spiritual) journey for Annabel. A stripping away of everything until she’s forced to confront what truly matters to her. I’m really glad that sense of vulnerability and growth is what you took from it.

And I especially love that you noticed Rebecca’s memories of her stepfather. That was very intentional foreshadowing, quietly priming what’s coming next.

Truly an amazing review, you nailed so much of what I was trying to do here. And yes… you’re about to hit a couple of very tough segments. I don’t envy you at all, I had to write them, and live in them, more times than I’d like to admit.

…but I can’t wait to read what you think!

“Second segment of this incredible chapter this time we leave Annie and Rebecca to spend some quality time with Amber and Donnica, and I have to say I’ve been waiting for this for a while. It was worth every single minute.”

I’m really glad to finally have delivered some proper mother–daughter time with Donnica and Amber. I told you it was coming  ;)

“Something really enjoyable is the relationship between Donnica and Amber. It’s so well done on so many aspects. We can feel how much effort Donnica puts into making things work with her daughter, even learning from her own mistakes like the one she made during the Crownridge College visit. We can feel how important it is for her to truly connect with Amber, and seeing her be a mother to Amber is fantastic. On a more personal note, I really loved this softer, kinder side of Donnica for example, her phone call with Trevor in the previous chapter.”

I really liked showing Donnica growing from her past mistakes. First we saw everything blow up at Crownridge, and afterward she was genuinely reflective and regretful about the choices she made. So it felt earned to show her here actively trying to do better. To me, it’s a natural progression of the character rather than a sudden shift.

And yeah, we’ve definitely been seeing a softer side of Donnica lately… although that softness might harden up a bit once the two tinies enter the scene haha

“A little detail I loved is Amber being anxious about the smell of her feet. It’s interesting because before, they wouldn’t have cared at all. We can clearly see the influence of Rebecca and Scarlett here. But when she mentions it to her mother, Donnica simply tells her it’s okay and that she shouldn’t worry about it… and Amber listens.”

It’s sort of the same thing happening with Amber here like Donnica above, isn’t it? She’s grown since the start of the story… but at the same time, Donnica telling her not to worry about her smelly feet is basically saying that little people’s opinions don’t matter. So while Amber is maturing in one direction, her mother is subtly pulling her back in another. That was something I really wanted to set up here: yes, Amber is repairing her relationship with her mom, but it comes at the expense of her belief in tiny rights.

“And then the two tinies arrive and introduce themselves: another mother-daughter duo, Branda and Nicole. I really enjoyed that because, at the end of the day, with a bit less luck, it could have been the opposite Amber and Donnica doing the nails of Branda and Nicole. But sadly, for this tiny duo, the coin didn’t land on the good side for them, so they have to work at the feet of our two beloved Goddesses. I also loved the detail about their faces and clothes the perfect contrast with the other duo, who wear fancy pajamas that probably cost more than these two tiny women could earn in their entire lives, even working as tiny pedicurists forever.”

That’s a great point. These tinies were probably once big themselves (though some are born small), and it really highlights how cruel and arbitrary fate can be in this world. If the coin lands the wrong way, like you said, you might end up under a giant foot. That kind of whimsical, unfair fate (and the humiliation that comes with it) is something I find incredibly erotic to write about.

And I love your observation about the silk pajamas. The idea that Donnica and Amber are casually wearing something worth more than Branda’s and Nicole’s entire lives combined is so true… and kind of hot!

“And after that, everything becomes even more perfect for me as a foot lover: all the descriptions of the smell, the power of it, the humiliation of the two tiny women — it’s fantastic. Also, Amber being a bit scared adds some cuteness; we see her getting worried for her mom, but of course Donnica risks absolutely nothing. She has enough connections in this hotel to do whatever she wants.”

As a fellow foot lover, this was incredibly fun to write! I love hearing that it landed as perfectly for you. I’ve been waiting a long time to do a tiny pedicure scene, and this just felt like the ideal moment for it. The situation, the power dynamics, the characters… it all lined up naturally.

“Something I loved is that Branda is more pissed off by the fact that the two giantesses completely ignore her and Nicole than by the work itself. It’s so interesting. I’ve always felt that this is probably the worst part of slavery: being ignored, seen as nothing more than a tool — like you mean nothing, you’re not even human anymore. I loved that the story brings this out. It’s something a lot of giantess stories miss: the worst part about being shrunk isn’t just the punishment — it’s the complete dehumanization that comes with it. And we see this a lot in DAW.”

Yes! This is something I absolutely love exploring in this fetish space… not just the loss of agency, but the loss of recognition. Becoming a literal object to a being so vastly larger than you. I didn’t even realize this was something many giantess stories miss; to me, it feels like one of the richest aspects of the dynamic. So I’m really happy DAW delivers on that for you.

“After that, we still get a bit of mixed feelings from Amber. She asks her mom if it’s okay to make them do that even if they hate it, but Donnica tells her it’s simply their job. The wine and the good moment eventually make Amber agree with her mom. This is something I loved a lot about this segment: Amber having such mixed feelings, yet still going all in to enjoy the moment with her mother.”

