She was like a teenager again... like some helpless, hormonal creature that had seen something too hot to handle and was now meant to just go on about her day. The image burned in her mind: a girl alone in her room, grinding against the mattress, whimpering into her pillow, her fingers trembling at the button of her jeans. That was her now.

This is maybe as telling a passage about who Donnica is, or rather how she was shaped, as we've seen in the story so far.

It seems to me that when someone thinks about the passion, the sexual drive she's describing here, they would reflect on their first time, how it felt to be with her first partner or maybe just her most passionate one (not named Trevor). Instead, when she thinks of passion and that kind of drive, she thinks about masturbating, even emphasizing that she was a girl alone in her room.

This makes a lot of sense to me, though. I've long thought that Donnica was driven to loneliness, devoid of the love and affection that would have allowed her to embrace that sweet, caring woman hiding beneath that rock hard armor of dominance and bitterness (the one we saw pop her head out at the end of the segment, after the greatest orgasm of Donnica's life, apparently). So the fact that her go-to comparison is her taking care of herself just fits.

Her previous relationships were all terrible and maybe abusive (at least they were for Amber, and we know some of the men Donnica had been with before made fun of her foot smell at the very least), so of course she wouldn't think of any of those assholes.

She's never had anyone in her life to rely on before Trevor, so of course no one else would be involved in such an important memory.

When I think of Donnica, I think of self-reliance, so of course such a significant memory would be her doing all the work, relying on no one to take care of her needs.

That passage, to me at least, kind of validated a lot of my thoughts about Donnica's past, but it was also incredibly sad. It was a reminder of how alone Donnica has been for most of her life. I still feel like that's why she lacks empathy, both for tinies and even most of her fellow giants; no one ever seemed to show her any ... until Trevor.

And man do I love Trevor and Donnica's dynamic! Have I ever mentioned that before? They were so awesome in S4.

Trevor forcing the conversation back to Donnica's accusation seemed two-fold to me: He legitimately wanted to emphasize that it bothered him that she thought so little of him and because, as Donnica realized just before the smut, he wanted to push her buttons and work off that sexual tension from seeing the Kingdom for the first time.

But the way he forced the issue, telling her she crossed a line and later asking what she'd do if he ever actually did cheat with another tiny (an odd little caveat he carved for himself there), he knew how she'd feel about those words and pushed ahead anyway, without fear. Again, there's that trust between them that allows Trevor to be so honest and play these games with the most dangerous giant around

And again, Donnica recognized what he was doing so quickly, which allowed them to get right to the good stuff instead of wasting time arguing or making threats. She knew he wanted it just as much as she did, and she was eager to oblige both him and herself.

Also, I thought this was an amazing contrast from the Penelope rape scene. Both of them took place in limos, too. But when Donnica was lowering Trevor downt the length of her body, the vibe was completely the opposite of when Penelope did the same several chapters earlier. The difference between dominating because you can and dominating with purpose, with love, was so starkly highlighted between these two scenes.

Her moans rolled through him like thunder over open plains, shaking the very breath from his lungs. He was nothing. Nothing to her. And that truth filled him with euphoria. She knew it. He knew it. And both of them, utterly, irrevocably, loved it.

I love this, because this is such a contradiction with how they feel about each other. They are everything to each other, Trevor to Donnica especially, given her likely bleak, affectionless life before Trevor. But physically, he's nothing to her, and that's a huge turn-on for the both of them. I love that weird, wonderful balance between two things that shouldn't be able to be true at the same time but definitely are here.

The death of the ass worshipper kind of reaffirms my thoughts on Donnica and the Kingdom. She doesn't give a shit about them. That love is one-way and not real. Donnica had that girl truly devoted to her, and after she realized it, she killed the tiny ass slave without a second thought.

The Sisterhood seems as though they hold their subjects in high regard. They love them and want them to be happy, and in exchange, they're worshipped like gods. They won't hesitate to "smite" those who aren't initiated with great prejudice, but once you're in, you're special.

That is clearly not the case with Donnica. She loves the thought of being revered, loved rather than feared. There were a few lines in this segment that seemed to back that up. But unlike The Sisterhood, Donnica has no interest in returning the love and devotion of those beneath her. She's not a benevolent god, even to her "followers." These subjects are just a tool for her, something that will make her feel the love she's been lacking for most of her life. And the world built for them makes her feel as divine as she thinks she is.

So she wants that world, and I have little doubt she'll get it, especially since Helena seems to have a huge soft (read blind) spot for her. Juliette warned Helena about this a while back (when she advised Helena to kill Trevor and be done with it), but Helena refused to listen. Some of that might be because of Donnica's imprinting potential, but I think a lot of it is a sense of admiration, the same thing that made her so furious at Trevor for "disrespecting" Donnica during the whole "affair" thing.

So yeah, Helena has a weakness for Donnica to exploit, and I fully expect our leading lady to find a way to just that at some point, probably in the near future (Donnica isn't exactly the patient type).

It was also clearly no coincidence that you referenced that night way back in chapter two when Trevor "awakened" Donnica. This fantastic smut scene was clearly meant to be another, much stronger awakening (if the orgasm is anything to go by; equal to all three of the ones from chapter two?! Damn!). This makes sense, since Donnica's world just got bigger by getting smaller, oddly enough.

And like I said above, it was so nice to see the "hidden" Donnica come out at the end. Her using her size to express her love, making his body rumble with her adoring whispers and caressing his body with her lips was amazing to read! I love that gentle action after such intense smut and the tension at the beginning of the segment.

And Donnica agreeing to take Trevor with her to that college visit for Amber was even sweeter. Even though her dark urge to take over the Kingdom still lingered, her desire to be with her family was at the forefront. And she expressed that she was Trevor and Amber's as much as they were hers, which is a hell of a sentiment for someone like Donnica to even consider, let alone accept. Again, I really hope that she can form a real, healthy relationship with Amber by the end of the story. For everything Donnica has done and is seemingly about to do, I'm still rooting for her!

And with you hinting before that we might see that college visit in the story, I'm even more excited for the next chapter. Hopefully, Amber can have a bonding moment with both Donnica and Trevor. Amber deserves to have a father figure in her life that isn't complete shit!

Your move, Kassandra!

You know, when Trevor first told Kassandra about his relationship with Donnica and she tried to dismiss it, Kassandra acted like Trevor was confused and misguided about the nature of that relationship. Kassandra, for all her wisdom, is so blinded by how things work in the Kingdom, that she honestly believes that what's happening within its walls is reality and that it's the outside world that has things wrong.

