Reviewer: GiantessLover21 Signed [Report This]
Date: February 17 2026 11:46 PM Title: PART 40

New chapter and all I can say is: fuck, this chapter is perfect. It has everything  incredible SMUT, especially with feet (by far one of my favorite), some slice-of-life moment, stuff that’s going to change the story a lot. I honestly can’t wait to dive deeper into this chapter, segment by segment. And if this one doesn’t move the story forward that much, it more than makes up for it with how fantastic the SMUT is. Probably one of the best  if not THE best  feet content so far.

This segment starts a few days after the end of chapter 39, with Rebecca still trapped with Victoria. But now she has a companion in misfortune: Milton, the tiny guy Victoria got after spending 15k$ on a tiny woman named Aurelia… and getting totally scammed. If Milton is pathetic, he still has some use  it lets Victoria control Rebecca, or at least her body. No matter how hard Victoria tried to break the lovely tiny woman’s mind, she couldn’t… but now she owns her body and she’s gonna enjoy every second of it.

After some bullshit with a fancy gym subscription, she goes through all her stuff to find a card so she can get her money back and cancel that stupid membership. While digging, she finds a weapon of mass stinkstruction: an old pair of slippers she’s worn for years. Those things have traveled with Victoria through all these years. I have to say, I really liked this little backstory  it was actually kinda wholesome to see a moment when Naomi was able to laugh with her mom.

Sadly for Rebecca and Milton, this discovery unleashes pure hell on both tinies. Those old slippers were stashed for a reason: their smell. It turns Victoria’s feet into a fucking monster of stench, and she’s gonna make sure her feet are as tasty and nasty as possible for the two tinies. Once she’s sure her feet are ready, she shows them to Rebecca and Milton… and damn, I gotta say it again: the descriptions are pristine. The stench on those feet, all the details about the power of that reek, the way you used Victoria’s feet to show her evolution through life  it’s incredible. And of course, all the SMUT action with them… Even if I despise Victoria and was so pissed at the torture she inflicts on sweaty Rebecca, that moment was fucking incredible.

I have to say it’s probably among my favorite giantess scenarios ever: a MILF bitch wearing old slippers just to reveal her neglected, stinky feet and force the tinies to clean them and eat the toejam. And damn, you delivered even more than I expected. The way she uses Milton is really hot too  that moment she shoves him deep in her ass? Mama, so damn hot. And of course I can’t forget to talk about sweet tiny Rebecca: she could’ve just ignored Milton, let him die to have an easier time, but no. She’s ready to sacrifice herself and do the most humiliating shit for the woman she probably hates the most in the world, just to protect a lost cause like Milton. Yet even after all that, she still has the strength to fight back. Such an incredible character.

To conclude: an absolutely killer opener for this long and intense chapter. First, I wanna thank you so much — I was a bit sad that 39 had zero feet action, and damn, you made up for it big time with this segment. It has everything: stinky feet, toejam, slippers… I couldn’t thank you enough. You turned my dream scenario into reality.

Something else I love is when you use objects or body parts to describe characters, like Victoria with her slippers and feet. Next stop: Marion’s estate for a nice time with her, Donnica and Amber.

Reviewer: PlanetMight88 Signed [Report This]
Date: February 17 2026 12:16 AM Title: PART 40

Rebecca is the best tiny in the story. Willing to defend another tiny from a giant.

Author's Response:

Yeah she really does have the moral compass of the story! Not hard to tell why she's such a fan favorite.

Reviewer: PlanetMight88 Signed [Report This]
Date: February 16 2026 11:14 PM Title: PART 40

 Great Chapter!

1. So, will any notice that Victoria disappeared? Probably not.

2. I hope Naomi doesn’t kill Victoria anytime soon.

3. I like that Donnica didn’t want to eat any tiny in front of Amber.

4. Personal theory. I don’t think the Sisterhood knows anything special about the virus.

Author's Response:

1. Probably not, lol. Her friends didn’t seem to like her much when she was around, so they likely won’t be looking too hard for her now that she’s gone. Plus, Annabel covered her tracks a bit... throwing Victoria’s clothes back in her room so it didn’t look like she’d shrunk, and taking her phone too.

2. I’d imagine Naomi and Annabel have some plans lined up for Victoria!

3. Yeah, Donnica really does seem to be walking that fine line between goddess and mother.

4. That’s a totally reasonable take... that the sisterhood is really just a group of women who just think they’re goddesses. Using the virus as a means to push their agenda!

Reviewer: Overgulp Signed [Report This]
Date: February 13 2026 11:51 PM Title: PART 20

Just read the chapter where I met Annabel again and omg she is delightfully cruel. Didn’t expect to like her this much but here we are lol really looking foward to seeing more of her and her “business” 

also kinda wondering when we’re gonna see the next vore scene tho?? ^_^ 

Author's Response:

haha yeah Annabel becomes quite the divisive character in the story! You'll learn a lot more about her moving forward ;)

As for vore scenes I believe there is one coming up for you... and it involves Annabel!  

Reviewer: Overgulp Signed [Report This]
Date: February 04 2026 9:00 PM Title: PART 17

Just finished chapter 17 and damn I gotta say, that was one of the best things I’ve read involving giantess. The way you finally laid out what went down between Rebecca and Amber was crazy. Like, wow. That reveal hit hard. Your writing is seriously on another level and I don’t even know what to say besides that

I’ll be real at first I was wondering how a story this long was gonna stay interesting, but now I’m fully invested. Every chapter just keeps getting better and now I’m actually hyped to keep reading.

Appreciate all the time and work you’re putting into this, it really shows.

Author's Response:

Hey, yeah, Chapter 17 is a favorite for a lot of readers because of that scene. I still get comments about it! Definitely one of the story’s high-water marks :)

I’m really glad to hear you’re still finding the story engaging. It’s actually about to open up quite a bit for you... previous side characters (like Annabel, Donnica’s assistant) start getting much larger roles, and there are even some new faces coming in.

I’m glad you’re enjoying it, and please keep letting me know if the story continues to hold your interest!

