if shrinking were possible, i'm sure someone would be able to get very, very rich from a shoe shine business utilizing this method :)

again, excellent

damn... nice one

Thanks, DrCreep.  I have the rest of the plot brainwaved, and will work to get it posted in the next 10 days. I fixed a few minor grammer errors in 1st chapter.  The 2nd posting should be close to the same length as the 1st Chapter.

Well, there's no crushing, throwing little men in fire, or breathing underwater. There's only one part in the story from hear on out you might have a problem with, and it's in the very last chapter, but even that is something I think you should be fine with because I don't describe it as it's happening, just that it is GOING to happen. 

Oh, and I hate fatalities. I think they're morbid and it makes me feel like the writer has a death wish. I only do it if I think it's a good way to end a story, like in my story Tutoring, and there I didn't even describe the death. I also hate fatalities because a core of my stories is the relationship between the shrunken man and the giantess, not the multiple shrunken men she murders that don't have nearly as fleshed out relationships with the girl. 

As for the arguement of realism being a core concept of a good story, that's strictly opinion. I know what you're talking about by making them superheo like. I personally can't stand stories where the shrunken character becomes flattened and reinflates, but that's that writer's fantasy, to be crushed over and over, but not be killed. To me that's too unbelievable, but it's mainly because they add a superhero component to it. Stories that talk about being sat on, but not actually flattening, yet still feeling pain I can buy. Most likely the tiny guy would die, but as long as they don't make it seem crazy, I'm okay with it. But again, crushing isn't my thing. I think it's neccessary to look past realism, not completely, but enough to give it wiggle room and enjoy the fetish more. For example, if we didn't write anything that wasn't realistic, we couldn't have any insertion in stories, which is a pretty popular action in stories. Though it's likely impossible to breathe when you're shoved face-first up a vagina, I don't mind ignoring that little fact to enjoy the story more, because if you only go for realism, all your left with is worshipping giant body parts or dying.

I agree DrCreep.  But with the intentions of making a protagonist stranded on an uncharted island, how else would you write it?  The thought of making Lindsey purposely swim to an island that no one has ever set foot on before so she could make her self be stranded didn't sound believable.  All for the purpose so I can continue with the story.  :)

But in addition to a "classic" beginning, it allowed the readers get a history of Lindsey in a creative way.

As for the teaser, I don't know if other authors do that.  Mistress Anez and I thought it might be a good way to keep the reader engaged especially having to read such a lame beginning.  :)

Again, I agree with you DrCreep.  But writing an uneventful, lame beginning was a necessary evil.

Thank you so much for the high five and being the very first reviewer for my very first posted chapter story.  :)

I thought of the samething DrCreep.  In fact, since Vore and Voyeur is not my style of writing, my outline reflected another scene completely.  But Mistress demanded those elements and more violence.  She stood over me threatening as I changed the outline and rearranged the chapters 3 times.

Although the question is simple, the answer is complicated.  We had to find a victim small enough to consume then we had to justify why Lindsey would do such a horrible thing.  In the spur of the moment, she wanted to hurt the king as much as possible and pick a fight.  What she didn't know was that her act was the best thing she could've done due to the villager's customs.  So it backfired.  Awkwardly enough, that event had a biblical reference.  The story of God sending the last plague (that killed all the first born) to soften the pharoe's heart to let the slaves go.  Consuming the boy had the same effect.  To vomit the boy back up would've undone everything.  The villager's would've thought that the prince was not worthy; then Lindsey would be back in a position where the king would hate her or even more.

Dee