Yeah, that was really the heartbeat of this segment. Amber’s belief in tiny rights quietly eroding under the warmth of reconnecting with her mother. I’m really glad you picked up on that, because that internal conflict is exactly what I wanted readers to be sitting with.

“After that, there’s still time for more pedicure work, and sadly for the tiny duo, Donnica isn’t ready to let them go. She makes them do and redo as many pedicures as she pleases and she is not easily pleased.”

Haha, nope… she definitely isn’t. That poor tiny mother–daughter duo ended up slaving away for hours. We’ve seen a softer Donnica recently, but it was also fun to let “goddess Donnica” come out again and remind us who she really is  >:)

“Damn, this moment even if I’m not the biggest fart enjoyer it’s perfect. From the description of Donnica’s ass to the fart itself and how powerful it is (the supernova comparison is incredible, I loved it so much), to the description of the impact inside the box it adds even more humiliation and despair to the situation of our little pedicure crew. The description of the duo’s suffering shows just how powerless tinies are: a single fart from a powerful woman can ruin their entire world, and Donnica could have even killed them if they had stayed on the box just a little longer. That’s how powerful she is compared to them.”

I loved the supernova comparison too, so I’m really happy to see you call that out  :D

I wouldn’t call myself a dedicated fart guy either, but I do think it’s such a strong tool for humiliation when it fits naturally. I don’t go out of my way to write them… the opportunities just present themselves. And honestly, the way you broke down why it worked so well was incredible, so thank you for that.

“They also have a talk about the future of Amber and Donnica comes up with an idea Amber already had and wanted to cheer with her mom, turning what could have been an uncomfortable discussion into something easy for both. It shows once again Donnica’s will to make things work with Amber and be a better mother than before. After that, we get a wholesome moment: Amber finally agreeing to spend one more week with Donnica, making her so happy. They also talk about why the tiny girls’ clickers didn’t work, and we learn that most of the systems use “password” as the password, making it ridiculously easy for any giantess who knows this little fact to disarm them. Of course, Donnica knows. It’s so funny… but also sad, because it’s the same kind of thing that happens in our world. And finally, this fantastic segment ends with Amber thanking her mom for that moment.”

One thing I was really curious about is whether people would think about how Amber extending her trip actually puts Rebecca in a more precarious situation. At this point, we know Annabel has her, and there’s this underlying question of when (or if) Amber will return to save her. I was hoping this segment would create mixed feelings: happiness over Amber reconciling with her mother, but dread because we know it’s happening at Rebecca’s expense… something that gets even worse as the chapter continues.

“In conclusion, a perfect segment with Amber and Donnica. I’m really happy to finally have one I asked for it so many times, and you gave me this masterpiece. Thank you! Now I’m just waiting for the moment Amber will tell Donnica about the abuse she faced in her past. To speak more about the segment in general, the things I enjoyed most are Donnica (so wholesome), the huge amount of effort she puts into making things work with Amber, learning from her mistakes and not repeating them. I also loved her duality throughout the entire segment: the kind mom with Amber vs. the dominant, cruel giantess toward the tiny women. As I said every time, the attention to little details makes it so much better. The quality of the descriptions is once again fantastic. And the character of Amber, who never really knows what to do or say, is great. We can feel she’s caught between two very different worlds: her mom who wants to rule over tinies, and Rebecca & Scarlett who look for equity between both sizes. She’s at a crossroads I can’t wait to see what she’s going to do. Now that this segment is done, time to go back to our sweet Rebecca during these really difficult times, far from the amazing time her girlfriend just had.”

I was genuinely excited for you to read this segment, especially since I know you’ve been asking for it for so long. Hearing you call it a masterpiece honestly means a lot. I had an absolute blast writing it… Donnica and Amber getting pedicures from two unwilling tiny women is a scenario I’ve had in my head for a long time, and I’m really happy with how it came together.

And yeah, Donnica’s duality is on full display here. That contrast between caring mother and cruel goddess added a lot of tension, and it really fueled the erotica as well.

As for Amber, you nailed it. This is very much a battle for her soul, and we’re starting to see the scales tip toward Donnica’s worldview. Whether that’s just a single night of connection, or something much more lasting… is still an open question.

Amazing review, man. I can’t wait to see what you think of the next three segments!

"This one begins with Annabel completely drowned by her temporary position, and I have to say I loved your approach to it, focusing on all the little details that make it so difficult. From an outside view, we might think the hardest part is dealing with the huge case, but no, it’s all the petty office conflicts."

Yeah, I loved that you picked up on that. Donnica’s office might be the place where some of the worst anti-tiny laws are pushed, but underneath all of that it’s still just an office… full of petty squabbles and rivalries. They might see themselves as goddesses, but at the end of the day they’re still just catty women.

"Soon after, we realize what’s really disturbing Annie is not that meaningless conflict in the office is the fact Naomi isn’t there. Shitoria learned she had a week off from school and wanted to keep Naomi home with her, and Annie knows that can only mean one thing, Naomi will go through hell again."