Reviewer: AdamX Signed [Report This]
Date: January 31 2026 1:16 AM Title: PART 39

So we finally get to the root of Victoria's evil via Facebook...not the first time this sort of thing has happened. But it does drive home just why she is a horrible shrew to everyone around her even her own daughter, the festering hatred really hits home when you see just far she's letten it drag her down. This was the part where we were meant to feel bad for her but it does seem she let herself get dragged down by her husbands inadequacies and while alone raising Naomi she was still in Domica's inner circle thus had a clear chance to better her situation if she so chose.

I feel like the part of Lucia slipped my mind but that was some truly evil stuff there which really fit with Victoria's character. Offering "Thoughts and Prayers" to the parents is also a new level of cruelty not often seen in these parts, I also weirdly have a feeling we'll be seeing them again.

Poor Becca has been through more than anyone not named Celine or dead at this point, Trevor in the slave cage even had it easier than her past couple of days. I don't know what the future holds for her but I would imagine it involves Amber punching Victoria hard enough that she loses a few teeth while Becca watches from a safe spot.

As for the package Victoria pretty much spot on said what I was thinking it was but now I'm also thinking it might be somebody we've met before in Anna's breaking regime or even Helena's estate. Either way it seems to complicate things a little for Becca if she wishes to help this new tiny escape when the time comes for her rescue.

The Lucia segment also highlights Domica's stance on tinies and the world and Victoria's. They both see tinies as inferior but Domica just sees them as a means to confirm her lavish lifestyle and standing while Victoria seems them as a way to get back at the people and universe she feels has slighted her to the point she needs to even destroy her relationship with her own daughter via her rage.

I would also say it is said rage and disdain that is driving most of her friends away leading to the never ending spiral of misery she finds herself in. I'm sure Helena would even have a spot for her if she was willing to play ball with her and lighten up on her more bothersome habits.

----

Trevor really seems to be settling into the Kingdom or it seems to be settling into him like a welcome friend, he still loves Domica but being in a place like the Kingdom allows him to be something he hasn't been in years which is a person with actual autonomy and control. He has purpose once more without needing to plead with Domica or other giants to do something or contribute he just does it without worry of a titanic foot obliterating him or a heavy hand telling him no.

The restaurant section really shows the difference between what Trevor and Becca are currently experiencing, one is enjoying the time of his life among good food, fast becoming friends and a life tinies outside could only dare to dream of. Meanwhile Becca has been suffering the unfathomable hell of both Anna and Victoria with seemingly no end in sight with all her support lines cut off currently. You really feel the weight of what people like Scarlett are fighting for and against when you put the two side by side, Domica trying to dismantle the system seems to bode somewhat unwell for the The Kingdom should she get a hold of it...I'm shocked to say she seems like the greater of two evils between her and Helena in this small sliver of existence.

The music coming from the land doesn't surprise me one bit given how gifted Celine is with her coding and naturally her Mother and Kass. I fully expect more secrets hidden in the atmosphere waiting to be uncovered as Trevor and Mara go along their journey. The world is wide open to him for the first time in years and who knows what he'll find with a guide like her helping him every step of the way.

The wholesomeness of the blueberry scene really showcased just how much the Kingdom in the -right- hands is a place of wonderment and safety for everyone who lives there but in the -wrong- hands it could be shattered in an instant. Which gives me pause in hoping things work out and maybe Celine and Helena can one day come to an understanding to keep the place alive as equals even thought that might take moving a goddamn MOUNTAIN to achieve. 

Kass and Celine feel like the front runners for Trevor's eventual love interests should he or possibly Anna/Domica seek one or continue their idea to procure him one. But after only seeing Mara for a few moments and his reactions to her simply existing with nature and everything in it she might be a dark horse for me. Not saying she'd want to be tied down given her free spiritedness but definitely the beginnings of a spark there or at-least it seemed so to me.

A brief return to the blueberry picking but seeing tinies feeling safe enough to bring NEW LIFE into the world at somewhat decent clip really goes a long way to show why we need the Kingdom. You might have to humble yourself at the mighty foot of a madwoman like Helena but compared to what else is out there for the smaller folk that seems a small price to pay if you can gain admittance to a place like The Kingdom and guaranteed safety and kinship without fear which I imagine most tinies haven't lived without in years or even decades.

---

Color me absolutely SHOCKED Victoria got scammed online and not only that but by partaking in an unregulated black market where there are little guidelines or safety nets set in for people of her ilk getting what they wanted. Really if she'd be less of a bitch I'm Domica or Helena would've given her one via the slave cage or the formers ability to hijack the system and procure whatever or whomever she wanted with ease...hell she knows Anna or at least people who know her and while they might not know she's a breaker they still know her and a cursory mention of what Victoria was looking for would've easily been attainable through her possibly vastly cheaper too but again it all predicated on her not being such a See You Next Tuesday.

Milton better hope his luck doesn't run out faster than he hoped because once Naomi lets Anna know about Becca I would guess the wheels on Victoria's wagon are gonna fall off fairly quickly especially if Amber ever gets wind of any of this. That said moments like Becca standing up her fellow tinies or Trevor doing it for Celine remind you that behind the blind worship there is still the initial passion to save their fellow little person we saw early on in the story.

I'm not sure how much longer he will last but Victoria finally has a few things going her way which doesn't bode well for anyone but I can sense she'll do all she can to keep the cards in her favor until the bigger fish return to claim what's theirs. In a way and no disrespect to Milton and his stapler but I'm glad she didn't get Aurelia like she planned since maybe I'm a little biased to the tiny ladies but she seemed much too sweet and wholesome to end up as Victoria's well fucktoy so she dodged a bullet there at least.

---

It seems like Trevor has found his Manic Pixie Dream Girl.

I was not expecting her to be a murderer but the reasoning was fully understandable and heartbreaking to see a family ripped apart by something entirely out of their control. It's rare to see Helena as a good guy in this tale but this feels like one of the rare times she definitely was, I'd hate to think what would've happened if Domica or Victoria or even Helena on one of her hunts had found Mara first.