I think she wanted Trevor to keep coming to the Kingdom because she wanted to "help" him. She wanted him to understand that tinies are meant to be subservient, that the love between Donnica and him couldn't be romantic, no matter how much he wanted it to be. In her eyes, he was a lovesick puppy, and she wanted to save him from that, primarily because she wanted him for herself.

But I'm pretty sure she understands now. Well, not entirely sure, but she's brilliant, so I can't fathom that she could watch that display between Trevor and Donnica and not realize that they are an actual couple and not worshipper and worshipped. I'm incredibly curious to see how she handles this, as we didn't get to see much from her due to her reverence for the two "goddesses" gracing her with their presence as Trevor told one of them off as an equal. Will this make her want Trevor more? Will it make her feel like he's a blasphemer? Will she no longer want him in the Kingdom now that she knows he's actually taken? Will potential jealousy of Donnica make feelings about giants that Kassandra has long tried to bury come back to the surface?

No clue, but it should be fun regardless!

Donnica's unwarranted jealousy was interesting! How quickly she assumed the worst of Trevor even after everything they've been through and the reason they're in this Status C mess in the first place was ridiculous but not the least bit surprising. She's always an insecure mess when it comes to him, so it makes sense that seeing him with someone his own size coming out of a one-room cabin would stir unfounded accusations out of her.

But it was more the way her romantic past tied into it that drew my attention. It wasn't bad enough that some of her former lovers abused Amber behind her back (and therefore maybe put their hands on her as well), but they also cheated on her constantly. That explains a lot about her, actually. The trust issues. the possessiveness. The general lack of empathy (slightly more on that below!). The need to dominate everything. A lot of all that probably stems back to this. She's tired of being pushed around by the world. Of being taken advantage of. Of having her emotions played with. Between that and how cold and distant her parents were in raising her, the fact that she appears heartless and cold herself shouldn't surprise anyone.

More importantly, how fucking impressive is it that Trevor has managed to get past all that and earn her love and respect?

Speaking of him, of course he's had to deal with suspicious lovers in the past. So now we have Donnica, who's terrified of being cheated on, and Trevor, who's sick of being accused of cheating without reason. And the two of them handle these feelings in the worst way, because they've both been there before and have no patience for going ther again.

And oddly enough, they get through it despite all that. They know each other so well. It was so telling that Donnica was furious about Trevor saying he had sex with Kassandra, not because she believed it (because she knew he was lying) but because he embarrassed her. She recognized Trevor's reaction, and him "admitting" to the affair was probably the clearest way he could convince her that he didn't sleep with Kassandra, even if that wasn't his intention. I mean, Donnica has been cheated on before, so it would make sense that she would remain suspicious no matter what he said. Yet in that one simple snide remark, all doubt (but not anger) had been removed. Because she knows him. I can't emphasize enough how huge a thing this is.

On the other side of it, Trevor never once feared Donnica's wrath, no matter how angry she was. And this wasn't like previous rage he had seen from her: She felt utterly betrayed in that moment. That's dangerous, especially for someone Trevor's size. But all he could think about was how hurt he was that she would ever think that of him. So instead of hesitating for even a second or having to swallow down fear to defend himself, he came back at her hard, letting his own anger do the talking for him.

That's fucking trust!

That whole part of the segment was just a microcosm of why these two are so good together. It isn't just because the story says so or that they're a vehicle for smut. These two are alive with personality, and they actually mesh together in a way that's as realistic as it is enthralling to read.

I did very, very briefly fear for Kassandra, though. I never thought I'd be glad to see Helena! The way she swooped in and nabbed Kassandra before Donnica could get her hands on the tiny shows how special Kassandra is to her. And the fact that Helena later laughed off (once again) the prospect of Kassandra having a thing for Trevor shows how little she actually knows about Kassandra! 

Her eyes were too busy watching the world below, her senses flooded, her very soul quaking in this place that seemed to welcome her in a way no world ever had.

Well, this was an interesting sentence. In my predictions that Donnica would ultimately hate how things work in the Kingdom, I hadn't considered how she might find something here that she had been struggling to find all her life: love. I'm still not totally sure that she'll be cool with how much autonomy the tinies there have and how comfortably they get to live, although now I think this warm feeling she gets from them might make her okay with it ... in the short term.

I do still think she'll come to despise this place in the long term, though. Because the love the tinies are offering isn't real. And I'm not just talking about the imprinting, as it's still not definitive whether ever subject has to go through that to gain entry into the Kingdom (although some most certainly have at the very least). This love is fake, because they're showing it to Donnica, and they don't even know her. That kind of love and devotion isn't something that can just be handed out to strangers like that. This is manufactured, whether it be through imprinting, cult-like conditions, or simply being born in the Kingdom and being taught that this is the way things are. Even though Donnica is just getting her first taste of the Kingdom, I already feel confident that her current infatuation with it is only going to lead to hatred.

Trevor will probably play a role in that, even if he isn't trying to. I say that because the love Trevor showers her with is real, is earned, and, at some point, Donnica is going to realize the difference. Granted, given how distant the people of her past were, it may take her some time to figure it out, but that already feels like an inevitability to me.

Speaking of Donnica, was I the only one frustrated that she wasn't paying attention to Helena during that walk across the Kingdom? This was a really clever tease on your part, hinting that Helena was telling Donnica all the secrets we so desperately want to hear, only for Donnica to not hear a word of it because of her amazement at the tiny world and its people, not to mention that love that overtook her when she saw Trevor again, in the Kingdom of all places.

And then you teased us again at the end of the segment, with Donnica wanting to stay and find out all those answers we've been waiting for but not being able to. You're a cruel dude, you know that?

Speaking of that reunion, there was a brief line before Kassandra popped out of the cabin and shit nearly hit the fan that I thought was a brilliant little gentle line:

He looked up. She looked down. A shared current passed between them, a silent understanding, a knowing gleam in their eyes. She tried to temper herself, to ease her steps, soften the tremors she imagined thundering beneath his feet, though he didn’t seem to falter.

We talked about restrained power in the previous segment, but this is a hell of an example of it here. Donnica, particularly because she seemingly always walks as though she's a force of nature, softening her steps out of consideration for Trevor is so heartwarming. This is a level of empathy she reserves only for him, and it's beautiful.

Also that line about him not faltering is also pretty poetic. She's softening her steps for him, but he was withstanding them just fine even before she did that. He's not only used to her but adores her power, lusts for it.

