Reviewer: GiantessLover21 Signed [Report This]
Date: September 14 2025 9:17 PM Title: PART 33

What an incredible first segment, one of, if not my favorite, in the entire story. Everything is perfect.First, I really enjoy how you describe Donnica’s transformation from a pure mess after her time with Trevor to an elegant and beautiful woman again. But I kind of feel bad for the company’s drivers who have to clean the cars and get new ones to satisfy Donnica.

Let’s dive into the core of the chapter: the college visit. What a great surprise, it’s Donnica’s old school! I’m thrilled to get some insight into her past, first with Trevor in chapter 32 and now Donnica in chapter 33. I also really enjoyed how you showed Donnica’s evolution through this school, it’s brilliantly done. When she was a student, she saw the school as something incredible, but now she notices all its flaws, even questioning if it’s good enough for Amber.

An interesting character is Sabrina. I enjoy how she handles Donnica, telling her Amber arrived early when, in fact, Donnica is the one who’s late. I love that everyone is so careful when addressing Donnica, except Trevor, it’s a detail that always puts a smile on my face.

But now, it’s time for the visit, and soon a new character appears: Dean Nolan. At this moment, Amber is cast aside during her own visit, which is supposed to be about her. It’s really sad, and it gets worse as the visit becomes a tour of Donnica’s past, at least the glorified version. Even in the way Amber is introduced, everything revolves around Donnica. It’s almost as if Amber is just there to make Donnica look even better than she is or was in her past.

“And this is my little legacy” she said with glowing pride, casting a glance down at her daughter.Dean Nolan gave a big, bright smile. “I can already tell she’s as sharp as her mother!”

She’s her legacy, not her daughter, it’s as if Donnica owns Amber. This is even more evident in how Trevor is introduced:
“My other little bundle of joy,” she said, the smile never leaving her lips. “My tiny partner. Trevor.

It’s as if Amber isn’t supposed to be herself but a copy of her mom. Everything centers on Donnica, not Amber. Amber’s voice doesn’t even matter, her questions are ignored, her discomfort neglected.This alone shows how difficult Amber’s life has been but today is different because she has someone who cares about her: Trevor, quietly watching over her. It’s a beautiful image, especially since, sadly, Amber has never had a good father figure in her life. Someone watches over her, oppose Donnica when she does wrong, or give her a compassionate look when she needs it the most like today.

But it’s not all bad for Amber during this visit, at least for a moment outside. She can rest her feet and, even better, remove her shoes. Sabrina doesn’t approve, as the tiny people around would suffer, but Donnica doesn’t care, and neither does the hypocritical Dean Nolan who only want to flatter Donnica so she can give money to the school. So Amber removes her shoes, letting her feet breathe, to the despair of the tiny people and even some normal-sized people. The description of the odor of her feet and the reactions of those around it is amazing, it’s almost like we can smell it through the description alone. But the best part is that Amber gets to spend time with her mother, and for once, Donnica acts like a mother, not just the powerful woman who can destroy you with a single sentence.

They walk barefoot in the grass, allowing Donnica to recall a moment when Amber was a child, and they walked together in a similar park. The best part is when they talk about Donnica’s past, the real one, not the idealized version Dean Nolan presented. This allows Amber to realize her mom was once like her, spending time on the grass, relaxing with a smoothie, enjoying her teenage life.

I have to say, I loved this part. It’s the first time we see Donnica acting like a mom toward Amber, and it’s perfect. We can feel Amber lowering her guard a little, letting Donnica in, though it’s too little and perhaps too late.
After this heartwarming moment outside, the visit takes on a new vibe. Even though it’s still largely about Donnica, Amber feels better after her time with her mother. She even starts to enjoy the visit more when she sees other students, talking to them and being herself, not just Donnica’s daughter. For once, she can be Amber, the teenager with dreams. She even sees students with tinies, allowing her to imagine herself with Rebecca at this school, thinking about her future.

But sadly, another student joins the visit, Quinn, a younger version of Donnica who seems like her biggest fan. She asks the question Amber dreads: what will she choose for college? With that question, Donnica is back in control. There’s no more room for discussions, she has a plan for Amber, and Amber must follow it, even if she doesn’t want to. This reminds me of what Rebecca told Amber on Azurea Island:

Rebecca chuckled again. “Oh, Amber,” she said, her tone dripping with sarcasm, “let me tell you how your life is going to go. First, you’ll go to some pretentious college, where you won’t make any real friends because you’re too stuck up. Then, you’ll end up marrying some guy you don’t really love, probably the son of one of your mom’s friends, because you’ll be scared of ending up alone in your twenties. Then you’ll settle into the same boring life, have a kid because ‘that’s what you’re supposed to do,’ and end up coming on these stupid trips with your husband’s friends’ wives, getting drunk to numb the feeling that this is all your life will ever be. And that’s it,” she finished, a smirk on her face. “That’s your future, Amber.”

It’s exactly like that in Donnica’s mind. But thanks to Rebecca’s influence, Amber speaks up, saying she wants time to think about her future. This is a great evolution of Amber’s character. Even though it angers Donnica, we see Amber is ready to fight for what she wants, not just accept her mother’s plans.But it’s hard to face Donnica when she’s set on something, even Trevor can’t say anything to her. Just like that, she shuts down the conversation and returns to her usual self, casually talking with Dean Nolan as if it were a minor issue to deal with later.

Worse still, Donnica leaves with Dean Nolan and Sabrina, once again excluding Amber from discussions about her own future. Amber is left with Trevor, waiting for her mother. Trevor, however, recalls earlier in the day when he helped Clara. It’s interesting. I wonder if that experience opened Trevor’s eyes, much like Donnica’s first taste of power with Trevor and the second one when she walk in the Kingdom.Now comes my favorite part of the chapter, and I have to say it’s absolutely perfect in every detail. I love how Trevor acts like a good father figure, one who knows when to listen and when to offer advice. The fact that Amber listens to him and doesn’t reject him, as she did at the start of the story is amazing. This conversation alone showcases Amber’s growth.
The talk itself is incredible. Trevor knows exactly what to say and how to act to connect with Amber, explaining both sides to help her understand Donnica better. I also loved how Amber opens up to Trevor, sharing her feelings about her future and even her guilt toward Rebecca. Trevor, once again, reassures her that he forgives her, it’s a powerful moment.

I also really enjoy how Amber worries about Trevor and his status C. It’s such a touching detail, and as you know, slice-of-life moments are my favorite parts of the story, and this one is perfect. At the end, Trevor asks Amber to thank Donnica for this moment to make her happy and help mend their relationship, and Amber agrees.
Finally, the visit ends, and it’s time for Amber to reach out to her mother. But Donnica, acting like the lawyer rather than a mom, brings all the bad moments of the visit flooding back into Amber’s mind. Her armor goes back up, and the door closes again.

In conclusion, this chapter is perfect. The structure is flawless, mirroring Amber’s feelings toward Donnica: it starts bad, gets better, dips again, and ultimately falls apart, perhaps leaving things worse than before. The moments between Amber and Donnica, and Amber and Trevor, are perfectly written, hitting exactly where they should. You truly connect with Amber, and throughout nearly the entire segment, I wanted to tell Donnica, “For once in your life, please stop being Donnica. Just listen. Let go of your need to control everything and hear your daughter, it’s all she wants.”

My favorite moments, of course, are the Trevor and Amber scenes. They highlight the evolution of their relationship, which was complicated at first, to say the least. Now, you can feel a connection, maybe even a father-daughter bond, which I really hope for. Amber deserves a good man in her life, even if he’s a tiny one who, when he speaks, often feels like the giant while others seem small.

To end this review, I want to say how incredible the work on Trevor and Amber is. I also feel like Trevor’s ability to help people, discovered in the Kingdom, may be useful in the future with the messed-up giantesses in his life (hello, Helena) and even the tinies in the Kingdom now.

Author's Response:

"Let’s dive into the core of the chapter: the college visit. What a great surprise, it’s Donnica’s old school! I’m thrilled to get some insight into her past, first with Trevor in chapter 32 and now Donnica in chapter 33. I also really enjoyed how you showed Donnica’s evolution through this school, it’s brilliantly done. When she was a student, she saw the school as something incredible, but now she notices all its flaws, even questioning if it’s good enough for Amber."

Yes! It was important to show that evolution in Donnica, not just to give her more depth, but also to set up the meeting with the dean. She’s changed. The school hasn’t. That shift creates some natural ambiguity going into their conversation… Donnica doesn’t just represent power anymore, she represents progress. And now, oddly enough, the university needs her.

 

"An interesting character is Sabrina. I enjoy how she handles Donnica, telling her Amber arrived early when, in fact, Donnica is the one who’s late. I love that everyone is so careful when addressing Donnica, except Trevor, it’s a detail that always puts a smile on my face."

Haha I knew you’d pick up on this! You always love Donnica’s favoritism when it comes to Trevor, and yeah, it’s always funny to watch everyone else tiptoe around her while Trevor just... doesn’t. He gets away with things no one else would dare.

 

"But now, it’s time for the visit, and soon a new character appears: Dean Nolan. At this moment, Amber is cast aside during her own visit, which is supposed to be about her. It’s really sad, and it gets worse as the visit becomes a tour of Donnica’s past, at least the glorified version. Even in the way Amber is introduced, everything revolves around Donnica. It’s almost as if Amber is just there to make Donnica look even better than she is or was in her past."

Yes, poor Amber. This visit was supposed to be hers, but the spotlight ends up right back on Donnica. I think it really highlights how powerful Donnica’s presence is… and how suffocating that power can be when you’re the daughter living in its shadow.

 

"It’s as if Amber isn’t supposed to be herself but a copy of her mom. Everything centers on Donnica, not Amber. Amber’s voice doesn’t even matter, her questions are ignored, her discomfort neglected. This alone shows how difficult Amber’s life has been but today is different because she has someone who cares about her: Trevor, quietly watching over her. It’s a beautiful image, especially since, sadly, Amber has never had a good father figure in her life. Someone watches over her, oppose Donnica when she does wrong, or give her a compassionate look when she needs it the most like today."