LOL at you using the name “Shitoria,” but great catch on Naomi. Even as far back here in segment 1, we see Naomi’s absences having a real effect on Annabel… even if she doesn’t consciously realize it yet. That thread becomes painfully clear as the chapter goes on.

"After that, she tries to focus on something more fun for her: the breaking of our sweet Rebecca with her potent feet. And I’ll say it again, the work on the descriptions is, another time, stunning. All the details on the aspect and the stench of Annabel’s feet is perfect; it feels like the smell is alive, like a monster waiting to eat Rebecca. But no matter the stink and the dirtiness, it was useless, Rebecca was still standing strong she have been through so much in her life to surrender to a weak woman Like Annabel who have only her size for herself."

You can say it again and again… I’ll always appreciate praise for the descriptive work, because so much time and effort goes into it :)

And yeah, Rebecca might be small, but she’s survived some huge things in her life. Annabel definitely had her work cut out for her here.

"I really enjoyed the moment Rebecca realizes she fucked up, it’s made me smile. It feels like those moments when you insult someone stronger: you feel powerful in the instant, and then suddenly realize you fucked up really bad. That’s exactly what happened to Rebecca."

I loved seeing this side of Rebecca again. She always had a sharp mouth when she and Amber were clashing too, and that same trait keeps getting her into deeper trouble. Probably not the best habit to have when you’re surrounded by giants…

But it definitely makes for interesting reading!

"In conclusion, a great opener for what’s coming in this chapter. I really enjoyed the struggle of Annie, all the descriptions of her feet and their stench, the rebellious Rebecca who can’t keep her mouth shut for her own safety, and of course Naomi. I loved the fact that it’s Naomi who makes things so difficult for Annie, even as she tries to focus on Donnica. But I feel like she’ll realize soon that someone may be more important than her goddess mother, someone who could really need her help."

Oh, I’d say there’s definitely another person in Annabel’s life who’s becoming almost as important to her as her goddess-mother… her little goth apprentice. And we’re going to see just how important she is in the coming segments (and chapters!)

Thanks as always for the review, man. This is a heavy chapter, so I’m really looking forward to your deep dive into the rest of it.

Haha, I’m so happy you enjoyed Donnica’s big moment with her ass! She really let those two tiny women have it. I’m having a lot of fun writing scenes like that, so it’s great to hear they’re landing with you guys.

As for Rebecca, I’ve always considered her a co–main protagonist alongside Trevor, but she’s ALWAYS had the “true north” moral compass of the story... and that alone makes her incredibly easy to gravitate toward.

In fact, she’s so strongly morally aligned that even women like Annabel and Naomi can come off as heroes when they’re aligned with Rebecca ;)

Thanks for the feedback as always, man. It really means a lot.

"First, I really enjoyed the little description of the apartment Trevor has inside the estate. It’s hilarious to see such a stark contrast in the same place: cages built into the kitchen where tinies can be crushed, tortured, and forced to live like abused animals, and then there’s this kind of place with tons of comfort and even perfume to make things better for the tiny. I loved it, it really feels like there’s an entire city inside the estate."

Not only is there an entire city inside the estate… there’s a whole kingdom ;)

Building the estate into this sprawling place that can support all these mixed-size relationships, societies, and adventures has been a blast. I can’t wait to show off more of what’s hiding there.

"For Trevor, none of that luxury matters much. He’s trapped in his head with everything that’s happened to him, especially what Kassandra told him about Helena, Celine, and herself. The fact that he genuinely cares about Kassandra is beautiful, she needs someone to listen to her in this dark time, even if she doesn’t fully realize it herself."

Yes! I loved finally showing Kassandra needing Trevor… or maybe “letting herself be vulnerable” is the better way to put it. Up to now, she’s always been the one steering the ship, so it felt right to flip that and have her be the one who needs someone. And I think it was nice seeing Trevor actually take that to heart, as we watch him reflect on everything he’s learned.

"Now it’s time for the phone call with the lovely Donnica, and I absolutely loved it. It’s so nice to hear such a joyful tone from her after all the darkness in this segment. It’s refreshing to have someone genuinely happy. I also appreciate that she immediately senses something is off with Trevor, you can really feel how deeply she loves him, even if she sometimes struggles to express it properly."

Yeah, that was my favorite part about their conversation… Donnica picking up immediately that something was wrong. When someone knows you well enough to sense that just from a phone call, that says a lot. They’re messy, but Trevor and Donnica’s relationship has sturdy legs under it.

"The little tease about “mom-daughter time” is fantastic too, I can’t wait to see their journey and hope their relationship improves. I’m looking forward to seeing the moment when Donnica finally learns the truth about Amber’s past. But that’s for later, so let’s focus on this segment."