The beauty of the Kingdom is truly awe inspiring which goes to show how amazing Celine and her mother were at creating this place and just how insane it is that it is now ruled over by Helena of all people. I don't know what happens next but I do truly hope The Kingdom ends up in good hands like Scarlett's and her families or other capable caring giants.

I'm not sure if it is love or just strong friendship but Mara truly felt like Trevor's plus one in that segment, Domica is clearly his force of nature and others like Celine and Kass sprinkle themselves in but with Mara at that moment he seemed more free than he ever had been with anyone else we've seen him interact with since.

I would almost say I am rooting for Becca and Trevor etc to end up in the Kingdom under better leadership, I know he is a tech wizard and loves his gadgets but being tiny seems to have in this rare opportunity given him a higher purpose and a chance to not only escape his old life but the perils of the one thrust upon him via Domica and other giants whom have lorded over him for most of his recent life.

---

It was harrowing but knowing most likely Becca would get her revenge as long as she simply endured helps. Not sure about Milton making it out in one piece but I trust Anna, Naomi and/or Amber herself will be on hand at one point to save her from the mighty villainess.

It hit just fine and a little better even knowing poor Aurelia won't be subjected to the horribleness of Victoria, as for the set up it was perfect that she went through all that strife and peril just to end up with literally nothing outside of her bargaining chip over Becca which only happened by accident...I could only imagine what she'd have done to Naomi if Becca HADN'T already been there when she got the hammer dropped on her purchase.

Victoria crushing them both leaves her with nothing and worse off for her no leverage over Naomi and ever worse still Domica, Amber and Anna all hot on her trail for what she had done. As for her powerplay I expect her to get as much use out of it as she can, while she can before the heroes arrive to stop her fun.

Oh no we didn't get to fap for a few paragraphs, you monster how could you!

I thoroughly enjoyed that section as it gave use a chance to see tinies as people with feelings and urgency and not just plot points when Amber wants to jam somebody between her toes or Anna wants to showcase her breaker skills. It also let us see how wonderful The Kingdom is and how we need to keep it safe from people like Helena but more so I'm feeling like Domica and Anna.

The entire run through from the diner to the berry picking to the grass colony up to the Dispersal Event was lovely, again a nice slice of life break from what tinies have to go through daily or what life would be like if people like Helena and Domica were...well not themselves.

Mara was lovely but then again most Mara's are even if I've only ever met one but this one seems truly wonderful like she was meant to help Trevor realize who he was WITHOUT Domica for the first time since before he shrank most likely. I'm not shocked she had a son but moreson what she had to do to protect him as that hit way harder than him existing.

The Kingdom citizens have no use for things like cellphones and computers since who would they have to contact as most of them likely are people who didn't really have family/friends they'd want to keep in touch with post shrinking...maybe they did but knowing what we know about big people in this world I'm guessing their happier in the Kingdom than they would be outside of it.

Plus Helena likely wouldn't want what she's doing to other non-Kingdom members to get out into the world, especially since she doesn't have Domica skills for skirting the law and coming on fresh as a daisy on the other side...well maybe a little but still things getting out and sullying her name would surely be bad for her. I also fully understand the vetting process online since Helena no how much she wished she could -can't- be everywhere thus the tinies sometimes have to come to her.

The peaceful Yin to Becca's horrible Yang worked just fine, giving the reader a chance to recover from the latter with the former.

Mara even if she's only known him for a short period sees the good in him and he was her good luck charm in finding an event she has been chasing for years. I fully understand why she wants him to stay and oddly maybe he knows he belongs there too even with Domica waiting on the outside.

I very much enjoyed the description of the Hinterlands, you did a wonderful job describing that the Kingdom was so much more than just what the surface level had shown us.

===

Your dedication to the craft is appreciated.

Author's Response:

“So we finally get to the root of Victoria's evil via Facebook...not the first time this sort of thing has happened. But it does drive home just why she is a horrible shrew to everyone around her even her own daughter, the festering hatred really hits home when you see just far she's letten it drag her down. This was the part where we were meant to feel bad for her but it does seem she let herself get dragged down by her husbands inadequacies and while alone raising Naomi she was still in Domica's inner circle thus had a clear chance to better her situation if she so chose.”

I don’t think we were meant to feel bad for Victoria at all in that moment. She’s honestly just an all-around miserable person haha. But I love that you honed in on Facebook specifically… it felt very on-brand for her to just sit there doom-scrolling, stewing in resentment, and blaming the world for how unhappy she is instead of ever taking responsibility for her own choices.

 

“Poor Becca has been through more than anyone not named Celine or dead at this point, Trevor in the slave cage even had it easier than her past couple of days. I don't know what the future holds for her but I would imagine it involves Amber punching Victoria hard enough that she loses a few teeth while Becca watches from a safe spot.”

Yeah, Rebecca has really been through the wringer. Even if you go all the way back to the beginning, Trevor was mostly dealing with Donnica being difficult and overbearing, while Rebecca was outright enslaved by a giant teenager. Hopefully things ease up for her soon… though first she’ll have to escape Victoria’s clutches!

 

“Trevor really seems to be settling into the Kingdom or it seems to be settling into him like a welcome friend, he still loves Domica but being in a place like the Kingdom allows him to be something he hasn't been in years which is a person with actual autonomy and control. He has purpose once more without needing to plead with Domica or other giants to do something or contribute he just does it without worry of a titanic foot obliterating him or a heavy hand telling him no.”

This was really important to show. Up to this point, life for tinies in the story has been pretty bleak across the board, so I wanted to finally show what things look like at ground level in the Kingdom by contrast. To pull readers in a different direction for a bit and give the place an actual purpose… to show that a tiny life doesn’t have to be constant fear and misery, that happiness and agency are still possible. I think it really rounds out the story world.