I'm so glad you saw that! Trevor’s presence there was meant to be a kind of quiet support, something Amber’s never really had. I wanted it to feel subtle but meaningful… him just noticing her, offering small, gentle reassurances. It was one of my favorite emotional touches to write in this chapter.

 

"They walk barefoot in the grass, allowing Donnica to recall a moment when Amber was a child, and they walked together in a similar park. The best part is when they talk about Donnica’s past, the real one, not the idealized version Dean Nolan presented. This allows Amber to realize her mom was once like her, spending time on the grass, relaxing with a smoothie, enjoying her teenage life."

Yes, exactly! That was such a joy to write. At first, I actually worried the drama might smother the footplay, but once I had it down on the page, I realized how powerful the emotional moment was… and then I started worrying the kink would undercut it. In the end though, I think the two ended up serving each other, creating something that was both tactile and tender.

 

"But sadly, another student joins the visit, Quinn, a younger version of Donnica who seems like her biggest fan. She asks the question Amber dreads: what will she choose for college? With that question, Donnica is back in control. There’s no more room for discussions, she has a plan for Amber, and Amber must follow it, even if she doesn’t want to. This reminds me of what Rebecca told Amber on Azurea Island:"

I love, LOVE that you tied this moment back to that old chapter… I actually did the same while writing it! And you picked such a perfect passage to reference. I even went back and reread the beach scene in chapter 15 where Rebecca told Amber it was okay not to go to college. She may be tiny, but her influence on Amber has been massive.

 

"It’s exactly like that in Donnica’s mind. But thanks to Rebecca’s influence, Amber speaks up, saying she wants time to think about her future. This is a great evolution of Amber’s character. Even though it angers Donnica, we see Amber is ready to fight for what she wants, not just accept her mother’s plans. But it’s hard to face Donnica when she’s set on something, even Trevor can’t say anything to her. Just like that, she shuts down the conversation and returns to her usual self, casually talking with Dean Nolan as if it were a minor issue to deal with later."

Exactly. This is a real step forward for Amber. She pushes back, but yeah, Donnica's not exactly someone who takes rejection well. I loved writing the moment where Trevor tries to step in and Donnica just goes, “HUSH.” Like she’s telling a child to be quiet. It’s brutal, but very her.

 

"Worse still, Donnica leaves with Dean Nolan and Sabrina, once again excluding Amber from discussions about her own future. Amber is left with Trevor, waiting for her mother. Trevor, however, recalls earlier in the day when he helped Clara. It’s interesting. I wonder if that experience opened Trevor’s eyes, much like Donnica’s first taste of power with Trevor and the second one when she walk in the Kingdom. Now comes my favorite part of the chapter, and I have to say it’s absolutely perfect in every detail. I love how Trevor acts like a good father figure, one who knows when to listen and when to offer advice. The fact that Amber listens to him and doesn’t reject him, as she did at the start of the story is amazing. This conversation alone showcases Amber’s growth.
The talk itself is incredible. Trevor knows exactly what to say and how to act to connect with Amber, explaining both sides to help her understand Donnica better. I also loved how Amber opens up to Trevor, sharing her feelings about her future and even her guilt toward Rebecca. Trevor, once again, reassures her that he forgives her, it’s a powerful moment."

Yes! This was the core of the chapter for me. As I was writing it, I genuinely thought the Donnica/Amber material in the courtyard would be the emotional highlight… but this scene just clicked. It had to thread a very tricky needle: Trevor and Amber have a rocky past, so I couldn’t jump straight to warm-and-fuzzy. I needed Trevor to find just the right entry point (gentle, honest, steady) and Amber to meet him there. And the fact that they both show care for each other in this scene? That’s the win. That’s the growth.

I also love that you picked up on Trevor’s earlier moment with Clara influencing this. You're absolutely right… every character moment should ripple forward. And here, Trevor’s recent experience gave him just enough clarity and confidence to know how to step into that father-figure role.

 

"Finally, the visit ends, and it’s time for Amber to reach out to her mother. But Donnica, acting like the lawyer rather than a mom, brings all the bad moments of the visit flooding back into Amber’s mind. Her armor goes back up, and the door closes again."

Yes, the tragic end. And what’s so heartbreaking is that Donnica isn’t even trying to hurt her. It’s not cruelty. It’s just who she is. She slips back into lawyer-mode like it’s muscle memory, and in doing so, she slams the emotional door shut. It’s not villainy, it’s life. And life is so often made of these quiet tragedies between people who do love each other but don’t know how to be with each other.

 

"In conclusion, this chapter is perfect. The structure is flawless, mirroring Amber’s feelings toward Donnica: it starts bad, gets better, dips again, and ultimately falls apart, perhaps leaving things worse than before. The moments between Amber and Donnica, and Amber and Trevor, are perfectly written, hitting exactly where they should. You truly connect with Amber, and throughout nearly the entire segment, I wanted to tell Donnica, “For once in your life, please stop being Donnica. Just listen. Let go of your need to control everything and hear your daughter, it’s all she wants.”

Yeah, that push and pull between the positive and negative really gives a chapter its shape, it creates contrast and makes it feel like it’s actually moving. I’m so glad you noticed that, because it’s not easy to pull off in the writing. And I love that you felt so strongly you wanted to shout at Donnica… as a writer, that kind of reaction is amazing to hear. To me, it shows how these characters aren’t just villains or heroes, but people caught in their own fates, sometimes hurting each other without meaning to. That’s what keeps them relatable even when they’re at their worst.

 

"My favorite moments, of course, are the Trevor and Amber scenes. They highlight the evolution of their relationship, which was complicated at first, to say the least. Now, you can feel a connection, maybe even a father-daughter bond, which I really hope for. Amber deserves a good man in her life, even if he’s a tiny one who, when he speaks, often feels like the giant while others seem small."

Beautifully said. Trevor may be small, but when he speaks, he fills a room. That quiet dignity, that calm steadiness... it’s exactly what Amber needs. And I’m right there with you hoping this father/daughter bond continues to grow. She needs that kind of love in her life.

 

"To end this review, I want to say how incredible the work on Trevor and Amber is. I also feel like Trevor’s ability to help people, discovered in the Kingdom, may be useful in the future with the messed-up giantesses in his life (hello, Helena) and even the tinies in the Kingdom now."

Thank you so much for this review. You said this might be my best segment… but I KNOW this is your best review! I’ve read it half a dozen times already and it still hits just as hard. And yes, Trevor’s time in the Kingdom might’ve been the beginning of something bigger. These giantesses need help… and who better to give it than the tiny man who somehow always sees through them?

Thanks again, truly. I loved every word of this!

Reviewer: PlanetMight88 Signed [Report This]
Date: September 08 2025 10:52 PM Title: PART 33

Great chapter.

It looks like a conflict is brewing between Donnica and Helena.

Author's Response:

It really does feel like our two titans are on a collision course… though since Helena set them on this path herself, maybe she’s anticipating a very different outcome.

Reviewer: It Was Me Signed [Report This]
Date: September 08 2025 3:33 AM Title: PART 32

Damn, S5 was just fucking adorable! I love seeing Scarlett and Rebecca together!

But first, you teased me a bit by tying Amber and the college visit into this segment. I mean, I knew we weren't following Amber because we started with Scarlett and Rebecca at Blended Bliss (glad to see Scarlett see the light and dump Pulse & Peel, only going to that shithole to get rejected; thanks Amber!), but for a second I thought we might split things up somehow and see both things, as unlikely as it would be to pull that off without starting a new segment. I'm still hopeful that next chapter might give us a glimpse of that family college visit, though, especially given what we learned about the visit (and the other ones scheduled after it) here.

It's a very Donnica thing to do to schedule all of these visits to all of these elite schools without consulting Amber to see if she even wanted to go to any of them, let alone if those dates and times worked for her. Going into this arc, Amber was starting to feel closer to Donnica and Donnica had a real desire to try to become a bigger part of her daughter's life. Between the Naomi visit and this, though, it seems like things are back to the way they were. Again, it's really, really sad to see Donnica trying to handle her daughter like she does everything else (besides Trevor and Annabel, when she's not mad at sweet, sweet Annie).

Donnica really wants to connect with Amber, but she doesn't know how, even though she was doing just that with Annabel before the Status-C incident. But Donnica is so busy trying to plan Amber's future and set her up for life that she hasn't stopped to get to know her daughter and see what she wants. As we saw in this segment, that's only pushing Amber further away.

If only there were some tiny, brilliant father figure-type hanging around that could help bridge this gap between mother and daughter ...

As for Scarlett and Rebecca, this was yet another great example of you using real, serious problems people have as a basis for bonding your characters. This was kind of like a much softer Trevor/Annie/empathy moment from when Trevor started working at the firm. Scarlett's fear of failure is a very real thing, and unlike some corny sitcom, it was really well portrayed here. I loved Scarlett's initial defenses, even as she started to doubt them, because those are real reactions.

"I'm not afraid of failing. I do new stuff sometimes."

Yeah, it's not the failing that you're really afraid of; it's the letting people down. The judgment. Looking stupid. You can try and fail new things on your own and be totally fine. Great fucking work on illustrating this point!

But yeah, Rebecca clocking this in Scarlett because she went through it herself checks out. And like with Amber, we're seeing Rebecca's relationship with Scarlett building off of things they have in common, only Rebecca seems to have more in common with Scarlett than she does with Amber. So I appreciate the consistency in the builds, as well as showing us how this one is different from Rebecca and Amber's.

Shit, even them geeking out over old soccer film was as deep as it was cute!

The retail rejection therapy was fucking great! I love that it made Scarlett "make a fool of herself"  to other people, only to realize that it's no big deal. Those scenarios were pretty funny, too. I like how they were all either met with indifference or fun (rather than cruel) laughter. It was a really great way for her to start learning to handle that feeling in the pit of her stomach over small things like that (the fear, not Rebecca!).