Oh, you’ll be seeing plenty of Donnica-and-Amber time soon ;)

"Another great element is Trevor’s inner struggle, we can really feel how rough the last few days have been for him. Putting him through the status-C dilemma is brilliant. I love the evolution: at first he wanted the status-C as a gift to reassure Donnica and help heal her wounds, but now he needs it too. He needs to feel her protection. It’s such an interesting development, early in the story Trevor was a bit reckless, ignoring the dangers, but now he realizes his life is far more fragile than he thought, and after his talk with Kassandra he understands how quickly everything can change and how much he needs to feel loved."

I love that you pointed this out! It felt like the right moment for Trevor to finally see Status-C from a place of vulnerability instead of power. It complicates how he views his own size, and it shows him reaching for love and protection when he’s mentally at a low point… even if, like you said, Donnica’s version of “protection” isn’t always perfectly placed.

"Damn, I feel bad for Trevor. The guy has been punished by Severina, locked in a cage, forced to spend time with disgusting tinies, farted and peed on by Lorelei, learned the heartbreaking truth about Kassandra, Helena, and Celine, and now he has yet another issue with Rebecca. Let my guy breathe for God’s sake, lol."

Trevor might finally get a little downtime next time we see him… maybe!

"So he has to find another solution. After some thinking and blaming himself for not protecting Rebecca better and making sure she was truly safe, he comes up with one even if it’s far from ideal. It’s the only option: call the devil herself, Annabel."

I really loved how this worked out! I think most readers assumed Annabel and Rebecca would cross paths again... but what I enjoyed was making it happen because she was asked back. Literally invited into the room with Rebecca. It’s a small detail, but I love moments like that (just like when Donnica asked Annabel to take Trevor into the workshop... again we assumed that Trevor might end up in the workshop but having it done that way, Donnica asking, was a neat twist). Those little setups are some of my favorite things to play with while writing.

"With that, we leave Trevor and switch to Rebecca, who’s been waiting for Scarlett, who should have been there hours ago. Before diving into this part, I want to say I loved the echo of the first segment. It’s really interesting to put Rebecca in a similar situation, but with an outcome that will be way different and far more uncomfortable for her."

Great catch! I absolutely wrote those two segments to mirror each other… the warm, hopeful anticipation of Scarlett against the almost predatory dread of Annabel’s arrival. I’m glad that contrast landed for you.

"On a more personal note, I’m happy to finally get a stinky-foot moment with Annabel, even if I’d have preferred that moment with another tinies instead of the sweat Rebecca .I loved how you showed the massive power imbalance, just the smell of Annabel’s feet is almost enough to make Rebecca surrender."

Haha… I was actually thinking about you when I wrote that. I knew you’d been waiting for Annabel foot content, but also that Rebecca is one of your favorites, so I figured this might hit you in a weird place.

But yeah, finally letting Annabel kick off her shoes and unleash those toes was so fun to write… and our star Breaker may not be done yet!

"Rebecca tries the same tactic she used on Scarlett in segment one, standing her ground and asking her to leave, but she’s not facing the same giantess. One is sweet like sugar, a goddess of kindness; the other is far crueller and more dominant. Annabel isn’t just going to walk away. She’ll take Rebecca with her, not gently in her purse after making sure she’s safe and sound, no—she’ll put her inside one of her shoes, right under her stinky foot, forcing her to breathe nothing but that smell. And that’s how this incredible chapter ends."

The big takeaway for me was that Rebecca refused to be bullied like the first time. She remembered exactly how Annabel made her feel, and it pissed her off. She stood her ground.

Unfortunately for her, she’s still tiny, so there’s only so much ground she can hold before she’s shoved in a shoe… but hey, the defiance is real!

"In conclusion: a fantastic segment. I can’t wait to see what Annabel does with Rebecca, though I don’t think it will be that awful. I even suspect they might get along, especially since they’re the only two people who truly cared about Naomi. I’d love to see them become friends, gossip about Trevor, or maybe even fall for each other to complicate things further and put Rebecca between the possessive Amber, the kind Scarlett, and the crazy Annabel. This last segment makes it clear it’s impossible for Rebecca to keep living in Donnica’s house like this. Can’t wait to see which direction you choose for her. Also, going back to Trevor’s part, that little phone call with Donnica was amazing a little time to breath before another big change for the story .To wrap up the whole chapter: congratulations again, this one was absolutely fantastic and will change the story forever in so many ways. Can’t wait to read chapter 38 in just over a week. Thanks again, bro, for your work. Love ya."

I’m loving all the theories about what Annabel might do now that she has Rebecca. Things are going to get… interesting next chapter, that’s for sure.

And I’m really glad the Trevor/Donnica phone call stood out to you, that little breather was so fun to write in the middle of everything else crashing down.

…and I don’t think things are getting any less intense from here :0

Thanks as always for the amazing review, it was such a great read, and the next chapter isn’t far off. Soon we find out the fate of tiny Rebecca!

"Soon he realizes what awaits him: locked in a cage directly on the floor, forced to experience every movement of the giantesses shaking his world, realizing how weak he really is. Something funny is the little comment from Vivara. When she leaves, Trevor is alone and has to protect himself."

You’re talking about when Vivara says he’s too handsome to be imprisoned, right? I loved that bit too. Even when she’s literally putting someone in a cage, she’s still completely Vivara.