 

“The music coming from the land doesn't surprise me one bit given how gifted Celine is with her coding and naturally her Mother and Kass. I fully expect more secrets hidden in the atmosphere waiting to be uncovered as Trevor and Mara go along their journey. The world is wide open to him for the first time in years and who knows what he'll find with a guide like her helping him every step of the way.”

I love that you tied the music back to the seed code, because yeah… that’s absolutely something Theodora would have built into the land itself. I really wanted to dip into the “magic” of the Kingdom here, just wet the reader’s feet before we go deeper, and I’m really glad that sense of hidden depth and wonder came through.

 

“Kass and Celine feel like the front runners for Trevor's eventual love interests should he or possibly Anna/Domica seek one or continue their idea to procure him one. But after only seeing Mara for a few moments and his reactions to her simply existing with nature and everything in it she might be a dark horse for me. Not saying she'd want to be tied down given her free spiritedness but definitely the beginnings of a spark there or at-least it seemed so to me.”

That’s an interesting take! Mara as a dark horse love interest definitely makes sense… they click quickly, and she has this instinctive way of seeing past people’s surfaces and into who they really are. It’ll be fun to explore how those two interact as the story continues, especially given how unique her worldview is.

 

“A brief return to the blueberry picking but seeing tinies feeling safe enough to bring NEW LIFE into the world at somewhat decent clip really goes a long way to show why we need the Kingdom. You might have to humble yourself at the mighty foot of a madwoman like Helena but compared to what else is out there for the smaller folk that seems a small price to pay if you can gain admittance to a place like The Kingdom and guaranteed safety and kinship without fear which I imagine most tinies haven't lived without in years or even decades.”

Yeah, I’m really glad that landed. I wanted it to feel unmistakable that these aren’t just individuals surviving here, they’re real communities, with families forming and futures being imagined. And sure, Helena is dominating, but she’s shown nothing to suggest she’d casually harm her people. Dare I say… she might actually love them? For all her severity, the Kingdom under her rule genuinely seems like a place where tinies can finally breathe.

 

“Color me absolutely SHOCKED Victoria got scammed online and not only that but by partaking in an unregulated black market where there are little guidelines or safety nets set in for people of her ilk getting what they wanted. Really if she'd be less of a bitch I'm Domica or Helena would've given her one via the slave cage or the formers ability to hijack the system and procure whatever or whomever she wanted with ease...hell she knows Anna or at least people who know her and while they might not know she's a breaker they still know her and a cursory mention of what Victoria was looking for would've easily been attainable through her possibly vastly cheaper too but again it all predicated on her not being such a See You Next Tuesday.”

Honestly, I don’t think either of them would have given Victoria a tiny. Helena wouldn’t even look at her; Helena can be cruel, but there’s a rhythm and ideology to it. Victoria is just mean for the sake of being mean. She could never rule the Kingdom because that requires loving tinies on some level, not just using them as emotional and physical outlets. And as for Donnica, I get the sense she barely tolerates Victoria anymore. We already saw that she hasn’t really been keeping in touch, and even Victoria’s other friends are clearly drifting away (not calling her back, canceling plans, etc.) At this point, it feels like no one actually likes her… and it’s very much her own doing.

 

“I'm not sure how much longer he will last but Victoria finally has a few things going her way which doesn't bode well for anyone but I can sense she'll do all she can to keep the cards in her favor until the bigger fish return to claim what's theirs. In a way and no disrespect to Milton and his stapler but I'm glad she didn't get Aurelia like she planned since maybe I'm a little biased to the tiny ladies but she seemed much too sweet and wholesome to end up as Victoria's well fucktoy so she dodged a bullet there at least.”

Honestly, I’m not even convinced Aurelia ever existed. I’m wondering if she was just a fake profile the scammers cooked up to bait eager giants into ponying up serious money. Then they ship out some poor, less-than-advertised tiny so the buyer can’t exactly go to the police afterward!

 

“The beauty of the Kingdom is truly awe inspiring which goes to show how amazing Celine and her mother were at creating this place and just how insane it is that it is now ruled over by Helena of all people. I don't know what happens next but I do truly hope The Kingdom ends up in good hands like Scarlett's and her families or other capable caring giants.”

If you trace the history back, the Kingdom is ruled by Helena because Celine and her family gave it to her. And all things considered… life there is pretty damn good. From everything we’ve seen so far, she’s actually doing a solid job of ruling it, however uncomfortable that truth might be.

 

“I'm not sure if it is love or just strong friendship but Mara truly felt like Trevor's plus one in that segment, Domica is clearly his force of nature and others like Celine and Kass sprinkle themselves in but with Mara at that moment he seemed more free than he ever had been with anyone else we've seen him interact with since.”

I’m absolutely loving the Mara love. And yeah, calling her a dark horse earlier really fits. I had a great time writing her; she feels like someone who understands the heart of the Kingdom, the rhythm of its nature in a way others don’t.

 

“Victoria crushing them both leaves her with nothing and worse off for her no leverage over Naomi and ever worse still Domica, Amber and Anna all hot on her trail for what she had done. As for her powerplay I expect her to get as much use out of it as she can, while she can before the heroes arrive to stop her fun.”

That’s a really sharp read. Victoria might relish dominating the tiny duo, but she has to know that crushing Rebecca destroys her leverage over Naomi entirely. That said… Victoria is not exactly known for being level-headed. Hopefully nothing really pushes her over the edge before the fallout comes crashing down.

Hopefully…

 

“Oh no we didn't get to fap for a few paragraphs, you monster how could you!”

LOL Honestly, thank you for that. I do worry sometimes about the balance of smut  (I mean, it is the main reason why we’re all here) but hearing that you’re this invested in the story itself means a lot. I put a ton of thought into it.

 

“The entire run through from the diner to the berry picking to the grass colony up to the Dispersal Event was lovely, again a nice slice of life break from what tinies have to go through daily or what life would be like if people like Helena and Domica were...well not themselves.”

I’m really glad that’s how it came across. It was a big tonal shift from the other storyline, but I wanted it to function as a breather while also giving the world more shape… letting it feel lived in instead of relentlessly brutal.

