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Reviewer: It Was Me Signed starstarstarstarstar [Report This]
Date: July 05 2025 9:31 PM Title: PART 29

Well fuck! I just got done saying that Donnica better not have been too hard on my precious Annabel after realizing that so much of this Status-C stuff was her own fault, and now we find out that Annie has been shut out entirely! Am I a bad person for being more pissed at this than I was Donnica carelessly stepping on the tiny city dwellers in the previous segment?

I think you did a great job of showing how much Donnica's wrath has affected Annabel. She wasn't traumatized are scared of her goddess-mother's blatant overreaction and thundering (I loved the use of this word in that part, by the way, separating it from yelling and making it its own thing). She was heartbroken that she had lost Donnica's trust and her chance to co-own Trevor, one of the only two people on the planet that she loves. I really enjoy how different this reaction is to virtually everybody else (other than Trevor) when dealing with an angry Donnica, even Amber.

And the way Annie accepted her punishment with a smile despite hating it so much was perfect! Even when cast out of paradise, she's still willing, desperate even, to serve. I've said before that there's nothing either Donnica or Trevor could do to lose Annabel's devotion at this point, and I felt a little validated when I read that part.

I also love how she beat herself up a bit about missing the portal status change. She had one job! That she felt humiliated at this makes a lot of sense, and I was wondering how she'd feel about her mistake. I was still left wondering if she felt any actual guilt about what happened to Trevor because of it, and I'll admit that I would have loved to have seen that pop up here, but maybe the fact that it didn't come up at all answers that question in and of itself?

But Trevor still did creep into her thoughts, and the loving way she remembered his "hope wrapped in kindness" was an endearing moment in this sea of self-pity and sorrow. I could feel her love from him jump off the page with those words. It also makes sense that she sees the problem as more of a permanent thing, not worried about recovering so much as lamenting that she'll now never be truly bound to the two objects of all of her affection. Of course, that may not end up being true, I think, as, even if Donnica doesn't change her mind before the transfer of ownership is complete, I'm sure that can always be adjusted later, after Trevor has finally convinced Donnica to forgive Annie (which I'm sure he'll be working on if/when he's back with Donnica).

Also, depending on how Helena and Donnica are handling the transfer of Trevor's ownership, the fact that Annabel's name was on the original paperwork could be a factor. Or are they just straight-up letting Helena "own" him and having her transfer that ownership to Donnica as a whole new transaction?

I'm curious if Naomi's incompetence in the office is a product of her abuse or if this is a bit of social commentary on modern teenage work ethic! That's a half-joke, but I could see Naomi's trauma playing a role in that for real. Maybe the immense pressure put on her by (Fuck) Victoria causes her to shut down and leaves her unable to think when she feels the slightest bit of pressure. Or maybe you just really hate teenagers (Amber and Scarlett notwithstanding)!

Annabel loving to threaten Naomi just by telling her mom that she's doing poorly is a very Annabel thing to do (you mentioned that emotional leverage, and I immediately went "Yep!"), but fuck does the context behind that feel like a swift punch in the gut. Annabel thinks Naomi is just some spoiled teen afraid of upsetting mommy. She has no idea of what will happen to Naomi if she tells Victoria anything negative about the girl's work habits. That bit about sensing Naomi's fear and using it like she would in her breaking duties particularly hit home for me. This was agonizing to read, and I mean that in the best way. This also has me curious about how Annabel would react if she ever found out the truth (and you doing this means you have to do that at some point; it's literary law, dude!).

Also, seeing Annabel enjoy the physical torment Naomi is suffering because of the job was really sad to me. The pointlessness of Naomi's tasks only made it worse.

I get that she's frustrated both with Naomi and her general situation and that this is her way of taking it out on someone, but all that empathy that Trevor had instilled in her (for anyone who isn't tiny) is completely absent here. I do think this makes sense, though, as Trevor's lesson was more about considering what the people who are terrible to you may be going through, not what people in Naomi's position as a struggling underling are dealing with. Ironically, Annie has become one of those bullies that picked on her to take out their frustrations on someone, and I don't think she'd like it very much if she saw herself in the mirror while being this way. Who knows, maybe Naomi will get that lesson in empathy somehow?

Also, it was a nice little detail that Trevor's new streamlined system is saving trees! It's always cool to see the little effects of his efforts hanging out in the background from time to time.

... staggering toward the cooler with a gait like a baby deer on ice.

Your prose is always so vivid, decadent, and clever, so I usually don't bring up a lot of specific examples, as I'd be here all day basically copying your chapters verbatim, but the creativity of this one really stuck out to me for whatever reason. What a very specific picture this simile paints. I know it's not a sexy or smutty part at all, but this one made me smile.

I was wondering how Annabel's breaking business was going now that she was (emphasis on was now, I suppose) part of Donnica and Trevor's relationship, so it was cool to get a little update on that. Sounds like things are thriving, and Annabel's frustration makes even more sense now that we know that watching Naomi has gotten in the way of that. It's not even the business aspect she thinks about when she's bothered by this; it's the loss of her "sanctuary." Because if there was ever a time that she needed something like that, it's right at this particular point and time, and here Naomi is unwittingly getting in the way of it.

Hmm, I wonder if her problem might become her solution at some point, given how this segment ended!

I thought the introduction of Edward led to some great ...worldbuilding (what's happening to you?!) here. First, we now know the shrinking virus is, in fact, still going around, which seems to imply that no one is safe and the hubris of the giants is greatly misplaced. Second, we got to see just how widespread the reputation of Donnica's firm has become. It's funny to think a firm once run by a tiny is now known as the most anti-tiny rights firm around. And that no one seems to be able or willing to do anything about it, for that matter. And third, we got a little detail into how Donnica has been able to get away with enslaving and murdering all those tinies on firm property. It wasn't much, but learning even a little bit of the legalese behind that counts, so congratulations on a three-pronged worldbuilding assault!

And holy fuck did you make me feel something for Edwards. Between his situation and what we learned about his family, that Naomi was probably his daughter's age, made him so relatable, even more than some of the other tinies we've seen meet similar fates. And the hope he felt at seeing "innocent" Naomi, only to have it fade away once he realized her true nature? Damn, that was powerful.

As for the scene itself, the whole thing was hot as fuck, but that simple act of Naomi crouching down to see Edward better, then slowly raising herself up to seemingly "pull the rest of the room up with her" was so fucking amazing! I use the word mesmerized when talking about your writing a lot (and justifiably so), but your description of this part fully captivated me. Shit, I think I was more into that than the footplay or Edward actually getting crushed (which were both really hot in their own right). Just a brilliant piece of writing there.

Okay, back to Naomi. With her natural feelings about tinies (particularly tiny adults), I found her approach here interesting. Before we saw her just crush people left and right, soaking up the feeling of literally crushing those who, in a general sense, look like the source of her own torment. But here, Naomi really took her time. Annabel had been riding her so hard, and she relished having someone at her mercy for a change. Naomi just didn't want to give that up too soon or waste this gift. So her rolling Edward around on her sole like that really matched her mental state at the time, I think. Nicely done!

Seeing Annabel's feelings on Naomi completely change once she realized that the teen loves playing with tinies as much as she does was a really sweet moment (for everyone other than Edward, anyway). Also, I love the way Annabel shut Edward up with a tap of her toes (with shoes on!) and a simple command. Her precision in getting obedience from the tiny ones is impressive! And while, as I mentioned before, I felt terrible about what happened to Edward, at the same time, I really enjoyed that bonding moment between Annabel and Naomi.

Because these two really have a lot in common. Like I said before, Annabel had kind of become just like her old bullies here, and I think part of that was because Naomi is kind of similar to how Annabel herself used to be. Both of them would be considered "weirdos" by the mainstream. Even Annabel's love of vampire romance novels isn't that far removed from goth, I think (if anyone reading this is a goth person, please don't hit me for saying this!).

But my larger point is that, like Annabel before her, Naomi has been judged for her interests, and that's fucked up. I'm so happy that Annabel, even if she hasn't noticed that yet, has started to take a liking to Naomi. Here's hoping that lasts!

Reviewer: It Was Me Signed starstarstarstarstar [Report This]
Date: July 04 2025 1:36 AM Title: PART 29

"Shall we take our shoes off?" Helena asked lightly, her tone breezy, as if they were entering a spa or a hotel lounge, not standing above a mass of terrified, unregistered lives.

This made me laugh so hard! It wasn't the scene itself that was funny, but given how much we've talked about this sort of thing, I just fucking lost it here! I just pictured you getting to this scene and going:

"Okay, I checked shoe crush off the list last chapter, so now we can get back to real crush!"

But hey, I'm certainly not complaining! That cardboard city scene was fucking incredible from start to finish, with or without shoes! I love how you not only highlighted both Donnica and Helena's indifference as they walked through the city, but you even pointed out how a lot of giantesses would have reacted in this situation, which drew even more attention to every utterly uncaring step these two goddesses made into the city.

I think my favorite part was when Donnica took those absentminded steps as she contemplated Helena's plan to go after registration subsidies program. Even though Donnica was looking down in thought, she took absolutely no notice of her feet crushing a makeshift marketplace. There wasn't even any ill intent there; Donnica just felt like a few steps would help her process things and just didn't think or care about the consequences for the inconsequential beings so far below her.

But yeah, all of that scene was spectacular. Helena even picked up a little souvenir from the trip. How cute is that! I'm curious if that new pocket pal was just a bit of extra fun tacked onto the end of the scene or if she might end up becoming a character we might get more familiar with in the the chapters ahead.

And by the way, the detail you gave to city itself, describing all the garbage and debris the tinies used to build this "city," was awesome! Things like tin can taverns and tents made from banana stickers really helped paint a nice picture of the trashy towns (hey look, I did a thing!) the unregistered have to live in. I loved this!

Oh, and emphasizing that the tinies couldn't even comprehend Helena and Donnica's "seismic conversation" was a brilliant touch, too!

Okay, okay, I'm done gushing, I swear! I told you before that tiny city scenes are a favorite of mine, and I wasn't even thinking about garbage cities when I said that! You drew me into something I didn't even know I wanted until I read this segment!

Okay, really, I'm done now!

Honestly, my biggest takeaway from this segment is how much blame should really be placed on Donnica for everything that Trevor has been through with all this

Helena stuff. It's been at the back of my mind this whole time, but Helena straight-up telling Donnica that she created the environment that caused all this trouble for her tiny boyfriend really hit home for me. Helena may be terrible and pathetic, but she's not the least bit wrong here. Both the chair incident and Penelope claiming Trevor on Helena's behalf can be traced back to the office culture Donnica instilled ever since she overthrew John Turner (the one Helena cleverly tried to take half credit for installing, I noticed here). Not only that, but Trevor also told Donnica something similar to this when he tried to turn down the office manager job. Donnica didn't listen and just expected her force of will to be enough to make the office accept him anyway. As we've seen since then, that isn't enough to protect Trevor at all times, and she's definitely to blame for putting him in that spot.

But more importantly, it was revealed that Donnica knew about Helena's private system this whole time! This blew my mind! This was the whole source of the conflict between Trevor and Helena. Trevor has desperately been trying to integrate the office into LegalSync, thinking that Helena was being stubborn and hiding something, when really she was just abiding by the terms of her employment that Donnica had agreed to in the first place! Most of this could have been avoided if Donnica had just told Trevor this the first time he complained to her about Helena. Trevor would have never been with Penelope in the first place if he had known that!

So while Penelope is obviously still the most responsible for the Status-C debacle because she was the bad actor, Donnica is easily the second-most responsible here. Waaaaay more than Annabel for just not seeing the portal status change on her screen (she had better not have come down too hard on Annabel for that, knowing what I know now!). Trevor keeps paying the price for Donnica's cognitive dissonance, and as much as he's been able and willing to role with that, I'm beginning to wonder if there will be a point where he can't anymore. And he reaches that point, what does he do when he's literally owned by her?

Another thing I noticed here is the difference between Helena and Donnica when it comes to tiny people. Helena is dignified and subtle about it, but she really enjoys dominating those tiny people not unlike those women she looked at as lesser, digging in the dirt and screaming that they're the tinies' new goddess. Helena thinks the difference between people like Donnica and her and women like that is restraint, as is evidenced by the way Helena watched and evaluated Donnica when they laid eyes on the city for the first time.

But Donnica isn't like this at all. There was no evidence that she was savoring crushing the city and its residents under her heel. In fact, I don't think we've ever seen her truly enjoy punishing or killing tinies. She's mostly either angry at them or bored, maybe showing mild signs of amusement on rare occasion. I mean, how many times have we seen Donnica crush a tiny without any emotion at all? Even when she crushed that restaurant and all its patrons, I remember her looking down on a group of them with a bored curiosity before squishing them.

That's because, for Donnica, this isn't about indulgence or pleasure. She truly believes that this is a tiny's lot in life, scattering at her feet and hiding in literal garbage buildings at the sight of someone like her. In fact, she took more pleasure in thinking about how many of the tinies of the city were there because of her than she did actually crushing them!

I think this feeling comes from a place of bitterness for Donnica. From what we know about her past, she didn't have an easy life, growing up with parents who showed her little affection and were too heavy-handed when it comes to punishment for her. She was struggling as a single mom when Amber was young, dating men she didn't like who abused her daughter. She may not have known that last part, but it at least opens the possibility that Donnica herself had suffered some of that at their hands too.

So I don't think Donnica hates tinies. I think she hates weakness. And tinies, for the most part, are the embodiment of weakness, so that bitterness gets taken out on them. This would also explain why this bitterness doesn't apply to Trevor, as he has been a strong, supporting presence in her life when nobody else has ever been that for her before. That's why he's different from the other tinies in her mind.

But yeah, Helena is just an entitled, old-money monster who is using a thin veil of elegance to put herself above the common giant, while Donnica is channeling all the darkness and possible trauma of her childhood and early adult life into a disdain for the weakest class of people because she was raised to hate weakness and pulled herself out of a terrible life, leaving her with no sympathy for others who are stuck there.

Or that's my theory, anyway. I could be way off!

I do think that we saw this difference between them in a couple of their interactions, though. There were a couple times that Helena had to work to keep herself together and not yield under Donnica's authority when Donnica became upset. And Helena was afraid to even bring up keeping Trevor at her place until the transfer of ownership is complete (more on that in a minute). To me, that showed the weakness hiding under Helena's hard exterior, and we haven't really seen that from Donnica. Yeah, we've seen her break down emotionally over Trevor, but that was sadness, not fear. Helena was barely able to manage the might of Donnica's will at times here, even when she was expecting to get the brunt of it! 

The government registration system was an interesting piece of ... worldbuilding (hey, good job!). It makes sense that the government would try to step in to fill the gaps left by the privatized system of registration and that this program would be half-assed. And to find out that what Donnica and company have been doing this whole time is choking paths to private registration to overload the public system and turn public opinion against it? That's as brilliant as it is evil. After hearing time and time again how Donnica has cost people their registration, it's good to finally have some insight into how she's been doing that, as well as the larger plan behind it. 

And hundreds of thousands of tinies will suddenly become unprotected if they succeed? Fuck, that's hot! Uh, I mean, awful! Fuck, that's awful!

Then, you ended the segment on that little cliffhanger, hinting that Donnica was going to lay eyes on "The Kingdom." The fact that Helena decides that she has to tell Donnica the truth "in part" is pretty foreboding, though. Is she planning on cutting Donnica out of the "real plan" at some point (I don't think so, because my money is still on Helena having a thing for her)? Or is there a deeper reason that she wants possession of Trevor until this Status-C stuff clears up? Maybe Helena is thinking, "If I can't convince Donnica that Trevor is worthless, maybe I can convince Trevor about his real worth."

And it seems pretty obvious that Trevor will indeed end up spending some time at Helena's place in the near future, but I love Donnica's resistance to this, even after making up with Helena. I don't even think it was about a lack of trust in Helena but rather the fact that she wouldn't be living under the same roof as him for some time. We've already seen that she hates to take Trevor off her person, but to have him not even be in the same house? Agonizing.

Also, I was glad to see it clarified that the tinies that Donnica has taken have had families open investigations into her. I was wondering about that. To see her confidence at making those investigations go away was both chilling and sexy (given all the ways she chose to hide those tinies).

Great opening segment here. I love the fireworks to open things up!



Author's Response:

"I think my favorite part was when Donnica took those absentminded steps as she contemplated Helena's plan to go after registration subsidies program. Even though Donnica was looking down in thought, she took absolutely no notice of her feet crushing a makeshift marketplace. There wasn't even any ill intent there; Donnica just felt like a few steps would help her process things and just didn't think or care about the consequences for the inconsequential beings so far below her."

Yes!

That was absolutely the size-play centerpiece of the scene… two giantesses casually discussing politics while their idle movements wrought cataclysm below. It was unfamiliar ground for me, since I typically focus on shrunken men rather than full city destruction, but I really enjoyed playing with that scale. Especially lacing all that pesky worldbuilding throughout.

The only thing I wish I’d had room for was a grounded POV from below. I think if I’d introduced a temporary tiny character experiencing the devastation first-hand, it might’ve added more smut tension to the sequence, but the chapter was already pushing 6K and bouncing between perspectives would’ve been a bit much structurally.

Still… I had fun. So maybe next time I write a tiny city scene I’ll add a POV down there… hrmmm… I wonder when that will be…

 

"And by the way, the detail you gave to city itself, describing all the garbage and debris the tinies used to build this "city," was awesome! Things like tin can taverns and tents made from banana stickers really helped paint a nice picture of the trashy towns (hey look, I did a thing!) the unregistered have to live in. I loved this!"

You thought so?? I’m glad you said that. Honestly, I felt weird writing that part. It’s not my usual lane, and I kept second-guessing the tone. I fiddled with those details a lot… kept circling back to the banana stickers, tin-can taverns, and wondering if it was too silly or not gritty enough. So to hear that it landed for you is a relief!

 

"But more importantly, it was revealed that Donnica knew about Helena's private system this whole time! This blew my mind! This was the whole source of the conflict between Trevor and Helena. Trevor has desperately been trying to integrate the office into LegalSync, thinking that Helena was being stubborn and hiding something, when really she was just abiding by the terms of her employment that Donnica had agreed to in the first place! Most of this could have been avoided if Donnica had just told Trevor this the first time he complained to her about Helena. Trevor would have never been with Penelope in the first place if he had known that!"

Ah, I was wondering if anyone would catch that! Yeah, this was kind of a big reveal, and I loved how you broke it down. If you remember back through the earlier chapters, Donnica always had this low-level dismissiveness about Trevor’s complaints with Helena… not because she didn’t care, but because she already knew the truth. She wasn’t shocked by Helena’s reluctance to integrate because she’d agreed to it. But she never told Trevor.

Why? Probably because she loved seeing him so engaged with the firm, believing he could unify things. She didn’t want to puncture that optimism, even if it meant keeping secrets. And I love how you noticed that, later on in your review, you mention how Helena’s reluctant to be honest with Donnica, but here we see it flipped: Donnica’s the one holding back… and ironically for her, it’s with a tiny person.

 

"Another thing I noticed here is the difference between Helena and Donnica when it comes to tiny people. Helena is dignified and subtle about it, but she really enjoys dominating those tiny people not unlike those women she looked at as lesser, digging in the dirt and screaming that they're the tinies' new goddess. Helena thinks the difference between people like Donnica and her and women like that is restraint, as is evidenced by the way Helena watched and evaluated Donnica when they laid eyes on the city for the first time."

I love this take. Seriously, this might’ve been my favorite part of your whole review.

It’s something I always worry about: readers not distinguishing between the two alpha blondes. They’re both tall (though Donnica’s taller, naturally), both powerful, both dominant… even the same shoe size. But as you said, there’s a huge philosophical split between them. Their backgrounds, their values, their approaches to power… it all feeds into how they relate to tinies.