"Once again you killed it with the descriptions, we can feel how miserable but also dangerous those tiny slaves are, how difficult their lives must have been. The parallel with Trevor is even better; I really love that it shows an even more twisted side of this new world. Because even if we see the living conditions of some tinies, and even the most miserable ones still have some freedom, here they have none. They are just slaves in a cage, waiting to be tortured or even killed by the giantesses."

Yeah, we definitely hit a new low here. These really are the bottom-rung slaves of the estate. The “common slaves.” And that term itself is interesting… is it just punishment, or does it actually mean something more?

Makes you wonder…

"A detail I loved is the fight for the carrot peelings, trash for giantesses, disgusting for the tinies who can’t enjoy giantess food anymore, but for these slaves they fight over it. It’s the perfect paradox with the fancy food Trevor ate with Donnica, which costs almost as much as giantess food or even the vegetables of the kingdom, but for these slaves any trash is like gold. It’s incredible, and I loved how it’s shown through Trevor’s eyes, a tiny who has never missed anything in his life facing the reality of the unluckiest one ."

Yes… that moment was huge for me. Watching them fight over literal scraps was meant to really sell the despair of the cage. And it hits harder when we remember what Trevor’s been used to. Helena wasn’t joking about the filth “below her ankles.”

"Then Trevor feels some hope when he sees a giantess he knows, Lorelei, sadly for him she is not there to rescue him; it’s quite the opposite. Because of Celine’s actions earlier, all the young giantesses must work extra hard, and Lorelei hates it. She feels like she is above those useless tasks, and when she opposes a giantess above her, she ends up punished and sent to kitchen duty, something shameful for her and her lineage. To release her frustration, she will use the kitchen slaves. Lucky for Trevor and the others, they are the property of another giantess so she can’t crush them, but she will enjoy torturing them in the worst way possible."

I really liked getting to show more of Lorelei here. Yes, the way she farted and pisses on the slaves was the standout part of the segment… but mixing that with flashes of her upbringing and that she came from “great German matriarchs” really helped hit to her backstory. It gives some context for why she acts the way she does.

"After that it’s time for the punishment, and Lorelei starts strong with powerful farts, and I have to say, for someone who doesn’t like that, you really killed it when you used them. Sadly for Trevor and the other tinies, she is not done it’s time for the goddess’s golden rain, and I have to say it’s perfect. I’m not the biggest fan of watersports in general, but in giantess story it’s fantastic, it’s the pinnacle of humiliation ; it’s shows to the tiny they are nothing more than toilets for the giantesses, just good enough to bathe in her pee. After that she makes sure to torture them one last time by walking as close as possible to the cage to make their world shake, and it was the final nail in the coffin for Trevor he learn is lessons he just wants to leave this hell."

Hearing that the smut landed always makes me happy :D

Especially with stuff I don’t usually write (like fart and watersports… although maybe I’m writing more and more farts these days haha) This whole sequence went through a lot of tweaking because I needed it to drag Trevor down to his lowest point… so the anger in the next segment would feel earned. Which set up the revelations that followed.

The humiliation helped set that up perfectly.

"In conclusion, an incredible segment. I really enjoyed how you slowly show Trevor losing his fire and realizing he fucked up big time. I also loved all the work on the tiny slaves; we can really feel how broken they are. I really enjoyed the fact that we go deeper into the horror of their situation every time: we start with Trevor and his comfy apartment, then the place Rebecca lived for a time before losing her registration, then the cupboard town—the place built by the government—and now this cage. I also enjoyed the fact you place Trevor in that cage and we see through his eyes how pathetic his life could have been with just a bit less luck. And at the end of this segment, the SMUT moment—as always you killed it. I was expecting watersports since you teased it, but it was even better than I expected even if I’m not sure faring and peeing in a kitchen respect the elemental hygiene rules maybe Lorelei will have to be schooled about that. Another amazing segment. Now it’s time for the most important part of this chapter and one of my favorite moments of the entire story: the fourth segment with tons of revelations."

It’s been a blast slowly showing all the different places tinies live… from Trevor’s old apartment (before Amber crushed it!) all the way down to these cages. The world just keeps opening up.

And yeah, seeing Trevor thrown in there really highlights how different his life could have been. Which is exactly why Helena did it. In that sense… she definitely won this round.

Awesome review, man… and I’m especially glad the watersports scene worked for you :D

Can’t wait to see what you think of the big reveal segment next!

"Second segment of this chapter. This time we follow Trevor’s adventure in the estate, but this one will not be a fun moment in the kingdom. He is called to the table to be judged by Helena herself. Even if he doesn’t want to be part of this, he has no other choice. Helena’s orders are absolute."

Indeed. Helena’s orders are absolute… at least on the estate and within the Kingdom, which operate under their own rules and laws: The law of Helena!