And Rebecca transitioning it to something actually matters, getting Scarlett to approach the "rouge" group like that was perfect! After all that fun and calming Scarlett's nerves on the smaller stuff, a real test presented itself. And Scarlett expected to get rejected, and that made them actually accepting her into the group even sweeter, both for her and for us!

But the real highlight of that part was Scarlett finding the strength to do that in Rebecca. Ironically, it seems like the fear of letting Rebecca down significantly outweighed the fear of making a fool out of herself. This is fast becoming a theme with Scarlett. Rebecca has very quickly become extremely important to her, and this scene made that very clear!

And Scarlett feeling that love for Rebecca, even stronger than those feelings hit her the last time they were together, was such a powerful moment! And this time, even Rebecca couldn't deny it! These two have very deep, very real feelings for each other, and I both love it and feel bad for Amber.

But yeah, both of them feeling completely seen makes a lot of sense, given how this relationship has developed. Scarlett saw Rebecca, really saw her, after the pageant, when she realized what Rebecca did for her. And she saw her again when she realized everything she went through with Rebecca here. And Rebecca has always seen Scarlett, always diagnosing her problems and going out of her way to help. These two know each other so well already, and it's hard not to root for that, even with poor Amber looking like she might get stuck with the short end here.

Oh, and the dog scene was really sweet! Seeing Scarlett being so overprotective and knowing that the dog was a service animal and probably no real threat only made it even more adorable.

But yeah, I had two big takeaways from this segment.

First, I think helping Scarlett learn to manage her fear of failure is going to backfire on Rebecca. Because when Scarlett can't contain these feelings anymore, she's going to realize  that she's "worth it" and "deserves to be happy," so she'll get over her fear of rejection and possibly losing her friendship with Amber and actually ask Rebecca out. That would be an impossible position for Rebecca to be in, and I'm really curious how she'll handle it if it happens.

Second, as far as we know, there has been no imprinting involved between Scarlett and Rebecca. What they're feeling is unquestionably all them. As I said before (and we learned more about back in S1), imprinting can change the way a tiny feels about a giant, and we know that Amber accidentally imprinted Rebecca, even if we don't know how much that has affected their relationship (because, again, there are legitimate reasons for them to love each other, too).

So now we're potentially heading to a point where Rebecca might have to choose between sincere, natural love or maybe at least partial "artificial" love from being imprinted. I asked several reviews back if imprinted love being real or fake made a difference if the two people were happy, and now it looks like we might actually find out!

Of course, my fingers are still crossed for that three-way relationship (it's the happy endings guy in me), but the way this is shaping up, I'm thinking that Rebecca might need to make a choice at some point. And if she does, I might agonize over it as much as she does!

But man, what a great way to end the chapter! This was a gentler one overall, so I'm assuming you're going to really darken our souls with the next one!

Author's Response:

"It's a very Donnica thing to do to schedule all of these visits to all of these elite schools without consulting Amber to see if she even wanted to go to any of them, let alone if those dates and times worked for her. Going into this arc, Amber was starting to feel closer to Donnica and Donnica had a real desire to try to become a bigger part of her daughter's life. Between the Naomi visit and this, though, it seems like things are back to the way they were. Again, it's really, really sad to see Donnica trying to handle her daughter like she does everything else (besides Trevor and Annabel, when she's not mad at sweet, sweet Annie)."

That is SUCH a Donnica move, haha. I love writing that dynamic… this clash between her rigid, structured upbringing and Amber’s more modern, emotionally fluent world. It’s easy to write conflicts where people are on opposite sides of some moral line, but this kind of intergenerational misunderstanding has a quieter tragedy to it. And the best part is Donnica isn’t doing it on purpose. She’s not trying to control Amber maliciously… she’s just being Donnica. I’m really excited to bring their relationship into sharper focus as the story moves forward.

 

"If only there were some tiny, brilliant father figure-type hanging around that could help bridge this gap between mother and daughter ..."

If only...

 

"As for Scarlett and Rebecca, this was yet another great example of you using real, serious problems people have as a basis for bonding your characters. This was kind of like a much softer Trevor/Annie/empathy moment from when Trevor started working at the firm. Scarlett's fear of failure is a very real thing, and unlike some corny sitcom, it was really well portrayed here. I loved Scarlett's initial defenses, even as she started to doubt them, because those are real reactions."

Thank you for that! Fear of failure is something I think everyone deals with to some degree, and I wanted it to feel real for Scarlett, especially because she’s an overachiever. I was a little worried people might think someone like her wouldn’t have that kind of fear, but it’s often because of that pressure to perform that people like Scarlett struggle the most. It’s not just a teen thing… it’s a human thing.

 

"But yeah, Rebecca clocking this in Scarlett because she went through it herself checks out. And like with Amber, we're seeing Rebecca's relationship with Scarlett building off of things they have in common, only Rebecca seems to have more in common with Scarlett than she does with Amber. So I appreciate the consistency in the builds, as well as showing us how this one is different from Rebecca and Amber's."

Totally agreed. For any relationship to feel authentic, there has to be something shared at the core. Even when characters seem like opposites on the surface, there’s usually some hidden thread (shared experiences, similar worldviews, emotional patterns, etc.) With Scarlett and Rebecca, it’s starting to show verrrry obviously, and yeah… they’re more alike than Amber and Rebecca in some very fundamental ways.

 

"The retail rejection therapy was fucking great! I love that it made Scarlett "make a fool of herself" to other people, only to realize that it's no big deal. Those scenarios were pretty funny, too. I like how they were all either met with indifference or fun (rather than cruel) laughter. It was a really great way for her to start learning to handle that feeling in the pit of her stomach over small things like that (the fear, not Rebecca!)."

Haha thank you! I needed a way to explore Scarlett’s fear of failure in a way that felt both grounded and entertaining, and the impromptu rejection therapy setup gave me the perfect excuse. I’m so glad the reactions stood out to you, I had a blast putting those scenarios together. That smoothie challenge Scarlett did to kick things off (ordering the rival drink)  was my fav to write.  I loved how utterly devastated she was as she scurried back to the table where Rebecca was waiting haha

 

"But the real highlight of that part was Scarlett finding the strength to do that in Rebecca. Ironically, it seems like the fear of letting Rebecca down significantly outweighed the fear of making a fool out of herself. This is fast becoming a theme with Scarlett. Rebecca has very quickly become extremely important to her, and this scene made that very clear!"

Yes! That actually started as a throwaway line in early drafts, but when I came back to it weeks later, I realized that it might be the most important moment of the segment… the hinge. It’s where Scarlett’s willingness to face rejection and her growing feelings for Rebecca collide. She doesn’t just care what Rebecca thinks, she’s starting to hold how Rebecca sees her in high regard. That’s big. And it’s only growing.

 

"But yeah, both of them feeling completely seen makes a lot of sense, given how this relationship has developed. Scarlett saw Rebecca, really saw her, after the pageant, when she realized what Rebecca did for her. And she saw her again when she realized everything she went through with Rebecca here. And Rebecca has always seen Scarlett, always diagnosing her problems and going out of her way to help. These two know each other so well already, and it's hard not to root for that, even with poor Amber looking like she might get stuck with the short end here."

Exactly, there’s something deeply honest about both of them. Neither of them is particularly good at hiding how they feel, even when they want to. And now, after everything they’ve shared, they’ve reached this level of mutual vulnerability that just clicks. They've bared their souls to each other and how could it not start to turn into something more?

 

"Oh, and the dog scene was really sweet! Seeing Scarlett being so overprotective and knowing that the dog was a service animal and probably no real threat only made it even more adorable."

Yes! I love playing with that size contrast. After a whole segment of Rebecca feeling “big,” guiding and encouraging Scarlett, we suddenly remember just how small she really is, and how massive Scarlett can be when she chooses to protect someone. It reasserts their dynamic in a really emotionally charged way, and even makes their connection feel a little sensual.

 

"But yeah, I had two big takeaways from this segment."

No spoilers from me, of course, so I wont go into those takeaways, but I think it’s safe to say that all three girls are influencing each other now. That’s how real relationships work, right? We take in pieces of the people we love (or desire, or envy), and it changes us. And those changes are coming. As for imprinting… well. Let’s just say that topic will matter.

 

"But man, what a great way to end the chapter! This was a gentler one overall, so I'm assuming you're going to really darken our souls with the next one!"

Haha, yes! I guess I am the anti-commercial writer because I like ending chapters on softer beats! That’s why these Rebecca/Amber/Scarlett segments often land at the end: they’re emotional, reflective, and intimate.

...although I just might be opening with the girls next chapter, we shall see! (or rather… you shall see lol)

 

Thank you so much for this review, seriously! Your thoughts are always a highlight and I'm always excited to get your feedback on my gentle scenes! (well, I'm excited for feedback on all my scenes, but as you can tell we are getting more and more gentle segments by the chapter...

...it might soon time to darken things up!)

Reviewer: GiantessLover21 Signed [Report This]
Date: September 05 2025 10:10 PM Title: PART 32

The final segment of the incredible Chapter 32 and it’s the perfect way to close it out. It’s much lighter than the previous four segments, offering a slice-of-life moment with Scarlett and Rebecca, exactly what we needed to catch our breath after the intense action in Segment 4.

First, I really enjoyed the contrast between Donnica and Amber regarding the college visit. Donnica is genuinely excited about it, treating it as a significant event, even leaving the kingdom and Trevor behind (despite some changes to the initial plan who make him stay for the visit). Meanwhile, Amber would rather do anything else than spend time with her mom at some fancy college she has no interest in attending.

Still, I hope things go smoothly for both and that they have meaningful mother-daughter time.

Another interesting detail is that Annie was the one who told Amber about the meeting with Donnica. This might suggest that Donnica has forgiven Annie’s mistake with Trevor, at least, I hope so, because I love their trio.

The heart of this segment, though, is clearly Scarlett and Rebecca’s time together, and it was fantastic. I loved learning more about Scarlett, she’s such a compelling character. It’s fascinating to see her vulnerability in this segment, especially since she was introduced as a strong, determined character striving to be even better. Here, we see she’s like Amber: she wears an armor, but without it, she’s just a normal teenager with lot of fears.