I’m so happy to hear they play out differently on the page! It’s always a concern of mine.

And that difference between them? It’s only going to become more important as their fates tangle further.

 

"That's because, for Donnica, this isn't about indulgence or pleasure. She truly believes that this is a tiny's lot in life, scattering at her feet and hiding in literal garbage buildings at the sight of someone like her. In fact, she took more pleasure in thinking about how many of the tinies of the city were there because of her than she did actually crushing them"

Yes, and I’d add one more layer to that brilliant analysis.

Donnica’s beliefs about tiny inferiority absolutely stem from her views on weakness, but also from her self-perception. Her awakening didn’t just sour her on weakness… it illuminated her strength. It gave her a sense of cosmic, almost divine purpose. The question I want the story to explore is: did her disdain for weakness drive that belief in herself? Or was the self-belief always there, buried under years of suppression? Is her cruelty a reflection of her ideology… or some form of godly entitlement?

We’ll see.

 

"And it seems pretty obvious that Trevor will indeed end up spending some time at Helena's place in the near future, but I love Donnica's resistance to this, even after making up with Helena. I don't even think it was about a lack of trust in Helena but rather the fact that she wouldn't be living under the same roof as him for some time. We've already seen that she hates to take Trevor off her person, but to have him not even be in the same house? Agonizing."

You nailed it here.

This isn’t about trust. This is about proximity. Donnica, for all her grandeur, needs Trevor close. We've already seen she doesn’t like taking him off (out of?) her body, let alone having him live under a different roof.

And yeah, this whole transfer thing opens up all kinds of messy questions. Helena still holds Trevor’s Status-C... she technically owns him. Sure, the way she got it could be legally challenged, maybe even overturned in court if Donnica pushed hard enough. But what would that mean if Trevor were harmed in the meantime? Or worse, crushed? Once someone’s Status-C, there’s no legal protection. No rights. A lawsuit might bring justice eventually, but it wouldn’t bring Trevor back. That’s what makes this so dangerous. We’ve never seen Donnica in a situation like this before, and I don’t think she could take it. She might act calm, diplomatic, but underneath it all, she’s militant when it comes to Trevor. Always has been.

So in a strange, ironic way, Donnica might have to let Trevor go for stretches… just to keep things from falling apart. Because from where she’s standing, she doesn’t really know what Helena’s endgame is. Doesn’t know what might push her over the edge. What if one day Helena just shrugs and says, “Screw it,” and crushes him? It’s an unknown, and Donnica’s not used to playing blind when it comes to someone she’d tear the world apart to protect.

 

"Great opening segment here. I love the fireworks to open things up!"

Thanks for saying that! Giantess-level destruction stuff really isn’t my forte... I actually kept putting off that scene and fun fact: it was literally the last segment I wrote, even though it’s the first in the chapter. But hey, people seem to be enjoying it, so I guess it worked out!

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: July 01 2025 1:58 AM Title: PART 29

Fantastic chapter as always, but even more questions after reading it lol. But damn, S2 is so hot with Naomi's stinky feet, and this third segment is probably the best of the whole story. Everything is perfect in every aspect; it's funny and dramatic. And Vikki and Ricci are so funny they make me laugh during all of S3 and 4 and this moment with Helena and Celine in S4 was so hot. And the last segment with Annabel and Naomi is really the perfect end. Can't wait to see more about this duo. But the most interesting is the queendom of Helena. With Vikki and Ricci, we can see there is a really complex system in place.



Author's Response:

WOW! Thank you so much for saying that about S3... It was very long and it took a lot of re-writes/edits to make work. I love that you found Vikki and Ricci so funny, they are my first attempt at largely comical characters so I'm happy to hear them be received so well. You make an excellent point to at the end as well, the way Vikki and Ricci are treated by Helena make's their relationship with her seem more complicated than someone might first assume (like total enslavement) it'll be interesting to dive further into this so-called 'kingdom' later on in the story (if it even exist at all!)

Always enjoy getting feedback on the feet smut ;) and I'm also happy to see you finally give your approval on one of my crush scenes haha

Thanks as always man!

Reviewer: Ralgar Signed [Report This]
Date: June 30 2025 2:30 AM Title: PART 28

So poor chelsea. I really felt for her. Her fate was not the best, and it shows the likely fate of most tinies especially owned, that even if they are perfect, they can be destroyed by the wims of these cruel giantesses. This once again demenstrates that Trevor is insane for giving his rights up. Annebelle has shown that she isnt stable. Donnica would kill her if she ever did hurt Trevor, but what good does that due to an already dead tiny. I am glad that you didnt drag out the drama on him belonging to penny or helen for long., I never like that trope. Its not you, thats a me thing. JUst glad you didnt drag it out for multiple chapters. I am interested to see how things will play out now that he is fully owned and the property of Donnice and Annebell. Curious to see if he comes to regret it, or actaully love it.

I am seriously interested in where you are going with the Amber and Rebecca story line. I cant wait to see more of that.



Author's Response:

Just to clarify, Trevor is still technically owned by Helena, though she’s agreed to transfer him back to Donnica. There’s a deeper relationship she wants to explore with Donnica, so she wants to place nice... for now.

Annabel might be out there, sure, but I still think she’s loyal. I don’t see her ever hurting Trevor without something huge pushing her over the edge. Poor little Chelsea though... crushed under the weight of Annabel’s jealousy (and her giant heel!)

Yes I’m loving this new Amber/Rebecca/Scarlett storyline, even if it’s a little gentler than my usual vibe. Do you typically like gentle storylines? Or is this one in particular getting you interested.

Can’t wait to roll it all out!

Reviewer: PaladinzX Signed [Report This]
Date: June 30 2025 2:14 AM Title: PART 28

nice chapter!



Author's Response:

Hey thank you for saying so :)

New chapter tonight! Can't wait for you to read it!

Reviewer: It Was Me Signed starstarstarstarstar [Report This]
Date: June 29 2025 4:39 AM Title: PART 28

I just finished S8, and now I feel terrible for doubting Scarlett before!

But first, I liked that slight glimpse into Donnica's side of things after that call from Helena. I'm sure she was a wreck wondering where Trevor was before that moment, so that call had to be both a relief and a horror for her at the same time. You threw in some nice details to show how stressed she was, too. My favorite was her heels sounding like warning shots as she raced across the tile floor to go pick up Trevor.

Amber is really sweet to worry about her mom, and yeah, whenever someone says "Everything is going to be okay," that's usually the time you have to really start worrying!

Before we get into Scarlett proper, I wanted to commend you on how you (once again) masterfully set up the back half of this segment with the first half. There were so many little lines clearly designed to make us expect the opposite of what was going to happen, or maybe you just happen to be quite fond of irony. Things like Rebecca thinking about how Scarlet would be the kind of girl she'd be friends with if things were different, if they were the same size and she was younger, and all of those thoughts about how insignificant Rebecca thought she was to Scarlett and how indifferent the giant girl was to her existence were awesome to see flipped on their head later in the segment.

In particular, this line stuck out for me more after finishing the segment:

She was nothing to Scarlett. A speck in her world. A forgotten crumb.

Because, from the moment Scarlett discovered Rebecca's existence, this was not the case at all! Scarlett's first instinct was to save Rebecca's tiny life, an instinct I feel like most of the giants we've met so far don't possess in the least. Then, Scarlett was incredibly nervous and embarrassed at the state she was in while in Rebecca's presence. The opinion of that "forgotten crumb" was immensely important to Scarlett. She was extremely apologetic about her juices being on the fingers that saved Rebecca's life (most of the giants we've seen so far not only wouldn't have cared, but they would have expected Rebecca to be thankful that they'd bothered to save her at all and probably would have made her lick the juices from those fingers, too!), and when Rebecca saw that raunchy mixed-sized porn on Scarlett's phone, the giant was desperate to assure Rebecca that she would never do that to her or think of her as just some prop or toy.

Without even knowing Rebecca, the tiny immediately became extremely significant to Scarlett. There was nothing indifferent about the way she treated Rebecca.

Also, her nervousness was fucking adorable!

But this is why those doubts I had about Scarlett have gone away. This impromptu one-on-one time with Rebecca was unplanned and unanticipated. There were no witnesses to impress. Scarlett, when finding a seemingly random tiny in trouble, saved her and treated her more like a person than anyone else in the story has to a tiny. With Amber, there was always the possibility that she was trying to manipulate Amber to some end, as she had shown that potential when dealing with Amber before and therefore could have been doing the same again here. But with Rebecca, I can't think of any motivation for Scarlett to lie or deceive. This was just a random, genuine moment, and Scarlett showed us who she really is. And I liked the person I saw, maybe more than any other character in the whole damn story (and Annabel is in the story, so that's saying something)!

Not only that, but Rebecca immediately made friends with Scarlett. She calmed the big girl down and quickly went from fearing her to giddily admitting that she's Amber's girlfriend. And then she covered for Scarlett, lied for her! That's a great way to build trust and friendship. Scarlett seemed pretty grateful for the bailout, too!

Stepping back just a bit and revisiting Scarlett's time at the desk "alone," good God did every word of Rebecca's description of Scarlett leave me mesmerized! I shouldn't be surprised, given how strong your descriptions always are, but this one resonated with me in a way that was unique and enthralling. From the way the blue light from nightlight illuminating her facial features to the unwittingly cocky way she shifted weight between her feet and shrugged her shoulders, I don't think I blinked until the books started falling. I mentioned the irony and clever intention of Scarlett seeming indifferent to Rebecca's presence, but I also need to bring up how incredibly hot this was with how the whole thing was presented.

Even Scarlett's smelly feet (I'm not a smells guy, despite loving this story, if you can believe it!), but the way you tied that stench in with Rebecca feeling like a worthless speck in Scarlett's presence was just incredible! And Rebecca thinking of all the ways Scarlett could end her without even noticing? Chef's kiss!

Everything was so sensual in that scene. I know in the last chapter I speculated that Scarlett might end up being a romantic rival (unknowingly) fighting Rebecca for Amber's affection, but now I feel like maybe I should have been more worried about Scarlett fighting Amber for Rebecca's affection! Of course, this doesn't have to go the love-triangle route at all, and if this somehow ended up being a more ... traditional version of what Donnica, Annabel, and Trevor have going on, I'd be fucking thrilled! Seeing the three of them in such harmony at the end of the chapter was so sweet, and it got my imagination going a little bit, too.

I really have no idea what you have in mind for these three in the chapters ahead, but I feel like I'm going to be deeply into it regardless of what direction you choose to take them.

Of course, Amber woke up just in time to cut short what was turning out to be heart-melting moment between Scarlett and Rebecca, but I still love how protective Amber was of Rebecca here. Given how the last time a giant discovered Rebecca in Amber's room went (and thoughts of Sara were dancing in my head when Scarlett's hand shot down too fast for Rebecca to comprehend), her anger and concern are completely justifiable here.

Scarlett not only accepting but supporting their relationship was awesome too! She immediately figured out that Rebecca was not only the same girl Amber talked about so much but also Amber's girlfriend so quickly, and I feel like her natural open-mindedness played a huge role in that. Scarlett didn't once assume that Rebecca was Amber's slave or pet, and I get the feeling that Scarlett would have been disgusted if that had been what Rebecca was to Amber. 

But we also found out some other interesting stuff about Scarlett in this segment. She has two moms, first of all. She's also a "microsexual" (I love this term!) and seemingly has dated tinies before. This is all interesting to me, because I had speculated in my head that maybe one of Scarlett's parents had either recently shrunk or people at her old school had found out, and that's why she transferred. That could technically still could be the case, but I really have no particular reason to think that. I thought that might justify why Scarlett might be nicer to tinies (I was hoping she would be, even if I did have my doubts about her), but the microsexual thing kind of helps explain that a little bit. I mean, if she's attracted to tinies, it only makes sense that she's gotten to know some and has a better understanding that they're just people.

Also, the fact that Scarlett is oversexed helps explain why she would just sneak over to her new friend's desk and start touching herself like that. It's a compulsion she struggles to control, apparently. I love that her parents gave her such good advice on it, though. It's nothing to be ashamed of. Just, you know, do a tiny search first next time!

You were right: This was my favorite segment of the chapter! And I'm so excited to see what's in store for these three. Rebecca already seems to know more than Amber and Scarlett's soccer coaches, so could we see Rebecca giving Scarlett some more direct coaching instead of doing it through Amber? Will Amber's relief at having another giant accept her relationship with Rebecca make her more willing to "share" Rebecca, or will Amber get more greedy about her Rebecca time now that there's another giant friend who might want to hang out with her tiny girlfriend sometimes? Will Rebecca ever get used to the smell of Scarlett's feet, and how bad a sign is that if she does?



Author's Response:

"But first, I liked that slight glimpse into Donnica's side of things after that call from Helena. I'm sure she was a wreck wondering where Trevor was before that moment, so that call had to be both a relief and a horror for her at the same time. You threw in some nice details to show how stressed she was, too. My favorite was her heels sounding like warning shots as she raced across the tile floor to go pick up Trevor."

Thanks for pointing this out! I really do love when I can connect segments like that, it gives the whole chapter a stronger sense of continuity. It’s one of those little things that takes more thought than it looks (I’d originally planned to start that scene in the bedroom), but I think the story is much richer for it.

 

"Before we get into Scarlett proper, I wanted to commend you on how you (once again) masterfully set up the back half of this segment with the first half. There were so many little lines clearly designed to make us expect the opposite of what was going to happen, or maybe you just happen to be quite fond of irony. Things like Rebecca thinking about how Scarlett would be the kind of girl she'd be friends with if things were different, if they were the same size and she was younger, and all of those thoughts about how insignificant Rebecca thought she was to Scarlett and how indifferent the giant girl was to her existence were awesome to see flipped on their head later in the segment."

Yeah I mentioned this in your last review too… when I’m writing, I like to keep the climax of the segment clear in my mind and then use the rising action to layer in as much setup as possible. It’s often slipped in during transitions, when characters are moving or time is passing. When I need filler of sorts. That’s where I love to plant those little actions or thoughts that will pay off later.

 

"Because, from the moment Scarlett discovered Rebecca's existence, this was not the case at all! Scarlett's first instinct was to save Rebecca's tiny life, an instinct I feel like most of the giants we've met so far don't possess in the least. Then, Scarlett was incredibly nervous and embarrassed at the state she was in while in Rebecca's presence. The opinion of that "forgotten crumb" was immensely important to Scarlett. She was extremely apologetic about her juices being on the fingers that saved Rebecca's life (most of the giants we've seen so far not only wouldn't have cared, but they would have expected Rebecca to be thankful that they'd bothered to save her at all and probably would have made her lick the juices from those fingers, too!), and when Rebecca saw that raunchy mixed-sized porn on Scarlett's phone, the giant was desperate to assure Rebecca that she would never do that to her or think of her as just some prop or toy."

You’ve just made me realize how many crumb metaphors I used in this chapter, lol. I guess I got such a high from how it landed in S1 with Annabel that I just kept rolling with it. And “lick the juices from those fingers”? Don’t give me any ideas, don’t you know who you’re talking to?

 

"But this is why those doubts I had about Scarlett have gone away. This impromptu one-on-one time with Rebecca was unplanned and unanticipated. There were no witnesses to impress. Scarlett, when finding a seemingly random tiny in trouble, saved her and treated her more like a person than anyone else in the story has to a tiny. With Amber, there was always the possibility that she was trying to manipulate Amber to some end, as she had shown that potential when dealing with Amber before and therefore could have been doing the same again here. But with Rebecca, I can't think of any motivation for Scarlett to lie or deceive. This was just a random, genuine moment, and Scarlett showed us who she really is. And I liked the person I saw, maybe more than any other character in the whole damn story (and Annabel is in the story, so that's saying something)!"

Can you believe it? We might actually have a good kid in this story! And what better tiny for her to meet than Rebecca? :D

And yeah, it really doesn’t get more raw than someone catching you mid-masturbation. I’m thrilled she’s resonating with you like this, she’s honestly immensely fun to write because she’s such a counterpoint to most of the other giants. I can’t wait to keep peeling her arc open.

 

"Stepping back just a bit and revisiting Scarlett's time at the desk "alone," good God did every word of Rebecca's description of Scarlett leave me mesmerized! I shouldn't be surprised, given how strong your descriptions always are, but this one resonated with me in a way that was unique and enthralling. From the way the blue light from nightlight illuminating her facial features to the unwittingly cocky way she shifted weight between her feet and shrugged her shoulders, I don't think I blinked until the books started falling. I mentioned the irony and clever intention of Scarlett seeming indifferent to Rebecca's presence, but I also need to bring up how incredibly hot this was with how the whole thing was presented."

Yessssss! I’m so glad you felt this. I was buzzing writing that scene. There was such a sensual undercurrent to it all… the awe, the danger, the unintentional eroticism. I really feel like it powered the whole segment, and it’s one of the pieces I’m proudest of in the whole chapter. So, thank you for calling it out.

 

"Everything was so sensual in that scene. I know in the last chapter I speculated that Scarlett might end up being a romantic rival (unknowingly) fighting Rebecca for Amber's affection, but now I feel like maybe I should have been more worried about Scarlett fighting Amber for Rebecca's affection! Of course, this doesn't have to go the love-triangle route at all, and if this somehow ended up being a more ... traditional version of what Donnica, Annabel, and Trevor have going on, I'd be fucking thrilled! Seeing the three of them in such harmony at the end of the chapter was so sweet, and it got my imagination going a little bit, too."

Very interesting indeed... I saw so many takes about Scarlett trying to steal Amber from Rebecca, but I was waiting for someone to float the reverse. That Scarlett might have eyes for Rebecca instead. Would she risk the friendship with Amber for it? Is she even that kind of girl? Or... maybe it’s what you said last: the three of them moving toward something even more intimate. We’ll see ;)

 

"But we also found out some other interesting stuff about Scarlett in this segment. She has two moms, first of all. She's also a "microsexual" (I love this term!) and seemingly has dated tinies before. This is all interesting to me, because I had speculated in my head that maybe one of Scarlett's parents had either recently shrunk or people at her old school had found out, and that's why she transferred. That could technically still could be the case, but I really have no particular reason to think that. I thought that might justify why Scarlett might be nicer to tinies (I was hoping she would be, even if I did have my doubts about her), but the microsexual thing kind of helps explain that a little bit. I mean, if she's attracted to tinies, it only makes sense that she's gotten to know some and has a better understanding that they're just people."

Haha I loved the microsexual term too! It just popped out while writing and felt so right. And yeah, this segment definitely paints a more complete picture of who Scarlett is: she’s from a very liberal household, raised to be open, tolerant, and compassionate. She’s still got a competitive streak, and she’s also a little… compulsive, shall we say? But her perspective on tinies offers something totally new to the story. I’m excited to let her worldview challenge the other giants.

 

"You were right: This was my favorite segment of the chapter! And I'm so excited to see what's in store for these three. Rebecca already seems to know more than Amber and Scarlett's soccer coaches, so could we see Rebecca giving Scarlett some more direct coaching instead of doing it through Amber? Will Amber's relief at having another giant accept her relationship with Rebecca make her more willing to "share" Rebecca, or will Amber get more greedy about her Rebecca time now that there's another giant friend who might want to hang out with her tiny girlfriend sometimes? Will Rebecca ever get used to the smell of Scarlett's feet, and how bad a sign is that if she does?"

All very interesting questions... and for spoiler reasons I won’t single any of them out, but let’s just say, you’re definitely sniffing in the right direction. I had a feeling this segment would hit home for you and I can feel that it did through your review. Scarlett’s influence is going to be huge in this next arc, and I can’t wait to unfold it slowly.