 

“Mara was lovely but then again most Mara's are even if I've only ever met one but this one seems truly wonderful like she was meant to help Trevor realize who he was WITHOUT Domica for the first time since before he shrank most likely. I'm not shocked she had a son but moreson what she had to do to protect him as that hit way harder than him existing.”

That reveal was very intentionally meant to hit hard. I wanted Mara to feel calming, almost whimsical at first, so that when her backstory surfaces it lands like a punch to the gut. That contrast (kindness paired with past violence) is something I think gives both her and the world real depth.

 

“Mara even if she's only known him for a short period sees the good in him and he was her good luck charm in finding an event she has been chasing for years. I fully understand why she wants him to stay and oddly maybe he knows he belongs there too even with Domica waiting on the outside.”

She really does have that almost supernatural perception, doesn’t she? The way she sees deeply into things. Which makes you wonder how true her words actually are: that the Kingdom has accepted Trevor and that he can never leave...

 

“I very much enjoyed the description of the Hinterlands, you did a wonderful job describing that the Kingdom was so much more than just what the surface level had shown us.”

Thank you, that was definitely me tipping my hand a bit on the worldbuilding front. I had a great time expanding the Kingdom’s depth and mysteries. And there may be a few more yet to uncover…

 

“Your dedication to the craft is appreciated.”

Thank you. That genuinely means a lot :)

See you next chapter!

Reviewer: GiantessLover21 Signed [Report This]
Date: January 27 2026 11:05 PM Title: PART 39

New chapter this time, the chapter focuses on Rebecca and Trevor, who are in completely opposite situations: one trapped in hell, the other living in paradise. But before we dive into the heavenly situation Trevor is enjoying, let’s talk about the hell Rebecca is enduring.

Unfortunately for Rebecca, nothing has improved since the end of the last chapter. She’s still trapped with Victoria, forced to do whatever that disgusting woman demands.

The chapter opens with Victoria on the phone with Sandra, who once again comes up with an excuse to avoid her. This is clearly a recurring pattern, but for once it doesn’t anger Victoria, because she has something far better to brighten her day: her new tiny slave, Rebecca.

Next, we get a deeper look into what Victoria does to both Rebecca and Naomi. What I really love about this segment is the paradox: even though Victoria has complete control, we can still see just how pathetic she truly is a total loser whose only pleasure in her miserable life comes from other people’s suffering. She torments her own daughter, Rebecca, yet no matter what she does, it will never change the fact that she’s a complete failure whom nobody wants to be around. When Rebecca and Naomi are eventually saved (and they will be, because unlike Victoria, people actually care about them), she’ll end up utterly alone, exactly like the failure she is.

As always, I loved Rebecca in this part. She sees through everything, stays strong despite this hellish situation, and refuses to be broken by such a ridiculous woman. She even finds the strength to insult Victoria and even though it costs her, every insult is another slap in Victoria’s face. The fact that even a tiny woman doesn’t respect her is humiliating.

Unfortunately, Rebecca’s bravery earns her a trip into Victoria’s ass. I have to admit, as much as I hate Victoria, her little joke in that moment made me smirk.

The descriptions, as usual, are fantastic. The scene where Rebecca is forced into Victoria’s ass is incredibly vivid you can feel the full horror of it. The details of Victoria’s daily routine are perfect; they add to her pathetic aura even more. She sits alone in her old chair, eating cheap frozen lasagna, scrolling through Facebook, and getting angry at other people’s happiness. The way she always blames everyone else instead of herself is perfect, it’s such a classic loser trait. Then she stumbles across something that amuses her: the parents of Lucia, the tiny woman she ate back on Azurea Island, still desperately searching for their missing daughter. Of course, pathetic Victoria toys with them, savoring their pain, even fantasizing about shitting on their little house and imagining telling them their daughter is inside her (okay, that moment was good).

After that, she plays with Rebecca again. I especially loved the ending of the segment, when Victoria talks to Rebecca as if she has a successful, fulfilling life compared to her tiny captive. It’s hilarious, she’s the most pathetic character in the entire series and still has the nerve to say that. What a fucking clown.

Then she gets a notification about something she’s been waiting for, and it clearly excites her. We’ll have to wait to find out what it is.

In conclusion, this was an amazing segment that perfectly captures the central paradox. I love the way you portray Victoria, we see just how pathetic she is throughout the entire segment: a bitter woman who destroyed her own life, blames everyone else, and gets off on making others suffer. She’s the definition of a complete loser, and I can’t wait to see her downfall.

Author's Response:

“The chapter opens with Victoria on the phone with Sandra, who once again comes up with an excuse to avoid her. This is clearly a recurring pattern, but for once it doesn’t anger Victoria, because she has something far better to brighten her day: her new tiny slave, Rebecca.”

I’m really glad you caught this. I wanted to establish early just how small and desperate Victoria’s life actually is, to the point where she can’t even secure a dinner date with her own friends. It felt important groundwork for that “pathetic aura” you later call out so perfectly. And yes, unfortunately for Rebecca, all that empty time and social rejection leaves Victoria with nothing but her new tiny possession to fixate on.

 

“Next, we get a deeper look into what Victoria does to both Rebecca and Naomi. What I really love about this segment is the paradox: even though Victoria has complete control, we can still see just how pathetic she truly is a total loser whose only pleasure in her miserable life comes from other people’s suffering. She torments her own daughter, Rebecca, yet no matter what she does, it will never change the fact that she’s a complete failure whom nobody wants to be around. When Rebecca and Naomi are eventually saved (and they will be, because unlike Victoria, people actually care about them), she’ll end up utterly alone, exactly like the failure she is.”

Absolutely. Victoria is someone so terrified of her own irrelevance that she has to make herself physically and emotionally huge just to avoid feeling invisible. Everything she does is a reaction to that fear. She lashes out because the world has already passed her by, and no amount of cruelty or control will ever change her real status. She can dominate others, but she can’t stop her life from slipping through her fingers.