Rebecca steps in to help her through Rejection Therapy, which I think was a brilliant idea. As someone who relates to Scarlett’s fears, I found this approach amazing.

The execution was perfect, starting with silly tasks like asking for a rival company’s product or a free item, and building up to the final challenge, the one that made her uncomfortable from the start: talking to the girls on her soccer team to hang out and train with them to improve her skills. And it works! I loved how the thing that scared her most turned out to be no big deal; it just took the courage to talk to others.

The chapter ends with a pivotal moment: the realization that Scarlett has feelings for Rebecca. Before that can go further, a dog appears, prompting Scarlett to protect Rebecca. I really liked this imagery because, throughout the segment, it feels like Rebecca is the giantess, leading Scarlett with advice and direction while Scarlett follows. But at the end, the balance of power is restored; Scarlett is the strong one, protecting Rebecca, who appears more vulnerable.

In conclusion, this was an amazing segment. It resonated with me deeply because I saw myself in Scarlett. It also raises intriguing questions: How will Amber’s meeting with her mom go? Has Annie truly regained Donnica’s favor? And how will the relationships between Amber, Scarlett, and Rebecca evolve, especially with Scarlett’s growing feelings for Rebecca becoming clearer?

Author's Response:

"The final segment of the incredible Chapter 32 and it’s the perfect way to close it out. It’s much lighter than the previous four segments, offering a slice-of-life moment with Scarlett and Rebecca, exactly what we needed to catch our breath after the intense action in Segment 4."

Thank you for saying so! I was a little worried the first part of the chapter might’ve been too heavy and that this last segment wouldn’t quite land in the same way, but after hearing your thoughts (and a few others), I’m really happy with how it turned out :)

 

"First, I really enjoyed the contrast between Donnica and Amber regarding the college visit. Donnica is genuinely excited about it, treating it as a significant event, even leaving the kingdom and Trevor behind (despite some changes to the initial plan who make him stay for the visit). Meanwhile, Amber would rather do anything else than spend time with her mom at some fancy college she has no interest in attending."

Good catch! They totally fell into the classic mother/teenage-daughter dynamic here, Donnica eager to spend time with Amber and Amber just wanting to be anywhere else. That said, I do love Donnica’s effort in this moment to connect with her daughter. Fingers crossed it ends up being a good memory for them both :)

 

"Another interesting detail is that Annie was the one who told Amber about the meeting with Donnica. This might suggest that Donnica has forgiven Annie’s mistake with Trevor, at least, I hope so, because I love their trio."

You might be onto something there, and we just might be checking back in on Donnica & Annabel very soon… maybe even next chapter ;)

 

"The heart of this segment, though, is clearly Scarlett and Rebecca’s time together, and it was fantastic. I loved learning more about Scarlett, she’s such a compelling character. It’s fascinating to see her vulnerability in this segment, especially since she was introduced as a strong, determined character striving to be even better. Here, we see she’s like Amber: she wears an armor, but without it, she’s just a normal teenager with lot of fears."

Totally agree, there’s nothing better than pulling back the curtain on a character like that, and with Scarlett, we finally get to see that beneath all her strength and drive, she’s still just a teenage girl figuring it all out, much like Amber. I’m really glad you found her compelling… it’s always a challenge juggling this many characters, so it means a lot to hear she’s standing out.

 

"Rebecca steps in to help her through Rejection Therapy, which I think was a brilliant idea. As someone who relates to Scarlett’s fears, I found this approach amazing."

Thank you so much! I remember reading about rejection therapy years ago and really connecting with it myself… it stuck with me. I think everyone carries some level of fear around being rejected, and I was hoping this scene might nudge a few readers to be a little braver in their own lives :)

 

"The chapter ends with a pivotal moment: the realization that Scarlett has feelings for Rebecca. Before that can go further, a dog appears, prompting Scarlett to protect Rebecca. I really liked this imagery because, throughout the segment, it feels like Rebecca is the giantess, leading Scarlett with advice and direction while Scarlett follows. But at the end, the balance of power is restored; Scarlett is the strong one, protecting Rebecca, who appears more vulnerable."

Yes! You totally got what I was trying to do there. Rebecca definitely steps into a bigger role in this chapter (guiding, supporting, even “leading” Scarlett) but that final moment was about snapping the physical power dynamic back into place, and letting Scarlett own her size again. And it hits harder, I think, because of how grateful she is to Rebecca. That shift really charges the energy between them. It supercharges the moment!

 

"In conclusion, this was an amazing segment. It resonated with me deeply because I saw myself in Scarlett. It also raises intriguing questions: How will Amber’s meeting with her mom go? Has Annie truly regained Donnica’s favor? And how will the relationships between Amber, Scarlett, and Rebecca evolve, especially with Scarlett’s growing feelings for Rebecca becoming clearer?"

Thank you so much for this review, it was amazing as always.

And I can happily confirm: we’ll be seeing Amber and Donnica’s college tour very soon, and we’ll also check in on where things stand between Donnica and Annabel shortly as well. As for the evolving dynamic between the teenagers and Rebecca… that’s absolutely going to be a major thread going forward. Can’t wait to show you where it all leads.

Reviewer: GiantessLover21 Signed [Report This]
Date: September 03 2025 10:06 PM Title: PART 32

I absolutely love the introduction of the third segment—it’s captivating! In the second segment’s introduction, Trevor feels uncomfortable with Juliette’s presence in the kingdom, but in the third, he admires her. It feels like helping Clara and seeing Juliette’s vulnerability changed him. Perhaps he’s starting to feel like he belongs in the kingdom, not just an outsider.

I know I say this a lot, but the descriptive work amazes me every time. It’s pristine, we can visualize everything perfectly because of it.

What I really enjoy in this chapter, and particularly in this segment, is the connection between Trevor and Kassandra. Sometimes, it feels like they’re two sides of the same coin. Their bond strengthens throughout the chapter. At first, Kassandra was just a beautiful lady, then a respectable figure, then a guide and friend, and now, maybe a lover soon? Who knows what might happen in the kingdom!

I also loved the moment in the cabin when Trevor opens up to Kassandra. Their conversation is engaging, and Kassandra’s actions toward Trevor are perfect. Her calm, subtle approach shows she wants to get closer to him in her own way. You portrayed it so well—we can feel how hard it is for Trevor to resist her, unlike with Vivara or Clara, where he seems awkward and uninterested. With Kassandra, it’s different. Fortunately for him, and unfortunately for her, he hears and feels the footsteps of two giantesses, especially Donnica.

I feel sad for Kassandra, though—she gets completely ignored the moment Trevor sees Donnica. Before we get to the moment with Trevor and Donnica, we see Donnica discovering the kingdom, and it’s clear she loves this place. It’s interesting how she completely ignores Helena’s explanations and just revels in the feeling of power.

The best part of this segment is when Trevor and Donnica see each other. Donnica also notices Kassandra leaving the cabin after Trevor, and being Donnica, she immediately feels jealousy and anger before even considering why they were together. As she’s about to confront Kassandra, Helena stops her, it’s amusing how Helena already knows what Donnica will do. Even though Helena tries to calm the situation, it’s too late. Donnica is already recalling the scars of her past, and trying to soothe her is pointless.

Trevor, however, confronts her, and this passage is absolutely perfect. Donnica’s wrath, Helena’s cold anger, and Kassandra’s calm attempts to pacify Donnica create a fantastic dynamic. Helena’s claim that Kassandra and Trevor being together is “impossible” made me laugh so much—she’s so blind, it’s hilarious!

Another intriguing aspect of this segment is the power of Donnica and Trevor. Even in the kingdom, a place where they don’t belong, they’re at the center of everything. Even Helena, who owns the place and has authority over Trevor, doesn’t challenge him when he disregards the rules. The fact that Trevor, a tiny man, is the only one in the world who dares challenge Donnica is priceless. It’s like he’s a giant among men. Perhaps it’s because Trevor and Donnica are so similar—they both need someone to put them in their place, not with strength but with something more powerful.

Sadly, Donnica’s exploration of the kingdom ends here because she has a meeting with Amber to visit colleges across the country.

Segment four is also incredible, even though it focuses more on action. I love the beginning, with Donnica wanting to own the kingdom and not just be Helena’s guest. This segment really hints at tension brewing between these two powerful giantesses. The way Donnica controls her pleasure while in the kingdom reminds me of chapter two, when she first craved fun with Trevor. It’s the same intense feeling—she couldn’t focus and became overwhelmed with desire. That was also when she realized she’s a goddess, so maybe this new experience will make her even more divine.

I truly feel like this is Donnica’s third birth: her natural one, the one in chapter two when she discovered her power, and now this moment when she aspires to rule the kingdom. This is sealed when the tiny woman submits to Donnica and gets crushed—she’s the true queen.

But Trevor is still there, and wow, I love how he talks to Donnica! It’s so entertaining—he doesn’t care that she’s one of the most powerful giantesses. He speaks to her casually, something even the other giantesses never do. Finally, they can’t resist each other anymore, and their explosive, passionate encounter is wild and bestial. We can feel how much they missed each other.

In conclusion, these are two amazing segments. The fourth is packed with action, while the third has fascinating developments, especially Donnica’s feelings toward the kingdom and Kassandra growing closer to Trevor. These segments raise many questions, particularly about how Donnica will react to Helena when Trevor is with her again. Without this leverage, will Helena be able to stop Donnica?

Author's Response:

"I absolutely love the introduction of the third segment—it’s captivating! In the second segment’s introduction, Trevor feels uncomfortable with Juliette’s presence in the kingdom, but in the third, he admires her. It feels like helping Clara and seeing Juliette’s vulnerability changed him. Perhaps he’s starting to feel like he belongs in the kingdom, not just an outsider."

Great catch! He really does have two completely different reactions before and after the cabin scene… and it’s that glimpse of vulnerability that flips the switch for him. Funny how that works: we spend so much of our lives hiding the raw parts of ourselves, when in reality, it’s that exposure that makes us relatable and draws others in.