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: June 28 2025 7:49 PM Title: PART 28

Now it’s time to discover a bit more domain of Helena, but first a bit more of Penelope and Trevor. I really like the way you describe the difference between Penelope and Trevor. With a Trevor in a bad chape while Penelope is glowing.

But the best about the beginning of this segment is how Penelope acts toward Trevor for her is nothing more than an object , it’s funny how their ‘relations’ evolve.

After that we can have a fast description of how incredible Helena palace is. It gives a nice kingdom vibe, or maybe a queendom since there is no king. This vibe is perfect since you really put a lot of effort into making everything around Helena about royalty.

And come another fun moment, the happiness of Penelope almost like a child who brings goods grades to her parents. She called Helena even if of course her goal is to please Helena so she can say good things to Penelope’s mom (looking forward to knowing more about Penelope lineage in England) 

But sadly she soon realized her initiative toward Trevor wasn’t something she should have done because it was the opposite of what she expected Helena wasn’t happy at all she was beyond furious and Penelope was the one who suffered from it first she had to face the wrath of Helena but she was only using her words until she ask the question: ‘’what did you do to Trevor?” And the answer was the end of Penelope her little moment of joy with him ends up in the most powerful slap she even got. I really enjoy that because it’s a perfect parallel to the relations Donnica Annabel. Two powerful women with two girls who kinda act like teenagers, it’s also funny to see how similar Donnica and Helena are like the two faces of the same coin. But sadly If Donnica explode but forgive it’s not the case with Helena her anger stay. Penelope goes from one of her ‘girls’ to nothing. But it didn’t end for her now she need to take care of Trevor while Helena tries to save the situation with Donnica. And to add to the punishment of Penelope she can’t arm Trevor. And of course he took advantage of it to humiliate Penelope even more. It’s nice to see a giantess fall from grace even if unlike Chelsea she doesn’t end up as a slave or crush. 

Finally, she just put Trevor in a cage to be free from him, but this cage is already occupied by someone a tiny woman.

After a few tentative failed tentative Trevor finally got an answer from the tiny woman. And to is surprise it’s Celine the named behind M.I.N.A.R, the person he was looking for weeks to help him with the integration of M.I.N.A.R and LegalSync; but she is not just an incredible with coding she is also a funny woman with a really strong will to not surrender and help the other tiny like an other amazing tiny of the story Rebecca and she also have the Trevor sense of Humor and will to always provocate the giantess  especially Helena. But before they could continue their conversation, Helena appear even more furious than earlier Penelope make another big mistakes Celine shouldn’t have any one with her especially Trevor. And when Celine kissed Trevor to pissed even more Helena, we could see her anger have no limits the was even ready to crush Trevor even if that would ruin her live.

But she contains herself and start some bargain with Trevor to make sure he doesn’t talk about what happened with Penelope. But the best moment is when Trevor ask for Celine Helena become furious again. Showing there is way more than just the rivalry between those two woman. Another good think is the relation Helena Trevor being less tense maybe they could become closer in a near future it could be really interesting.

And come the last segment with Amber and her new best friend Scarlett. And I have to say after all this segment with lot of pressure around Trevor it’s really nice to have a lighter one, it’s allow to rest a bit, and this segment is amazing in many ways, first Scarlett is a lovely character, and it’s really nice, for Amber it’s perfect to having a friend can help her and relieve some pressure on Rebecca who was really scared about Amber. 

But all the action start when Amber ask Scarlett to stay thanks to the advice of Rebecca. While Amber is asleep Scarlett feel the need to masturbate, sadly for Rebecca she do it on Amber office chair and she start by putting her feel where Rebecca is hiding making her suffer with her stinky feet, but the best is the clumsiness of Scarlett, to help her masturbate she put a video but failed with the sound, but the worst could have happened, she the book almost fall on Rebecca but Scarlett was fast enough to save her, but with her hand who still smell like her pussy, making her so sorry toward Rebecca, and I have to say it’s fantastic to have a character who liked tiny. But the best is probably the reaction of Amber, we can feel all the emotions she feel, anger, fear and finally hapiness when she realize Scarlett is on her side and she also liked Rebecca, end the end with all 3 of them enjoying some good time is the perfect end to this heavy  chapter.

A perfect chapter who improve a lot the worlds of DAW with the info about how Europe deal with tiny it’s good to know more about the worlds and who knows maybe in the future we gonna move away from America. But of course the most important is about our character how Donnica Annabel relations gonna evolve after this mistake. The one between Donnica Helena since now Trevor is now by law the property of Helena and now she legally own the most precious thigs of Donnica 

How Trevor is going to deal with all of that, being again in a difficult situation with is status-c will he try to get closer to Helena, how he gonna try to get close to Celine.

What's going to happen to Penelope? 

And of course, the evolution of the Amber-Scarlett-Rebecca relations. 




Author's Response:

"After that we can have a fast description of how incredible Helena palace is. It gives a nice kingdom vibe, or maybe a queendom since there is no king. This vibe is perfect since you really put a lot of effort into making everything around Helena about royalty."

Yes! I love that you picked up on this. It was really important for Helena’s estate to feel like a Kingdom, almost as if the title were literal. Everything about her demands reverence… but what exactly is going on in there, hmm?

 

"And come another fun moment, the happiness of Penelope almost like a child who brings goods grades to her parents. She called Helena even if of course her goal is to please Helena so she can say good things to Penelope’s mom (looking forward to knowing more about Penelope lineage in England)"

It’s definitely been strongly hinted that Penelope’s family is important, especially to Helena. But why? Why would they send her across the world to intern here? What ties could Helena possibly have with an old English bloodline? So many questions...

 

"I really enjoy that because it’s a perfect parallel to the relations Donnica Annabel. Two powerful women with two girls who kinda act like teenagers, it’s also funny to see how similar Donnica and Helena are like the two faces of the same coin. But sadly If Donnica explode but forgive it’s not the case with Helena her anger stay."

Such a great observation, and absolutely something I leaned into when building this chapter. Both Donnica and Helena are surrounded by younger women who desperately seek their approval, yet approach it in such different ways. And yeah, Donnica may forgive, but Helena holds grudges. The tension between them is growing. Can anything (or anyone) hold that in check?

 

"but she is not just an incredible with coding she is also a funny woman with a really strong will to not surrender and help the other tiny like an other amazing tiny of the story Rebecca and she also have the Trevor sense of Humor and will to always provocate the giantess especially Helena."

I love this take; she really is kind of a hybrid between Trevor and Rebecca. She has Rebecca's drive to protect others and stand up to power, and Trevor's humor and unshakable defiance. She’s quickly becoming one of my favorites to write. I can’t wait to give you more of her.

 

"But she contains herself and start some bargain with Trevor to make sure he doesn’t talk about what happened with Penelope. But the best moment is when Trevor ask for Celine Helena become furious again. Showing there is way more than just the rivalry between those two woman. Another good think is the relation Helena Trevor being less tense maybe they could become closer in a near future it could be really interesting."

This scene with Trevor and Helena in the study is such a turning point. Back in the cage, you could chalk Helena’s fury up to Penelope’s incompetence. But here? Calm, alone, composed, and still Celine’s name sends her over the edge. There's something deeper between those two, for sure. And yeah, there might be a shift happening with Helena and Trevor too... maybe.

 

"And come the last segment with Amber and her new best friend Scarlett. And I have to say after all this segment with lot of pressure around Trevor it’s really nice to have a lighter one, it’s allow to rest a bit, and this segment is amazing in many ways, first Scarlett is a lovely character, and it’s really nice, for Amber it’s perfect to having a friend can help her and relieve some pressure on Rebecca who was really scared about Amber."

I’m so glad you appreciated the shift in tone here. My stories can definitely get heavy, so I try to build in space to breathe and this was the perfect spot for that. I love writing the softer sides of these characters. Even though things still got a little tense for Rebecca, it was such a welcome break.

 

"...and I have to say it’s fantastic to have a character who liked tiny. But the best is probably the reaction of Amber, we can feel all the emotions she feel, anger, fear and finally hapiness when she realize Scarlett is on her side and she also liked Rebecca, end the end with all 3 of them enjoying some good time is the perfect end to this heavy chapter."

Amber’s emotional rollercoaster was definitely intentional. This is the first time someone her age learns about Rebecca… and yeah, Trevor knew, but he’s Trevor. Scarlett is different. She could be a friend. A real friend. I also loved having a giantess who’s kind from the start, even if she was a little awkward about getting caught... doing you know what lol. It’ll be fascinating to see how Scarlett affects both Amber and Rebecca going forward. I’m so excited for their arc.

 

"How Trevor is going to deal with all of that, being again in a difficult situation with is status-c will he try to get closer to Helena, how he gonna try to get close to Celine. What's going to happen to Penelope? And of course, the evolution of the Amber-Scarlett-Rebecca relations."

All fantastic questions! Trevor’s Status-C keeps him tethered to Helena, which is already causing friction. And now that Celine’s in the mix? Things could get very complicated. As for Penelope... well, with her mom's connection to Helena, she might not be out of the story just yet.

And Amber-Scarlett-Rebecca? Buckle up. That triangle’s going to get wild.


Thanks so much for this amazing review… I seriously love getting to dig into them like this!

Reviewer: It Was Me Signed starstarstarstarstar [Report This]
Date: June 27 2025 3:59 AM Title: PART 28

I know I called Penelope fucking up in my last review and thought she'd get a rude awakening once Helena found out what she had done, but fuck was the whole of S5 so, so satisfying!

You set it up so perfectly too. Building off of all that queenly stuff in the car, Penelope was so smugly elated once they arrived at Helena's place. She envisioned how happy Helena would be, how proud her mother would be for once after hearing that she had finally succeeded, and hell, there was even the fellowship (I'm assuming some sort of family fortune type thing?) to consider! Even her happiness at the reveal of Trevor to Helena fed into this.

And as soon as I saw Helena's immediate reaction, I was grinning from ear to ear. I figured Helena would be upset, but this went above and beyond my expectations. I mean, I knew Donnica was important to her somehow, but I didn't think it had reached the point where a few words from Trevor were enough for her to slap the shit out of Penelope!

To be fair, though, I think there was a little more to that slap than just the consequences Penelope raping Trevor might bring on Helena, although I have no doubt that was a factor. Based on the way she chastised Penelope when the young Brit called herself a "goddess-in-waiting" (I love how massively overinflated so many of your characters' egos are!) makes me think there's a code when it comes to owning tinies (owning in the general sense, not just the Status-C stuff). That whole "don't mess with another woman's pet" line makes me think that some of that anger came from Penelope being too petulant to understand that an "owned" tiny is off-limits, goddess or not. I found that to be pretty interesting.

But yeah, seeing Penelope's world crash down all around her was so enjoyable. I'm normally not the type to revel in the suffering of others, even fictional characters (unless it's hot, I mean!), but damn was her agony at Helena putting her in her place immensely gratifying!

And then the deeper implications sunk in for Penelope. I was so happy to see that she was concerned about this triggering an investigation. I mentioned before that I thought there had to be real consequences to someone (even with Helena's special status) just swiping someone's Status-C claim without reason and that Helena would be aware of that, so it was awesome to see that actually be the case! Not only that, but Helena has other reasons to fear an investigation, which is quite a curious development.

It seems as though this Kingdom of hers is probably what she's worried about the government discovering. I love the mystery you introduced simply by having your characters repeat that word a few times (and as a proper noun, of course!). So Helena has subjects? Man, my imagination is racing at the possibilities!

Does Helena have her own little city of tiny slaves? If so, is it Medieval themed? Saudi themed? Have I mentioned that giantesses in tiny cities (or city-like places) is one of my absolute favorite things in this fetish? I mean, the Kingdom could be something different entirely, but the possibilities here are really exciting!

Oh, uh, terrible. I mean, it's a terrible thing Helena is doing to those poor tinies, whatever it is (assuming they're mistreated).

But man, that threat Helena laid on Penelope just before carelessly handing off Trevor (I love the emphasis on that carelessness, by the way) was chilling. I still don't know if Helena's "need' of Donnica is more personal or professional in nature, but it's certainly really important to her!

The start of S6 was brilliant as well! Between the description of Penelope holding him away from her body in both disgust and fear and Trevor's attitude coming right back to him, this was handled so, so well! I love how Trevor so dryly taunted her. He had warned her about this (okay, maybe not exactly this, but that there would be consequences for her claiming him), and despite what she did to him, how she made him feel, he didn't even hesitate to kick her while she was down. Trevor is so fucking awesome

And Penelope whining and telling him to shut up is just perfect. She had the world at her feet five minutes ago and now she has nothing. Her fit about hating Trevor was great, like he would actually care about that. She's a brat who doesn't know how to deal with not only not getting her way but having someone there to mock her the way she mocks others. It's delicious!

And then she gets kicked out (and surely fired?) after putting Trevor in the cage with Celine. She just acts without thinking and assumes ignorance will save her, but that shit doesn't work in the real world, especially not with someone like Helena.

And just why does anyone even mentioning Celine, let alone seeing her, piss Helena off so much? Is she just desperate to have Celine be completely isolated from the rest of the world? Is she afraid that Celine is going to reveal some deep dark secret or blow up her plan? Does a part of her secretly like Celine and want her all to herself, burying that feeling with hate and anger? I mean, she did flip out way more after seeing then "entangled," and I'm not sure if that was jealousy or something else entirely.

Speaking of Celine, I'm pissed at myself. I briefly thought that Celine might be the rival before, but I dismissed the thought entirely. There's no way someone like Helena would lean so heavily on a tiny like that, and she definitely wouldn't rely on her hated rival!

So now Helena is pathetic and a hypocrite!

As for Celine herself, I can see why she always finished ahead of Helena in life. She's incredible! For most of this chapter, we see Helena flipping out and being angry because things aren't going her way (granted that investigation sounds like a pretty legit concern for her). Celine's life is hell! She lives in her rival's cage (assuming Celine even viewed Helena as a rival) and is tormented by her every day. Yet not only is she defiant, only willingly giving Helena anything at all because of her yet-to-be-introduced sister, but she's calm, cool, and collected the whole time! Sure, she seems a little ... unbalanced, but that comes off more as a personality trait, a way to keep people guessing about her, than it does something caused by everything that's been done to her.

And she's incredibly smart, too! She already knows damn near everything! And the way she pieced together what happened to Trevor with minimal clues to go off of (and Helena had to be told instead of figuring it out on her own) was honestly impressive. Not only that, but the way she says things makes her totally unreadable. Is she bitter that Trevor is helping the giants destroy tinies' rights or does she not give a fuck at this point? Does she just enjoy needling him or is she giving him a hard time because of that? Why did she jump him? Did she want to make Helena jealous? Does she know of some other reason Helena would hate that? Did she think it would get Trevor in trouble?

And holy shit! The way she called out to Trevor and asked him to visit her again in a sing-song voice (and right after being flicked away, too!) was hilarious. She's trapped in that cage and forced to service Helena's feet and ass, but somehow she still seems like the one in control in some ways. I really like her!

The negotiation between Trevor and Helena was interesting. Again, I thought Helena would never "stoop so low" as to make a deal with a tiny, especially Trevor of all people, but their conversation was mostly civil. She even set him down on the desk gently. I almost feel like there's a begrudging respect between them, even if neither of them will ever admit it. Whether Helena can accept it or not, Trevor has been a worthy adversary for her in the office, and apparently they're battling for Donnica's soul now? And for Trevor, we've already seen him admit to himself that the office needs Helena now.

I also love how Trevor handled this, knowing when to push and when to back off. I thought it was brilliant how he outsmarted Helena to get a session with Celine, demanding weeks or months with her, only to be thrilled that he got the one session he really needed guaranteed to him!

Helena, on the other hand, actually gave Trevor some information before shutting down and thinking of him as a pest. That probably wasn't so bright on her part, but maybe that's just her underestimating him? Or maybe she thinks Donnica coming back into the ideological fold is inevitable, so why not get her "pet" ready for what's coming?

Now we just need to wait and see what happens with Trevor's status. It seems like Helena is eager to get him out of her name, but will she change her mind and find a way to use this? Will Donnica demand that this be settled as soon as possible and get this settled quickly? I'm really curious if this Status-C ambiguity is going to stick around for awhile or if it's served its purpose and things get cleared up quickly.

So yeah, S5,6, and 7 were a great back end to all the drama you set up with 2-4. You gave us a legitimate scare and had us thinking maybe Trevor was really fucked this time, then gave us a satisfying conclusion (for now) and even teased us a bit on the larger story ahead. I really enjoyed this!



Author's Response:

"You set it up so perfectly too. Building off of all that queenly stuff in the car, Penelope was so smugly elated once they arrived at Helena's place. She envisioned how happy Helena would be, how proud her mother would be for once after hearing that she had finally succeeded, and hell, there was even the fellowship (I'm assuming some sort of family fortune type thing?) to consider! Even her happiness at the reveal of Trevor to Helena fed into this."

The bigger they are, the harder they fall, right? And you really couldn’t get much bigger than Penelope in that moment. She was at her peak… absolutely convinced she had it all figured out. Honestly, when I’m writing a scene like that, I always try to build the most delicious high just to make the crash that much better. The car rape scene was originally just supposed to be one round (just ass!) but I kept layering more and more into her character (her ego, her need for validation, her family legacy) until I had something that felt ripe for collapse. By the time she steps into Helena’s study, everything was set. I’m a big believer that the journey has to be just as compelling as the destination, and I think it paid off here. None of these scenes were filler… each one was meant to deepen the spiral, and Penelope’s arrogance made the perfect fuel.

 

"To be fair, though, I think there was a little more to that slap than just the consequences Penelope raping Trevor might bring on Helena, although I have no doubt that was a factor. Based on the way she chastised Penelope when the young Brit called herself a 'goddess-in-waiting' (I love how massively overinflated so many of your characters' egos are!) makes me think there's a code when it comes to owning tinies (owning in the general sense, not just the Status-C stuff). That whole 'don't mess with another woman's pet' line makes me think that some of that anger came from Penelope being too petulant to understand that an 'owned' tiny is off-limits, goddess or not. I found that to be pretty interesting."

There may very well be an unwritten code, one Helena didn’t feel the need to explain until it was broken. Or maybe "Goddess-in-Waiting" is more than just a braggy little nickname. Could even be tied to that mysterious fellowship she was talking about... but nah, surely not...

Probably…

 

"It seems as though this Kingdom of hers is probably what she's worried about the government discovering. I love the mystery you introduced simply by having your characters repeat that word a few times (and as a proper noun, of course!). So Helena has subjects? Man, my imagination is racing at the possibilities!

Does Helena have her own little city of tiny slaves? If so, is it Medieval themed? Saudi themed? Have I mentioned that giantesses in tiny cities (or city-like places) is one of my absolute favorite things in this fetish? I mean, the Kingdom could be something different entirely, but the possibilities here are really exciting!"

You know my no-spoilers policy, so I won’t say too much... but if this kind of worldbuilding is your thing, you’re definitely going to want to keep reading ;)

 

"The start of S6 was brilliant as well! Between the description of Penelope holding him away from her body in both disgust and fear and Trevor's attitude coming right back to him, this was handled so, so well! I love how Trevor so dryly taunted her. He had warned her about this (okay, maybe not exactly this, but that there would be consequences for her claiming him), and despite what she did to him, how she made him feel, he didn't even hesitate to kick her while she was down. Trevor is so fucking awesome."

This part of S6 was such a blast to write. Trevor’s self-control is like a switch… he can be cautious when he needs to, but the second he has even an inch of leverage, he’s right back at it. And of course, Penelope’s still clinging to that spoiled-brat energy even when her world is falling apart. I wonder what’s next for her... it’s hard to imagine her just walking back into the office like nothing happened (especially with Donnica around), but her mother did seem pretty important to Helena, didn’t she? We’ll see.