 

“The descriptions, as usual, are fantastic. The scene where Rebecca is forced into Victoria’s ass is incredibly vivid you can feel the full horror of it. The details of Victoria’s daily routine are perfect; they add to her pathetic aura even more. She sits alone in her old chair, eating cheap frozen lasagna, scrolling through Facebook, and getting angry at other people’s happiness. The way she always blames everyone else instead of herself is perfect, it’s such a classic loser trait. Then she stumbles across something that amuses her: the parents of Lucia, the tiny woman she ate back on Azurea Island, still desperately searching for their missing daughter. Of course, pathetic Victoria toys with them, savoring their pain, even fantasizing about shitting on their little house and imagining telling them their daughter is inside her (okay, that moment was good).”

Yeah, Victoria definitely gets a few nasty jabs in here. At the end of the day, these stories are being read with our horny brains as well as critical ones, and as a character she operates exactly in that space. But you really nailed what I was aiming for beneath the shock and filth. The chair, the frozen dinner, the hate-scrolling, the quiet resentment of other people’s happiness. She was meant to feel deeply repulsive on a human level, and I’m glad that came through so clearly.

 

“After that, she plays with Rebecca again. I especially loved the ending of the segment, when Victoria talks to Rebecca as if she has a successful, fulfilling life compared to her tiny captive. It’s hilarious, she’s the most pathetic character in the entire series and still has the nerve to say that. What a fucking clown.”

This genuinely made me laugh. I love how mercilessly you drag her, and honestly, if anyone in the story deserves to be dragged straight into the dirt, it’s Victoria.

 

“In conclusion, this was an amazing segment that perfectly captures the central paradox. I love the way you portray Victoria, we see just how pathetic she is throughout the entire segment: a bitter woman who destroyed her own life, blames everyone else, and gets off on making others suffer. She’s the definition of a complete loser, and I can’t wait to see her downfall.”

Once again, you absolutely nailed it. I really enjoyed this review, you can feel the genuine contempt bleeding through it, which is exactly the reaction I was hoping Victoria would provoke. Thanks so much, and I’m really looking forward to your thoughts on the rest of the chapter.

Reviewer: J - Vader Signed [Report This]
Date: January 26 2026 11:27 PM Title: PART 39

This was fantastic dude Rebecca and Victoria segment was amazing and the Trevor and the kingdom segment was great too 

Author's Response:

Thanks, man. The story has grown so much that there’s a ton to expand on now. I just hope it’s still entertaining!

Reviewer: Bulbi Signed [Report This]
Date: January 26 2026 11:05 PM Title: PART 39

Oh. My. God. 

That was PHENOMENAL!!!

Coming in HOT with the smut between Rebecca and Victoria. Holy it’s perfect. Poor little Rebecca getting absolutely ate up my Victoria’s asshole and pussy. And while there was no farts I do liked how you wrote the Lucia’s parents segment. Was great compensation! I am amused that we got a Milton character now, shitty for him yes but at least he’s making Victoria mad which is good for all of us readers to sympathize on. Fuck Victoria! 

And my brother, you could definitely write a god tier book that doesn’t even involve smut with you actual master class story and background descriptions. Felt like I was in some magical fantasy work with Trevor and Mara at the end there!

KEEP UP THE GOOD WORK!

Author's Response:

Thanks so much for the kind words, man!

Honestly, I was really curious how you guys would react to Victoria’s little fantasy about what she’d do to Lucia’s parents, so I’m glad you enjoyed it. And yeah... Milton ending up in Victoria’s clutches is *definitely* a rough fate.

"And my brother, you could definitely write a god tier book that doesn’t even involve smut with you actual master class story and background descriptions. Felt like I was in some magical fantasy work with Trevor and Mara at the end there!"

I really appreciate that. I put a lot of work into those sections... yeah, they’re not the most fetish-forward parts, but they do a ton of heavy lifting for the world and the characters.

Thanks as always!

Reviewer: GiantessLover21 Signed [Report This]
Date: January 21 2026 11:34 PM Title: PART 38

There it is the last segment of this heavy chapter, and this one is probably the hardest to read and review in the entire story so much cruelty packed into a single segment.

It starts like S4, with Naomi in the car, but this time she’s going back to the place she ran away from just a few hours earlier. Once again, the description of Naomi’s state of mind is fantastic: her fear of leaving her house and her mom, even though her mother has turned her life into a living hell for years. And then there’s the hold Victoria has on Naomi’s life it’s almost like Naomi isn’t even human anymore. She’s treated like an object, used whenever and wherever Victoria wants.

Before she can break down again, Rebecca comforts her. Then comes the question that has haunted Naomi: why did Rebecca send that email? That single question is heartbreaking. In just that moment, we realize that, over time, Naomi has come to feel like she doesn’t deserve better like she’s not even the victim. She even blames herself, thinking she must have done something wrong to her mother. Thankfully, Rebecca is there to explain that she did nothing wrong at all, she is the victim. There’s something a little funny (but also very realistic) about Rebecca calling Naomi a “little girl” who still is one. And once again, I love the size paradox: even though Rebecca is so small in the giantess hand of Naomi, at that exact moment she’s the giantess the one comforting the little crying girl.

After that, it’s time to enter hell again. The moment describing the silence in the house is great; you can feel all the pressure and every bad thing that has happened inside those walls. Then Victoria welcomes her daughter with questions about where she was, why she came home so late. Once again, you did a perfect job: these are classic questions that would be considered lovely in a normal context, a mother worrying about her daughter. But here, there’s no love. We can feel that Victoria is just waiting for a single mistake so she can strike again. Thankfully, Rebecca is there to help, telling Naomi exactly what to say.

Then comes the second question: where did the jacket come from? It was a gift from Annie, meant to hide Rebecca but also to protect Naomi like armor. Sadly, it won’t be enough. Naomi makes a mistake by mentioning Donnica and the fact that Amber and she visited the school—the exact things that triggered Victoria’s explosion of rage in the first place. Surprisingly, though, Victoria doesn’t explode. Instead, she warms up and acts almost like a real mother… but it doesn’t sound right at all.