Overall, there was a lot there in this little passage.

And while I'm on a quoting frenzy, let's throw this one out there as well:

But somehow, impossibly, that eased the knot in her chest. That defiance. That stubborn little tilt of his chin. It didn’t challenge her divinity so much as reach beneath it, brushing something far more vulnerable. Something tender. It reminded her of herself — not the goddess, not the master — but the woman who had fallen in love with a tiny man she couldn’t control. And for a fleeting moment, that resistance didn’t threaten her. It calmed her. Grounded her. Made her feel, if only briefly, like a lover again. Wanted. And wanting.

And despite the storm inside her, a flicker of a smile teased at the corner of her lips.

Yes! This is what I've been saying about Trevor and Donnica for quite a while now. Trevor is the only one who's able to penetrate that hard, protective exterior, the one that has to dominate everything to keep the real her from suffering the way she had so many times before. Just be being himself, being real with her, that vulnerable, sweet, yearning woman hiding beneath all that gets to come out once in a while, and it's always wonderful!

This is the first time I've seen it articulated so plainly, though, so it really stuck out to me!

And of course Helena doesn't understand this and takes this interaction as sacrilege. Because, unlike Donnica, there is no woman hiding underneath for Helena. This is just her. This is all she has. She could never understand the nature of Donnica and Trevor's relationship (#Themes!). To her, Trevor's defiance is an affront to all she holds dear, while, to Donnica, it's a reminder of why she fell in love with him. If there was ever a moment that showed the difference between these two giants, it was this one.

Aw! Donnica made time to take Amber to check out a university! I love her trying to be a good mom, even though she's failing at it miserably! She wants to be there for Amber so much, yet she doesn't know how to do that. She doesn't know how to relate to her daughter, and she certainly doesn't know how to stop working to take everything she feels both Amber and her are owed, ironically enough. It's really sad, but moments like this give me hope for them.

Your second segment is absolutely amazing—definitely the highlight of this chapter! First, I want to congratulate you on Juliette’s development. Initially, she felt like a block of ice, showing almost no emotions except for being harsh toward Annie, which made her an unappealing character. But in this single segment, you’ve transformed her into someone genuinely likable, someone I’d want to spend more time with.

I love how this segment starts with Trevor feeling discomfort in Juliette’s presence. It’s great to get insight into Trevor’s emotions, and it sets up a fantastic introduction. Right away, we see the contrast between the Kingdom and the outside world. The Kingdom is a place where Trevor can finally let his guard down. For once, he feels human again, not just tiny. This is a powerful opening—it subtly shows the Kingdom’s influence on tinies, even someone as reluctant as Trevor.

The conversation with Kassandra is also interesting. It’s an effective way to show her feelings for Trevor. Even though her mission is to watch over him, it’s clear she likes him and wants to integrate him into the Kingdom by introducing him to its people and showing him everything she’s allowed to. Perhaps she even hopes he’ll surrender to the Goddess so he can stay with her forever. But despite Kassandra’s charm, Trevor remains wary of the Kingdom, especially its tendency to give people meaningless tasks. It feels like an illusion—the Goddess assigns useless jobs to keep tinies active and prevent them from thinking too deeply, ensuring they all believe it’s a paradise. This cynical perspective is intriguing and adds depth.

I also enjoy the size comparisons between the giantesses, their objects, and the Kingdom itself. Since the Kingdom is built for tinies, it makes the giantesses seem even larger, giving them a godly presence. We saw this earlier with Helena’s throne, and now with Juliette towering over the small cabin—it’s a striking image. The highlight of this chapter, though, is undoubtedly Clara locking herself in the cabin and refusing to open the door for Juliette. This moment is incredibly well written. I loved seeing Juliette’s vulnerability here. She could easily destroy the cabin and take Clara, but she doesn’t because she loves her too much. It’s a touching moment, especially for Juliette, who rarely shows emotion.

I also appreciate how you sometimes make giantesses feel small and tinies feel giant, and this segment does it brilliantly. Juliette feels powerless in this situation, she doesn’t know how to act or what to say, left waiting for something to happen. Meanwhile, Kassandra and especially Trevor handles it with calm and intelligence. The little chat between the three Juliette acting a bit childish, Kassandra mediating, and Trevor stuck in this awkward situation is delightful.

Trevor initially mistaking Clara for a child before learning the truth adds a humorous touch and highlights the absurdity of the Kingdom’s issues compared to the outside world one.

What makes this segment truly stand out is the conversation between Clara and Trevor. It’s exceptionally well-crafted, showing a deep understanding of the characters and introducing a more mental aspect to the virus. Up until now, the virus has mostly been depicted through physical size differences, but here you focus on its psychological impact. Starting with Clara’s fear of the future is a great choice, especially since she’s a character who seems to have little to fear. She lives in the Kingdom, the best place for tinies, and is loved by Juliette, an important figure in the estate.

The last time we saw a tiny express fear about the future was Rebecca, but her situation was more understandable, she’s unregistered, at risk of being captured, enslaved, or worse, living under Donnica’s roof who is not the biggest tiny fan and could crush her if she discovers her. Clara, however, is in an ideal position, which makes her fear even more poignant. It suggests a flaw in the Kingdom’s perfection—everything is so ideal it can feel unsettling.

The best part of this conversation is Trevor opening up. It’s masterfully done. Trevor usually hides behind jokes or cynicism, but here he drops the mask, sharing his fears and even revealing how he shrank, something I’ve been eager to learn more about, since the virus is the foundation of the story. The reason behind Juliette and Clara’s “fight” is also well-executed. It highlights how difficult communication can be even more between tiny and giantess. Juliette meant to comfort Clara, but Clara misinterpreted her words, showing their emotional disconnect.

A small detail I noticed is Clara correcting Trevor when he says “Juliette” instead of “Goddess Juliette.” It’s interesting because, despite her anger, Clara still refers to her as a goddess and expects others to do the same. Does this suggest that tinies in the Kingdom are conditioned to view her this way?

 I also enjoyed Clara casually asking Trevor to have sex with her and Juliette and finding his refusal strange. It shows how normalized and natural sex is in the Kingdom, which adds to its unique culture.

Overall, this is an incredible segment with so many rich details. I love how it hints that Kassandra wants Trevor to join the Kingdom, perhaps even as her husband (if marriage exists there). This lighter segment is a refreshing contrast to the darker first segment, where we learned about the tinies trapped in the estate, destined to be test subjects for the imprint. What I loved most, though, is Trevor opening up about his past. Seeing this version of him—no jokes, no cynicism, just raw honesty about his fears—is incredibly well done and deepens his character even further.