 

"And holy shit! The way she called out to Trevor and asked him to visit her again in a sing-song voice (and right after being flicked away, too!) was hilarious. She's trapped in that cage and forced to service Helena's feet and ass, but somehow she still seems like the one in control in some ways. I really like her!"

That sing-song line was maybe my favorite thing to write in the whole chapter. I’m thrilled you called it out! Another reader mentioned that Celine feels more like an active prisoner than a passive one, and that’s exactly what I wanted. She’s unsettling, magnetic, clever and her role in this arc is only just beginning. She might actually be my favorite character to write right now.

 

"The negotiation between Trevor and Helena was interesting. Again, I thought Helena would never 'stoop so low' as to make a deal with a tiny, especially Trevor of all people, but their conversation was mostly civil. She even set him down on the desk gently. I almost feel like there's a begrudging respect between them, even if neither of them will ever admit it. Whether Helena can accept it or not, Trevor has been a worthy adversary for her in the office, and apparently they're battling for Donnica's soul now? And for Trevor, we've already seen him admit to himself that the office needs Helena now."

Under normal circumstances, Helena wouldn’t even entertain the thought of negotiating with Trevor. She despises giving ground to a tiny, and even more so to him. But after what happened (Penelope raping him) she had no choice. She needed his silence and they both knew it. Still, you might be onto something with that whole ‘begrudging respect’ angle… he really does hold his own against her, and he’s never bowed the way others have. Of course, the fact that he’s now legally her property? That complicates things a bit.

 

"Now we just need to wait and see what happens with Trevor's status. It seems like Helena is eager to get him out of her name, but will she change her mind and find a way to use this? Will Donnica demand that this be settled as soon as possible and get this settled quickly? I'm really curious if this Status-C ambiguity is going to stick around for awhile or if it's served its purpose and things get cleared up quickly."

Yeah... this gray zone might stick around a bit longer. Status-C is a massive legal shift, and Trevor is stuck right in the middle of its murkiest loophole. Earlier you called the conflict between Trevor and Helena the battle for Donnica’s soul... but the real fight might be for Trevor himself.

For now though there seems to be an uneasy peace.

For now…

 

"So yeah, S5, 6, and 7 were a great back end to all the drama you set up with 2-4. You gave us a legitimate scare and had us thinking maybe Trevor was really fucked this time, then gave us a satisfying conclusion (for now) and even teased us a bit on the larger story ahead. I really enjoyed this!"

I appreciate this so much. These segments were some of the most plot-intensive I’ve written in a row, and I wasn’t sure how they’d land, especially with how long the chapter turned out. But hearing that it worked for you, and gave that payoff after the tension, means the world. And yeah, I think I teased just enough to keep the fires lit... because there’s still so much more coming.

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: June 26 2025 10:00 PM Title: PART 28

First, I want to thank you for always delivering such quality with every chapter. Now, let’s dive into this chapter segment by segment.

S1: I really like the approach you took with this one, showing the reality of the office through Chelsea’s eyes. We can see how awful the women who work there are toward Tiny, especially those who knew Chelsea before the shrinking. It’s also really interesting how you highlight the differences between the giantesses, particularly the meaner ones. We see how weak they truly are, needing to humiliate a tiny to feel a small rush of power. This is even more evident with those who were far less accomplished than Chelsea before she shrunk, humiliating her to convince themselves they’re better than her. It shows how pathetic they are while thinking they’re strong women.

It’s even better with how you portray Donnica as a truly strong woman. She doesn’t need to play these games; she’s a goddess who doesn’t need to speak or scheme—she just takes what belongs to her, including Chelsea.

The second thing I really enjoyed in this segment is how Annabel reacts. Her bratty, childish persona always seeks approval, even if it means crushing others. In this case, that’s exactly what happens, even putting Donnica in an uncomfortable position.

To end this segment, the inevitability of the tiny office slave’s fate is fantastic. Chelsea falls from her position as main assistant to nothing but a pussy slave, initially useful to Donnica, only to be crushed by Annabel because of her jealousy over Chelsea’s talents. This really shows how messed up this world is. It’s an amazing way to start this long chapter. Also, the way you describe Chelsea’s work as a slave is really hot.

S2: In this new segment, Trevor is trying to save the office, which is on the verge of collapsing due to the cold war between Helena and Donnica, caused by the “ass accident.” Trevor is the one who has to make things work thanks to his system, but despite his goodwill, there are two major issues: Donnica, who is overprotective of him, and Helena, who refuses to use LegalSync because she already uses her own system, M.I.N.A.R. So, Trevor is forced to work with Helena’s crew, and she pairs him with a new girl from a wealthy family in England: Penelope. This bratty woman only wants one thing—to dominate tinies, which is much easier in America since the laws are more lenient and less protective toward tinies without money. While the start of her new journey goes well, she faces a difficult job ahead: working with Trevor, the tiny office director, to “help” him connect LegalSync and M.I.N.A.R.

Their working relationship is bad from the start. Trevor does everything to succeed, even if it means pushing and criticizing Penelope, while she doesn’t give him an inch. As they’re forced to work together, their relationship becomes dire, especially when Penelope puts Helena’s name on Trevor’s Status-C, legally making him Helena’s property. It looks like a certain giantess whose name starts with an “A” failed at the easiest job ever.

With that, the dynamics shift completely. Trevor, who was in command, is now nothing but a slave to Penelope—a tiny, or worse, an object. I really enjoy this part, which shows the harsh reality of this world for tinies; with one action, Penelope changes his entire life. The clicker was an amazing idea; it makes this segment feel like a horror story, where danger is coming, and calling for help is useless. This feeling grows throughout the segment, with Penelope becoming more aggressive and dominant toward Trevor as he tries to save his life. To add to this sense of horror, he ends up in her pocket, locked in a dark place, unaware of what she has planned for him.

The next segment is more classical but still really good, starting with Penelope leaving the office with Trevor still trapped inside her pocket. However, he isn’t trapped for long, as she gets into her car to have fun with Trevor. Her vision of “fun” involves putting Trevor through hell, forcing him to be used as her sex toy or ass slave, being as mean and dominant as possible, and making sure he regrets every time he disrespected her. After she’s done with him, she taunts him by telling him what awaits him in Helena’s lair.



Author's Response:

"It’s even better with how you portray Donnica as a truly strong woman. She doesn’t need to play these games; she’s a goddess who doesn’t need to speak or scheme—she just takes what belongs to her, including Chelsea."

I love this take! You’re absolutely right… there’s a sharp contrast between the other giantesses who use Chelsea, driven by their whims and insecurities, and Donnica, who rules with absolute certainty. She doesn’t have to plot or manipulate. She simply takes. That’s the difference between being dominant and being divine. It’s what makes Donnica who she is!

 

"To end this segment, the inevitability of the tiny office slave’s fate is fantastic. Chelsea falls from her position as main assistant to nothing but a pussy slave, initially useful to Donnica, only to be crushed by Annabel because of her jealousy over Chelsea’s talents. This really shows how messed up this world is. It’s an amazing way to start this long chapter. Also, the way you describe Chelsea’s work as a slave is really hot."

Even long before this particular story arc came together, I had that scene in mind… Annabel crushing a tiny who got too close to Donnica, purely out of spite. It’s one of those moments that really hones in on something primal: jealousy, insecurity, power, and fear all boiling together. And yeah, I’m really glad it resonated, it’s been one of the most talked-about scenes so far, and that makes me happy.

 

"Their working relationship is bad from the start. Trevor does everything to succeed, even if it means pushing and criticizing Penelope, while she doesn’t give him an inch. As they’re forced to work together, their relationship becomes dire, especially when Penelope puts Helena’s name on Trevor’s Status-C, legally making him Helena’s property. It looks like a certain giantess whose name starts with an “A” failed at the easiest job ever."

Yes! I’m so glad you picked up on Trevor’s drive to succeed… how far he’s willing to go to make things work, even risking his own safety. Meanwhile, Penelope’s entitlement is just off the charts. She gets such a thrill out of impeding him, and in the twisted logic of this world, she gets rewarded for it by ending up with Trevor as her slave. Brutal. And as for that giantess whose name starts with “A”... yeah. Let’s just say mistakes were made.

 

"The clicker was an amazing idea; it makes this segment feel like a horror story, where danger is coming, and calling for help is useless."

I’m so glad that landed for you! I really wanted something to dial up the tension in those moments, and the clicker became the perfect device. I always worry about whether things like that will come off as filler or too gimmicky, so hearing that it worked and added to the suspense is hugely encouraging… thank you for pointing it out!

 

"The next segment is more classical but still really good, starting with Penelope leaving the office with Trevor still trapped inside her pocket. However, he isn’t trapped for long, as she gets into her car to have fun with Trevor. Her vision of “fun” involves putting Trevor through hell, forcing him to be used as her sex toy or ass slave, being as mean and dominant as possible, and making sure he regrets every time he disrespected her. After she’s done with him, she taunts him by telling him what awaits him in Helena’s lair."

Haha you know me, I’ve always got to work some smut in there somewhere! One of my favorite things about writing these scenes is trying to make the eroticism feel completely organic to the story. It’s tricky, but when it clicks, it’s incredibly satisfying… and yeah, I feel like this one hit just right.

Sorry about the lack of foot action in this one though… maybe next chapter ;)

Reviewer: It Was Me Signed starstarstarstarstar [Report This]
Date: June 24 2025 10:11 PM Title: PART 28

So I just finished reading S2 through S4, and man, you weren't kidding about the consequences of Annabel's mistake playing out really soon! Actually, I think the fact that she was so annoyed and frustrated over everything that she missed his name in the portal makes it even worse than if this had happened while she was spinning in Donnica's chair (you're right, that is a fun visual, by the way!).

Since I've already brought her up, I'm really curious what Donnica and Annabel's reactions to him getting claimed will be. The last time something happened with Trevor, Donnica went full scapegoat on Annabel (and it wasn't even her fault). With this new dynamic between them, I really have no idea how Donnica will react now that something so serious that was partially Annabel's fault (because let's be honest, this was almost entirely Penelope's fault, even if Annabel should have been paying attention to the portal). That should be interesting to see as the chapter progresses.

But I already know how Annabel will handle it. Even if Donnica puts all the blame on her and unleashes her fury on her, it'll be nothing compared to what Annabel puts herself through. Despite that bratty attitude, she deeply loves both Donnica and Trevor. Seeing what she put her goddess mother through will be bad enough, but after she finds out what Trevor went through, what she could have prevented with just a little bit more diligence, she might break. Again. That guilt is going to weigh her down for some time, I think.

But while we're playing the blame game here, we might as well throw some Trevor's way as well. It was noble of him to try to do what was best for the firm, for Donnica despite herself, even when it went directly against Donnica and Annabel's demand that he always be accompanied around the office. But this was also pretty stupid of him, especially since he really, really wanted to avoid using that emergency clicker.

Even without this Status-C stuff, it was only a matter of time until one of Helena's girls (or just anybody in the office, really) decided to do something stupid and put him in jeopardy, protected status or not. He even knows Helena hires fuck-ups exclusively (although not intentionally, I'm sure), so he should have made sure to remove himself from any situation that they could take advantage of, if even for a fleeting minute. So to put himself in the same room as Penelope, let alone test the posh Brit's limits (something Trevor loves to do with hostile giants), was a tremendous mistake on his part, one he's currently paying the price for.

But I don't think this is going to last, though. Trevor's status can't stay this way. You put too much emphasis on what all someone applying for Status-C has to go through to be granted it, both in the previous chapter and in this one. The "loophole" Penelope found, using Helena's position to override Donnica's claim, strikes me as more of a system thing than a legal one. As in someone like Helena could step in and override things if it's in the best interest of the tiny, not to claim them for themselves. There's no way the government would make you go through such an extensive process, one that many willing applicants have failed for fickle reasons if S1 is anything to go by, only to just allow someone else, even someone like Helena, to just swoop in and claim an applicant for themselves.

So yeah, this isn't going to last. I don't know if Helena is smart enough to realize this or if Donnica is going to have to file a lawsuit to regain her property, but Trevor's time as a true slave is limited. You're not fooling me, even if I still have that sense of dread in the pit of my stomach worrying about Trevor. Because as much as I believe I'm right on this, I can't really know that for sure. And even if I am, that's not going to help Trevor much in the short term, as we saw in S4 (which I'll circle back to shortly).

All of this, in my mind, makes Penelope nothing more than a gorgeous, entitled idiot. I don't see how she's going to come back from this, unless Helena can think of some legal basis to justify the claim override, like a false claim of abuse or something. That being said, you set her up as being the one to do this quite well. She thinks that tinies in America are basically up for grabs, that it's only a matter of waiting until their registration status changes and then no one cares. That last line about her loving America really drives this point home. She really thinks it's that simple here, and that she, a regal brit with a queen complex (I loved every single one of those royalty references, by the way!), can just grab Trevor up and take him, even though he was supposed to be claimed by Annabel and Donnica.

I also love that she actively sought to date registered tinies and tried to force them to serve her anyway. I'm also not surprised that some of them actually obeyed (and not just because you're the one writing the story!). There's that primal force going around that we've seen Amber and Rebecca trying to navigate (and even Trevor felt it during that big confrontation with Helena), so of course there are other tinies that fall victim to that when an obnoxiously dominant giant like Penelope taps into it. I'm actually surprised that some walked away from her, although I love that Penelope describes as having "the nerve" to walk away. Now that's bratty entitlement!

Also, it was interesting to hear that the UK (and presumably a good portion of the world) inherently protect tinies status as people rather than privatizing it like the U.S. does. That certainly plays into the greedy Americans stereotype pretty well, and the fact that this makes the country the envy of people like Penelope, foreign visitors who want to own a tiny with a will of their own, makes a lot of sense. I was intrigued that it was mentioned a couple times that Penelope had owned tinies before, though, and broken-in ones at that. The tiny trafficking trade must be alive and well under the shadows of Big Ben and Old Bailey!

Penelope "informing" Trevor of his new status was handled so well! Her pompous attitude, her challenge for him to hit the button on his clicker, her turning her laptop around to show him, let him see for himself his new lot in life: Everything was perfect! Then she picked him up like a loose thread on her desk (I love that simile!) and smashed his stuff and brushed the rubble aside like crumbs (I found the other crumb line!). As dumb, or maybe deluded is a better word here, as Penelope is, all of this was really fucking hot, right down to the way she shifted her fingers to remind him that she could drop him at any time.

But the pocket might have been my favorite part of these three segments.

I've praised your emphasis on giant footsteps quite a bit, but this was such a unique take on it! I love how carelessly she stuffed him in her skirt pocket, but it was how his whole world was utterly rocked with each step as she strutted through the office that really got me. You had me at the word thigh! That was such a great detail, her thigh knocking him down as it rushed up to meet him in the pocket over and over as she walked without a care in the world. So good!

And then there was the rape scene. There wasn't a lot of dialogue here, for obvious reasons, but I was hanging on every poshly spoken word to slip out of Penelope's lips. Her attitude, her demeanor, pretty much everything about her once they get into the car was so alluring and sexy but in the darkest of ways. To see her truly indulge in owning Trevor was hypnotic, and it really drew me in.

Speaking of her "owning" him, I was intrigued by how she kept thinking that, despite the fact that he's registered to Helena. I couldn't tell if this was more delusion, her fantasizing in the moment, or if she really thinks that Helena will let her "own" Trevor and just keep him under Helena's name for legal reasons. Regardless of why she's thinking this, I think she's in for a rude awakening at Helena's place (based on that line about Helena's estate and visiting him often, I'm assuming that's where they're going). Even if Helena is happy with owning Trevor and there aren't consequences for what Penelope did, I can't really see Helena sharing him. He'd be a special prize for her, not as special as the rival, but someone she'd want to keep for herself for all the trouble he's caused her.

So even in the best case scenario for Penelope, this is probably as good as it's going to get for her.

Anyway, back to the smut, your luxurious writing style worked its magic here. The way she lowered him to her panties so slowly, making him take in every inch of her, was awesome! Uh, disgraceful! I meant disgraceful! What a menace Penelope is. A sultry, bratty, sexy British menace. Um, what were we talking about again?

Oh right! Her pussy! What a fantastic job you did of showing Penelope's bliss and Trevor's suffering with that insertion scene. That unspoken command was great! Distinguishing the loving touches of Annabel and Donnica from Penelope using him was perfect! And your descriptions, as always, were on point and well detailed.

Then, of course, Penelope shoved him up her ass. I like how you tied this in with the bathroom incident with Helena, mentioning back in S2 that all of Helena's girls knew about that and made fun of him for it constantly. So Penelope talking about his skills inside an asshole wasn't random at all. I admit that I didn't see this coming back in S2, but I feel like I should have!

Jumping back to S2, there were a couple things about Helena that stood out to me. First, her racking up legal victories and seemingly working like mad to make herself indispensable was interesting. Given what she said about having Donnica by her side in the last chapter, I'm guessing that Helena, who probably wouldn't have much trouble getting into another firm, is motivated by something other than professionalism. Donnica is giving her the cold shoulder and Helena goes into overdrive? Sounds like Helena's trying to get back into Donnica's good graces, something Penelope's actions certainly won't help with.

 I'm even starting to wonder if Helena might be interested in Donnica romantically or something. There's not nearly enough there to draw that conclusion yet, but the way Helena is approaching this issue with Donnica has put the thought in my mind.

The other thing that jumped out at me was how often Helena is rotating assistants and that they aren't even being fired. My first thought was that hiring a bunch of fellow bigots is probably a part of the problem, with her likely prioritizing their sizeism over their merit. In my mind, that certainly applies to Penelope.

But thinking about it a bit more, I'm wondering if something is happening to these girls. Maybe I'm reading too much into this and their "disappearances" are just another example of how Helena bucking the office system is creating problems, but I kind of suspect that Helena is actually doing something to these girls. Unlike Donnica, who, even before all this goddess mother stuff, felt fond of her assistant, Helena has shown her own no love. I would think that them being fired would have to go through the system in some shape or form, so what's happening to them?

The conspiracy theorist in me wants to believe that Helena has figured out some way to weaponize the virus and that the penalty of for failing her is the loss of her assistants' "godesshood." That's a completely random theory I'm throwing out there and probably completely wrong (I mean, how would any of that even work?), but you made the thought pop in brain, so deal with it!

Oh, and I didn't forget about Celine and MINAR. When we first learned that Helena was being shady, I suspected that she was planning a coup, something we now know isn't the case. But that she has her own system and has been keeping track of things her own way the whole time is mind-blowing to me. I just assumed she was being difficult, but now we know she has something to hide. Namely Celine. Who the fuck is that? Is it even actually a person? Maybe some kind of codename or AI? What a great mystery you've sprung on us!

Damn, these three segments were gut-wrenching, yet intensely erotic as well! If this is how you do plot, fucking sign me up!



Author's Response:

"Since I've already brought her up, I'm really curious what Donnica and Annabel's reactions to him getting claimed will be. The last time something happened with Trevor, Donnica went full scapegoat on Annabel (and it wasn't even her fault). With this new dynamic between them, I really have no idea how Donnica will react now that something so serious that was partially Annabel's fault (because let's be honest, this was almost entirely Penelope's fault, even if Annabel should have been paying attention to the portal). That should be interesting to see as the chapter progresses."

Thanks for calling this out! I've seen a few people come down hard on Annabel (and sure, she absolutely messed up) but you're right: this was mostly Penelope’s fault. She made the claim, she crossed the line, and she did all the awful things that followed. Annabel should’ve been paying attention, yes, but she didn’t orchestrate this. As for how it all turns out... well, you’ll see what fate has in store for Penelope soon enough.