 

"What I really enjoy in this chapter, and particularly in this segment, is the connection between Trevor and Kassandra. Sometimes, it feels like they’re two sides of the same coin. Their bond strengthens throughout the chapter. At first, Kassandra was just a beautiful lady, then a respectable figure, then a guide and friend, and now, maybe a lover soon? Who knows what might happen in the kingdom!"

Yeah, there’s definitely something between them, even if it’s subtle right now. They just seem to move in step with each other, both carrying themselves well among giants, bouncing off each others energy. Where that spark goes in the future… well, that’s the fun part to find out.

 

"I feel sad for Kassandra, though—she gets completely ignored the moment Trevor sees Donnica. Before we get to the moment with Trevor and Donnica, we see Donnica discovering the kingdom, and it’s clear she loves this place. It’s interesting how she completely ignores Helena’s explanations and just revels in the feeling of power."

In all fairness, Trevor’s already taken, so if Kassandra feels a sting there, that heartbreak is her own to wrestle with. And yes, Donnica is absolutely swept away by the Kingdom… like, reallllly swept away by it. Hmmmmmmmm...

 

"Trevor, however, confronts her, and this passage is absolutely perfect. Donnica’s wrath, Helena’s cold anger, and Kassandra’s calm attempts to pacify Donnica create a fantastic dynamic. Helena’s claim that Kassandra and Trevor being together is “impossible” made me laugh so much—she’s so blind, it’s hilarious!"

I love this breakdown, you nail each energy in the room: the wrath, the cold, the calm. It’s a clash of archetypes. And you’re right, Trevor’s confrontational streak is exactly what makes Donnica burn hotter for him, it fuels their fire. And Helena’s blind spot when it comes to Kassandra is always fun to play with. She just can’t imagine her precious little tiny Kassandra smitten with a troublemaker like Trevor. What happens if she ever does see it though???

 

"Another intriguing aspect of this segment is the power of Donnica and Trevor. Even in the kingdom, a place where they don’t belong, they’re at the center of everything. Even Helena, who owns the place and has authority over Trevor, doesn’t challenge him when he disregards the rules. The fact that Trevor, a tiny man, is the only one in the world who dares challenge Donnica is priceless. It’s like he’s a giant among men. Perhaps it’s because Trevor and Donnica are so similar—they both need someone to put them in their place, not with strength but with something more powerful."

You hit it exactly. Donnica and Trevor are wildly different, yet they mirror each other in ways that matter most. Maybe that shared defiance is the only thing strong enough to balance them, or maybe it’s what will break them. And yes, it’s always amusing to watch Helena tiptoe around Trevor. She’s so determined to win Donnica over that even in her own dominion she lets him bend rules… at least for now.

 

"I truly feel like this is Donnica’s third birth: her natural one, the one in chapter two when she discovered her power, and now this moment when she aspires to rule the kingdom. This is sealed when the tiny woman submits to Donnica and gets crushed—she’s the true queen."

This is EXACTLY the effect I was going for, that the Kingdom’s awakening hit her almost as hard as that first night dominating Trevor back in chapter two. Seeing that connection land for you is incredibly rewarding. Now that she’s tasted this inner desire, the question becomes… what does she do with it?

 

"But Trevor is still there, and wow, I love how he talks to Donnica! It’s so entertaining—he doesn’t care that she’s one of the most powerful giantesses. He speaks to her casually, something even the other giantesses never do. Finally, they can’t resist each other anymore, and their explosive, passionate encounter is wild and bestial. We can feel how much they missed each other."

Yes! Trevor’s rebellion is the accelerant on Donnica’s fire, it’s what makes her hunger flare into full-blown lust. I’m so glad that came across. And you’re right, they did miss each other, that reunion was fun to see play out. But with Trevor about to face an even longer stay at the estate, the real question is… how will they cope when they’re pulled apart again for even more time?

 

"In conclusion, these are two amazing segments. The fourth is packed with action, while the third has fascinating developments, especially Donnica’s feelings toward the kingdom and Kassandra growing closer to Trevor. These segments raise many questions, particularly about how Donnica will react to Helena when Trevor is with her again. Without this leverage, will Helena be able to stop Donnica?"

Thank you so much, as always! You honed in on exactly the threads I wanted readers to notice, Donnica’s growing intoxication with the Kingdom, and Kassandra’s subtle pull toward Trevor. Both will play a big part moving forward.

And yes… Trevor’s next prolonged stay is going to test everyone involved. Everyone.

Thanks again!

Reviewer: It Was Me Signed [Report This]
Date: August 26 2025 6:36 AM Title: PART 32

"You endure it." He simply said, then paused, searching for the shape of what he wanted to say. "You hope. Not for any reason. Not because things are going well or look good. You hope for hope's sake. Because when you do that, when you choose to trust that things might turn out okay, even without proof… there’s nothing you can’t survive."

Tell that to Chelsea! God, where's a rimshot when you really need one?

So I just finished reading S2, and I think this might be the segment that you mentioned before. Juliette's gentleness here, not even dreaming of touching Clara despite the fact that she could have torn that roof off and grabbed her with ease. Shit, she probably could have dug her hand into the ground and carried the whole cabin in one palm if she really wanted to.

Instead, Juliette waited for Clara to give the okay before swiping her up, even after the tiny was out in prime plucking territory. Given what we've seen from Juliette up to this point, it was particularly sweet and gratifying to see the "goddess" behave this way! The vulnerability Juliette had on display, not being able to hide it from Trevor despite clearly wanting to, was so endearing!

Clara clearly means the world Juliette, and we didn't even need to see them together to realize that. And when we finally did, it made the interaction they had adorable, deep, and meaningful. From Juliette hugging Clara against her neck to her pulling back and trying (and failing) to assume some semblance of divine authority by lightly chiding the tiny standing in her palm was all perfect! And Clara not even hesitating to call Juliette mean and stomping on that palm? My fucking heart melted to see Juliette barely hold her composure! This was so fucking good!

I've wanted to like Juliette for a while now. At first, she seemed like she was just one of "Helena's girls," although more composed and competent than the rest. I still remember that scene where she brought Trevor to Helena's office and set him on the floor, silently wondering if she should take a step forward and send him scurrying from her designer shoes (that was really fucking hot, by the way).

Then, in this arc, we discovered that she's devout to the ways of the Sisterhood (before we even knew what that was), and even when she demanded that Helena crush Trevor and be done with it, I didn't hold it against her. She's clearly not beholden to Helena, merely listening to her because of her status in the organization (in my opinion, at least). She seemed married to the traditions and methods of the Sisterhood, offended at first by Trevor's intrusion into their sacred world within the Kingdom. The respect and tender esteem she has for Kassandra when we saw them interact for the first time showed that she wasn't strictly the sizeist I thought she was at first.

Now finding out that she's seemingly in a relationship with a tiny pulls at my heartstrings. Clara talked about Juliette taking Trevor and her to fuck on "our" bed. Juliette was embarrassed to talk about their problems in front of Trevor, so she asked (notably not commanded) Clara if they could take the discussion to "our" room. Between the fact that they're sharing things (giant things, at that) and the worry and pain Juliette wore the entire time Clara was shunning her, not to mention Clara's prissy rather than simply revering attitude toward Juliette, it only stands to reason that the two of them view each other more as girlfriends than worshipper and worshipped. It's fun seeing this side of Juliette!

So yeah, when the giant's disdain for Trevor melted away and she smiled down on him with the same benevolence she reserves for the Kingdom's subjects, going so far as to thank him, I finally let me myself fully embrace my love for Juliette! I hope we get to see her view Trevor this way more now that he's shown that he's not the arrogant, disruptive tiny that she thought he was (he's arrogant and disruptive in totally different ways!!!). Seriously, though, it'd be awesome to see Juliette come around to the point where she's civil and maybe even friendly with him (and we get to see more of Clara and her!). It'd be a nice little mini-redemption arc of sorts.

Also, Juliette in love? I feel like there's a missed Shakespeare joke in there somewhere!

But let's talk about the talk. We got some slight background into Trevor's early days as a tiny while he opened himself up and let Clara in. As confident as he's been throughout the entire story (even after Penelope raped him, for fuck's sake!), it was both sad and a little bit of a relief in an odd way to hear about his struggles coping with the change. And he was truly alone in it, too, with it not happening in either the first or second waves. To find out that he lost everything just because he shrank, from his assets to his old friends, was heartbreaking, though. It also speaks to the strength of his character that he was able to persevere through all that, and said strength is something we've seen in him throughout the story so far.

And his message to Clara, that he was able to fight through all of the adversities of being tiny in a giant world with hope rather than caving in to his worries was such a great message. Even without a reason to feel hopeful, clinging to it really can get you through almost anything (Chelsea notwithstanding!). It's so much harder to do that than it sounds, though. I came away from this conversation with an even higher degree of respect for Trevor, who I already held in very high regard.

As for Clara herself, the first thing that stuck out to me was that it seems like she didn't shrink in the outside world. The way she spoke when she came out to comfort Trevor made it sound like it was an alien experience to her, one that filled her heart with sympathy for the poor man who had faced challenges she couldn't even imagine. Was she born tiny? Has the virus been around that long? Did she grow up in the Kingdom (and has that been around that long)?

Because it seems like Clara has no clue how things actually work out in the real world (sorry Kassandra, but the outside world is the real world). She's so sure that everyone out there has all their shit together that it seems pretty clear that she either shrank really young or has always been tiny. And her growing up in a utopia like the Kingdom would explain how just the generic thought of something bad happening could be enough to make Clara freak out like that. Not to mention her not realizing that Juliette (and giants in general) don't really worry over every tiny the way Juliette was for her.

So the implication here for me is that the Kingdom has probably been around for almost 30 years, which would seemingly punch a hole in my theory that Celine created it. Maybe it was a family project ...

We also saw the different sexual culture of the Kingdom show itself again. I love how casually Clara offered Trevor sex, and admittedly, them fucking on Juliette's body would have been extremely hot! Of course, I can't imagine Juliette would have been on board with it (no matter how much Clara pouted), both because of how she feels about Trevor and fear of what Donnica would do to her if she were to find out! But it was funny for her to note that Trevor was "weird" about sex because he was an outsider and miss his sarcasm about it because of how natural and correct it seemed to her.