I know I’ve said this many times, but the work on this description is incredible. The attention to Donnica's outfits makes it easy to visualize her, showcasing the effort and money she invests in her appearance. The detail about her having two tiny marionettes at her feet, dealing with their smell and sweat, is particularly vivid and striking. What I also love about the start of this segment is the contrast in clothing between Vivara and Donnica. One is impeccably dressed, every detail pristine, while the other is, let’s say, more natural. This contrast is brilliantly executed—through their clothing alone, we see the differences between these two women without a single word. It’s a perfect example of show, don’t tell.

I also enjoy the small moment between Vivara and Donnica. Vivara’s vibrant energy, joy, and love for life stand in stark contrast to Donnica’s who is way colder even mean sometimes she is like a statue of ice, creating a compelling paradox between the two. Before diving deeper into this segment, I want to express how much I love Vivara, she’s fantastic. Characters who live so fully in their own worlds are always a joy. With the introduction of Vikki, Ricci, and now Vivara, these characters are already among my favorites in the story so much fun to share the journey inside the estate with this trio! They also provide a perfect contrast to the colder characters we’ve met so far, even though those characters have their moments too. I also enjoy the casual way Donnica’s tiny prisoners are discussed, as if keeping them at her feet is completely normal. Vivara’s excitement when talking about it adds such a great layer to the scene.

We also learn that Donnica works in the office of the Government Registration Subsidies Program. But despite her responsibilities, her mind is consumed by thoughts of Trevor. I love this detail. We also discover that Donnica is far from happy with the situation regarding Trevor, feeling "forced" to obey Helena, which clearly frustrates her. I suspect this tension will resurface later in the story.

Sadly for Donnica, she must currently follow Helena’s orders, as Helena legally owns Trevor and can do whatever she wants with him, even dispose of him permanently. I have a feeling Helena’s plans for Donnica will backfire, potentially leading to a war between these two formidable women.

We learn more about the estate. It’s not just the kingdom that has tinies, there are also cells holding countless tinies locked away. The dystopian world within Helena’s estate, with her as the supreme leader, is absolutely captivating. The estate itself is a fantastic setting, and I can’t wait to explore more of it and uncover the secrets hidden within Helena’s domain.

Additionally, we learn about the two tinies trapped in Donnica’s shoes and a new method called "imprinting," which makes tinies submit without breaking them. This is why Donnica spent the week imprinting the tiny couple using her stinky and sweaty feet. I love this part it has a strong medieval vibe, with tinies offering their lives to the body part of their ruler, or even a godly submission to a higher being.

This concept of imprinting isn’t entirely new. Earlier in the story, Rebecca mentioned being attracted to Amber, specifically her feet, it was because she was imprinted with her even if at that time we didn’t know it was called like that. This suggests the Cernovich women may have a natural ability to imprint without training. I wonder if Amber will discover this and use it, and what it means for her relationship with Rebecca.

I also enjoy the subtle critique of "breaking" tinies. It’s amusing that Helena’s group and Annie’s are rivals, even in how they handle tinies. While Annie is one of the best breakers, she’s up against the sophisticated system Helena and her girls have built, where women from around the world can learn to imprint at the estate. Annie, on the other hand, only has a few assistants, including my favorite, Jasmine an amazing character the author underutilizes (what a mean author) and her new student, Naomi. Personally, I’m on Helena’s side here; imprinting seems far more effective than breaking.

The highlight, though, is Vivara. She’s phenomenal. From the way she removes Donnica’s shoes to smell the tiny couple, to complimenting Donnica’s "stinky" feet, to boldly showing her own body to demonstrate how she imprints her tinies—it’s priceless. I hope we see more of Vivara; she’s so fun and always makes me smile.

This is an incredible first segment. We learn more about the estate and Helena’s power, the concept of imprinting (which I suspect will be crucial later), and Donnica’s growing frustration, which could quickly turn into anger and rage. Given that Donnica doesn’t think clearly when she’s upset, it’ll be fascinating to see what she does to challenge Helena. And, of course, Vivara, what an unforgettable character. 

Well shit it seems Helena is slowly bringing Domica down a few pegs lowkey or more to her side with these little tasks. Not that watching her use her divine feet to break those tinies souls was not truly wonderful to behold, just seems Helena is getting something out of this arrangement after all.

Domica showing an interest in all this does peak ones interest in the fact that if she were to come along with the whole Kingdom thing those two definitely would be unstoppable. There very well could be a power struggle later on given the personalities but a true power duo if they managed to get along long enough to harness it.

The Implanting vs Breaking thing does seem to be an interesting clash of values down the road, especially if Anna and her new protege Naomi come knocking one day down the road.

---

We finally get to see a break in the tough veneer of Juliette and all over a tiny at that, Clara must have really gotten through her tough exterior to warrant such a mass call to action from everyone including an outsider no less.

Little by little Trevor seems to be endearing himself to the Kingdom through his kindness and willingness to help even if the scenario is a little whacky compared to his belief system. Not sure if him and Domica are warming up to Helena and her ways yet but it does kind of seem they are a little.

Kass is very important to the way things go in the Kingdom even if it is a delusion of grandeur she still is the person on the ground dealing with issues when the Goddesses are away. Her importance even if she won't say it is likely MORE so though that of her deities given how closely she works with everyone.

---

Kass and Trevor really seem to be hitting it off more ways than one which likely will set Domica off in the future especially if Trevor keeps antagonizing her like he seems set on doing.

The more she see of the Kingdom, the more Domica seems to be getting hooked on its charms and whimsy, I am not sure if Helena had this planned or not but it looks like she has made a powerful ally after all as long as she plays her cards right the next for weeks.

I do now wonder what Becca would think of Kass hanging around Trevor given her pension for worshiping the likes of Helena and even possibly Domica soon enough and Becca's stance of standing up for tiny rights even if their living in a perennial paradise.

---

There is the Domica I know and fear!

I'm shocked it took -this- long for her to try and make a run at the Kingdom. Helena lead her right into it without a second thought and now the virus has been uploaded and it may cost her the very thing she built so lovingly.

The woman in Domica's ass might not be the only one meeting their end end if she has her way of The Kingdom one day soon. Something tells me her style of civilization for the wee folk is a bit differently from Helena's.