 

"But while we're playing the blame game here, we might as well throw some Trevor's way as well. It was noble of him to try to do what was best for the firm, for Donnica despite herself, even when it went directly against Donnica and Annabel's demand that he always be accompanied around the office. But this was also pretty stupid of him, especially since he really, really wanted to avoid using that emergency clicker."

Another solid point! Trevor definitely shares some of the blame here. He’s got this habit of, let’s say, speaking beyond his size. Noble intentions sometimes sure… but not the safest strategy in a world like this. Especially not when he’s ignoring clear rules (and people!) meant to protect him.

 

"But I don't think this is going to last, though. Trevor's status can't stay this way. You put too much emphasis on what all someone applying for Status-C has to go through to be granted it, both in the previous chapter and in this one. The "loophole" Penelope found, using Helena's position to override Donnica's claim, strikes me as more of a system thing than a legal one. As in someone like Helena could step in and override things if it's in the best interest of the tiny, not to claim them for themselves. There's no way the government would make you go through such an extensive process, one that many willing applicants have failed for fickle reasons if S1 is anything to go by, only to just allow someone else, even someone like Helena, to just swoop in and claim an applicant for themselves."

This is such an interesting take. You’ve really dug into the nuance here, and I love that. The idea that Helena’s override is more of a bureaucratic flex than a legal foundation? Definitely something worth thinking about. You raise a great point but if the Status-C process is that rigorous, can a loophole like this really hold up? And if Trevor is now technically Helena’s property... what kind of recourse does Donnica even have? What happens to Trevor in the meantime? It could be a messy legal gray zone Trevor has to navigate here!

 

"So yeah, this isn't going to last. I don't know if Helena is smart enough to realize this or if Donnica is going to have to file a lawsuit to regain her property, but Trevor's time as a true slave is limited. You're not fooling me, even if I still have that sense of dread in the pit of my stomach worrying about Trevor. Because as much as I believe I'm right on this, I can't really know that for sure. And even if I am, that's not going to help Trevor much in the short term, as we saw in S4 (which I'll circle back to shortly)."

If I’ve got that little knot of dread sitting in your stomach, then I’ve done my job! I was curious how people would react once the Status-C interception hit, and the feedback so far has been amazing. One reader even told me they had to stop reading for a bit just to catch their breath after it happened. Mission accomplished!

 

"All of this, in my mind, makes Penelope nothing more than a gorgeous, entitled idiot. I don't see how she's going to come back from this, unless Helena can think of some legal basis to justify the claim override, like a false claim of abuse or something. That being said, you set her up as being the one to do this quite well. She thinks that tinies in America are basically up for grabs, that it's only a matter of waiting until their registration status changes and then no one cares. That last line about her loving America really drives this point home. She really thinks it's that simple here, and that she, a regal brit with a queen complex (I loved every single one of those royalty references, by the way!), can just grab Trevor up and take him, even though he was supposed to be claimed by Annabel and Donnica."

Oh god yes… Penelope was such a joy to write. You know how much I love a bratty, smug giantess, and Penelope checked every box. I definitely had fun hinting at her background too, there’s more to her history with tinies. And I had such a blast writing a bitchy giantess who plays by the rules for once, well, sort of. Her little foray into American dating was all about toeing that legal line: going after registered tinies, technically permitted, but still trying to dominate and control them every step of the way. It’s her own twisted version of “playing fair.”

 

"Also, it was interesting to hear that the UK (and presumably a good portion of the world) inherently protect tinies status as people rather than privatizing it like the U.S. does. That certainly plays into the greedy Americans stereotype pretty well, and the fact that this makes the country the envy of people like Penelope, foreign visitors who want to own a tiny with a will of their own, makes a lot of sense. I was intrigued that it was mentioned a couple times that Penelope had owned tinies before, though, and broken-in ones at that. The tiny trafficking trade must be alive and well under the shadows of Big Ben and Old Bailey!"

The whole "pay-in registration" system was actually inspired by the American healthcare model, where survival itself sometimes depends on what you can afford. Years ago, when I first started reading about how people were dying from lack of basic medical coverage, it honestly shocked me. That real-world absurdity made its way into this story’s legal system. So yeah, high fiction, but maybe not that far from reality…

 

"But the pocket might have been my favorite part of these three segments. I've praised your emphasis on giant footsteps quite a bit, but this was such a unique take on it! I love how carelessly she stuffed him in her skirt pocket, but it was how his whole world was utterly rocked with each step as she strutted through the office that really got me. You had me at the word thigh! That was such a great detail, her thigh knocking him down as it rushed up to meet him in the pocket over and over as she walked without a care in the world. So good!"

You always seem to point out the things that I'm super proud of but that I don’t think anyone would notice. So thank you. I LOVED writing that pocket scene... it was a great way for me to supercharge that transitional moment from the office to the car. And, like most of my size play stuff, it took way more rewrites than it probably should have. Honestly, I liked the way that one turned out so much I might throw another pocket scene in soon!

 

"Anyway, back to the smut, your luxurious writing style worked its magic here. The way she lowered him to her panties so slowly, making him take in every inch of her, was awesome! Uh, disgraceful! I meant disgraceful! What a menace Penelope is. A sultry, bratty, sexy British menace. Um, what were we talking about again?"

you know it’s been a while since Trevor was used like this! Back on the island he was played with by those two teenage girls (which he actually didn’t seem too bothered by) and he had that little scare with Annabel when she ambushed him at her apartment... but nothing this intense since the early days with Amber (and wow, has she evolved since then!). It kind of felt inevitable; he keeps pushing these towering women, keeps putting himself in danger, and eventually... well, it catches up.

And yeah, seeing him fully stripped of agency again, trapped under a woman who thinks she’s literal royalty? It hit wickedly good! I especially loved tying that ass smut back to the bathroom scene with Helena. Penelope’s menace was so fun to play with. her entitlement, her control, that ridiculous accent of hers (which I definitely botched at times, but hey, I tried!).

 

“Oh, and I didn't forget about Celine and MINAR. When we first learned that Helena was being shady, I suspected that she was planning a coup, something we now know isn't the case. But that she has her own system and has been keeping track of things her own way the whole time is mind-blowing to me. I just assumed she was being difficult, but now we know she has something to hide. Namely Celine. Who the fuck is that? Is it even actually a person? Maybe some kind of codename or AI? What a great mystery you've sprung on us!”

Love this whole section and all the theories you tossed out in the paragraphs before it… but I’m going to stay quiet on it for now. If you’re feeling mystery, tension, and intrigue, then that’s exactly where I want you. I’ll just say that Celine and MINAR both play a big role moving forward. Once you’ve read the next three segments, we’ll definitely revisit this conversation.

Reviewer: It Was Me Signed starstarstarstarstar [Report This]
Date: June 22 2025 9:59 PM Title: PART 28

I have to admit, I didn't expect the two month time jump. I figured there would be drama surrounding the vetting process for Status-C. If S1 is any indication of how things are going to go, however, it seems like there could be more drama at the destination than there was along the journey!

But I want to start with Donnica. Yeah, Annabel is the star of the opening segment, but there were a lot of interesting things going on with the goddess mother here as well.

In fact the first thing to jump out at me as I was reading was how Donnica handled Annabel's bratty attitude. Donnica exhibited a level of patience we haven't seen from her, except maybe when fighting with Trevor. She made an effort to be calm and keep her frustration in check. She was firm yet gentle as she kept trying to keep Annabel on task. She was loving even as Annabel pushed her buttons, going so far as to let Annabel take her desk for a "break" at the end of the segment, resigning herself to the couch.

This is so different than we've seen Donnica behave with anyone else. She was so motherly with Annabel, which got me thinking about Amber, actually. Donnica has no clue how to relate with her daughter and build that relationship up, so she ends up more or less treating Amber like everyone else, ordering her around when she wants something from her. Yeah, there are moments where Donnica really tries and that kindness shines through just a bit, but the regular mother is lost when it comes to parenting, an area in which the goddess mother thrives from the look of it.

Donnica so naturally, so effortlessly handles Annabel in a way that Amber can only dream of, and that really hits me hard. I don't even think Donnica is aware of this. She has an awesome mother-daughter dynamic with her secretary, yet she constantly laments not being able to do so with her actual daughter. It makes me feel bad for both Amber and Donnica. For Amber, that's all she's ever wanted from her mother: not money or status, but a real loving relationship. Donnica feels the same way, but between struggling to claw her way to the top and the harsh, aloof way her own parents raised her, she just doesn't know how to do that.

So while I found Donnica being soft and beyond understanding during Annabel's tantrums, that kept weighing on the back of my mind the whole time.

The other thing I noticed about Donnica was that her stance on tinies seems to subtly be shifting. It was fantastic to find out whatever happened to Chelsea and incredibly sad/hot to see her demise at Annabel's heels, I think the reason how she got in that position in the first place is really intriguing.

I was a little surprised when it was revealed that Donnica was so open to seeing if Chelsea could actually prove useful when we were getting that backstory on the doomed tiny. In my mind, the old Donnica would have never considered it and would have been insulted at the very idea of this even being uttered, especially by a tiny. Chelsea was right to fear that she'd get stuck in Donnica's glorious ass, as that's what I thought was going to happen, too.

But instead, Donnica gave Chelsea a chance. And when the tiny made good on her promise, Donnica gave her a new role, only forcing Chelsea to service Donnica's own pussy every so often. No, Chelsea's new role was that of "pocket assistant," doing valuable work for her master instead of menial, humiliating tasks.

And if I had been drinking something when Donnica told Annabel that Chelsea was better at going through files than the giant assistant, I'd have choked on it. For Donnica to acknowledge that a tiny has superior skills to a giant in something relevant is a huge step for the goddess (like at least a 36-Chelsea-long stride)!

Obviously Donnica isn't a tiny sympathizer, and she still considered Chelsea a slave, but she saw real value in Chelsea. That, to me at least, is a massive break from her old fanatical worldview that all tinies are useless and should only exist to service and amuse their giant masters. I don't know if she'll ever take a more pro-tiny stance (probably not), but I still think this is a development worth keeping an eye on.

Speaking of Chelsea, man, how heartbreaking is her story! It's bad enough being broken by Annabel and servicing Donnica, but to be used office-wide like that is such a high level of cruelty, all without any of her former peers even giving it a moment's thought. To be treated like a product by those you used to call peers, to hear them gossiping and going about their lives like they always had, like she used to do, while she was in constant agony inside their panties, not even worth acknowledging, had to be unbearable for her! Add in the new employees, people she would have seniority over if she were still big (and she hadn't walked out in solidarity for John Turner, which implies she herself wasn't a sizeist like the rest of her former coworkers seem to be), and the sting only gets worse.  And the taunts from some of those who knew her, probably jealous of her skill given that it was enough to attract Donnica's attention even at an inch tall, rubbing her new size in her face at every opportunity, might be the worst part.

Other than the raping. The raping is definitely the worst part!

But it really strikes me that not one of these women, especially those who used to laugh and share casual conversation with Chelsea, never seem to look at her and think, "Oh shit, this could happen to me!" Donnica thinks herself a goddess and Annabel has her own firm beliefs about size, but to see so widespread an eagerness to simply use and abuse a former colleague, all without any of them showing a hint of concern that they themselves could just as easily end up in her position one day, is the epitome of hubris. You'd think at least one of them would watch as one of their friends takes Chelsea out of the cage and think, "Would she do that to me if I got infected?"

That this isn't the case is really interesting to me. Is this just a case of "it'll never happen to me" syndrome, or is there a general public perception that the virus is under control and no one else needs to worry about shrinking? Maybe they've been told the virus has been eradicated altogether? This peek at how the larger world (or at least the larger view of Donnica's firm) views tinies is as curious as it is frightening!

Then there's my girl Annabel! I know some people haven't been so much into the whole goddess mother stuff, but it was so good here! I really enjoyed petulant, bratty Annabel, and the fact that she is now comfortable enough to act this way directly to her master solidifies just how complex their relationship really is.

So obviously this isn't your standard master-servant relationship, and I've already mentioned how great motherly Donnica was in this segment. But while Annabel loves and wants to do what makes her master happy, its her service to the goddess mother that gives her her own happiness! Feeling shutout really bothered her, and she wasn't afraid to let Donnica know it, master or not. So she stood up to her goddess mother in the only way she knew how: She threw a bratty tantrum and made her master deal with her.

We saw that feeling culminated when she finally got underneath Donnica's skin and got herself growled at before her master left her office to go deal with the tiny-person legal department (does that mean what I think it means?!). While virtually every person on the planet not named Trevor is terrified of Donnica's ire, Annabel loved being on the receiving end of it! Not because she wanted to upset her master or felt like it was some sort of victory but because she penetrated her master's shell and affect her master. I like how it was emphasized that affected didn't mean controlled here. Annabel doesn't want to influence or direct Donnica; she just wants to know that she can touch that part of her goddess mother that lay beneath that authoritative surface of hers.

It was also interesting to see Annabel be so jealous of someone else making themselves useful to Donnica. Yeah, the fact that it was a tiny made it worse, but I think she would have felt that way no matter who was earning her goddess mother's trust. Annabel wants to be Donnica's right hand, and other than Trevor, there's not room for anybody else to step in and let Donnica lean on them like she had started to do with Chelsea.

The contrast between how Annabel and Donnica viewed Chelsea also stood out to me. I mentioned above how I feel like Donnica's treatment of Chelsea indicated a slight shift in her belief system, but that most certainly wasn't the case with Annabel here. Annabel just couldn't get over the fact that Chelsea was a tiny, and it bothered her to no end that this bug had wormed her way out of her "real" duties. She couldn't see how useful Chelsea was to Donnica or how much it would make her master's life harder if Chelsea wasn't around to handle that administrative stuff anymore. No, all she saw was a pussy slave duping her master into a reprieve and stealing Annabel's own spot with Donnica in the process.

This is where Annabel distinguishes herself from a regular servant. Anyone else would have been happy that Chelsea was making Donnica's life easier. Not Annabel, though. No, Chelsea was a problem, no matter how useful she seemed to be. And even if it upset her master, she needed to find a way to "fix" it.

Donnica is so used to Annabel's devotion that she never even considered that Annabel might intentionally kill Chelsea in a fit of jealousy. That thought never entered her mind. Even Annabel's bad acting went unnoticed by her. That's why Donnica never even thought about Chelsea being in danger when she left the room.

And holy shit did you kill it with that whole scene of Chelsea's death! From Annabel shifting those files on Donnica's desk, such a simple act creating a nightmare for Chelsea that literally rattled her to her core, to Annabel sticking her tongue out at the stain on the floor that had once been Chelsea, I was completely dialed in. You detailed Annabel lifting, carrying, and setting down the breakfast tray so well, nailing how world shaking all of this was for the pocket assistant, as well as how easily Annabel's steps drowned out the tiny's pleas.

And that part where Annabel actually put the files on Donnica's desk? Brilliant! I loved the quick-shifting perspectives from paragraph to paragraph, letting us know how casually Annabel was walking while Chelsea was stuck on her hands and knees because the quakes of the giantess's indifferent steps were too much for her to take. That comparison, how easily and without thought or care Annabel was stepping and the cataclysmic results below, was perfectly done!

I also loved the childish taunt Annabel gave right before stomping Chelsea flat. It was so petty. So petulant. So perfect!

Don't get me wrong, I feel terrible that this happened to Chelsea. You even gave me hope for her, ya jerk! But man, you crafted her end masterfully!

But the biggest thing with this segment, plot-wise anyway, has to be Annabel not doing the task that Donnica assigned her. Annabel is so convinced that Trevor's portal status isn't going to change until the next day that she wants to do something "useful" instead. Even after she gets Chelsea out of the way, Annabel pouts after being scolded and takes that "break" in Donnica's chair, where she's obviously not watching the portal.

So yeah, I'm pretty sure something is about to happen with that. And Donnica asking if Annabel had heard from Trevor yet only seems to feed that idea even more.

I have no idea what that something is, but I do know that Annabel's petty brattiness and/ or Donnica's micromanaging of things is likely to play a role in it.

And that contrast drew my attention as well, now that I think about it. Annabel and Donnica are both ridiculously meticulous, but for very different reasons, and that is illustrated quite well here. Annabel has an almost OCD-level compulsion to make things exactly as she thinks they should be. It eats away at her, and that irritation usually doesn't bode well for those around her (except Trevor and Donnica, as she's devoted her life to them). But said compulsion has absolutely nothing to do with worry or concern, hence her behavior here.

Donnica is the opposite. She plans out every detail and has to know everything because she's constantly worried that something is going to go wrong or that someone is going to take everything from her. Again, I think this probably goes back to her past, where it sounds like she had to scrap for everything and earn her way to where she is now, not having any support from her parents or anyone she was dating along the way (until Trevor). Donnica is meticulous because she always expects something to go wrong, so she has to be ready for it, has to control it, stop it. She has to protect everything that's hers.

I just thought the difference between these two, despite both of them being very detail-oriented, was really interesting!



Author's Response:

“I have to admit, I didn't expect the two month time jump. I figured there would be drama surrounding the vetting process for Status-C. If S1 is any indication of how things are going to go, however, it seems like there could be more drama at the destination than there was along the journey!”

Funny thing, normally the Status-C process takes way longer than two months. But Donnica, with her deep industry connections and… let’s say “unyielding intensity,” managed to push it through at record speed. When Donnica wants something, she gets it.

 

“In fact the first thing to jump out at me as I was reading was how Donnica handled Annabel's bratty attitude. Donnica exhibited a level of patience we haven't seen from her, except maybe when fighting with Trevor. She made an effort to be calm and keep her frustration in check. She was firm yet gentle as she kept trying to keep Annabel on task. She was loving even as Annabel pushed her buttons, going so far as to let Annabel take her desk for a ‘break’ at the end of the segment, resigning herself to the couch.”

Thank you for highlighting this! Donnica’s patience here is such a crucial beat. Annabel’s not the only one who takes their relationship seriously… Donnica really does care, and I think sometimes that gets missed beneath all the power and dominance. She’s learning how to handle her brat. It’s messy. It’s growth. It’s kind of endearing.

 

“I was a little surprised when it was revealed that Donnica was so open to seeing if Chelsea could actually prove useful when we were getting that backstory on the doomed tiny. In my mind, the old Donnica would have never considered it and would have been insulted at the very idea of this even being uttered, especially by a tiny. Chelsea was right to fear that she'd get stuck in Donnica's glorious ass, as that's what I thought was going to happen, too.”

Donnica’s ass is glorious, isn’t it? Honestly, Chelsea might’ve been lucky to end up there! But yeah, it’s a fair observation… this might be a sign of Donnica softening, or shifting, just a bit. Or maybe she's just more strategic now... who knows?

 

“That this isn't the case is really interesting to me. Is this just a case of ‘it'll never happen to me’ syndrome, or is there a general public perception that the virus is under control and no one else needs to worry about shrinking? Maybe they've been told the virus has been eradicated altogether? This peek at how the larger world (or at least the larger view of Donnica's firm) views tinies is as curious as it is frightening!”

You’re right to zero in on this… it’s definitely something I plan to explore more deeply. The worldview of the giantess class, especially in relation to the virus, is a whole thing. It connects to how power is perceived and maintained. But hey... you just got the registration worldbuilding, don’t get greedy on me now!

 

“So obviously this isn't your standard master-servant relationship, and I've already mentioned how great motherly Donnica was in this segment. But while Annabel loves and wants to do what makes her master happy, its her service to the goddess mother that gives her her own happiness! Feeling shutout really bothered her, and she wasn't afraid to let Donnica know it, master or not. So she stood up to her goddess mother in the only way she knew how: She threw a bratty tantrum and made her master deal with her.”