And when she announced that she liked Trevor, not trying to hide her feelings the way everyone on the outside always does, even thanking him for looking out for them (I'm assuming Clara meant the people of the Kingdom, but she could have meant Juliette and herself here, too), it was so heartwarming. I've immediately become a huge Clara fan!

Man, Kassandra sure has a lot of faith in Trevor, doesn't she? It was so enduring that even Juliette had to trust it, even when she didn't trust him. But Kassandra just knew that Trevor could pull this off (not an easy feat, given Clara's personality).

Of course, it wasn't lost on me how she just so happened to get in some intimate physical contact when she was convincing him to give it a shot. That kind of behavior is going to get her squished under Donnica's soles one of these days if she's not careful! I wonder if she'll have a chance to figure out that Trevor was serious about being in a relationship with Donnica before Donnica herself comes down on poor Kassandra.

This was such a fun a segment! Again, I hope to see more of Juliette and Clara together, as well as how Juliette handles being around Trevor after this. Is he still going into the office, by the way? Thinking about these two possibly interacting there suddenly made me wonder if he was still going to work during this Status C situation (or if he's going to keep his job even after it's worked out).

Author's Response:

"Tell that to Chelsea! God, where's a rimshot when you really need one?"

Yeah… and Marge, and Dolores, and that poor woman from the cardboard town. Ok… so let’s just say if you’re tiny and you catch Donnica’s ire, you might need more than hope :O

 

"So I just finished reading S2, and I think this might be the segment that you mentioned before. Juliette's gentleness here, not even dreaming of touching Clara despite the fact that she could have torn that roof off and grabbed her with ease. Shit, she probably could have dug her hand into the ground and carried the whole cabin in one palm if she really wanted to."

This is exactly the segment where your advice on writing gentler scenes came into play. Originally I had pictured Juliette interacting with Clara in a much harsher, more domineering way. But shifting to restraint (her holding back despite her power) was what unlocked the scene for me. So yeah, give yourself a writing credit on this one ;)

 

"I've wanted to like Juliette for a while now. At first, she seemed like she was just one of "Helena's girls," although more composed and competent than the rest. I still remember that scene where she brought Trevor to Helena's office and set him on the floor, silently wondering if she should take a step forward and send him scurrying from her designer shoes (that was really fucking hot, by the way)."

Another reader actually compared Juliette’s role to Annabel’s… her presence next to Helena mirroring Annabel beside Donnica. She’s always had that air of quiet power in the background, so it was rewarding to finally peel back the curtain and show who she really is. And surprise, surprise: inside all that composure, she’s a bit of a softy!

 

"Now finding out that she's seemingly in a relationship with a tiny pulls at my heartstrings. Clara talked about Juliette taking Trevor and her to fuck on "our" bed. Juliette was embarrassed to talk about their problems in front of Trevor, so she asked (notably not commanded) Clara if they could take the discussion to "our" room. Between the fact that they're sharing things (giant things, at that) and the worry and pain Juliette wore the entire time Clara was shunning her, not to mention Clara's prissy rather than simply revering attitude toward Juliette, it only stands to reason that the two of them view each other more as girlfriends than worshipper and worshipped. It's fun seeing this side of Juliette!"

I love that you’re pointing this out… but it does make me wonder about your earlier S1 review where you argued everyone in the Kingdom was imprinted. Do you still hold to that after seeing this side of Juliette and Clara?

 

"So yeah, when the giant's disdain for Trevor melted away and she smiled down on him with the same benevolence she reserves for the Kingdom's subjects, going so far as to thank him, I finally let me myself fully embrace my love for Juliette! I hope we get to see her view Trevor this way more now that he's shown that he's not the arrogant, disruptive tiny that she thought he was (he's arrogant and disruptive in totally different ways!!!). Seriously, though, it'd be awesome to see Juliette come around to the point where she's civil and maybe even friendly with him (and we get to see more of Clara and her!). It'd be a nice little mini-redemption arc of sorts."

Oh yes… Clara and Juliette will absolutely be featured going forward. And we’ll definitely get to see how Juliette’s view of Trevor develops both inside and outside of the Kingdom.

 

"Also, Juliette in love? I feel like there's a missed Shakespeare joke in there somewhere!"

HA!

I suppose all the world’s a stage... right?

 

"But let's talk about the talk. We got some slight background into Trevor's early days as a tiny while he opened himself up and let Clara in. As confident as he's been throughout the entire story (even after Penelope raped him, for fuck's sake!), it was both sad and a little bit of a relief in an odd way to hear about his struggles coping with the change. And he was truly alone in it, too, with it not happening in either the first or second waves. To find out that he lost everything just because he shrank, from his assets to his old friends, was heartbreaking, though. It also speaks to the strength of his character that he was able to persevere through all that, and said strength is something we've seen in him throughout the story so far."

I really love this insight! It turns out Juliette wasn’t the only one vulnerable in this chapter… Trevor finally letting that guard down gave us another layer of his character. I was glad to share some of his backstory, even if it was briefly. A lot of stories either skip past backstory or dump it in as flat exposition, but I wanted it to resonate emotionally, tied to Clara’s presence and her own story. I tried to make this the right moment to give more insight into who Trevor is.

 

"We also saw the different sexual culture of the Kingdom show itself again. I love how casually Clara offered Trevor sex, and admittedly, them fucking on Juliette's body would have been extremely hot! Of course, I can't imagine Juliette would have been on board with it (no matter how much Clara pouted), both because of how she feels about Trevor and fear of what Donnica would do to her if she were to find out! But it was funny for her to note that Trevor was "weird" about sex because he was an outsider and miss his sarcasm about it because of how natural and correct it seemed to her."

Damn, that would’ve been a scorching scene :D

And yeah, I love highlighting the Kingdom’s sexual culture…the story is erotica, sure, but in the context of the Kingdom it also creates this strong sense of “otherness” that makes the place feel alien compared to the outside world. I’m glad you noticed the missed sarcasm too, I added that in a rewrite specifically to hammer home the point and I loved that you noted it.

 

"And when she announced that she liked Trevor, not trying to hide her feelings the way everyone on the outside always does, even thanking him for looking out for them (I'm assuming Clara meant the people of the Kingdom, but she could have meant Juliette and herself here, too), it was so heartwarming. I've immediately become a huge Clara fan!"

I’m so glad Clara clicked for you… she’s got BIG (and chaotic) energy for someone so small, and I had a blast writing her. Don’t worry, she’s not finished stirring the pot yet, and I’m sure Juliette will have her hands full keeping up with her.

 

"Of course, it wasn't lost on me how she just so happened to get in some intimate physical contact when she was convincing him to give it a shot. That kind of behavior is going to get her squished under Donnica's soles one of these days if she's not careful! I wonder if she'll have a chance to figure out that Trevor was serious about being in a relationship with Donnica before Donnica herself comes down on poor Kassandra."

Kassandra really does seem very comfortable around Trevor… both with him personally and with his abilities. And you’re right, it raises the question of what Donnica would make of all this. We just might get our answer soon… 

 

"This was such a fun a segment! Again, I hope to see more of Juliette and Clara together, as well as how Juliette handles being around Trevor after this. Is he still going into the office, by the way? Thinking about these two possibly interacting there suddenly made me wonder if he was still going to work during this Status C situation (or if he's going to keep his job even after it's worked out)."

This was definitely one of my favorite segments to write, I had such a blast with it. And yes, Trevor is still working during the Status-C transfer; he just has to stay on the estate during the interview windows. Which means sooner or later, we’ll be seeing him in the office with Helena and her girls… 

(spoiler: it'll be sooner)

Reviewer: It Was Me Signed [Report This]
Date: August 19 2025 5:47 AM Title: PART 32

The Sisterhood, huh? Well, it's no OTWSDKFSEBDD. but it'll do, I suppose.

And hey, fellowships! Connection to the OTWSKD ... er, I mean Sisterhood confirmed! Looks like Penelope has found her loophole to circle back into the story. Hm, I wonder what a sociopath like her might do in The Kingdom ...

But imprinting, though! It was nice to get that bit of worldbuilding in there. And, much like pretty much all of your recent chapters, this first segment has my brain going into overdrive!

So, with that said, here are my thoughts on bunch of stuff that didn't actually happen in this chapter!

First, as we were learning about imprinting right beside Donnica, my heart sank for Vikki and Ricci. Yeah, it now seems obvious that all of The Kingdom's inhabitants went through this unique brainwashing method (except maybe for Kassandra, but I'll get to that), as soon as Helena uttered the word "bought," I went right to the BFFs and their heartbreaking story.

The way they presented what happened to them, it seemed as though the Sisterhood had swooped in and saved them from their slavers after their own fucking families sold them (fuck that's still brutal). But now we more or less know that they were subject to more torment at the hands of these "goddesses," only this time, said torment led to them willingly subjugating themselves to their abusers, worshipping them like gods. We don't know if they got  the feet, ass, or pussy treatment, but picturing those two happy-go-lucky besties, after everything else they went through, having to suffer inside a shoe, asshole, or vagina is ho ... sad! It's really sad!

But no, seriously, it is heartbreaking to think about.

My second takeaway (and probably the one I should have led with, but come one; those poor girls!) is that I think imprinting might just be a two-way street. Donnica felt a change after she saw those two tinies show her true reverence. Helena, who is notorious for not giving a shit about tinies and even enjoying killing them, sure does seem to have soft spots for Kassandra, Ricci, and Vikki, the only three Kingdom subjects we've seen her have a serious interaction with. And then was have Juliette and Vivara, who both seem to feel something very real for the tiny subjects that, in turn, love and worship them.

Now, I think this could simply be written off as these women getting off on the high of being truly treated as deities, and yeah, I could see that. But then I think back to Amber and Rebecca.