"Before all of that, we have incredible descriptive work, I feel like I say that every chapter, even several times, but I’m always so impressed by it. It’s so well done; we can feel everything with just a few lines. This time it’s focused on the table and the giantesses, and damn, I loved the fact that Vivara doesn’t wear the same clothes as everyone else. She is her own world; she’s such a fun character. I hope we’ll have more of her, maybe some stinky foot action. Also, the little details are incredible, like Helena making sure Trevor sees Celine’s cage to piss him off, and it works."

You DO say it a lot… and I appreciate it every time! I put a ton of work into those descriptions. I spend a lot of time fine-tuning them to say as much as possible in as few lines as I can, so I love that you pointed that out. Seriously! So much work goes into setting up scenes and atmosphere, I don’t think most people realize it.

And yeah, Vivara is so fun to paint on the page. Her contrast gives her such a strong presence on top of an already huge personality. We’ve really only just started with her too, I’ve got a lot of fun scenes planned for our otherworldly goddess ;)

"With just that, he loses it. It’s interesting because Trevor is usually able to contain his emotions; even if he can explode sometimes, he still keeps enough presence of mind to think before speaking or acting. But not this time, and it’s not just this time; it’s every time Celine is involved. That makes me wonder: are imprints only for giantesses, or is Trevor imprinted by Celine? Or is it maybe something more natural, like love? In a more “natural” relationship with a better balance of power, not with a woman who could kill him without even realizing it. Many questions that won’t be answered in this segment, so let’s get back to the judgement. It starts with Helena asking some rhetorical questions to Trevor, but he is way too pissed after everything he’s been through, and the sight of Celine’s cage, so he just explodes and starts going after Helena. Helena, being Helena, joins the game."

Yeah, Trevor definitely has this fierce instinct to defend Celine. And honestly, Helena also just rubs him the wrong way… the spectacle, the grandstanding, the performance of it all. Trevor has no patience for that kind of thing. Especially not from her.

And of course, Helena has no problem firing right back. It turns into a very dangerous moment.

"One of the parts I loved is the moment Vivara talks about Vikki and Ricci. I find that beautiful; we can feel they are deeply loved in the kingdom and in the estate in general. I really like all the work you’ve put into Vivara to show how different she is from the other characters in the estate, who almost all look like clones of Helena and Juliette."

I’m really glad you singled that moment out. I wanted to show that while Vikki and Ricci are deeply devoted to their goddesses, their goddesses genuinely love them too. It’s a small beat, but you absolutely picked up on it :)

"Juliette protecting Trevor was great, even if she could have used his suffering in her battle with Annabel and Donnica. After all, she doesn’t want Donnica in the circle; she just accepted it for Helena. So messing up the situation with Trevor could have been the best outcome for her but she might need Trevor the next time Clara causes trouble for her. Sadly, even she can’t calm Trevor’s fury."

Yeah, Juliette always tries to bring that level-headed reasoning into things. I don’t think she outright rejects Donnica being involved (she trusts Helena too much for that) but she does think Helena is moving too fast. And of course, she doesn’t exactly love the women under Donnica at the firm, which makes her extra cautious about everything.

But you’re right… bonding with Clara earlier definitely put Trevor in a more favorable light with her.

Speaking of Clara, I do wonder what that little troublemaker is up to, and if we’ll be seeing her again anytime soon…

"Then comes my favorite moment of this segment: the moment we learn where Celine is, and damn, it’s brilliant. All the work on that particular part is stunning, from the description of Vivara standing up slowly, lowering her pants to show where Celine is inside the piercings in her vagina. This moment is perfect: the atmosphere of the room changing while Vivara reveals her pussy, her enjoying herself with Celine, her slow masturbation, Trevor being speechless, it’s incredible. And Vivara doing all that without any care in the world is so fucking awesome. The idea of piercings in her vagina to hold tinies is among the best I’ve ever read in a giantess story. I don’t know where you got this one, but it’s awesome."

Haha, I really appreciate that this was your favorite moment, especially since it went through the most fine-tuning and rewrites (like a lot of my smut scenes do!)

I loved this moment too, because while Vivara is still this decadent, almost sing-song goddess, we finally get a clear glimpse of her Sisterhood side here… the part of her that truly rules, owns, and dominates her subjects. And she does it in a way that still feels completely Vivara.

As for the piercing idea… it honestly just came to me while writing. I always kind of assumed it was a common giantess trope… but maybe not? Either way, I’m really glad it landed for you :D

"In conclusion, an incredible segment, especially all the descriptive moments, which are perfect; we can feel everything. I loved the table idea; it’s so good, like the round table of Arthur, even if it’s not for a king and his legendary warriors but for Helena and her girls. The little detail about the missing chair is great, it shows there’s a place ready for Donnica. And to conclude, I want to praise you for Vivara’s character. I loved her so much, the goddess of Lust in person. I hope we’ll see more of her in the future; she’s such a refreshing character. I loved how she doesn’t care about decency and shows her pussy whenever she gets the opportunity. Incredible segment as always—I loved every single word of it."