I love how bratty Annabel’s become with Donnica. It’s such a perfect reflection of the unique (and increasingly complex) relationship they’ve built. You’re right, her reaction says so much more than a simple act of obedience ever could. And let’s just say... this tantrum might have consequences that stretch beyond this segment ;)

 

“Donnica is so used to Annabel's devotion that she never even considered that Annabel might intentionally kill Chelsea in a fit of jealousy. That thought never entered her mind. Even Annabel's bad acting went unnoticed by her. That's why Donnica never even thought about Chelsea being in danger when she left the room.”

Haha, that bad acting scene was such a joy to write. You nailed it, Donnica’s sense of superiority is so baked in that she misses the small stuff. It’s like her divine self-image creates blind spots, especially when it comes to those she thinks are unquestionably loyal. She assumes their love is absolute... and sometimes that’s a dangerous assumption.

 

“And holy shit did you kill it with that whole scene of Chelsea's death! From Annabel shifting those files on Donnica's desk, such a simple act creating a nightmare for Chelsea that literally rattled her to her core, to Annabel sticking her tongue out at the stain on the floor that had once been Chelsea, I was completely dialed in. You detailed Annabel lifting, carrying, and setting down the breakfast tray so well, nailing how world shaking all of this was for the pocket assistant, as well as how easily Annabel's steps drowned out the tiny's pleas.

And that part where Annabel actually put the files on Donnica's desk? Brilliant! I loved the quick-shifting perspectives from paragraph to paragraph, letting us know how casually Annabel was walking while Chelsea was stuck on her hands and knees because the quakes of the giantess's indifferent steps were too much for her to take. That comparison, how easily and without thought or care Annabel was stepping and the cataclysmic results below, was perfectly done!”

Ahhh thank you! These scenes always take the most rewriting. I usually start with a super basic version, then realize there’s not nearly enough sensory texture, and then just keep layering until it feels right. The key for this one was definitely contrast… making Annabel’s stroll casual, almost carefree, while Chelsea’s world is violently collapsing beneath her. Jumping between perspectives helped a ton. I’m so glad it landed!

 

“Don't get me wrong, I feel terrible that this happened to Chelsea. You even gave me hope for her, ya jerk! But man, you crafted her end masterfully!”

Haha, thank you! That was the plan all along… give her a full underdog arc. From slave, to brave little voice in Donnica’s presence, to earning a second chance... only to be obliterated by one giant, jealous, bratty foot. Even before I fully developed the Status-C plot, I had this scenario in my head. It just slotted in perfectly here.

 

“But the biggest thing with this segment, plot-wise anyway, has to be Annabel not doing the task that Donnica assigned her. Annabel is so convinced that Trevor's portal status isn't going to change until the next day that she wants to do something "useful" instead. Even after she gets Chelsea out of the way, Annabel pouts after being scolded and takes that "break" in Donnica's chair, where she's obviously not watching the portal.”

Ohhh yes. That little moment might be more important than it seems... and something very soon may hinge on it. Also, can we just take a second to appreciate how bratty she is spinning around in that chair? Iconic.

 

“And that contrast drew my attention as well, now that I think about it. Annabel and Donnica are both ridiculously meticulous, but for very different reasons, and that is illustrated quite well here. Annabel has an almost OCD-level compulsion to make things exactly as she thinks they should be. It eats away at her, and that irritation usually doesn't bode well for those around her (except Trevor and Donnica, as she's devoted her life to them). But said compulsion has absolutely nothing to do with worry or concern, hence her behavior here.

Donnica is the opposite. She plans out every detail and has to know everything because she's constantly worried that something is going to go wrong or that someone is going to take everything from her. Again, I think this probably goes back to her past, where it sounds like she had to scrap for everything and earn her way to where she is now, not having any support from her parents or anyone she was dating along the way (until Trevor). Donnica is meticulous because she always expects something to go wrong, so she has to be ready for it, has to control it, stop it. She has to protect everything that's hers.”

God, this is such a good take. If someone had asked me to differentiate their approaches to control, I might’ve gotten there eventually… but not this cleanly. You hit it perfectly: Annabel is driven by compulsion and vision, Donnica by anxiety and protection. And you’re going to love where this goes, because Annabel’s compulsions are about to get tested in major ways coming up in the story. Can’t wait to share what’s coming!

Reviewer: rubber Signed [Report This]
Date: June 18 2025 9:58 AM Title: PART 28

awesome chapter



Author's Response:

Thanks man! It was the longest yet, I’m glad you enjoyed :)

Reviewer: AdamX Signed starstarstarstarstar [Report This]
Date: June 18 2025 5:25 AM Title: PART 28

Well a lot to unpack here.

You really feel bad for Chelsea who seemed to have a rough go of it but finally seemed to be making headway before Anna got involved with her. She could've been an interesting foil for Anna all the while trying to just simply survive in their world another day.

Anna's brattiness showing through in somewhat defiance of Dominica could be something to monitor over the coming chapters. Seems some of her old ego still shines through even in her dedicated service to her Goddess.

Though with her bratty outburst and subsequent squishing of Chelsea it makes me wonder if taking her eyes off the portal or killing the help will have some unforeseen consequences down the road for her and more importantly Dominica.

----

HOLY FICK!

First you introduce a superior British baddie into the mix and make her so delightfully evil and wonderful all at once. Escaping the cruel British rule once more to rule over what was hers here in America like a true queen.

Then you make her sit there with Trevor acting all high and mighty over this poor beleaguered woman just to end up one up by her Posh Brilliance. Poor guy never saw it coming but its too late for now it seems.

This also feels like a big win for Chelsea...not much help now but Anna messing with her definitely had something to do with lapsing on the registration document in the first place. There is a strong chance if this goes super wrong without a fix Dominica may actually kill her or find a way to shrink her and hand her over to Amber.

----

Poor Trevor thought he was so high and mighty working that poor British rose to the bone well whose laughing now little man!?

Seriously though Anna is gonna get murdered by Dominica for this lapse in attention, I mean absolutely destroyed if this doesn't get corrected later on. Chelsea keeps on winning from beyond the grave which is not much of a victory but its something her ghost can hang her ghost hat on.

Also while not directly tied in currently Dominica's reaction to this could have bumming consequences for Amber and Becca. Not so much terror but her mood is bound to suck from this which feels like they could definitely get some unwarranted blow back during the storm.

---

OK I'm calling BS here on one small part...

There was no way the word -loving- could be applied to Anna or at least not without a myriad of circumstances that would lead to it first. Trevor was just lucky enough through Dominica to see that side of her that others like Chelsea never were given the chance to.

Penelope is a breath of fresh in this Yankee court, a lovely posh British Queen taking no crap from any tiny and even willing to cross DOMINICA herself should to time come which we all know it will once this gets out in the open.

If she lives through the rest of the story she could really touch her countrymen and even her continent a thing or two on dealing with tinies.

---

I kind of expected this to happen from the get go but poor Penelope, Anna got away with being a brat with little repercussions but it seems to not work in her favor as well.

Helena does seem fairly smart though so she should be able to smooth this over with Domica by throwing the poor Brit under the bus as much as possible. This could also mean the Kingdom goes from her cruel to Ana's which isn't much of a win for the tinies held within.

Penelope really should've just went back to England with him, no way to my knowledge Dominica could've touched her or at least known if she had left without telling a soul about her deed.

---

Celine is quite the little trouble maker but given all the shit she has to go through with Helena she is due for a little mischief when the time presents itself. I do wonder now though if Trevor will spill the beans on her importance to the firm via her tech skills as sort of one last f*ck you to Helena.

I'm sure she'd be a valuable asset to the company as long as you kept her away from Ana... 

As for Penelope I am a little bummed to see her eating so much shit especially since others have gotten away with some pretty deep stuff like Amber trampling Trevor's home to find Becca etc. Still though that might be because I have a little bias for a cute British baddie ruling over the wee folk whether they deserve it or not.

---

Brother shot his shot and seems to have gotten what he wanted for the moment.

Not sure if he will use this leverage to try to free Celine from Helena but given how him and Becca have occasionally lapsed in their quest for tinies rights it could one big thing he does to at least tip the scales in one tinies favor.

As for Penelope I'm sure there has to be plenty of places like Ana ran that could definitely use her services. A more fitting role with less red tape keeping her from her true ambitions of breaking little pests.

---

The red hair, the smelly feet...  I always kind of lowkey wanted to see Kimmy Gibbler get revenge on Stephanie for how rude and mean she always was to her so this was like a lowkey version of that very scenario.

That said it was incredible to see how Becca covered for her and how quickly they warmed to each other and opened up to each other. It makes me wonder if Scarlett had a little lady of her own in the past before she met Amber and Becca but I would venture we'll learn about that if the situation occurred.

It's awesome to see Becca get a win for the tinies after the treatment of Chelsea earlier and Trevor and Celine's night...well Celine kind of had a minor victory so not a total tiny loss.

---

Rapid fire:

Penelope as a British baddie hopefully doesn't met her end too soon as she has more of us American tinies to introduce herself to.

Chelsea likely deserved better but it wouldn't be a fetish story if everyone got the happy ending.

Celine seems like a fun little trouble maker who could throw a wrench into things now that she has a path to freedom outside the cage.

The whole Scarlett/Becca moment was awkwardly wonderful like it was meant to happen to truly bind the three of them together. Maybe even four should Scarlett find her own Becca one day.



Author's Response:

First off I want to say how much I love that you enjoy Penelope! She was such a blast to write, and while things didn’t exactly go her way I can promise you this isn’t the last we’ve seen of her ;)

“You really feel bad for Chelsea who seemed to have a rough go of it but finally seemed to be making headway before Anna got involved with her. She could've been an interesting foil for Anna all the while trying to just simply survive in their world another day.

Anna's brattiness showing through in somewhat defiance of Dominica could be something to monitor over the coming chapters. Seems some of her old ego still shines through even in her dedicated service to her Goddess.

Though with her bratty outburst and subsequent squishing of Chelsea it makes me wonder if taking her eyes off the portal or killing the help will have some unforeseen consequences down the road for her and more importantly Dominica.”

Yeah I purposely tried to write a hard underdog story for Chelsea, only to have it snuffed out by Annabel’s pettiness. It made the brattiness at the end be all the juicier.

And I have to laugh at your comments here, you called it, her outburst absolutely DID have some consequences down the road!

 

“HOLY FICK!

First you introduce a superior British baddie into the mix and make her so delightfully evil and wonderful all at once. Escaping the cruel British rule once more to rule over what was hers here in America like a true queen.

Then you make her sit there with Trevor acting all high and mighty over this poor beleaguered woman just to end up one up by her Posh Brilliance. Poor guy never saw it coming but its too late for now it seems.

This also feels like a big win for Chelsea...not much help now but Anna messing with her definitely had something to do with lapsing on the registration document in the first place. There is a strong chance if this goes super wrong without a fix Dominica may actually kill her or find a way to shrink her and hand her over to Amber.”

Absolutely wrote it that way… Trevor getting under her nerves and then finally the huge powershift when she claims him for Helena. Sounds like it landed good which is awesome.

Love your reaction to Penelope!

 

“Poor Trevor thought he was so high and mighty working that poor British rose to the bone well whose laughing now little man!?

Seriously though Anna is gonna get murdered by Dominica for this lapse in attention, I mean absolutely destroyed if this doesn't get corrected later on. Chelsea keeps on winning from beyond the grave which is not much of a victory but its something her ghost can hang her ghost hat on.

Also while not directly tied in currently Dominica's reaction to this could have bumming consequences for Amber and Becca. Not so much terror but her mood is bound to suck from this which feels like they could definitely get some unwarranted blow back during the storm.”

Yeah it’s been a while since we’ve seen Trevor in a place of powerlessness and fear. He was stripped of everything at the moment, literally in the palm of Penelope’s hand.

And oh yes, though we haven’t seen it yet, Annabel will certainly have some consequences to face for her lapse in attention lol… poor annie :(

 

“I kind of expected this to happen from the get go but poor Penelope, Anna got away with being a brat with little repercussions but it seems to not work in her favor as well.

Helena does seem fairly smart though so she should be able to smooth this over with Domica by throwing the poor Brit under the bus as much as possible. This could also mean the Kingdom goes from her cruel to Ana's which isn't much of a win for the tinies held within.

Penelope really should've just went back to England with him, no way to my knowledge Dominica could've touched her or at least known if she had left without telling a soul about her deed.”

I guess she could have gone back to England with him, but I think the hope was to win favor from Helena by presenting Trevor to her. It’s not explicitly said here what she needs Helena for… what her ‘fellowship’ entails or what Helena’s ‘covenant’ exactly is. But it’s important enough for Penelope to kidnap Donnica’s little man.

Helena herself has certainly started to show signs of what’s driving her… I wonder what’s going on…

 

“Celine is quite the little trouble maker but given all the shit she has to go through with Helena she is due for a little mischief when the time presents itself. I do wonder now though if Trevor will spill the beans on her importance to the firm via her tech skills as sort of one last f*ck you to Helena.

I'm sure she'd be a valuable asset to the company as long as you kept her away from Ana... 

As for Penelope I am a little bummed to see her eating so much shit especially since others have gotten away with some pretty deep stuff like Amber trampling Trevor's home to find Becca etc. Still though that might be because I have a little bias for a cute British baddie ruling over the wee folk whether they deserve it or not.”

Ahhh Celine, probably my new favorite character to write. She does have a little kick doesn’t she? Not just Helena’s footslave!

Hey man, Amber almost went to jail for crushing Trevor’s house. She was so devastated she could barely get out of bed. Penelope just got slapped in the face and endured some of Helena’s wrath, I’m sure she’ll bounce back… as long as her mom doesn’t find out :D

 

“Brother shot his shot and seems to have gotten what he wanted for the moment.

Not sure if he will use this leverage to try to free Celine from Helena but given how him and Becca have occasionally lapsed in their quest for tinies rights it could one big thing he does to at least tip the scales in one tinies favor.

As for Penelope I'm sure there has to be plenty of places like Ana ran that could definitely use her services. A more fitting role with less red tape keeping her from her true ambitions of breaking little pests.”

Trevor does seemed compelled to help our newest tiny super genius, Celine. He couldn’t get her outright freed, but he did get a session with her. We’ll see how it pans out for him, he’s a real ‘leap before you look’ type so things don’t always go according to plan (but it usually does make for an interesting read!)

 

“The red hair, the smelly feet...  I always kind of lowkey wanted to see Kimmy Gibbler get revenge on Stephanie for how rude and mean she always was to her so this was like a lowkey version of that very scenario.

That said it was incredible to see how Becca covered for her and how quickly they warmed to each other and opened up to each other. It makes me wonder if Scarlett had a little lady of her own in the past before she met Amber and Becca but I would venture we'll learn about that if the situation occurred.

It's awesome to see Becca get a win for the tinies after the treatment of Chelsea earlier and Trevor and Celine's night...well Celine kind of had a minor victory so not a total tiny loss.”

Yeah, I loved Rebecca covering for her to, already solidifying their friendship.

Scarlett’s history certainly could be a thing moving forward… she did admit to being a ‘microsexual’ so take that for what it’s worth!

It WAS nice to see Rebecca come out for the better here (so many times in this story it hasn’t) I loved ending the chapter on a light note :)

 

“Rapid fire:

Penelope as a British baddie hopefully doesn't met her end too soon as she has more of us American tinies to introduce herself to.

Chelsea likely deserved better but it wouldn't be a fetish story if everyone got the happy ending.

Celine seems like a fun little trouble maker who could throw a wrench into things now that she has a path to freedom outside the cage.

The whole Scarlett/Becca moment was awkwardly wonderful like it was meant to happen to truly bind the three of them together. Maybe even four should Scarlett find her own Becca one day.”

Again, I love you singling out Penelope and yes we haven’t seen the last of her ;)

Poor Chelsea definitely deserved better, but sometimes if you are tiny it just takes 1 giant shoe of a jealous girl to snuff you out :(

Celine is FOR SURE a lot of fun and you can expect more of her moving forward.

Loved getting Rebecca out in the open with Scarlett, I cant wait to roll that story-arc out!

 

Loved the review, and am glad you are enjoying the story!

Reviewer: GiantessLover21 Signed starstarstarstarstar [Report This]
Date: June 17 2025 12:12 AM Title: PART 28

Fantastic, as always. So many things are happening in this chapter, but the best is the new character Scarlett. What an incredible giantess, so happy for Amber and Rebecca, even if Rebecca is going to have to learn to enjoy another pair of stinky feet. And of course Celine, who was incredible tiny, I was scared she was going to be destroyed by Helena's treatment, but not at all; she does everything to piss her off. Fantastic One of the best chapters. And as a conclusion, fuck Penelope; she wanted to take Donnica tiny. 

Author's Response:

Yes I was so happy to show more about Scarlett, I love that you point her out. Same with Celine, another new character I am so happy to show everyone… and you’re right, she is absolutely NOT destroyed by Helena’s treatment, in fact, she not afraid to stand up to her at all.

Lol poor Penelope, she just want to make her mom happy :D

Reviewer: Ralgar Signed [Report This]
Date: June 15 2025 10:48 PM Title: PART 27

First off I am glad to see you return to writing.  I have greatly missed this story and very much want to see where it goes. 

Now then with this chapter you have cemented my thoughts about donnica, Annebel, and Trevor, and that they are all coocoo.

Trevor knows, knows just what kind of person Donnica is, but he is willing to give up all of his rights for her, well they say lover makes fools of us all. But this, is a lot. 

Then there thsi crazy Annebel and her fetish to call donica mommy and trevor brother. She is really cracked. And donnica and really cracked to. I get that she would be ecstatic in Trevor willing giving up his freedom to her, but that she loves Annebels fawning to is weird. 

How is is that Amber and Rachel feel like a far more stable and honest relationship than the supposed adults. And thats saying something considering how their relationship is developing, which to be honest I love. I am probably being a hypocrit when I say I am ok with Amber and Rachels relationship and have problems withj Trevor and Donnica and Annebel. But yea I find Amber and Rachel far more sane. Also I do hope one day that Rachel will have a proper place for a bed and not hidden like some dirty secret.

I am interested to see where the story line with victoria will go. I am also interested in seeing where the this with Scarlett goes. And will poor Rachel have to please to giant mistress. Poor gal.



Author's Response:

Thank you for the welcome back! I’m glad to see YOU back in the review column. I’ve missed your takes.

And you know, you are sort of right, it does seem like Amber and Rebecca seem to have the more traditional loving relationship when compared to the trio of adults… doubly strange when you consider how Amber and Rebecca started.

Still though, I cant felt but feel there is still something resembling love when you look at Donnica/Trevor + Annabel. As weird as it may seem.

Very excited to show you where the Naomi/Victoria storyline’s head, I’ve been sitting on it for a while.

New chapter being posted soon!

Reviewer: It Was Me Signed starstarstarstarstar [Report This]
Date: June 12 2025 11:29 PM Title: PART 27

VIN-DI-CA-TION!

It turns out I was right on the guilt thing with Amber. Honestly, I didn't expect that to even come up again this chapter, but I love how you resolved those feelings later in the chapter. And the whole exchange framed around Amber's guilty conscience made S4 my favorite segment of the chapter! The emotional conflict here was perfect!

While I suspected that Amber might blame herself for Naomi almost killing Rebecca, I wasn't sure why she would do this. You tied this together really nicely! I kind of remember Rebecca warning Amber that having her out in the open part of the house was a bad idea, but I wasn't even sure if Amber was sober enough to remember that, let alone feel guilty about it after Rebecca almost died.

I love how this wasn't a constant thing thrown in our face but came out at just the right time. I don't think this would have had the same impact if it had been blatantly put out there before now. But, at the same time, this helps explain Amber's overly protective nature when it comes to Rebecca (like not letting Rebecca decide to help Sarah with her video to get Amber back to the cabin). And realistically, it makes sense that this was just simmering in the back of Amber's brain, too, only coming to the forefront now because Naomi is back in their lives and Rebecca wants to help her (which, again, is amazing; Rebecca is such a good person. mean streak aside!).