Though seeing Kass try to speak of whimsical peace and understanding and unity etc whilst elbow deep digging the crud from between Amber's monster toes would be quite the counter culture shock for her...not to mention poot Carla who freaked out over something bad happening which may be right on her tiny doorstep.

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When the five girls first walked in I truly expected the worst for Scarlett and especially Becca but it seems for now all is well. Honestly when they approached them at the park I still expected them to be bullying a tiny or two or something similar.

Becca has been wonderful or Scarlett but the love triangle brewing leaves me wondering how all this plays out especially if Amber ever catches on. I'm still expecting a love triangle when it all comes to pass though.

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Having read "To Break In A Pet" and "MAJOR/minor" before the imprinting aspect has been on the table for many years. I could easily seeing somebody like Domica/Helena or a number of others taking great advantage of it to benefit their whims or even amusement.

Helena knows what Domica is capable of and now having been exposed to The Kingdom it seems Domica does now too thus the shoes are off as they say.

Clara seems like tiny gal one would come across on Discord or the old days of Sizechange/MIRC whathaveyou, playfully bratty with a hinge of drama mixed in to keep the bigger folks on their toes.

Gentle floats a lot of boats just like everything else does in this community, there are a lot of different cooks and spices to be had so if it didn't hit for one it definitely did for another.

1. Trevor having the Domica plot armor does allow him to get away with more backtalk than typical tiny could. He should be a little more careful just in case Domica takes a liking to a Kingdom member and their unquestioned/unrelenting style of worship.

2. Fair, she saw him coming out of a tiny cabin with another woman thus he receptors had to be a little pointy after that.

3. Kass is wonderful, she is like if Becca wasn't broken down by The Amber Assault to get where she is now. She didn't need the teen toejam to get her to where she was just humble devotion, acceptance and a good spirit to accept her lot and roll with it.

As for Domica in the Kingdom it was long overdue, Helena unleashed a lioness she may never be able to put back in the cage when she comes for her neck. It actually makes me wonder how others like Amber/Scarlett, Naomi, Penelope etc would react to encountering such a place.

The Rejection Therapy worked fine for what it needed to be, Becca is a tiny therapist helping mighty soccer goddesses overcome their inner demons and grow as humans thus it fit her character to try and help her anyway she could.

As I stated above The Love Triangle aspect for the Soccer Sisters still seems like the most logical and oddly expected choice. They've all been wonderful for each other so you hope it works out for them all.

Wow this chapter was amazing and the introduction to imprinting is hella cool and damn rip to little girl dying in ass ….. she went out on a high note at least

i love that Trevor still has some fight left in him to stand up for himself 

can’t wait for more

Great chapter.

Also did Donnica kill the girl she was imprinting? If so would this affect her role with Helena?

Also I think Vivara is my favorite character 

The last segment of this amazing chapter focuses not on Trevor but on someone much larger: Helena. As the true Queen she is, she requires a fitting place, and nothing is better than her own throne inside the kingdom. As a goddess, she demands worship, with many tinies adoring her perfect feet. All I can say is how much I love this image. 

However, it reveals even more clearly that the kingdom is nothing more than a sect, led by a beautiful guru but a sect nonetheless. Kassandra shares Helena’s view: giantesses are goddesses, and tinies are mere worshippers. This notion is perfectly understood by all those living in the Kingdom. I can’t help but wonder how it’s achieved.

Helena harbors another secret: a tiny from the cupboard town, captured with Donnica, now hidden inside her ass, tortured simply for not looking at Helena properly. This act alone reveals the world Helena desires a world where tinies are conditioned to see themselves as worshippers of the goddess. This is why Celine, and likely Trevor too, are such a pain in the ass for Helena. They are tinies who refuse to bow down, who are brave enough to challenge her, and, in Trevor’s case, even threaten her. These are tinies who never submit, no matter how giantesses intimidate them. Yet, even in Helena’s worldview, some tinies are more valuable than others. The most precious to her is Kassandra her beloved Kassandra one of the few tinies who can speak to her and, even more remarkably, be heard.

But this time, even her precious Kassandra may have fallen under Trevor’s charm. The conversation between Helena and Kassandra is captivating. I loved how Helena treats Kassandra almost like a mother with her daughter. She’s so proud of her it’s almost funny. It reminds me of earlier chapters when she interacts with Vikki and Ricci. It’s refreshing to see Helena being kind to some tinies, moving beyond the cold persona she was first introduced as.

However, for once, Kassandra isn’t entirely aligned with Helena on one topic: Trevor. Helena clearly isn’t a fan of Trevor; she’d likely prefer to have nothing to do with him. Yet, circumstances make him her legal property and a key part of her plan with Donnica, for whom Trevor is one of the most precious things in the world. To reconnect with Donnica, Helena must handle Trevor carefully, even if it means sharing secrets like the existence of the Kingdom or leveraging his intellect for her own purposes. But to Kassandra, Trevor isn’t just a brilliant mind—he’s also a handsome man, and it seems she enjoys his company. A humorous moment is when Helena asks how Trevor behaved toward Kassandra. It almost feels like Helena views him as a jerk but also as a useless tiny. Kassandra, however, sees him differently. She wants him back whether for the seed code or other reasons, only time will tell.

Another detail I love about this segment, and the chapter in general, is the lexical field surrounding divinity. It infuses the kingdom with a religious undertone, amplifying the duality of the kingdom as either a paradise for tinies or a sect designed to create obedient subjects whose sole purpose is to love and worship the giantesses.

There's so much to get into here with these last two segments!

I think I'll start with Kassandra's very convincing yet extremely flawed (and most definitely sizeist) view on giant-tiny relations. If you just listen to her words and not really think about them, they sound like right, inarguable, definitive. But if accept this worldview of hers, you have to also accept some pretty fucked up things as well, once you really dive into what she's saying.

Let's take her whole natural selection argument, for example. Tinies were meant to serve giants; that's what nature determined. Really? So is everyone born with a birth defect born to serve those without them? Every person who is handicapped is determined by fate to serve the able-bodied? Hell, does every young child have an obligation toward the servitude of the adults who provide the structure and resources to allow them to survive?

The notion that some degree of dependence demands servitude toward those being depended upon is really messed up when you stop and think about it. The thought that dependence makes you lesser falls apart when you realize that everyone is dependent on something or someone, whether that dependence be emotional, financial, or societal. Not to get too deep into political theory here, but the whole reason government exists, regardless of form, is more or less centered around human dependency.