Amazing review, man. I love your comments about The Table…. I really wanted Helena and her girls to have a true seat of power in the story. A place where the narration could properly preside over the affairs of the Kingdom and the tinies within it. And this was just the first scene there too… we’ve got plenty more deliberations and judgments to witness at the grand table ;)

And that title for Vivara: “goddess of lust”, oh my god, that’s perfect. I might actually have to steal that.

Thanks so much for this. Fantastic read as always!

"I really do wonder if Trevor is actually imprinted. Kassandra said it in a way that left no room for doubt, but then she points out that she's concluded this just because he has been intimate with his "goddesses" for so long that he would have to be. She hasn't actually seen a sign of it, it seems. And that bit about the line blurring between loyalty and love? It almost sounds like Kassandra is trying to convince Trevor that his relationship with Donnica and Annie isn't real, that his apparent imprinting is causing him to misunderstand things. Maybe that's not what she meant by that line, but it's absolutely what she meant by that line!"

I love your mistrust of Kassandra haha.

She does seem to have this unshakable belief in the philosophies of the Kingdom, much to Trevor’s annoyance whenever she brings up Donnica and Annabel. But I do wonder how genuine it all is. I do think for all her belief, she has an earnest side too… like the way she helps the subjects. She’s such an interesting character to write.

"The talk between Trevor and Kassandra was interesting, as it usually is when these two deep conversations like this. I disagree with Kassandra when she says tinies aren't handicapped, as, yeah, they are! I've actually made that exact comparison before when talking about Kassandra's worldview, so it was a little scary that she "addressed" that critique. Can ... can she hear me? Is she reading this?"

Hahaha, I guess she CAN hear you in a strange way ;)

I actually had a line like this written in their very first meeting, but it felt a bit too forced at the time and took it out. Reading your review back then and seeing how sharp that critique is made me bring it into this conversation instead, where it felt much more natural.

And yeah, that’s exactly why I love these reviews. They can be surprisingly insightful when it comes to shaping the story.

"So obviously I strongly agree with Trevor's take on things here, but I loved that Kassandra hit him with his own hypocrisy regarding how Donnica and Annabel treat tinies that aren't him. That contradiction is part of what makes Trevor so interesting as a character, but it does go against his indignation about how The Sisterhood treats tinies."

Yeah, this might have been my favorite part of their conversation. I’ve honestly been waiting to drop this on Trevor for a while… and I think a lot of readers have been waiting for it too.

I think Trevor can live with working at the firm by telling himself he’s just helping Donnica with her business, without fully confronting what that business is. Or maybe he assumes that because it all exists within the framework of the law, that somehow makes it okay. And then Kassandra just… drops it on him.

And like you point out next, she does it by leveling with him instead of attacking him… which can make all the difference.

"But I feel like where Kassandra's argument really falls apart is when she talks about how tinies need to fall into "the new order of things." This ties into everyone's extreme overreaction about what Celine did all the way back in S2. I felt this way when Felicity was talking to Celine about it as well, but that it was described as a "potential catastrophe" is pretty ridiculous, given that the goddesses themselves were trying to do the same damn thing. Did they not weigh this potential for this so-called catastrophe into their calculus before putting Vikki and Ricci on their surface-level attempt to make it snow?"

I definitely agree that a lot of the goddesses’ anger came from the fact that Celine made it snow without their input. But I also think they had a much more controlled plan in mind… just listening to Severina talk about fail-safes and safeguards in the last segment points to that.

My sense is they wanted to start small and localized, then expand in a much more controlled, experimental way. Not just unleash snow across the entire Kingdom like Celine did.

That said, I do wonder if that snowfall had effects we’re not aware of yet…

"And there's the problem. The Kingdom is literally designed so that only tinies can access certain parts of it. They act as though the giants should have the only say in things like this, but the very fact that Celine could make it snow is a clear sign that this place was designed with cooperation between the sizes in mind, if not straight-up tiny autonomy (what does that A in MINAR stand for again?)."

Yes… and the funny thing about MINAR is that, if you remember, it was originally stated that Celine created it. There was no mention of her mother back then. So I do wonder how that little detail factors into everything that’s unfolding now.

"The giants viewing the tinies as lesser, as playthings, as subjects to give them a false sense of divinity isn't just morally wrong; it's holding them back! Also, it's really hot!"

As long as it’s hot, that’s what really matters, right? :D

"Back to Kassandra, man does she know how to work Trevor. It's impressive to read! The little touches, the perfectly timed smiles, the teasing and making him wait, and finding the right words in the right moments just sapped away his anger here. She's a master of working people, whether it's for legitimate purposes or something darker. It must go back to her gala days ..."

Yeah, she is so fun to write. She’s incredibly socially intelligent… it almost feels like a superpower. I love watching her dance around Trevor’s irritation and concerns. She can say the most infuriating things to wind him up and calm him down in the same breath.

I do wonder what she’s really thinking under all that grace, though.

"Of course, the fact that they're so upset in general just because their goddesses are mad at them (but not punishing them at all) is a pretty big red flag (though not surprising given the cult mentality of the Kingdom). But I think it says a lot that both Vikki and Ricci were excited to see Trevor despite him being the one that led him off the path their goddesses wanted them to follow. No one else could console them, but they both brightened up as soon as they saw him. He's reached them in a way Helena and company could never hope to realize, which, again, makes pretty clear how empty their idea of love really is."