But this scene went deeper than that. Amber could barely even muster a response when Rebecca mentioned that Amber had also done awful things to her. That's what really broke the big girl down, I think. And I was so glad to see this come up again! The way Amber asked "How dare you say that to me?" barely a whisper, no hostility behind it, felt like that was the last vestige of her "master" defense mechanism falling apart in the moment. That was such a great line!

To see Amber asking Rebecca (really herself, though) why she did those things to Rebecca, why she keeps doing terrible things to her, was such a satisfyingly moment, too. For her to acknowledge that hesitation she has before going into "master mode" is a big moment for her, and I love seeing her emotional walls come down. It's also good to know that she not only realizes what she's doing to Rebecca sometimes but actually feels really bad about it.

Not only that, but we finally got to see what happens when Rebecca keeps fighting after "Master says no!" And yeah, since I claimed vindication at the start of this review, I should also admit that I may have been w-wro ... wron ... uh, incorrect-adjacent when I kept saying that Rebecca was losing herself to Amber's will. Of course, I still think that's at least partially true, since Rebecca did point out that something was happening with the both of them, but it looks like I was wrong (there, I said it!) when I said that, at some point, Rebecca was going to become so lost that she wouldn't be herself when Amber needed her most.

Having said that, it was so gratifying to see Rebecca stick to her guns on this and discover that there are some issues that she's willing to fight for! Child abuse is definitely one of those issues, but to hear her expand that to helping anyone in need, especially women (sorry dudes!), fits her personality so well! This really paid off, too, as we see both at the end of this segment and in S5 (more on that in a second).

But yeah, master said no, and Rebecca stood her ground. I was so happy to see Amber start to break down rather than toughen up at this. Amber's love for Rebecca trumps her need to dominate her, and if Rebecca really, truly wants to "disobey" Amber, the giant girl isn't just going to double down and force her. Sure Amber has been aggressive with her in the past, but a part of Rebecca actually wanted it too. Rebecca has been losing this fight because it's a handicapped one: Rebecca versus Amber and herself.

But not this time, at least not enough to stop her from winning for once. Rebecca was able to push down that need to serve, to obey, and she didn't give up when Amber pulled the "master" card. After that, it felt like Amber was trying to convince Rebecca that she was wrong rather than just leaning on the authority of her size and personality even more. Even when Amber kept yelling at her, Amber came off as desperate rather than dominant.

Then, once Amber broke down and Rebecca was able to finally bring her back, Amber was truly ready to listen. I love, love, love that Amber asked Rebecca wanted her to do about Naomi. Now that the root of her hostility, her lack of empathy, had been addressed, Amber was ready to support Rebecca in any way she could. That was so touching! And Rebecca didn't take advantage of it, deciding that they had done enough (although I imagine this could easily change in the chapters ahead). She didn't want to push Amber too far. Like she said, Amber doesn't need to change the world; they just need to leave it a little better than they found it. It looks like Amber took those words to heart, too!

I say that not only because of her softening up on Naomi a bit (at least when Naomi isn't around), but also because of what happened between Scarlett and her in S5. I mentioned back in my S1 review that Rebecca, in her own way, was trying to teach Amber the same lesson that changed Annabel's life after Trevor taught it to her after that older date never got back with her. Amber is learning empathy, and it is glorious!

So instead of dwelling on her hate, Amber kicked ass in practice, then decided to be open and honest (in her own, socially awkward way) with her new soccer rival. At first glance, this approach seems to have paid off in a big way

I'm not 100 percent sure I trust Scarlett yet. I want to, and I hope Amber and she become great friends, but all that shady, deceptive stuff she did before doesn't just go away. Then she initially answered Amber's question about lying and embarrassing her in front of the whole team with another obvious lie, which was a bad start for sure.

But Amber pressed her a bit, and Scarlett seemed to open up. It makes total sense that Scarlett would be taking whatever shortcuts and making however many enemies she has to now in order to secure her future. So what she said makes a lot of sense, and I want to believe her.

I couldn't help but notice that Amber warmed up to Scarlett when the transfer started complimenting her, though. Maybe she was just being nice. Maybe she actually likes Amber. But that's also manipulation 101: go for the ego. I don't know, maybe I'm just paranoid, but I'm still a little suspicious here.

That being said, I did enjoy seeing these two appear to really bond, and I hope that's legitimate! Seeing Amber let down her guard a bit and just be a normal high-school girl felt really good to read. She's had things rough, much rougher than you'd expect for someone of her standing, so, much like when the soccer team rallied around her at the dance, I was really happy to see Amber loosen up and have fun.

Of course, now I'm worried that Rebecca might have a romantic rival on the horizon! I also wonder if she was in Amber's room or in her bag as all this was going on (I assume the room, since Rebecca was never mentioned).

I wonder how Rebecca will react to this newfound friendship. Will she be proud of Amber? Will she be jealous of Scarlett? Will she be annoyed that Amber maybe isn't as available now that she's out with a new friend from time to time? Will she come to regret trying to get Amber to hang out with her friends? Or will Rebecca start to wonder if she's been holding Amber back by having to hide in the giant's room, keeping Amber away from enjoying the best years of her life?

And on Scarlett's end, how does she feel about tinies? Most of the characters we've met so far either feel vastly superior to them, hate them, or just don't care. I wonder if she'll be the same, or if she'll be one of those nice, charitable giants we hear about from time to time (checks author's name Nope, definitely not that one!).

This should be really fun to follow in the chapters ahead. This is only the first one of a new arc, and we've already got so much plot movement here! I'm loving this!



Author's Response:

"It turns out I was right on the guilt thing with Amber. Honestly, I didn't expect that to even come up again this chapter, but I love how you resolved those feelings later in the chapter. And the whole exchange framed around Amber's guilty conscience made S4 my favorite segment of the chapter! The emotional conflict here was perfect!"

Haha, yes… Segment 4 was my favorite to write too. There’s been so much building toward this moment over the last ten chapters or so. Rebecca’s growing subservience, Amber’s dangerous tightrope walk between love and control... both of them pulled in directions they can’t quite explain. But then this issue comes up (something neither of them, especially Rebecca, can back down from) and it finally cracks the surface.

Also, I was grinning when I saw your callout in Segment 1 about Amber’s guilt. Even more so remembering that second-ever review you wrote, way back, where you said Amber was clearly dealing with some kind of trauma or mental issue that was twisting how she treated Rebecca. You really pick up on these things!

 

"But this scene went deeper than that. Amber could barely even muster a response when Rebecca mentioned that Amber had also done awful things to her. That's what really broke the big girl down, I think. And I was so glad to see this come up again! The way Amber asked 'How dare you say that to me?' barely a whisper, no hostility behind it, felt like that was the last vestige of her 'master' defense mechanism falling apart in the moment. That was such a great line!"

So glad you caught that! Writing natural dialogue is always a challenge… especially in emotional scenes like this. It took a lot of rewrites to get the pacing and rhythm right, to make the characters’ emotional trajectories land in a way that felt earned. And that line in particular... yeah, that was a big moment. The sound of Amber’s defenses finally collapsing. I’m thrilled it stood out.

 

"Not only that, but we finally got to see what happens when Rebecca keeps fighting after 'Master says no!' And yeah, since I claimed vindication at the start of this review, I should also admit that I may have been w-wro ... wron ... uh, incorrect-adjacent when I kept saying that Rebecca was losing herself to Amber's will. Of course, I still think that's at least partially true, since Rebecca did point out that something was happening with the both of them, but it looks like I was wrong (there, I said it!) when I said that, at some point, Rebecca was going to become so lost that she wouldn't be herself when Amber needed her most."

Haha, I’ve known this scene was coming for a long time… and I’ll admit, whenever I’d read your comments about Rebecca losing herself, I’d smile to myself. Because yes, it is partially true (which you rightfully pointed out) but that old Rebecca spirit is still in there, buried under all the conditioning. And bringing that back out in this moment, having her fight for something she couldn’t let go, it was so satisfying to finally write. I wonder what else she might be willing to fight for…

 

"Having said that, it was so gratifying to see Rebecca stick to her guns on this and discover that there are some issues that she's willing to fight for! Child abuse is definitely one of those issues, but to hear her expand that to helping anyone in need, especially women (sorry dudes!), fits her personality so well! This really paid off, too, as we see both at the end of this segment and in S5 (more on that in a second)."

I’m really glad you pointed out that line (“especially women”) because it was a deliberate choice. Rebecca lived through abuse at the hands of her stepfather, and watched him tear down her mother, too. So, while she’d help anyone, that pain gave her a particular sensitivity to vulnerable women. That line just felt right for her in that moment… deeply personal, quietly powerful, and perfectly in character.

 

"Then, once Amber broke down and Rebecca was able to finally bring her back, Amber was truly ready to listen. I love, love, love that Amber asked Rebecca what she wanted her to do about Naomi. Now that the root of her hostility, her lack of empathy, had been addressed, Amber was ready to support Rebecca in any way she could. That was so touching! And Rebecca didn't take advantage of it, deciding that they had done enough (although I imagine this could easily change in the chapters ahead). She didn't want to push Amber too far. Like she said, Amber doesn't need to change the world; they just need to leave it a little better than they found it. It looks like Amber took those words to heart, too!"

That moment might be my favorite in the entire segment. It’s the moment when the “master” becomes the student… when Amber, stripped down emotionally, is finally ready to hear Rebecca. And yeah, I’m so glad you mentioned that final line. “We don’t need to change the world, just leave it a little better than how we found it.” As a personal note that’s something my mother used to say, and it felt so meaningful to include it here. To have it echo at the end of such an emotionally charged scene... it meant a lot.

 

"So instead of dwelling on her hate, Amber kicked ass in practice, then decided to be open and honest (in her own, socially awkward way) with her new soccer rival. At first glance, this approach seems to have paid off in a big way."

Yes! This is exactly what I was hoping readers would take away from the pairing of Segments 4 and 5. Amber takes the emotional lesson from 4 and then acts on it in 5. She sets aside her pride, her frustration, and just… talks. Opens up. Tries. And yes, it was all thanks to Rebecca. She’s the compass that keeps Amber pointed toward her better self.

 

"That being said, I did enjoy seeing these two appear to really bond, and I hope that's legitimate! Seeing Amber let down her guard a bit and just be a normal high-school girl felt really good to read. She's had things rough, much rougher than you'd expect for someone of her standing, so, much like when the soccer team rallied around her at the dance, I was really happy to see Amber loosen up and have fun."

Totally agree. There’s something so satisfying about watching Amber just be a teenager for once. And so far, she and Scarlett seem to have patched things up… especially after that rocky start on the field. I’m definitely excited to see where their relationship goes. And just to confirm, from me as the writer: Rebecca was not in the bag during that scene ;)

 

"And on Scarlett's end, how does she feel about tinies? Most of the characters we've met so far either feel vastly superior to them, hate them, or just don't care. I wonder if she'll be the same, or if she'll be one of those nice, charitable giants we hear about from time to time (checks author's name Nope, definitely not that one!)."

Haha, Look, I am what I am, but hey, I’ve been known to write something gentle once in a while…

 

"This should be really fun to follow in the chapters ahead. This is only the first one of a new arc, and we've already got so much plot movement here! I'm loving this!"

OMG, tell me about it. I feel like I went from Mr. Minimal Plot to full-on tangled-threads-and-character-arcs chaos overnight. I always knew I’d have to take these characters out into the wider world eventually... but man I’m still not used to having to track so much!  

(I hope you enjoy where it’s all going!)

 

Final note: it’s so good to have your reviews back. They’re a joy to read, and they really help me think through the story from new angles. And look at that, I even had more than one night to write this response! It’s like Christmas over here.

Much love brother!

Reviewer: It Was Me Signed starstarstarstarstar [Report This]
Date: June 12 2025 4:38 AM Title: PART 27

One thought kept running through my head as I read through S3:

Helena really is pathetic, isn't she?

The more we learned about her history with her unnamed rival, the more I felt this way about her. So Helena spent her whole life going against this person, losing every single time, and now she's basking in her "victory" that came only because the virus and the law destroyed her? That's really pathetic.

It gets worse. Since the law stripped the rival of all her possessions, Helena, the stalker that she is, bought up all her shit, including the rival's ancestral home, just to take it away from her. She couldn't take anything away from the rival in a fair fight, so she waited until something else beat the rival then claimed all her shit like she had won. That's extremely pathetic.

Oh wait, there's more! Helena had to have the tiny rival herself! She needed to own her superior, make the her tiny better her slave. Because Helena could never defeat the rival, she needs to make the rival suffer, humiliate her in a nightly ritual in a vain effort to make herself feel above the rival. Pa-the-tic!

Not only that, but the only way she can get the rival to worship her feet is to threaten the rival's sister. The rival is so strong that, even as a tiny, she has the strength of will to resist the giantess's orders, only complying to spare her sister a worse fate. So Helena can't even dominate this woman properly when she's only an inch tall. Fucking pathetic!

Finally, even after abusing this woman under her feet, making the stench of her feet seep into the rival's very bones, she still can't get the rival to call her "accept her rule." And this bothers Helena, because she knows, deep down, that despite all the advantages life has thrown her way in this rivalry, she still hasn't truly won. That may be the most pathetic thing of all!

I really like the rival, though! I hope we see a lot more of her in the chapters ahead and even see her find a way to improve her (and her sister's (situation) a bit. Also, I wonder if the rival felt as passionate about their rivalry as Helena did. It would be hilarious if it came out that the rival didn't even know they were competing! I doubt that, though, although I do think the way her backstory was set up that we likely haven't seen the last of this tiny badass!

I will say that, despite how pathetic I found Helena as the segment went on, you, as usual, sold her divinity incredibly well at the start of the segment. The way she made the cage tremble atop the table with her steps walking into the room? Fucking hot!

I'm also in awe of your ability to right foot scenes so radically differently. This isn't the first time you've written a brutal perspective on foot play, but it's still amazing to me how differently you can portray Trevor being in total bliss at Donnica's feet and still so thoroughly portray the agony of the rival in this scene. The diversity with which you write these scenes is really impressive!

It's odd: I don't recall Helena being Donnica's partner in building up the firm (not in the sense that she seemed to use it here, anyway; I'm sure Helena is at least a senior partner at the firm, but that's not what I interpreted Helena to be referring to here). Yeah, Donnica, based on what she said when Trevor first wanted Helena fired, thinks that she is valuable to the firm. But if Trevor thinks they can do without her, she's not vital.

Not only that, but it's interesting how Helena worded things in the narrative. Donnica was her partner. She needed Donnica by her side. Donnica was holding her back, becoming a problem. You'd think this was Helena's firm from the way she puts things. So Helena is pathetic and entitled. Got it. Must be that old money mentality, being from a powerful family and all.

Of course, Helena greatly underestimates Donnica's feelings for Trevor, even after being shut out of Donnica's good graces for even accidentally "making use" of Trevor and putting him in danger. Helena is too set in her ways to see what's right in front of her face: that Donnica is truly, deeply, and madly in love with Trevor. So she can't bring herself to understand that "removing the root" of the problem is only going to make things so much worse for her. If she tries to do something to Trevor, Donnica will destroy her (assuming Annabel doesn't claw her eyes out first). And if Helena actually succeeds? God help her!

It's funny, though. I always assumed Helena would take Donnica's relationship with Trevor as a sign of weakness and just try to take over the firm, as Donnica did before her. She may still try that at some point, but I was a little surprised to hear her imply that getting rid of Trevor would solve all her problems.

Anyway, it was really interesting to get a deeper look into Helena and meet a new character along the way, too! Maybe next time we'll even get a name for her!



Author's Response:

"Finally, even after abusing this woman under her feet, making the stench of her feet seep into the rival's very bones, she still can't get the rival to call her 'accept her rule.' And this bothers Helena, because she knows, deep down, that despite all the advantages life has thrown her way in this rivalry, she still hasn't truly won. That may be the most pathetic thing of all!"

Why don’t you tell me how you really feel about Helena?

Yeah, this segment definitely put the Special Council into sharper focus. I’m starting to wonder myself just how deep Helena’s hatred for this rival really goes... and how long it’s been festering.

 

"I really like the rival, though! I hope we see a lot more of her in the chapters ahead and even see her find a way to improve her (and her sister's) situation a bit. Also, I wonder if the rival felt as passionate about their rivalry as Helena did. It would be hilarious if it came out that the rival didn't even know they were competing! I doubt that, though, although I do think the way her backstory was set up that we likely haven't seen the last of this tiny badass!"

You’d be right about that… this tiny badass is far from done. In fact you might be seeing more of her as early as the next chapter. And who knows, maybe this time she’ll even get a name. ;)

 

"I'm also in awe of your ability to write foot scenes so radically differently. This isn't the first time you've written a brutal perspective on foot play, but it's still amazing to me how differently you can portray Trevor being in total bliss at Donnica's feet and still so thoroughly portray the agony of the rival in this scene. The diversity with which you write these scenes is really impressive!"

That means a lot to hear, thank you! It’s honestly one of my favorite contrasts to explore. Foot guys (myself included) definitely love the scent and taste, but there’s something uniquely powerful about forced worship, especially when the victim is miserable. There’s a cruelty to it that heightens everything. That power imbalance hits on a different level than consensual indulgence. So yeah, writing scenes where Trevor or Rebecca bask in bliss is great… but coming back to raw, degrading scenes like this scratches a very different, very fun itch. It had been a while since I’d done a foot scene like this, and it was a blast to return to it.

 

"It's odd: I don't recall Helena being Donnica's partner in building up the firm (not in the sense that she seemed to use it here, anyway; I'm sure Helena is at least a senior partner at the firm, but that's not what I interpreted Helena to be referring to here). Yeah, Donnica, based on what she said when Trevor first wanted Helena fired, thinks that she is valuable to the firm. But if Trevor thinks they can do without her, she's not vital.

Not only that, but it's interesting how Helena worded things in the narrative. Donnica was her partner. She needed Donnica by her side. Donnica was holding her back, becoming a problem. You'd think this was Helena's firm from the way she puts things. So Helena is pathetic and entitled. Got it. Must be that old money mentality, being from a powerful family and all."

That line “wanting Donnica by her side” wasn’t supposed to mean they co-founded the firm, or that Helena was a partner.

...wait a second.

Huh. Now that you bring it up, what did she mean there exactly?

Maybe Helena has other plans for Donnica, outside the office...  

Thanks for pointing that out though. I didn’t realize it might be read that way. Might have to go back and give it a rewrite

 

"It's funny, though. I always assumed Helena would take Donnica's relationship with Trevor as a sign of weakness and just try to take over the firm, as Donnica did before her. She may still try that at some point, but I was a little surprised to hear her imply that getting rid of Trevor would solve all her problems."

Who knows what’s really going on in that massive, entitled head of hers. She must know how important Trevor is to Donnica, right? Still, Trevor’s proven to be at least a little clever, so hopefully he’s got enough wits to hold his own if Helena’s plotting something.

Reviewer: It Was Me Signed starstarstarstarstar [Report This]
Date: June 10 2025 7:34 AM Title: PART 27

So I just finished reading S2, and holy fuck! You gave us all those hot, sexy details on registration! That might be the smuttiest smut you've ever written!

But yeah, I really appreciate finally getting a look into what registration means, and you were so thorough with the explanation here! So being unregistered doesn't mean that bigs can just do whatever they want to you; it just amounts to that because you're no longer in the system, and they can't track you anymore. That makes a lot of sense. You can't squish an unregistered tiny in front of everyone without getting arrested, but no one will be able to find an unregistered that's been kidnapped unless they get extremely lucky. This is kind of how I thought it would work.