Size is such an extreme illustration of this, especially given the scale of size in this story (which I fucking love, by the way), but it holds true all the same. I'd argue that Trevor and Donnica's relationship is a prime example of this, as, ironically enough, Donnica has come to lean on Trevor much more than the other way around, I'd say.

But then, this whole conversation between Kassandra and Trevor just feeds into what I called one of the major themes of this arc in my last review: the inability of the world to understand the nature of Trevor and Donnica's relationship. In this case, that misunderstanding is especially prevalent, as Kassandra's own messed up beliefs restored hope for a relationship with Trevor even after he told her he was taken (by two women, no less; I love how he unashamedly includes Annabel when talking about his relationship).

Kassandra is convinced that Trevor has misunderstood the nature of his relationship with Donnica, and, in my view, wants Trevor to come back to help him understand the "truth" and court him. She can't comprehend that Trevor is romantically involved with one "goddess," let alone two, so she doesn't view him as taken at all. He just needs to understand that the "goddesses" don't feel that way about tinies, then Kassandra will be able to win him over. That's what's happening in S5, I think. Kassandra didn't laugh at Helena's disparaging remark about Trevor because she cares about him, and she cut off the goddess and pretty much lied to said goddess in order to have a chance with Trevor. I'd even go so far as to say that Kassandra letting Trevor see her smoke is a sign of her immediate affection for him.

But back to Kassandra's fucked up belief system (I went on a little tangent there), it's so interesting to me that the most level-headed, down-to-earth person in the Kingdom, the one who seems so competent and not cult-influenced, is the one we hear this nonsense from. It really makes you wonder how she fell into this mindset. I think there's probably something to her talking about the harshness and the sometimes futile struggle for tinies in the outside world. Maybe she was humbled in a way she had never been before. And I feel like this was the part of her argument that got Trevor starting to really consider her argument (despite the fact that he disproves it in so many ways).At the same time, though, I have a really hard time seeing someone like Kassandra just throwing in the towel and giving up like that.

No, I think there's something more to it than that.

Which brings me to Wuthering Heights. You throwing an actual book reference in here (rather than making up books like before), threw me for a loop. Was this a clue as to what's going on in the background for Helena and the Kingdom? Is Trevor the Mr. Lockwood of this scenario? Was this just a cool, creative way to introduce Conner into the story? Are you just obsessed with gothic literature?

I actually thought through several ways in which what we know about this arc so far might relate to this arc. I found Connor's take on the story really interesting, and it makes sense, given how pretty much every character in that story other than Hareton and Cathy. The concept of two pawns in a greater, super petty scheme finding true happiness and "correcting" the mistakes of those who came before you (or were doing the scheming possibly in this case) could apply the tinies of the Kingdom (or maybe even the Kingdom itself) in a lot of ways, I think.

Hopefully nobody marries their cousin in this story, though!

But I was much more interesting in the fact that Hareton was brought up at all. Because, the more I think about it, the more I feel like Kassandra is something of a Hareton stand-in, with Helena playing the role of Heathcliff and Celine that of Catherine. Now that's clearly not an apples to apples comparison, but I feel like it fits (or I've convinced myself of it, anyway!) I'm starting to think the Kingdom is a tale of fractured love, revenge, and real estate.

As such, I feel like Helena has manipulated Kassandra much like Heathcliff manipulated Hareton and for exactly the same reason. Granted, the way Helena gushed over Kassandra and even gave into her in S5 had me second-guessing this a bit. But then again, wasn't Heathcliff's affection for Hareton sincere by the time he died?

I don't know, I might be grasping at straws here, but I feel like there's something there at the very least. And I feel very confident that there was a deeper meaning to this Wuthering Heights reference; I've learned by reading this story that you have a reason for pretty much everything.

And while we're on this literary comparison, it also gave me an epiphany that I now feel should have been obvious before: Celine created the Kingdom. I'm not 100 percent certain about this, but the pieces seem to be there. I said I thought it should have been obvious to me sooner, and that's because of MINAR and the Seed Code. We know Celine built MINAR, a system designed for "autonomous residency," something Helena kind of mocked a little bit in S5 when she mentioned letting the subject "play at agency." And we know that Celine either created or sabotaged (or both) the Seed Code, something that no one else seems to understand and the BFFs weren't even remotely concerned that Trevor could accidentally screw up, implying Celine has an intimate understanding of it (unless the "sabotage" was really accidental, which hasn't been ruled out but I kind of doubt).

You see, at first I assumed that this Kingdom was something bestowed to Helena by this organization that we still don't know for sure exists but definitely does (or OTWSDKFSEBDD for short!). I thought this modern miracle was given to every sovereign, assuming that this was the position that Helena herself held, and that there was some test that needed to be taken to earn the right to have one.

But now I don't think that's the case. I think the titles like "goddess," "subject," and "sovereign" are an OTWSDKFSEBDD (yes, I actually used it!) thing, as are the principles instilled in Helena's Kingdom and the fostering of tiny communities like Helena owns. But the miracle of Helena's Kingdom? the artificial sun, the real tiny plant life, and the other wonders inside it? I think Celine did that and probably before she shrank.

Maybe Celine's urge to defend her fellow tinies started before she was a fellow tiny. I mean, Helena's place used to Celine's family mansion, right? It would make sense that it was Celine that had the new development on the estate and the infrastructure housing what is now called the Kingdom installed. In fact, if the OTWSDKFSEBDD (yep, sticking with it!) distributes the tech that left Trevor stunned, why couldn't Helena simply ask them how to alter the Seed Code? I suppose maybe she's planning something that goes against their rules, but I find that unlikely given how upset she was when Penelope broke the possible group's rules with Trevor.

No, I think no one else can figure out the Seed Code because Celine is the only one who can, and she's not telling anyone.

And why won't she? Because Helena is trying to ruin Celine's vision. Like Heathcliff and the two estates in his literary world, I think Helena's interest in "the Kingdom" is as much about revenge as anything. Maybe she really does want to expand the Kingdom (hence the real estate angle; see how far I'm willing to stretch things?), but this expansion will be the Wuthering Heights to the Kingdom's Thushcross Grange. Or maybe Helena wants to make ... other changes to the Kingdom once she gets access to the Seed Code, ruining the miracle altogether just to shove it in Celine's tiny face.

Or at least that's my new working theory. They change quite a bit, so maybe I'll have a whole new one by the end of the next chapter!