We've talked about this before, but this chapter removes whatever doubt that was left about Rebecca being imprinted by Amber. I think it's debatable about how their relationship affected that imprinting (although they certainly didn't like each other when the process first started), but yeah, Rebecca spent *a lot* of time with Amber's feet in those early days together, and that clearly has had an effect on Rebecca (as Amber's feet can attest).

But we've also seen Amber acting strange because of this "primal" feeling that Rebecca feels as well sometimes. We saw this kind of culminate in their fight about Naomi, where Amber lamented over doing mean things to Rebecca sometimes and not understanding why.

So I don't think we know enough to understand exactly how imprinting is affecting normal-sized people, but I think we've seen enough odd behavior from the giantesses of this story to reasonably conclude that they are being altered in some way as well.

And while we're on Rebecca and Amber, holy shit could this have some huge implications for them! Their arc has been so rewarding because it felt truly earned. These two fell for each other despite their hostile beginnings and abusive treatment of each other early on. But now this kind of calls everything into question a little bit, right?

How much of their love is real? I don't think it's fair to say that it's all because of imprinting, because, even when they were battling each other every day, they had a lot of things in common, little hints that they would really like each other if they could just get past their had exteriors. And their talk about Amber's abuse, the big turning point, that wasn't devotion or love on Rebecca's part; it was empathy and a need to help women who've suffered the way Amber and her have. We've seen that from Rebecca multiple times at this point.

But their romance has been clouded by this master/slave dynamic. At first, I thought it was just a way to express their inner domme and sub for Amber and Rebecca, respectively. But then we saw it bleed out into nonsexual interactions for quite some time, and even though that has been dialed back, the master/sub stuff is still a big part of their expression of love for each other, as we saw when last we left them.

So now I'm left wondering, if the could suddenly be uninprinted, would they still love each other? Or, maybe I more important question would be whether or not they'd want to if they had the choice. Because love is a really weird thing. Would it even matter if imprinting is the only reason they're together (note the if, I'm not saying that's the case ... yet)? Would that make the happiness they feel any less real?

And if you're okay with that, then what's the difference between that and what the Sisterhood is doing to all those "subjects"?

And, just to throw a huge monkey wrench into this, we've got Scarlett. Scarlett clearly has not imprinted Rebecca. But Rebecca is clearly attracted to Scarlett both sexually and just as a person. She's denying that feeling to an extent, feeling loyal to Amber, but it's obviously there. And, as we saw when last we left them, Scarlett is head-over-heels for Rebecca. And not in that dopey, puppy-love kind of way that Rebecca wants to dismiss. No, that love is clearly real; it's based on who Rebecca is as a human being (and her being tiny, which is a huge turn-on for the giant redhead).

So now, in the midst of this potential love triangle, we're finding out that imprinting can make a tiny be devoted to a giant. Without even losing their personality (yeah, yeah, I was wrong about that; you got me). So you wouldn't even know if you weren't looking for it. But we know. And suddenly we're faced with bad ass fan-favorite Rebecca inching toward a possible choice between the woman she may or may not have been inadvertently forced to love (and possibly vice versa) or the one who she shares legitimate, unquestioned feelings for.

Damn, that arc just got a lot more interesting!

Back to the larger imprinting angle, though. Trevor came up in this discussion, and he's certainly an interesting case. He's pushed back against Donnica a lot, but he does revere her in his own way. Then you have the time he left her office after the "chair incident." He left, and it was a huge sign of respect that Donnica let him leave, but both of them immediately regretted that she didn't pluck him off that walkway when she had the chance. For Donnica, this makes total sense. For Trevor, to want her to stop him, something more complex is going on there. Is that because of partial imprinting? I don't know, maybe? Why are you asking me?

Then there was that first major confrontation with Helena, when Trevor stared her down one-on-one. There was a point in that conversation where Helena almost overpowered him, when Trevor felt that same "primal" force that we kept reading about with Amber and Rebecca by that point. That seems to be imprinting. So Trevor felt it, but he overpowered it by thinking of Annabel, who clearly hadn't imprinted him. So what does that mean? Is Trevor's force of will just that strong? Was Helena's hold on him weak because it was Donnica who partially imprinted him (assuming that's the case)? Does he just care about Annabel that much that it overcame whatever imprinting he may or may not have received?

And another question, since I'm in the asking mood. Vivara said relationships can affect imprinting. So does that mean, despite all that talk about wantting to own Trevor and cursing his independent streak, that, deep down, Donnica has always wanted Trevor to be that way? Like some part of her realized that was what she was attracted to? If so, that would mean that Donnica will never give in to the Sisterhood (although she might steal their shit!). Trevor is everything they believe a tiny shouldn't be, and I as much as Donnica might agree when it comes to every other tiny, she'll never feel that way about Trevor.

But now there are even more questions. It seems as though the test Helena wanted to put Donnica through was this imprinting experiment and that being able to imprint is a really big deal. So what does the Sisterhood want to do with it? Are they really just trying to convert as many tinies as possible? That doesn't stand up to scrutiny. Think back to trash town. There were a shit ton of tinies right there, and Helena could have easily taken as many as she wanted for imprinting. But she didn't. Donnica and she casually crushed a bunch of them and left the rest there to deal with the aftermath, save one defiant girl she picked up on a whim (we'll get back to her in a second).

No, instead, the Sisterhood is buying them. So they're passing up on free ones and paying money for ... what, exactly? Kassandra, Vikki, Ricci, and the other we've met so far mostly seem to have certain skills. I still think that could be a factor here. Maybe they're trying to convert a certain type of tiny that can help with some larger plan that's not yet apparent.

Or maybe they just didn't have room for the trash town tinies? This court case to destroy the government insurance program (way to slip in that this is going on in the background, by the way) sure would leave a lot of tinies vulnerable to being taken. I still think that has something to do with Helena allegedly wanting to expand The Kingdom (although I'm still skeptical about her real intentions there).

And back to ass girl. It's interesting that Helena turned her over to Donnica. Wasn't she imprinting that girl in her own ass? What happened? And for that matter, why isn't Celine imprinted? Maybe Helena wants Celine to worship her (and I mean legit worship, not at the barrel of a gun/sister) and refuses to just take the easy road with her rival.

Or maybe Helena can't imprint.

I mean, come on. I can't see Helena passing up an opportunity to be revered by her most hated rival, the one who's still mocking her at an inch tall. Not to mention that Celine being devoted to her would make this whole Seed Code problem a lot easier to solve for Helena. So I'm thinking that Helena is a sovereign who needs others to give her subjects. Shit, maybe that's what she needs Donnica for.

I could easily be wrong on this, but Helena lacking "the gift" fits with what we know so far.

Speaking of a subject converter, seeing Vivara on the outside was so intriguing! I didn't expect her to be so ... positive-energy, give-everything-to-the-universe. In some ways, she was just as bubbly and sweet in the real world as she was in The Kingdom. And even with the abusive side of things, she really seems to believe that this is the way.

And I didn't expect her to more or less be a servant to Helena. I get that Helena is a "goddess' in their organization (and she showed Donnica that same respect), but Vivara, at least so far, acts very differently around Helena than Juliette does. Juliette ultimately acknowledges that Helena calls the shots, but she's not afraid to challenge the goddess. And Helena is careful with what she says back to Juliette, too. I still feel like there are higher levels to this organization and that Juliette is there to keep an eye on Helena or something. Helena is in charge, but Juliette is dangerous to her. Vivara is not, from the look of it.

Oh, and cool misdirect in making it seem as though Donnica had already seen The Kingdom. We didn't even know that "storage" room existed, so there was no way to know that this was the side of the operation she had seen before. It makes sense, though. All those tinies in cages would put Helena in deep shit with the government if it were discovered.

And in case there was any doubt that Donnica hadn't seen The Kingdom yet, her being uncharacteristically rattled and enthralled at the end of the segment is a dead giveaway that this is her first time.

By the way, awesome job on showing Donnica being on her heels throughout the segment. We're used to seeing her either in charge or depressed because of something involving Trevor or Amber. This was a side of her we haven't seen a lot of, even if she did a great job of keeping up appearances. From her feeling as though kind offers are actually hidden demands to her being annoyed that she was the one in the room not in on a secret, her annoyance and aggravation shine throughout the segment.

Also, it's good to know that, despite being more friendly with Helena and company, Donnica isn't actually warming to them at all. She's interested in what they're doing and wants the love of her life back, but she still hates these people. I love that!

By the way, by the way, while your descriptions are always amazing, I felt like you detailing Donnica at the start of the segment took it to another level. It wasn't added details or anything like that, but the word choices and the flow of the prose made her feel even more powerful than usual. I can't pinpoint exactly what it was, but she really popped right at the start!

And when she examined ass girl, not with disdain or sadistic pleasure, but with indifference, like she was an object, was so fucking perfect! She couldn't remember how to relate to something so small! Brilliant line!

But yeah, I'm a little late to the party, but S1 was a great lead-in to the chapter and already has my head spinning! Fantastic work as always!

Author's Response:

"My second takeaway (and probably the one I should have led with, but come one; those poor girls!) is that I think imprinting might just be a two-way street. Donnica felt a change after she saw those two tinies show her true reverence. Helena, who is notorious for not giving a shit about tinies and even enjoying killing them, sure does seem to have soft spots for Kassandra, Ricci, and Vikki, the only three Kingdom subjects we've seen her have a serious interaction with. And then was have Juliette and Vivara, who both seem to feel something very real for the tiny subjects that, in turn, love and worship them."

Interesting point! I do wonder how much of this is pure psychology (an innate god-complex in women drawn to this life) or if there’s something more biological beneath it. Either way, I agree: there’s a genuine affection that flows back from giantess to tiny, a bond that feels real even within all the domination. Exploring just how deep that connection runs will definitely be fun in the chapters ahead.

 

"We've talked about this before, but this chapter removes whatever doubt that was left about Rebecca being imprinted by Amber. I think it's debatable about how their relationship affected that imprinting (although they certainly didn't like each other when the process first started), but yeah, Rebecca spent a lot of time with Amber's feet in those early days together, and that clearly has had an effect on Rebecca (as Amber's feet can attest)."