I love this. Trevor just has this natural ability to connect with the subjects of the Kingdom… especially Vikki and Ricci, who instinctively gravitate toward him. Kassandra too, honestly.

It’s probably why it clicked so fast for them that Trevor had to be connected to the other person they vibed with so strongly.

"I also like that, despite that conversation with Kassandra, Trevor still thinks he wasn't wrong to do what he did. Because he wasn't. That was the right decision, and it led to something positive. Just because Big Sister (see what I did there?) can't allow a miracle they didn't perform to be celebrated doesn't mean it wasn't a good thing. And Celine deserved that moment (and we deserved to see her excitement about the snow!)."

Ahhh, I knew you’d love that ending :D

I really enjoy ambiguity in inner thought and relationships. It might look like Trevor was talked out of fully believing he was right to free Celine… but even after his conversation with Kassandra, his gut still tells him otherwise. And interestingly enough, that same instinct ends up soothing Ricci too.

That’s probably why they love him so much. He operates on instinct, just like they do.

"What a great ending to this chapter! So uplifting and happy, especially after some darker moments leading up to it. Awesome work! And overall, this was an anniversary chapter worth of the distinction!"

Yeah, I was really happy to end on that note. The chapter was long, and at one point I considered ending it after the Trevor/Kassandra conversation because I was already north of 40K words. But I really wanted to circle back to the girls and show the fallout for them too, and after such a heavy chapter, it felt right to end on something hopeful.

…not to say too much, but this might be the last genuinely upbeat ending for a little while :O

So it felt important to get one in while I could!

Thanks as always for the review, man. I love the insights, and I’m really looking forward to your thoughts on the next chapter.

1. YES! They’ll absolutely be making an appearance at some point.
2. That reveal about Celine’s past was a real bombshell. The next time she and Trevor talk should be… interesting, to say the least.
3. We might see something like this down the line ;)
4. Annabel has definitely shown she’s capable of restraint… but can she keep it together now that her master’s household is at stake? Guess we’ll find out!
5. Yeah, it’s still largely unknown. I’m not big on exposition dumps just for the sake of worldbuilding; I usually need a narrative doorway before I really start fleshing things out. That said, diving deeper into the estate and the sisterhood might finally give me that opportunity.

"I really wont all of these so called goddess to crash and burn at this point. Every last one of them

Woman, as already demenstrated in this story are no better. So, fuck them, fuck their high horse. Hope theyc all shrink and end up in the clutches of people just like them. After all tinies dont matter right."

Yeah, they really do have that “the bigger they are, the harder they fall” energy, don’t they? That said, they’re also very confident in their self-proclaimed divinity, which makes that potential fall even more interesting to watch.

"Also Amber, girl, I know you thought you planned ahead, but you really need to work on your plans. ALways have a b and a c at the very least. This way what happened, you calling the 2nd or third worse individual to actually have access to Rebecca. The first is straight up whats her name. The one who is literally bat shit insame. The one with the abusive mother, she would straight up kill Rebecca. I havent decided if Donnica would actaully be worst. She knows that Amber is in a relationship with a tiny. And to be honest, she actuallly seemed to be ok with it. As long as the tiny knew its place. And Rebecca does for the most part."

Naomi is the name you’re looking for (the one with the abusive mother)… and it just so happens she regularly appears at Annabel’s… uh oh!

Also, Donnica doesn’t actually know Amber and Rebecca are in a relationship. Rebecca is still living in secret in the house.

"So celine, wow, talk about getting the life you asked for then. If she really believes in all that hierachy crap, then honestly she should be happy. She is living the life her mother invisioned just not on the side of the giants. SO it sounds like Celeine needs to let go of her hate, of the loss of her mother. ANd helen needs to forgive Celince. I get it, shrinking losing aeverything that was yours and then losing your mother, yea thats going to take its tole."

If only it were that easy. Letting go of old hate is hard, especially when it’s tied up in loss and identity. I do wonder if those two will ever truly reconcile.

"I loved the farting and the pissing of course. Its always so degrading. I loved watching poor Trevor finally get some of the treatment he has always seened to miss. I think Trevor keeps forgetting he is not a giant. THow, he would be so awesome if he was. I think he could actualy put these women in their proper place."

Yeah, Trevor really has gotten off fairly easy for a lot of the later parts of the story, so I guess he was due. And thanks for the feedback on the watersports… as you know, this was my first real dive into it, and I’ll admit, I had a lot of fun writing it.

"I do think Amber is on track to actually being the strong one. IF she can get her priorities straight that is. Stop being such a teenager."

I don’t think there’s much she can do about being a teenager just yet (not until she turns 20, I guess haha). But yeah, she has all the volatility you’d expect from an 18-year-old with a history of abuse, and the fact that she wields so much power over one of the tiny main characters really amplifies that.

I do wonder how things are going on her trip with Donnica…