I was wondering if we'd ever see that girl from trash town again, and we, uh, almost did! Too bad she couldn't come out and say hello, but hey, at least Helena was comfortable the whole time! Seriously, though, I'm actually not a butt guy (gasp!), but I was hanging on every wiggle or slight adjustment from Helena in S5. It was really hot!

More importantly, we found out that, at least in extreme cases, imprinting goes beyond physical tolerance. Helena has apparently done this to "create" new subjects (or slaves, it wasn't entirely clear what Helena's long-term plan for the defiant tiny is), so it seems as though this can rewire a tiny's whole brain.

This mad me wonder more about Amber and Rebecca. We know some (accidental) imprinting has taken place with Rebecca (hence her sudden love of Amber's feet). And, of course, Amber had that, let's call it a phase, when her dominance of Rebecca seeped into everything about their relationship. So while I do think the feelings between them are at least mostly sincere, I'm now asking the question: How much of Rebecca's love for Amber is because of who Amber is and how much of it comes from this imprinting thing.

We also still don't know everything about how imprinting works, too. Trevor didn't imprint with Amber during the early chapters of the story. Did he just need more time, or is there an emotional component to it. Is Helena sticking the defiant tiny up her ass about more than just physical surroundings? Maybe the feeling of inferiority and being dominated plays a role. I mean, I'm not even asking these questions about Trevor and his relationship with Donnica and Annabel, and he's been exposed to them for way longer than either of these other examples. 

So I'm not trying to lessen what Amber and Rebecca have, but that little bit did get me wondering just a little bit on Rebecca's end of things.

I should probably comment on the open sexuality of the Kingdom's cult-like environment. I didn't get around to mentioning Vikki and Ricci doing a little striptease and wanting to show Trevor their bodies, but between that and Gavin and Lena's scene in S4, there's clearly a trend here. The two bureaucrats weren't the least bit embarrassed or shamed when Trevor walked in on them. They were annoyed that they were interrupted, feeling obligated to help him before continuing. They even got right back to it before Trevor even left the room!

So yeah, there's clearly a culture of sexual openness established in the Kingdom. I wonder if that was something bestowed upon them by the goddesses or if that just comes natural given the sexual nature of at least Goddess Vivara (I'm sure the others probably share that in their own ways) and their inability to have privacy in such a tiny world.

Lastly, I just wanted to say, holy shit! You painted such a vivid picture of the Assembly House and even the landscaping surrounding it. It was so easy to picture and came off as nothing short of grand in my mind. And the fact that the throne so easily towered over it, reminding Trevor of to whom this realm really belonged, was just perfect!

Hey, look at me! I finished the chapter! Fantastic work on this one. I know the fetish content wasn't overly abundant, but the lore more than made up for it and really got my mind going thinking of all the possibilities about what's really going on with this arc. And hey, the smut we did get was great! Vivara was so much fun and came off as larger than life, and Helena putting that tiny rebel in her place (which happens to be inside Helena's ass) was hot in a way I wouldn't have expected going in to this. And that vision of Juliette descending on the tiny world and being worshipped? Just awesome!

I'm really looking forward to seeing where you take this next (and having all my theories blown out of the water!).

Something clicked for me during that last part of S3.

Seeing the way those tinies worshipped Vivara and the way she cherished them in return, I realized how these "goddesses" view things, why even someone like Helena can look at Vikki and Ricci with love and admiration. If a tiny fully devotes themselves to the goddesses, loves them, worships them, admires them, then the goddesses will cherish them in return. Like any other divine being, morals knowing their place and showing reverence is rewarded. That's why Juliette, someone who was introduced to us as an arrogant, tiny-hating aristocrat, holds the Kingdom as sacred: because she believes in this system as much as the rest of them.

This made me think back to Celine's warning the last time she was with Trevor. She told him that Trevor was only safe until Helena convinced Donnica to "think like them," then he'd end up in a cage right next to her. I didn't know exactly what Celine meant by this then, and I mostly just assumed she was saying that Helena would convince Donnica to hate Trevor like she does every other tiny. But now I realize what Helena's plan to get rid of Trevor is.

She thinks that once Donnica experiences the type of "love" the goddesses receive from subjects of the Kingdom, her relationship with Trevor will pale in comparison. She thinks that what she has is so much greater than what Donnica has with Trevor that once Donnica has the chance to have a Kingdom of her own (assuming my prediction about that "sovereign" stuff is right), she can finally make Trevor pay (or watch Donnica make him pay) for being a thorn in her side.

Now, maybe I'm blinded by my thoughts on Donnica and the Kingdom (I've been saying for two reviews now that she'd despise this setup, so maybe I just have that on the brain), but, if this is actually Helena's plan, she's in for a rude awakening. Because, like I said back in the trash town, while their actions may be similar, their motivations are entirely different.

I don't think Donnica wants to be adored by tinies. I don't think a bunch of little people loving and trusting her completely would move her in the least. I think she'd be disgusted, actually. This leads into what I'm starting to see as a major theme of this arc: Nobody understands Donnica and Trevor's relationship (except Annabel, for obvious reasons, although that whole thing would just confuse everyone even more!).

Ricci and Vikki have obviously been trying to hook Trevor up with Kassandra, and that was basically confirmed in this segment. I have to believe that the BFFs know about Trevor's relationship with Donnica. But I don't think they're even capable of understanding what it really is. We haven't seen anything to confirm it yet, but based on what they're trying to do, I can only imagine they assume that Trevor's relationship with Donnica is like their relationship with Helena, which obviously isn't remotely true. But, in their minds, that's as close to a giant as a tiny can get; it's beyond their understanding that a tiny could actually date a giant.

Tying this into what I think Helena is trying to do with Donnica, I don't think Helena can comprehend that Donnica truly holds Trevor as an equal, that she holds him up as above even her fellow giants, something she's done at least since that vacation to the island (where it was stated outright). Helena actually believes that Donnica wants to be worshipped, to be loved by a tiny cult who view her as literal divinity.

Helena can't understand that it's that stubbornness, that very thing that Helena hates about Trevor, that makes him special to Donnica. As much as she hates the weakness and helplessness of most tinies, it's Trevor's strength that draws her to him. Trevor is everything these "subjects" are not, and I don't see Donnica ever choosing having them over Trevor. it wouldn't even be a decision, really. She'd probably stomp the potential subjects flat for daring to challenge for Trevor's place in her heart before Helena could even fully explain what's going on.