She keeps talking, putting the blame for the last day entirely on Naomi. Damn, that moment really pissed me off. She turned her daughter’s life into a living hell destroyed her bedroom, beat her, scared her, even made her think she would die and still put all the blame on Naomi. That part is so uncomfortable to read. The feeling that every word could trigger everything again, the constant tension of having to watch every word you say, every action you make.

Then Victoria offers to have a good time with Naomi, some grilled cheese. Sadly, Naomi makes another mistake: she doesn’t answer when Victoria asks again where the jacket came from. But to her surprise, Victoria keeps smiling and acting kindly, allowing Naomi to let her guard down just a little. Then she can finally go back to her bedroom, where she’s confronted with the true Victoria—not the one she saw for the last few minutes, but the real one who destroyed her bedroom.

Thankfully, Naomi has Rebecca to help her, tell her what to do, and comfort her even though Rebecca is so pissed at Victoria for forcing Naomi to apologize when she was the one who got beaten. Sadly, their talk is cut short when Victoria enters the bedroom, full of rage. She knew Naomi was lying, and she was going to make her pay.

And then comes another uncomfortable moment: the beatdown of Naomi. First, she forces Naomi to show her Rebecca, using violence of course. When Naomi tries to protect Rebecca by lying, Victoria beats her even more without any interruption until Rebecca can’t stand it anymore. No matter her size, she needs to stop this, both for Naomi and for herself, because it reminds her of her own past when her stepfather beat her.

So she yells at Victoria to stop, even calling her a “fucking bitch.”

Sadly, even though she’s brave, she’s still small, and Victoria takes full advantage of that. She brings Rebecca to her mouth, ready to eat her for dinner. Something I really enjoy is the description of that moment, you portray Victoria in such a way that she doesn’t even look like a woman anymore, but like some disgusting monster (which she obviously is).

This time it’s Naomi’s turn to protect her. She begs Victoria not to eat Rebecca, even offering her soul to her mother. And Victoria won’t let this gift go to waste. She starts by demanding that Naomi burn all her black clothes, even the ones not related to her gothic style. That moment is so cruel because it’s not just clothes; it’s who Naomi is her entire identity, her style, her choices in life, and all the effort she put into building her little collection with the tiny amount of money she had. But she has no choice if she wants to save Rebecca.

Sadly, that’s not even the worst part we could almost call it the gentle one. Now Victoria demands that she burn her drawings the ones she came back specifically to retrieve. Her entire history, the things that helped her survive, made her proud, and gave her some happiness in the hell Victoria created. She must do it to save Rebecca. And to be even more cruel, Victoria makes her burn them one by one. That part was so hard for me to read. Because they’re not just drawings, they are Naomi: who she was, who she is, and even who she will become. But all that means nothing to Victoria. She just watches her daughter destroy her most important possessions. That’s how cruel she is. By doing that, she erases who her daughter is completely. At this moment, we can’t call her human anymore she’s a monster. Even Rebecca sees it: the flames give Victoria the appearance of the devil.

After finishing annihilating her daughter, it’s time to play with Rebecca. So, she takes her to her bedroom, and damn, the work on the descriptions is incredible again: the bedroom, Victoria’s body, her face, the comparison with Donnica, the fact that she could look like her in other circumstances but no she’s nothing but a mess. Even the way she gets into bed, all these little details make is even more disturbing. Then it’s time to play, and the fact that she forces Rebecca to have an orgasm is so cruel. She shows that she owns her, that she’s taken even her free will. She demonstrates that Rebecca isn’t human anymore, she’s nothing but a tool to please Victoria.

And that’s how this chapter ends.

In conclusion, a fantastic segment inside a fantastic (but really hard-to-read) chapter. First, I want to say once again that everything is perfect: the descriptions, the work on Naomi’s and Rebecca’s feelings, Victoria’s reactions, and the cruelty. We’ve had a lot of cruel moments in the story before (just like in the last segment), but nothing compares to this. I also really appreciate that you show there are things way worse than violence. From an outside perspective, violence might seem the worst, but it can heal with time. When your mind is broken, though, it can’t be fixed, it leaves invisible wounds that stay forever. We can see that in Rebecca’s character: even years later, she’s still haunted by the memory of her stepfather beating her and her mother. Thanks again for your amazing work. Can’t wait to read chapter 39. I really hope Victoria will finally face the sword of justice in that one.

Author's Response:

"It starts like S4, with Naomi in the car, but this time she’s going back to the place she ran away from just a few hours earlier. Once again, the description of Naomi’s state of mind is fantastic: her fear of leaving her house and her mom, even though her mother has turned her life into a living hell for years. And then there’s the hold Victoria has on Naomi’s life it’s almost like Naomi isn’t even human anymore. She’s treated like an object, used whenever and wherever Victoria wants."

I actually worried about that a lot during final edits… that the openers of S4 and S5 might feel too similar with Naomi in the car again. But I’m glad you picked up on the contrast, because even though they start in the same place, they’re telling two very different stories. One is about escape, the other about being dragged back into something you know will hurt you. Same setting, completely different emotional weight.

 

"Before she can break down again, Rebecca comforts her. Then comes the question that has haunted Naomi: why did Rebecca send that email? That single question is heartbreaking. In just that moment, we realize that, over time, Naomi has come to feel like she doesn’t deserve better like she’s not even the victim. She even blames herself, thinking she must have done something wrong to her mother. Thankfully, Rebecca is there to explain that she did nothing wrong at all, she is the victim. There’s something a little funny (but also very realistic) about Rebecca calling Naomi a “little girl” who still is one. And once again, I love the size paradox: even though Rebecca is so small in the giantess hand of Naomi, at that exact moment she’s the giantess the one comforting the little crying girl."

This is something I really love playing with in the giantess space… giving tinies huge emotional presence and then letting that clash with their physical vulnerability. Moments like this feel especially electric to me. Tiny Rebecca in Naomi’s palm, completely outmatched in size, yet somehow holding all the emotional authority in the room. The power imbalance is running both directions at once, and that tension is exactly what I hope people feel when they’re reading it.