And of course the insurance companies are running this thing! Because of that, having full, unhindered personhood as a tiny means you have to pay for full registration. Shared registration makes sense for most mixed-sized couples, with bigs taking on some responsibility for their tiny significant others, while the tinies themselves are able to keep their rights.

Owned registration is interesting, as it infantilizes tinies and makes the bigs wholly in charge of their well-being. So you still can't touch a tiny who's "owned," but the big "owner" is a complete authority figure for their tiny lover. I could see some people willing to give up some rights in order to also abandon responsibility, leaning on their giant partner to handle things for them.

Status-C is the most intriguing option, however. Out of curiosity, do you have a logical scenario in mind in which a tiny might voluntarily sign on for this (other than the love scenario that Trevor is living; I'm talking real-world practical reasoning). Off the top of my head, I can't think of one. But that doesn't hurt my suspension of disbelief, as you made clear that this is extremely rare and listed a litany of things a tiny has to go through before their change to Status-C is approved. Actually, I can see that process playing out over the course of this next arc, so that might be interesting if you go that route.

So I was asking for an example out of curiosity more than anything. I just couldn't think of a reason that someone would want/need to become literal property in the eyes of the law.

As for Trevor deciding to do this for Donnica and even wanting to include Annabel in it as well, I don't know if it's the right move for him long term, but damn if it isn't a massive sign of commitment to and trust in his girls. This a huge move for him, going from wanting his own place to complete and total surrender to his giant lovers (to the point that even Donnica didn't dare ask for, which is really saying something with how entitled she can be).

But I also feel like Donnica showed him that he could trust her with this just before he announced it, with her reaction to his "joke." Most of the early part of the segment was devoted to how much this registration issue bothered her, how it ate away at her, and even how upset she was at him for making her feel this way. But when push came to shove and Annabel asked Donnica to make Trevor give up the idea of getting his own place again (more on that in a second), Donnica swallowed all of those feelings and backed up her man's "decision," even though she hated it and didn't understand it.

She supported his right to choose for himself, even when she knew that if she forced the issue, she could probably get him to drop it. She loves him that much (I mean, think about how forceful she is with everyone else), and she truly wants him to make his own decisions on things like this. She just wants those decisions to go the way she would prefer them to.

So, to me, that was a huge moment for Donnica. In previous chapters, this very discussion has been a fight, an emotional breakdown, or a push that leads to sex as they kicked that can down the road. I don't believe she's ever outright supported his right to choose, even if she was thinking it at times about other things. This gives me real hope she won't abuse this new class of ownership Trevor is giving her over him.

And, by the way, that little game Trevor played with them was great! Not only was it funny, but it also showed how much power Trevor actually has over maybe the two most dominating giants in the story. With just a few words spoken in a casual tone, he upended their whole world and sent them into panic mode. In that moment, he was in total control of the room, and it was amazing to see!

But back to Annabel trying to get Donnica to stop Trevor, I think it's really interesting that she appealed to Donnica rather than trying to stop Trevor herself. Now, maybe she just didn't want to boss Trevor around because that's Donnica's job, but I think something more is at play here. I've said before that, in a weird way, Annabel views both Donnica and Trevor as her masters. This plays out different with Trevor because of his size and status as a tiny, with Annabel making decisions for his safety rather than commanding him in her (or even his own) interest.

So I think Annabel begged Donnica to make Trevor "do what we want" because she couldn't do it herself. Her beliefs wouldn't allow her to, no matter how "unacceptable" she found his decision. The only one she sees having the authority to do that is Donnica, and Donnica actually disagrees with her, no matter how deep she falls into her goddess fantasies.

Also, Annabel tried to get Donnica to order Trevor to give up the idea because not only did Annabel want this to stop, but she knew that Donnica would be miserable as well. She didn't want to see her goddess suffer, so she begged the goddess to undue the very thing said goddess hated in the first place.I found this really intriguing.

But backing up to the start of the segment, I love how much attention is paid to Donnica's feelings about Trevor's registration here. I love how powerful and infallible you make Donnica seem most of the time, but that's partly because of how much more meaningful vulnerable moments like this one become.

Donnica knows that Trevor will never leave her, but it still bothers her that she doesn't own him. Why is that? Why does this haunt her every time his registration is pinged?

Because she has abandonment issues.

Her family was distant when she was a kid. Every lover before Trevor was meaningless in her eyes (and we know a few of them are actually monsters), and those relationships obviously never lasted. Hell, even her own daughter is pretty distant with her, even though both of them seem to want to change that (but don't know how). Her friends are shallow bitches who care more about status than actual friendship. I don't know if Donnica has ever had someone who's truly close to her in her life before.

He gives her a love she's never felt before, and her fear of losing that will probably always be present (I'm predicting that this will find some way to continue even after she owns Trevor completely). Granted, she's feeling something very similar with Annabel now, but I still think that's a different kind of love, one she knows will always be there, given Annabel's devotion.

So yeah, I loved seeing this play out in her head as she sat on her bed staring at her dark-screened phone. That visual really helped set the mood, by the way!

Sometimes she was mad at herself for her feelings not making sense. Other times she was mad at Trevor for making her feel as though he could leave her at any time, even though Trevor made it clear that he's there to stay. She's just so afraid of losing him that his assurances weren't enough. Her initial reaction on this Status-C stuff seems to indicate that this will do it, even if, again, I feel like this feeling is going to find a way to linger within her.

The smut scene on the back end was so well done! I mean, it wasn't registration explanation good but close! You've been doing this from pretty well the start, but the way you incorporated power dynamics into this scene just made it so much better! The way Annabel consumed Trevor slowly between her lips, teasing the pace even before she actually plucked him out of her master's palm. Then Donnica, after letting Annabel dominate Trevor for a while, came in to show her servant who's boss. The way you used the word consumed again, this time for Donnica overtaking her fellow giant, was so fucking awesome! It was also a great way to reinforce the hierarchy as they played with Trevor as they kissed.

But then we see Annabel take control as she eats Donnica out. Annabel controls the pace, teasing and leaving her master frustrated and yearning for more, taking her time until it all built up into a tremendous climax! This goes back to what I've said about Annabel from the start of her actual arc: She's not a blindly devoted servant. She wants what's best for Donnica, so she'll be assertive when she needs to be. It's part of serving her goddess, after all. In this case, Donnica surely hated it every time Annabel's tongue took things slow or stopped teasingly, but this helped make her organsm that much more powerful and incredible!

I also love how Trevor ignored Donnica's "order" to stop licking her ass! He's worshipping her, but he's not just going to stop because she signals him to. He's not a mindless drone either. It's that willing, conscious devotion that helps make both Trevor and Annabel so special to Donnica.

As for Donnica, I thought it was really interesting how she "decided" that once her two "servants" were done pleasuring her (or maybe it's better to say when she decided that she had been pleasured enough?), they would both continue to serve her body by licking her soles as she drifted off to sleep. But that's not what happened at all! Trevor refused to stop his worship inside her ass, and Annabel was unsure of what to do next, so Donnica brought her in for a cuddle.

I think this is significant because there's a difference between Donnica's goddess persona and what she truly wants from her two partners. We saw a little of this when Annabel and Trevor first arrived, with Donnica struggling to be the goddess they expect her to be. She was upset at herself for showing them vulnerability, not because she felt like she couldn't show them that side of her but because she felt as though they wanted to see her as a goddess. As odd as it might sound, I think her claim to divinity is at least as much for Annabel and Trevor as it is for herself.

So to see Donnica at the peek of pleasure planning out what her two servants would do for her next, only to disregard that afterward and let them do what they truly wanted, what made them happy, was a fun, cute little crack in the armor, I think.

Oh, and now I'm wondering what the big LegalSync issue at the office is. Was this an excuse to have Annabel and Trevor come home late, or is this something that we're going to learn more about in the chapters (or maybe even segments) ahead?

I loved this segment overall! Thanks for finally detailing registration for us! I truly thought this day would never come!



Author's Response:

"So I just finished reading S2, and holy fuck! You gave us all those hot, sexy details on registration! That might be the smuttiest smut you've ever written!"

Hahaha yeah, I guess it was time! That whole segment actually came from my own thoughts about being shrunk… not just in-story, but more generally. Sometimes I’d randomly catch myself wondering, If I were tiny and ran into a giant on the side of the road, what could possibly protect me if they wanted to take me? Just a pair of fingers and a pocket and I’m gone. That got me thinking: wouldn’t there be tracking systems? Surveillance? Some kind of government oversight? And from there, the whole registration idea grew. I always knew it would follow that general structure, but the real work was hammering out the details… especially the shared/owned dynamics.

"Status-C is the most intriguing option, however. Out of curiosity, do you have a logical scenario in mind in which a tiny might voluntarily sign on for this (other than the love scenario that Trevor is living; I'm talking real-world practical reasoning). Off the top of my head, I can't think of one. But that doesn't hurt my suspension of disbelief, as you made clear that this is extremely rare and listed a litany of things a tiny has to go through before their change to Status-C is approved. Actually, I can see that process playing out over the course of this next arc, so that might be interesting if you go that route."

As far as we know, Status-C really only exists in instances like Trevor; for those rare tinies who want to take devotion and size-based fetishization all the way. But also in Trevor’s case, love plays a huge role. He knows how badly Donnica wants this, how deep her desire runs, and he also knows her well enough now to feel safe making that leap. He’s never been afraid to speak his mind with her, and that trust is what makes it possible.

That said… I wouldn’t rule out other motivations for Status-C appearing down the line in the story. Let’s just say the system might have more wrinkles to reveal. ;)

"But I also feel like Donnica showed him that he could trust her with this just before he announced it, with her reaction to his "joke." Most of the early part of the segment was devoted to how much this registration issue bothered her, how it ate away at her, and even how upset she was at him for making her feel this way. But when push came to shove and Annabel asked Donnica to make Trevor give up the idea of getting his own place again (more on that in a second), Donnica swallowed all of those feelings and backed up her man's "decision," even though she hated it and didn't understand it."

Exactly… and that’s such an important beat in why Trevor ultimately chooses to register as Status-C. Donnica shows him she truly respects him now. Yes, she still has doubts (she’s human), but she’s finally reached a point where her love overrides her insecurities. And Trevor sees that. He sees her struggle, sees her choose him, and now he wants to return that love. What better way than a tiny willingly becoming the property of the one they adore? :D

"And, by the way, that little game Trevor played with them was great! Not only was it funny, but it also showed how much power Trevor actually has over maybe the two most dominating giants in the story. With just a few words spoken in a casual tone, he upended their whole world and sent them into panic mode. In that moment, he was in total control of the room, and it was amazing to see!"

This is such an important point: it shows that Trevor is coming into this from a place of strength. He wasn’t pressured, wasn’t cornered into the decision. He had control of the room. He chose to stir the pot a little, to play with them, and that shift in power was intentional. Yes, he’s surrendering autonomy, but he’s doing it on his own terms, and that makes all the difference.

"Her family was distant when she was a kid. Every lover before Trevor was meaningless in her eyes (and we know a few of them are actually monsters), and those relationships obviously never lasted. Hell, even her own daughter is pretty distant with her, even though both of them seem to want to change that (but don't know how). Her friends are shallow bitches who care more about status than actual friendship. I don't know if Donnica has ever had someone who's truly close to her in her life before."

That’s such a great point, and honestly one that’s been quietly driving Donnica’s arc from the very start. She believes in her own power (projects it constantly) but there’s this core of deep insecurity beneath it, especially when dealing with someone like Trevor, who insists on his independence. That clash has led to so much of the tension between them, so much conflict in the story. But I think the night Trevor spent with Annabel gave Donnica something she hadn’t had before: reassurance. A kind of emotional fuel to push back against that gnawing fear. At least for now.

"The smut scene on the back end was so well done! I mean, it wasn't registration explanation good but close!"

Haha, I was honestly a little nervous about that scene because, for a large portion it was normal-sized smut: Annabel eating Donnica out. I wasn’t sure how well that would land without overt size play. I mean, yes, Trevor was still involved (getting shoved up Donnica’s ass, of course), and there was the earlier mouth stuff, but I did wonder if the lack of scale-focused action might pull people out of it. So it’s really great to hear it still worked! (at least I hope that’s what you’re saying!)

"So to see Donnica at the peek of pleasure planning out what her two servants would do for her next, only to disregard that afterward and let them do what they truly wanted, what made them happy, was a fun, cute little crack in the armor, I think."

Totally. That’s one of my favorite dynamics to explore… the genuine love that leaks out between all three of them despite the rigid hierarchy they all buy into (or in Donnica’s case, enforce). That softness from her, even in the middle of an orgasm-fueled power trip, shows the cracks. She may be worshiped, but she’s not immune to love.

"I loved this segment overall! Thanks for finally detailing registration for us! I truly thought this day would never come!"

Haha, same here! This chapter was actually written before my big break, and I went back later to layer in the registration stuff once I had it fully conceptualized. I was worried it might come off like an exposition dump, but tying it to Status-C helped it land more naturally in the scene.

Glad it paid off! As for what’s next… hmm… do I maybe finally touch on the shrinking virus in the next segment?

(oops… I’ve said too much) 

Reviewer: AdamX Signed starstarstarstarstar [Report This]
Date: June 06 2025 2:19 AM Title: PART 27

1. Scarlett coming in to challenge Amber can only be a good thing as iron sharpens iron as they say. Will it lead to her improving her game to get on Scarlett's level only time will tell but if anyone is determined enough to do it it would be Amber.

2. Becca really is a good soul who got a bad lot in life but she seems to be rubbing off on Amber little by little as we go. Thus I fully expect her to eventually break through and help Naomi when the time comes for it.

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3. Shocked to see Trevor so willingly surrender his quest for staying somewhat independent from Dominica. I understand Becca breaking a little but she still to have her morals and compass. Curious to see where this goes for the whole tinies rights movement with the recent events.

4. Anna seems to have slipped into her new role ever better than her old one. Who knew after all the tinies she brutally trained that all she wanted was to be in their place even if she was ten times their size.

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5. Holy fuck that was one of the most incredibly hot things I've ever read here!

6. The sheer power, humiliation and pettiness Helena used to degrade her at her feet was just a chefs kiss. Making her suffer at the smell in the cage even before the moment was truly incredible.

7. I do hope to learn more about the sister in future chapters and how she came to be in Helena's capture alongside her sister.

8. With Anna firmly under Domica's control and Naomi seemingly moving towards a possible friendship/mutal respect with Amber it seems we have found our next big bad to challenge the utmost divine rule of Dominica. 

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9. Wow a brave play by Becca but it seems to have worked out and strengthened their relationship as a whole.

10. With this revelation in Becca/Amber relationship and what Naomi is going through it truly seems the overbearing weights upon both of them is their mothers domineering stature and command over everything they seem to behold.

11. It is nice to see Becca still has her passion for helping others even with her willingness to mostly obey Amber without question.

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12. The jury is still out on Naomi but it is wonderful to see Amber getting what looks like a true genuine friend in Scarlett. It seems both girls can really use one at this juncture in their lives.

13. Given their seemingly shared appreciation of each others looks and the sudden realization of their shared affliction it makes me wonder if we will see poor Becca more overwhelmed by tootsies than she ever thought possible.

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I'm glad to see you are in a good place and hope it continues to get better for you.



Author's Response:

1. Scarlett coming in to challenge Amber can only be a good thing as iron sharpens iron as they say. Will it lead to her improving her game to get on Scarlett's level only time will tell but if anyone is determined enough to do it it would be Amber.

2. Becca really is a good soul who got a bad lot in life but she seems to be rubbing off on Amber little by little as we go. Thus I fully expect her to eventually break through and help Naomi when the time comes for it.

This is largely my take on Rebecca too, she’s a good person who’s had a rough go at life. Between her abusive stepdad, her mom dying, and shrinking she’s had to persevere. Through a lot. She seems to have a positive effect on everyone she meets…

 

3. Shocked to see Trevor so willingly surrender his quest for staying somewhat independent from Dominica. I understand Becca breaking a little but she still to have her morals and compass. Curious to see where this goes for the whole tinies rights movement with the recent events.

4. Anna seems to have slipped into her new role ever better than her old one. Who knew after all the tinies she brutally trained that all she wanted was to be in their place even if she was ten times their size.

You know I wonder if it has less to do with Trevor surrendering his independence and more to do with loving Donnica and also loving the fetishization of his size. Trevor has shown himself to be very strong willed but also loves being ruled over, its kind of an innate contradiction in him that fuels his character. We’ll see how things shake up from him and the girls…

You know another one of my reviewers mentioned that Annabel is actually a tiny who is big and honestly I love the take lol she is dedicated to showing tinies how they (read: she) should act…. Obediently.

 

5. Holy fuck that was one of the most incredibly hot things I've ever read here!

6. The sheer power, humiliation and pettiness Helena used to degrade her at her feet was just a chefs kiss. Making her suffer at the smell in the cage even before the moment was truly incredible.

7. I do hope to learn more about the sister in future chapters and how she came to be in Helena's capture alongside her sister.

8. With Anna firmly under Domica's control and Naomi seemingly moving towards a possible friendship/mutal respect with Amber it seems we have found our next big bad to challenge the utmost divine rule of Dominica. 

Thanks for the praise on the foot segment! I haven’t had a good foot scene in a few chapters, so this was a bit overdue! I took my time with it to, I’m glad you pointed out how the smell started even when the tiny was in the cage. That was fun to write :D

You know you’re not the first person to ask about the sister. When I was putting the chapter together I tucked that little bit in there thinking it would just be a little bit of foreshadowing that people would just glance over, but no! Yall are wondering about it, which makes me excited… we shall for sure dive into all that in later chapters.

And indeed, Helena is shaping up to be quite a force in the story arc to come. But can she match the divine goddess that is Donnica?

 

9. Wow a brave play by Becca but it seems to have worked out and strengthened their relationship as a whole.

10. With this revelation in Becca/Amber relationship and what Naomi is going through it truly seems the overbearing weights upon both of them is their mothers domineering stature and command over everything they seem to behold.

11. It is nice to see Becca still has her passion for helping others even with her willingness to mostly obey Amber without question.

There’s been some speculation as of late that Rebecca is ‘losing’ herself but I think we saw that, despite her growing subservience she’s still Rebecca! How much those 2 parts of her will clash moving forward will be a point of conflict for the character.

Love the insight into both Naomi AND Amber’s mothers. Obviously Victoria is easy to single out here, but Amber too has some maternal issues that for sure need to be examined.

 

12. The jury is still out on Naomi but it is wonderful to see Amber getting what looks like a true genuine friend in Scarlett. It seems both girls can really use one at this juncture in their lives.

13. Given their seemingly shared appreciation of each others looks and the sudden realization of their shared affliction it makes me wonder if we will see poor Becca more overwhelmed by tootsies than she ever thought possible.

It was nice to see Amber make a friend, wasn’t it? Especially how after in the last chapter her supposed best friend, Sara, treated her so badly. I wonder how that friendship will blossom…

And oh yeah, poor Rebecca’s little nose might fall off from the combined power of BOTH teenage girl’s feet!

We shall see.

 

I appreciate the insight here man, I’m happy you found the chapter entertaining enough to say so much. I hope you enjoy where the story goes next!

Thank you for the well wishes, it’s good to be back :)

Reviewer: breastclimber Signed [Report This]
Date: June 05 2025 6:27 PM Title: PART 27

Welcome back to writing! This chapter was very well done, and i enjoyed it immensely. I especially liked the world building around Helena's rival. Her background story filling in a little more detail on how the virus works.



Author's Response:

I did slip a little bit of virus history in there! It was faint, but you caught it ;)

I’m hoping to expand things further as the story progresses.

Thank you for the welcome back, it feels good to be writing again.  

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