So yeah, unless I'm just way off (and wasted all those words!), I'm pretty sure Helena is doomed to fail when it comes to Donnica.

Also, I'll be interested to see how Vivara treats tinies outside of the Kingdom if/when we see her in the real world. She sounded like a real sweetheart here, but so did Helena when talking to Vikki and Ricci a couple chapters ago. I could see her doing a total 180 if we see her interacting with non-subjects. Again, I feel like this organization's code is all about returning the love and devotion of their subjects with showering them with divine (and possibly patronizing) love.

You know, I know the Seed Code was probably the most significant thing mentioned in the segment, but it was the logic farm that most grabbed my attention. Aside from the incredibly sad story of Ricci and Vikki's families selling them (what the fuck?! Also, yet another glance on the diverse views on tinies by the wider world of giants), how they came into Helena's possession really got me thinking.

So there are places where highly skilled tinies are sold and forced to do cognitive labor. And that's where "the goddesses" bought Vikki and Ricci and "saved" them. It kind of makes you wonder what these goddesses were doing at that logic farm in the first place, doesn't it? And not only did they go to one, but they made purchases as well. Maybe it's just me, but I don't feel like brilliant, incredibly skilled tinies are an impulse buy. It seems to me as though the goddesses were there looking for a particular type of tiny to buy. So it also doesn't seem like a coincidence that they bought two genius tinies with mindboggling programming skills (and possibly others as well).

That brings me back to what I've been asking in my other reviews in this chapter so far. Just what makes these "subjects" so special that they get to live in paradise while the rest have to suffer at the mercy of a world much to large for them? Well, for Vikki and Ricci, that now seems pretty obvious. They weren't found or just so happened to know the right person to get there; they were purchased. I mentioned before that I thought each subject might be highly skilled in some way and that's why they were "chosen," and this made me feel a little more confident about that prediction.

... until Vivara told Trevor he'd make a good subject, that is! Her making this appraisal after just looking at him implies that skill isn't a requirement at all, and that the goddesses are either looking for something else or can just pick subjects on a whim. Granted, between Trevor telling Vivara that he was spoken for by two giants and her finding out that he was an outsider given entry by Helena to do something "important," maybe Vivara could make certain assumptions about Trevor's abilities and only be curious about his looks. But yeah, this knocked down that growing confidence in my theory by a peg.

Back to the Seed Code, though. I wonder if it actually does what the girls were told it does. I'm a bit skeptical but not outright dismissive of it. I don't think we have enough information to know much of anything about it for sure yet, but I found the claim that Donnica wants to expand the Kingdom to be quite intriguing, though. If that's true, it makes you wonder why Celine would be so unwilling to help. We never got a direct answer on whether or not she created the code, but I think we can confidently assume that she did something to it at the very least. If I remember right, didn't Helena tell Celine that Trevor was going to go in and look at the mess the tiny genius made? If Celine didn't make the code, she almost certainly sabotaged it. Or, at the very least, locked everyone else out.

Which leads me to ask why? If Donnica wants to expand tiny paradise, why wouldn't Celine want to help with that? Despite her disdain for Helena, she does seem to really care about tinykind in general (hence her occasional hostility toward Trevor; because I think that she, too, doesn't understand that Trevor's relationship with Donnica is purely romantic). So wouldn't she want to do something to help more tinies end up in a place scaled entirely to them, to give them their lives back? The fact that she doesn't makes me think there are some seriously dark intentions hidden somewhere in concept of the Kingdom. Or maybe Helena doesn't want to expand. Maybe the Seed Code does something different entirely.

Or perhaps it has something to do with Helena's plan with the firm. If Helena really is trying to make more space in her Kingdom, then I have a really hard time believing that it's a coincidence that she's also trying to remove hundreds of thousands of tinies from the state's insurance program. I mean, she wants to expand at the same time that that she's trying to throw so many tinies on the street? It would have to be related. And Donnica was surprised that they were making that move so fast, which seemed to be a throwaway line at the time. But now it seems like a clue that Helena is in a hurry for some reason. Maybe she needs to expand the Kingdom before she can move forward with the deregistration plan, and that's why Celine did what she did and won't fix it now.

Or maybe Celine just hates the subjects! She didn't seem too fond of Vikki and Ricci when we saw them all together, yet Vikki and Ricci seemed deeply saddened every time Celine came up, even when Trevor called her The Outcast like he was "supposed to." It seems that Celine feels hurt, maybe even betrayed, by something they did, while the Glitter Twins are just bummed that they can't properly hang out with her anymore.

On a less plot-heavy note, I thought it was cute how Trevor reacted when he realized what Ricci and Vikki were actually trying to do. Actually that whole scene at the terminal was amazing! The logic farm stuff was heartbreaking, but seeing Trevor have a human moment with the BFFs put a smile on my face. Trevor smiling as he realized that the girls were trying to pair him off with Kassandra was sweet, as was the girls' not quite subtle approach to it! And the stuff with the code itself, balancing out Trevor's skill by noting that there were things he recognized in there with the overall unknowable-ness of the code was really well done. I still feel like Trevor really knows his shit, despite the fact that he failed to figure anything out. And I have no doubt that those notes he took are going to come back in a big way somewhere down the line.

Also, the comparison between the dark, dreary, and technologically advanced inner workings of the Kingdom with its dream-like perfection "outside" was a nice contrast too. It's interesting to see how different the parts that allow the subjects to live their blissful lives actually operate. Also also, I'm really digging Trevor's new outlook on the Kingdom, that it's a "fever dream" or that he's suddenly "part of a story." To me, this shows that while he's amazed at what he's seeing and obviously likes it, he doesn't see it as real or a place he'd like to call home. If given the choice, I feel like he'd still choose to suffer feeling tiny in a larger world with Donnica and Annabel over feeling normal in this blissful cult haven, despite it's near perfection.

His feelings for Kassandra might be a different story, though. I'm ... a little worried that Trevor might be about to fuck up. Although, at the same time, part of me does have faith in him. He was willing to give himself to Donnica and Annabel in the most literal way possible, after all. That's as dedicated as he can get! So, at this point in his life, I do feel like he'll stay loyal to his "goddesses." Then again, we've seen Trevor "go with the flow" in situations like this in the past, too. Although, to be fair, those were always with giants.

So yeah, I mostly feel like Trevor isn't going to give in to temptation, but the concern is still there, if that makes sense.

Another awesome segment! I loved the worldbuilding and plot stuff (obviously, as this review shows), and you even worked in some great smut at the end of it!