 

"Then comes the second question: where did the jacket come from? It was a gift from Annie, meant to hide Rebecca but also to protect Naomi like armor. Sadly, it won’t be enough. Naomi makes a mistake by mentioning Donnica and the fact that Amber and she visited the school—the exact things that triggered Victoria’s explosion of rage in the first place. Surprisingly, though, Victoria doesn’t explode. Instead, she warms up and acts almost like a real mother… but it doesn’t sound right at all."

Yeah, that unease was very intentional. I wanted Victoria’s sudden warmth to feel wrong… like something poisonous wrapped in the language of care. We know what she’s capable of, what she’s already done, so hearing her speak like a loving mother is meant to tighten the knot in your stomach rather than relieve it. I’m really glad you picked up on that tension.

 

"Thankfully, Naomi has Rebecca to help her, tell her what to do, and comfort her even though Rebecca is so pissed at Victoria for forcing Naomi to apologize when she was the one who got beaten. Sadly, their talk is cut short when Victoria enters the bedroom, full of rage. She knew Naomi was lying, and she was going to make her pay."

I loved this part too. Rebecca being that angry feels so true to her character, you’d expect fear, hesitation, and even self-preservation being in Victoria’s house… and instead she’s just furious. Furious on Naomi’s behalf. It’s fearless, and it’s very, very Rebecca.

 

"And then comes another uncomfortable moment: the beatdown of Naomi. First, she forces Naomi to show her Rebecca, using violence of course. When Naomi tries to protect Rebecca by lying, Victoria beats her even more without any interruption until Rebecca can’t stand it anymore. No matter her size, she needs to stop this, both for Naomi and for herself, because it reminds her of her own past when her stepfather beat her."

This might be the most Rebecca moment in the entire chapter. She’s literally a bug compared to Victoria, completely powerless… and still, the instant she sees Naomi being hit, she can’t stay silent. She doesn’t calculate the risk. She doesn’t freeze. She just speaks. Fearless, stupidly brave, and utterly herself. How can anyone not love her?

 

"This time it’s Naomi’s turn to protect her. She begs Victoria not to eat Rebecca, even offering her soul to her mother. And Victoria won’t let this gift go to waste. She starts by demanding that Naomi burn all her black clothes, even the ones not related to her gothic style. That moment is so cruel because it’s not just clothes; it’s who Naomi is her entire identity, her style, her choices in life, and all the effort she put into building her little collection with the tiny amount of money she had. But she has no choice if she wants to save Rebecca."

Yes… this is the moment where Naomi’s love for Rebecca becomes undeniable. We’ve seen Naomi crush tinies without a second thought, but for Rebecca? She’s willing to erase herself. To burn her entire identity just to keep her safe. It’s a horrifying moment, but I also see it as a huge character beat that shows exactly how Naomi sees Rebecca, and how deeply her feelings runs.

 

"Sadly, that’s not even the worst part we could almost call it the gentle one. Now Victoria demands that she burn her drawings the ones she came back specifically to retrieve. Her entire history, the things that helped her survive, made her proud, and gave her some happiness in the hell Victoria created. She must do it to save Rebecca. And to be even more cruel, Victoria makes her burn them one by one. That part was so hard for me to read. Because they’re not just drawings, they are Naomi: who she was, who she is, and even who she will become. But all that means nothing to Victoria. She just watches her daughter destroy her most important possessions. That’s how cruel she is. By doing that, she erases who her daughter is completely. At this moment, we can’t call her human anymore she’s a monster. Even Rebecca sees it: the flames give Victoria the appearance of the devil."

That last observation really hit home for me. In Rebecca’s eyes, Victoria genuinely becomes something inhuman in that moment; the fire turning her into a figure straight out of hell. For the character, this feels like a point of no return. And yeah… forcing Naomi to burn her drawings one by one was brutal to write. If it was even half as hard to read as it was to put down on the page, then I completely understand why it stuck with you.

 

"After finishing annihilating her daughter, it’s time to play with Rebecca. So, she takes her to her bedroom, and damn, the work on the descriptions is incredible again: the bedroom, Victoria’s body, her face, the comparison with Donnica, the fact that she could look like her in other circumstances but no she’s nothing but a mess. Even the way she gets into bed, all these little details make is even more disturbing. Then it’s time to play, and the fact that she forces Rebecca to have an orgasm is so cruel. She shows that she owns her, that she’s taken even her free will. She demonstrates that Rebecca isn’t human anymore, she’s nothing but a tool to please Victoria."

I agree… having Victoria coax an orgasm out of Rebecca felt almost crueler than straightforward domination. It’s manipulative in a deeper way, using Rebecca’s own body against her. That moment was meant to show a different, more intimate kind of darkness in Victoria, and to set an ominous tone for what this captivity really means.

 

"In conclusion, a fantastic segment inside a fantastic (but really hard-to-read) chapter. First, I want to say once again that everything is perfect: the descriptions, the work on Naomi’s and Rebecca’s feelings, Victoria’s reactions, and the cruelty. We’ve had a lot of cruel moments in the story before (just like in the last segment), but nothing compares to this. I also really appreciate that you show there are things way worse than violence. From an outside perspective, violence might seem the worst, but it can heal with time. When your mind is broken, though, it can’t be fixed, it leaves invisible wounds that stay forever. We can see that in Rebecca’s character: even years later, she’s still haunted by the memory of her stepfather beating her and her mother. Thanks again for your amazing work. Can’t wait to read chapter 39. I really hope Victoria will finally face the sword of justice in that one."

This chapter definitely got very real, and I’ll admit I was a bit apprehensive about how it would land. But ultimately, I think it added far more than it took away. These characters feel whole enough to deserve moments this raw, even if they’re hard to sit with. Hopefully we don’t see too many more scenes like this… but when they do happen, they matter.

Thank you so much for such a thoughtful review, and yes, here’s hoping Victoria finally gets what’s coming to her!

New chapter soon  ;)