Ah yes, we can’t have an imprinting discussion without bringing up Rebecca and Amber! It’s been hiding in plain sight for a while now. Rebecca herself even referenced studies about tinies forming attachments to giants… but if we think back to Chapter 17, the science she quoted suggested there needed to be some preexisting link between the pair. Helena and Vivara, though, seem to imply it can happen with most tinies depending on the giantess. What exactly is going on? Hard to say… but it will be fun to explore as we move forward!

 

"And while we're on Rebecca and Amber, holy shit could this have some huge implications for them! Their arc has been so rewarding because it felt truly earned. These two fell for each other despite their hostile beginnings and abusive treatment of each other early on. But now this kind of calls everything into question a little bit, right?"

Absolutely… it does raise questions. But as you note, the groundwork for a real relationship was there from the start, even in those early ugly days. So the question becomes: how much of their love is genuine, and how much is biological programming? Then again, isn’t all love just our brains firing off chemicals to make us feel bonded? Maybe the line is blurrier than it seems.

 

"So now I'm left wondering, if the could suddenly be uninprinted, would they still love each other? Or, maybe I more important question would be whether or not they'd want to if they had the choice. Because love is a really weird thing. Would it even matter if imprinting is the only reason they're together (note the if, I'm not saying that's the case ... yet)? Would that make the happiness they feel any less real?"

Exactly! That’s the heart of it. If love is real to the people feeling it, does it matter if it was born from biology, dominance, or sheer accident? Would Amber and Rebecca’s happiness be less valid if imprinting played a role? That’s such a juicy question, and one I love readers pondering over.

 

"So now, in the midst of this potential love triangle, we're finding out that imprinting can make a tiny be devoted to a giant. Without even losing their personality (yeah, yeah, I was wrong about that; you got me). So you wouldn't even know if you weren't looking for it. But we know. And suddenly we're faced with bad ass fan-favorite Rebecca inching toward a possible choice between the woman she may or may not have been inadvertently forced to love (and possibly vice versa) or the one who she shares legitimate, unquestioned feelings for."

I absolutely love how the science and philosophy of imprinting are bleeding straight into the Amber/Rebecca arc. That was by design, what’s being uncovered in Donnica’s world adds tension and speculation to Amber’s world, without ever needing to explicitly connect. Theories about Scarlett, Rebecca, and Amber have been fun to read, and you can bet those dynamics will keep coming into play… though maybe not in the way you expect.

 

"Back to the larger imprinting angle, though. Trevor came up in this discussion, and he's certainly an interesting case. He's pushed back against Donnica a lot, but he does revere her in his own way. Then you have the time he left her office after the "chair incident." He left, and it was a huge sign of respect that Donnica let him leave, but both of them immediately regretted that she didn't pluck him off that walkway when she had the chance. For Donnica, this makes total sense. For Trevor, to want her to stop him, something more complex is going on there. Is that because of partial imprinting? I don't know, maybe? Why are you asking me?"

Great catch… and definitely worth mulling over. Trevor’s contradiction has always been at the center: he loves powerful, dominating women, but clings fiercely to independence. Still, even for him, the longing to be stopped and owned feels like it runs deeper than his usual kink. Is that his true self, or something else working on him? Hard to say.

 

"Then there was that first major confrontation with Helena, when Trevor stared her down one-on-one. There was a point in that conversation where Helena almost overpowered him, when Trevor felt that same "primal" force that we kept reading about with Amber and Rebecca by that point. That seems to be imprinting. So Trevor felt it, but he overpowered it by thinking of Annabel, who clearly hadn't imprinted him. So what does that mean? Is Trevor's force of will just that strong? Was Helena's hold on him weak because it was Donnica who partially imprinted him (assuming that's the case)? Does he just care about Annabel that much that it overcame whatever imprinting he may or may not have received?"

Interesting speculation, but I don’t think Trevor was in the chair long enough for a true imprint to take root. Vivara emphasized that imprinting requires prolonged, uninterrupted exposure. That said, partial imprinting is an open question, so you might be onto something there!

 

"But now there are even more questions. It seems as though the test Helena wanted to put Donnica through was this imprinting experiment and that being able to imprint is a really big deal. So what does the Sisterhood want to do with it? Are they really just trying to convert as many tinies as possible? That doesn't stand up to scrutiny. Think back to trash town. There were a shit ton of tinies right there, and Helena could have easily taken as many as she wanted for imprinting. But she didn't. Donnica and she casually crushed a bunch of them and left the rest there to deal with the aftermath, save one defiant girl she picked up on a whim (we'll get back to her in a second)."

Yeah, I think we can rule out “mass conversion.” Helena made it clear she could source tinies whenever she wanted… she even leveraged her contacts to acquire access to cardboard town. If all she cared about was volume, she wouldn’t have walked away. Imprinting clearly serves a more specific purpose.

 

"No, instead, the Sisterhood is buying them. So they're passing up on free ones and paying money for ... what, exactly? Kassandra, Vikki, Ricci, and the other we've met so far mostly seem to have certain skills. I still think that could be a factor here. Maybe they're trying to convert a certain type of tiny that can help with some larger plan that's not yet apparent."

I mean… yeah, we know for sure they purchased Vikki and Ricci. But what about the rest? Did they actually buy most of the others, or only a select few? It makes sense that talents like Vikki and Ricci would be worth acquiring (they’re geniuses, after all) but Trevor has seen entire communities and families thriving inside the Kingdom. Surely not all of them could be that exceptional… could they?

 

"Speaking of a subject converter, seeing Vivara on the outside was so intriguing! I didn't expect her to be so ... positive-energy, give-everything-to-the-universe. In some ways, she was just as bubbly and sweet in the real world as she was in The Kingdom. And even with the abusive side of things, she really seems to believe that this is the way."

Vivara was such fun to bring outside the Kingdom. Even Helena seemed a little taken aback at her whole “sensory medium” vibe. And yeah… her sweetness doesn’t erase her cruelty (not entirely, anyways) but it makes her feel all the more distinct. More of that contrast will definitely be showing up as the story goes on as we see more giantess associated with the kingdom.

 

"Oh, and cool misdirect in making it seem as though Donnica had already seen The Kingdom. We didn't even know that "storage" room existed, so there was no way to know that this was the side of the operation she had seen before. It makes sense, though. All those tinies in cages would put Helena in deep shit with the government if it were discovered."

I’m so glad you noticed! That twist actually came about during the drafting process. At first, I had Donnica seeing the Kingdom right after the cardboard town, but then I realized she would’ve immediately told Trevor (which Trevor would have reflected on during his time in the Kingdom!) Their relationship is way too open for her to keep that secret... and also her disdain for Helena.  So I had to ask myself: what did Helena really show her back then? And from that question, the whole “storage” concept clicked into place… which of course opened up other plot points that I’d been wanting to incorporate, like imprinting!

Sometimes the plot just falls together like puzzle pieces.

 

"By the way, awesome job on showing Donnica being on her heels throughout the segment. We're used to seeing her either in charge or depressed because of something involving Trevor or Amber. This was a side of her we haven't seen a lot of, even if she did a great job of keeping up appearances. From her feeling as though kind offers are actually hidden demands to her being annoyed that she was the one in the room not in on a secret, her annoyance and aggravation shine throughout the segment."

I really wanted to highlight that side of her here. Donnica’s pride means she’ll never show weakness openly, but those moments of private vulnerability give her so much texture. I’m glad they resonated.

 

"By the way, by the way, while your descriptions are always amazing, I felt like you detailing Donnica at the start of the segment took it to another level. It wasn't added details or anything like that, but the word choices and the flow of the prose made her feel even more powerful than usual. I can't pinpoint exactly what it was, but she really popped right at the start!"

I’m thrilled that landed. My favorite part of that opening description was the line about Donnica still looking like the most expensive thing in sight, even surrounded by old-money decadence. It just felt like the perfect way to reestablish her presence.

 

"But yeah, I'm a little late to the party, but S1 was a great lead-in to the chapter and already has my head spinning! Fantastic work as always!"

Thanks, man! I always aim to open with a bang, and I’m glad it hit the way I hoped. But now it’s time to dive back into the Kingdom and see what’s going on with Trevor…

 

Reviewer: PaladinzX Signed [Report This]
Date: August 12 2025 4:15 PM Title: PART 32

another crazychapter. and so long! awesome!

Author's Response:

Crazy chapters are kind of my thing! So it’s amazing to hear that you’re enjoying the wild ride. And thank you for saying that about the chapter length... I’m always second-guessing if they’re too long, so that’s seriously reassuring.

Reviewer: GiantessLover21 Signed [Report This]
Date: August 11 2025 10:40 PM Title: PART 32

Amazing chapter as always can't wait to review all the part 

Author's Response:

Awesome! Can’t wait to hear what you think once you dive in :D

Reviewer: GiantessLover21 Signed [Report This]
Date: August 10 2025 8:50 PM Title: PART 31

A little comment just to say how perfect the chapter since the break has been. Don’t get me wrong, the entire story is amazing, just since the comeback it’s really become even better the works on the world building the character, also the descriptions especially in chapter 31 with the kingdom are pristine.Also, all the new characters are incredible from the clumsy Scarlett, the glitter duo, the mean Natasha. The dumb Peneloppe all of them bring something interesting to the story and they are different from the previous character. But there is still a huge issue where is Jasmine?
So, thank you so much to brink us that level of quality with every chapter and I will continue to support you for a long time. But please bring Jasmine back 


Author's Response:

HA!

How did I already know who’d be the one to drop review number 200? :)

Thank you so much for the kind words... since chapter 27 the story has really blown wide open, with a bigger plot and an even bigger cast. It’s definitely taking more out of me to juggle it all, but I’m genuinely excited to show everyone where it’s headed.

"But there is still a huge issue where is Jasmine?

So, thank you so much to brink us that level of quality with every chapter and I will continue to support you for a long time. But please bring Jasmine back"

...Jasmine? Who’s Jasmine??? Is that some obscure background character from way back? Because I’m drawing a total blank here :D :D :D

(thanks for all the support bro... I love that you were #200)